Office for Emu Films by Studio Swine

A pegboard wall with customised pockets provides flexible storage at this tiny Soho office by London designers Studio Swine.

Office for Emu Films by Studio Swine

Designed for production company Emu Films, the 10 square-metre office provides a workplace for up to four people.

Office for Emu Films by Studio Swine

Lamps and stationery hang from the pegboard wall alongside Studio Swine’s boxes and pouches, which were custom-made from colourful linoleum tiles.

Office for Emu Films by Studio Swine

Parquet mahogany flooring reclaimed from a local high school was used to create the floating desk underneath the pegboard wall.

Office for Emu Films by Studio Swine

Lichen-covered oak offcuts provide wall-mounted shelves, while a desk folds up from the wall alongside.

Office for Emu Films by Studio Swine

Studio Swine are Royal College of Art graduates Alexander Groves and Azusa Murakami. Other projects by the duo include a pair of spectacles made from human hair and a project to recycle plastic particles dumped in the ocean.

Office for Emu Films by Studio Swine

Photographs are by Studio Swine.

Office for Emu Films by Studio Swine

Here’s some more information from Studio Swine:


Studio Swine have completed an office interior for EMU films, a production company located in Soho, London. The space, which measures approximately 10 sq. m., is a work place for 2 – 4 people.

Office for Emu Films by Studio Swine

The office is tiled in marble and decorated in a palette of light grey and white punctuated with bright, highly patterned marmoleum tiles to create a utilitarian work space with pop elements.

Office for Emu Films by Studio Swine

The floating desk maximises the sense of openness whilst the pegboard and folding desks keep the space flexible to changing requirements.

Office for Emu Films by Studio Swine

The mahogany desk uses reclaimed parquet flooring from a local high school, and the shelves have been made from the radial offcuts of sustainably sourced Kentish Oak.

Office for Emu Films by Studio Swine

Marmoleum, which is made up of 97% natural materials, has been used throughout the office for cladding cabinets, box files and stitched to form hanging pouches for stationery.

Office for Emu Films by Studio Swine

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Canteen Covent Garden by Very Good & Proper

Hackney design studio Very Good & Proper used glossy tiles salvaged from the London Underground in the Covent Garden branch of restaurant chain Canteen (+ slideshow).

Canteen Covent Garden by Very Good & Proper

The studio have combined contemporary furniture with vintage details to create an interior that complements Canteen’s British menu.

Canteen Covent Garden by Very Good & Proper

Diners can choose to sit at an oak table or in a retro dining booth.

Canteen Covent Garden by Very Good & Proper

The bar area has a zinc counter top and reclaimed Victorian mosaic tiles cover the floor.

Canteen Covent Garden by Very Good & Proper

Very Good & Proper designed the bar stools and the brass wall hooks, as well as the brass and oak Canteen Utility Chair, which can be found in all Canteen restaurants. Dezeen featured the chair when it launched at London Design Festival in 2009.

Canteen Covent Garden by Very Good & Proper

The restaurant is located on the ground floor of the Lyceum Theatre near Covent Garden.

Canteen Covent Garden by Very Good & Proper

Photography is by Ed Reeve.

Canteen Covent Garden by Very Good & Proper

See all our stories about restaurants »

Here’s some more information from the designers:


Canteen is celebrated not only for its all day menu but also for its progressive approach to design. The restaurant group designs and produces its own furniture, through British design studio Very Good & Proper. The ‘Canteen Utility Chair’ is hugely popular, and is found in each Canteen restaurant, its design and style now instantly recognisable. However, the chair is not solely for Canteen or just restaurant use, it can now also be found in sought-after locations around the world – MoMA Sweden, BBC and Channel 4 creative meeting spaces, and the new Facebook headquarters in San Francisco. The chair is sold through leading international design retailers. The Canteen Utility Chair has been redefined for Canteen Covent Garden with brushed brass metalwork.

Canteen Covent Garden by Very Good & Proper

With the original façade of the building dating from the 1830s, Canteen’s contemporary design is juxtaposed with the ornate molding around the tall windows and front doors. The bar area is sleek and inviting with its zinc bar top, Very Good & Proper designed bar stools and chairs and reclaimed Victorian mosaic floor tiles.

A slope leads down to the large oak herringbone-floored dining room with booth seating lined against a tiled wall (original tiles used by London Underground); the ‘Covent Garden Chair’ in various colours sits at the round tables, while the brushed brass Canteen Utility Chair lines the long tables beneath the windows.

Canteen Covent Garden by Very Good & Proper

Canteen Covent Garden is designed by VG&P, currently exhibiting at Clerkenwell Design Week and nominated for Design Museum Design of the Year 2012.
Canteen Hook and Knob – Limited edition brass knob and fire engine red hook
Canteen Utility Chair – limited edition brass frame with oak seat
Covent Garden Club Chair – designed and named specifically for this restaurant
Croquet shelving (new product, available to order soon)

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IkHa by Oatmeal Studio

Dutch designers Oatmeal Studio have hacked IKEA furniture to create a pop-up restaurant where diners pick their own tableware and cut their own tablecloths (+ slideshow.)

IkHa by Oatmeal Studio

Located at the Filmhuis Den Haag theatre in The Hague, the IkHa restaurant is based on an IKEA showroom and is filled with wooden shelving units that integrate both storage areas and dining tables.

IkHa by Oatmeal Studio

Diners tear their tablecloths and placements from wallpaper rolls that hang from the walls, before making their order using a pad and pencil.

IkHa by Oatmeal Studio

The project is part of the wider “IKEA hacking” movement where designers modify or repurpose the Swedish brand’s products and publish them on the website IkeaHackers.net.

IkHa by Oatmeal Studio

This week IKEA has installed a temporary airport lounge in Paris, which you can see here.

IkHa by Oatmeal Studio

Photography is by Nadine Stijns.

IkHa by Oatmeal Studio

Here’s a project description from Oatmeal Studio:


Oatmeal Studio hacks Ikea

IkHa is a dining experience by Oatmeal Studio, where the concept of IKEA has been dismantled and translated into a restaurant interior. It’s not a self service restaurant in the usual sense of the word. Instead, visitors are invited to participate and customize their surroundings while dining.

IkHa by Oatmeal Studio

While ‘IKEA hacking’ – or creating spaces using the budget-savvy Swedish brand’s products in new ways – is a popular trend,the designers say they wanted to extend this concept.

IkHa is based on the showroom of IKEA itself.

A maze of shelves and rooms to navigate, often multiple times as one reconsiders their choices, and then arrives home with their flat-packed goods to begin the assembly process. Fortunately, they also sell Swedish Meatballs.

IkHa by Oatmeal Studio

Guests fill in their ordering forms with pencils and dinner is served on trays, delivered to the furniture construction at which they’ve chosen to sit.

Visitors can create their table setting from a selection of materials and cut their own tablecloth or placemat from a selection of wallpapers, ready to measure and cut.

“Even the Swedish meatballs are hacked”…and very nice, according to one patron of the restaurant.

IkHa by Oatmeal Studio

One of IKEA slogans is “Big ideas for small spaces”, an important aspect of the IkHa restaurant. Everything is collapsible and fold-able and when not in use can be quickly broken down to fit within a two square meter space.

This makes it ideal for temporary solutions, events, and festivals, according to the designers.

The restaurant is located in the Filmhuis/Den Haag Theatre in The Hague, the Netherlands, and can be visited until 30 July.

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IKEA Lounge at Charles de Gaulle airport

Swedish furniture brand IKEA have installed a temporary lounge at Charles de Gaulle airport in Paris (+ slideshow).

IKEA Lounge a VIP room for everyone in Paris airport

Located in Terminal 3, the IKEA Lounge is furnished like a house with living rooms, bedrooms and a playroom for children.

IKEA Lounge a VIP room for everyone in Paris airport

Departing passengers can even take a nap in one of nine beds while awaiting their flights.

IKEA Lounge a VIP room for everyone in Paris airport

The lounge is open to all and will remain in place until 5 August.

Also recently completed at Charles de Gaulle airport is a park-like business lounge with branching pathways and tree-shaped lights.

See more stories about airports »

Here’s the press release from IKEA:


IKEA reinvests the transport world by installing a VIP lounge in the Terminal 3 at the Roissy-Charles de Gaulle Airport, from July 13 to August 5!

Holiday departures are often a source of stress and because the waiting time in the departure lounge is an average of 1 hour and 43 minutes, IKEA wanted to use its expertise in interior design to serve the economy class.

IKEA Lounge is a space of over 220m ² for the whole family to relax before going on vacation.

Completely free, visitors will live a unique experience: greeted by a hostess, they can relax by reading the press, by watching TV from a comfortable sofa, or enjoy the quality of IKEA’s mattresses for a nap in one of the 9 bedrooms of the space (including one accessible to the disabled). Ikea Lounge contains also a specially dedicated space for children where they can enjoy themselves in a secure area of 50 m2, under the benevolent supervision of qualified instructors.

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Pride&Glory Interactive office by Morpho Studio

Recycled wooden boards and pallets are stacked up as furniture at this office in Kraków by Polish designers Morpho Studio (+ slideshow).

Pride And Glory Interactive by Morpho Studio

Located in a former factory, the office for advertising agency Pride&Glory Interactive also features glazed meeting rooms with wooden frames and plank and batten doors.

Pride And Glory Interactive by Morpho Studio

Light bulbs hang from a bunch of cables in one of the meeting rooms, while grass lines the edge of the one opposite.

Pride And Glory Interactive by Morpho Studio

Spotlights illuminate the reception area, where the company’s awards are displayed on shelves supported by ladders.

Pride And Glory Interactive by Morpho Studio

Other office interiors we’ve featured recently include a laboratory-like architecture studio and an office with rooms dedicated to silence.

Pride And Glory Interactive by Morpho Studio

See more stories about office interiors » 

Pride And Glory Interactive by Morpho Studio

Photography is by Hanna Długosz.

Pride And Glory Interactive by Morpho Studio

Here’s some text from Morpho Studio:


The new head office of Pride And Glory Interactive

The industrial character of the Zabłocie district goes much further back than the mid-19th century. It was here that many factories and industrial plants were situated, including a construction and building materials factory, Oskar Schindler’s enamelware factory and the building of the Telpod factory from the times of the Polish People’s Republic, seeming to stretch into infinity. Currently, Zabłocie is going through a revival, and the Museum of Contemporary Art located here attracts Kraków’s creative community.

Pride And Glory Interactive by Morpho Studio

It is precisely in this setting, in a building of a former cable factory, that the head office of the Pride and Glory Interactive agency is situated. The surface area of 800 m2 comprises mainly open spaces, but several conference rooms have also been included. The design was aimed at retaining the industrial atmosphere of the factory, but at the same time, at making it more cozy by adding some homely elements.

Pride And Glory Interactive by Morpho Studio

The interior has been fitted with elements such as award display shelves made of ladders; woodwork in the conference rooms inspired by details found in barns; shelves, the reception desk and some of the tables made of wooden boards obtained after the demolition of a 100-year-old house of one of the agency’s owners. An important element bringing the employees together is an open kitchen with a dining room. The post-industrial space turned out to be the perfect background for original furniture and accessories softening the austerity of the building and enhancing the qualities of the interior.

Pride And Glory Interactive by Morpho Studio

Location: Kraków
Area: 810 m2
Investor: Pride And Glory Interactive
Photo: Hanna Długosz

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IRO by Reiichi Ikeda

Here’s another project from Japanese designer Reiichi Ikeda, this time a hair salon in Osaka with diagonally striped wood and frosted glass (+ slideshow).

IRO by Reiichi Ikeda

The salon’s sparse interior contains a wooden counter and screen walls which hide the storage and washing areas.

IRO by Reiichi Ikeda

The glass on the shop window is frosted with stripes intended to produce a flickering moiré pattern at viewpoints where they overlap.

IRO by Reiichi Ikeda

The angle of the lines matches the IRO logo, in which the ‘O’ has been rotated to the same degree as the axis of the earth.

IRO by Reiichi Ikeda

Ikeda worked on the concept and the graphic design with Yuma Harada of UMA/design farm.

IRO by Reiichi Ikeda

The bare concrete floor and exposed ceiling make the shop seem unfinished, like the Osaka fashion boutique designed by Ikeda that we featured earlier this week.

IRO by Reiichi Ikeda

Another Ikeda design we featured recently was a clothes shop with a wire-mesh box inside it.

IRO by Reiichi Ikeda

See more stories about salons »
See more stories from Japan »

IRO by Reiichi Ikeda

Photographs are by Yoshiro Masuda.

Here’s more information from the designer:


Design concept:

This is an interior design for a hair salon in Osaka, Japan. The interior design was by Reiichi Ikeda of reiichi ikeda design, and the graphic design including the logo design was by Yuma Harada of UMA/design farm. The two companies shared the concept with each other and comprehensively directed the hair salon together.

IRO by Reiichi Ikeda

Generally, a hair salon has a conventional traffic line of waiting, shampooing, cutting, and so on. To add uniqueness, I dotted some visually standardized box-shaped objects such as furniture and a spot that have roles.

IRO by Reiichi Ikeda

The angle of the diagonal lines which constitute the facade and the interior visual effects follows the concept of the logo “IRO”. The “O” in the logo “IRO” is rotated 23.43 degrees to be parallel to the axis of the earth.

IRO by Reiichi Ikeda

Even though the Japanese word “IRO” means colours in English, we considered it as what gives us the seasonal indications with the Sun, instead of as being colourful. The light streaming through the diagonal lines and its shadows shifts from season to season.

IRO by Reiichi Ikeda

Additionally, the moiré effect caused by the overlapping lines helps to bring out the visual movement in the design.

IRO by Reiichi Ikeda

Project Name: IRO
Use: Hair salon
Location: 2-7-17-105, Minami-Horie, Nishi-ku, Osaka-city, Osaka, Japan 550-0015
Store floor area: 59.4 square metres
Completion of construction: Mar. 30, 2012
Interior Designer: Reiichi Ikeda and Yuma Harada
Photography: Yoshiro Masuda

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R1T Flat by Paritzki & Liani Architects

A panoramic view of the harbour is mirrored onto a PVC ceiling at this apartment in Tel Aviv by Paritzki & Liani Architects (+ slideshow).

R1T Flat by Paritzki & Liani Architects

The family apartment is located on the twenty-first floor of a tower block in the south of the city.

R1T Flat by Paritzki & Liani Architects

Glazed walls surround the open-plan living room and spotlights stretch out like spiders’ legs from its shiny white ceiling.

R1T Flat by Paritzki & Liani Architects

Each room in the apartment features wooden floors and walls in the bathroom are clad with roughly cut layers of stone.

R1T Flat by Paritzki & Liani Architects

Another interesting project by Paritzki & Liani Architects is a house beside a cliff in Jerusalem.

R1T Flat by Paritzki & Liani Architects

See more projects in Israel »

R1T Flat by Paritzki and Liani Architects

Photography is by Amit Geron.

R1T Flat by Paritzki & Liani Architects

Here’s a description from Paola Liani and Itai Paritzki:


R1T Apartment | Paritzki & Liani Architects

An angle. An “L” shaped volume positioned slightly higher than ground level about 80 meters above in a tower facing south-west of Tel Aviv, visually reaching like a proof of joint the sinuous coastline of the Jaffa port, only a few km away.

R1T Flat by Paritzki & Liani Architects

The design idea was to create a natural appendix to this visual correspondence in a territorial scale, and to obtain an ornamental integration of the city in the interior.

R1T Flat by Paritzki & Liani Architects

There are three routes traced on the inner perimeter of the “L” shaped volume: first is an entrance route that is internally duplicated by a second parallel passage covered with wood, leading to the night area, terminating and replicating itself along with the sea through the presence of a mirror / glass wall.

A third route, hidden and shorter, leads from the kitchen and dining area to the dark service zone shifting towards obscurity.

R1T Flat by Paritzki & Liani Architects

In this scheme for the sky, the main attraction is a place that “flies away from the world” in order to belong to the illusory of the blue that surrounds it.

Through the ceiling, a thin reflecting membrane, the city enters again the habitat, it appears, it gets lost; the streets, the buildings, find new boundaries between the atmospheric layers and miniatures signs of the carpets.

R1T Flat by Paritzki & Liani Architects

In this constant projection, the objects, everyday furniture pieces assume different layouts according to the mood, atmosphere and events of the house.

The night area transfers the projective references of the reflective ceiling but this time in a vertical way, along with partitions of mirror and transparent glass that allow a glimpse to the rough wall of stone of the bathroom.

A plan for the sky.

R1T Flat by Paritzki & Liani Architects

The nocturnal passage, the urban sky filled with artificial lights, stars, and paths form on the reflective ceiling and glass walls, weaved polygons, arches of circle, speedy rays of light, a dense arabesque that leaves the rest for the imagination.

The inhabitants observe.

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Wendy Maarten Pulley Lamps

Rotterdam industrial shipyards inspire elegant porcelain fixtures

pulley-3.jpgpulley-6.jpg

Dutch design duo Wendy Legro and Maarten Collignon found inspiration for their latest collection in the industrial shipyards of Rotterdam that surround their office. Better known as Wendy Maarten, they came together in 2010 after successfully partnering in several design contests around the Netherlands. “We noticed that working together makes us better,” says Legro. “The one thing that really connects us is that we really share the same taste.”

pigment.jpg

Their newest project, “Lightness in Lines,” is a lighting collection inspired by the pulley systems of Rotterdam’s shipyards and serves as a testament to their formally driven design process. “The Dutch translation for the word designer is ‘shape giver’—we literally want to give shape to objects but it should never lose its function,” says Collignon. “The aim for the ‘Lightness in Lines’ collection was to create elegant and friendly objects with a big focus on aesthetic qualities and form.”

pulley-7.jpg
pulley-5.jpg

The result is a line that’s both delicate and streamlined, consisting of long porcelain lamps balanced out by custom counterweights. The counterweight and the working pulley system allow one to easily adjust the height of each lamp. The collection comes in a variety of colors ranging from the industrial all-black iteration to the softer-looking gradient lamps that come in colors like grapefruit and yellow. “We use pigments to color the clay, the matte result almost makes it look like rubber which is perfect to reflect the industrial beauty of shipyards,” says Legro. “Working with ceramics means being challenged all the time. Close to our office we now have our porcelain workshop where we make every single lamp by hand with a lot of care, frustration and joy.”

pulley-1.jpg
pulley-2.jpg

The pulley lamps start at 375 € and can be ordered directly from their
website.


Martagon by Reiichi Ikeda

Japanese designer Reiichi Ikeda has built a wire mesh box in the middle of a fashion boutique in Osaka.

Martagon by Reiichi Ikeda

Chain-link fencing has been used for the walls of the box, which is separated into three parts and connected by rounded doorways.

Martagon by Reiichi Ikeda

Clothes rails have been positioned against the bare brick walls of the Martagon boutique and wood has been used for the counter and shelving.

Martagon by Reiichi Ikeda

Outside, a balcony made of chain-link fencing surrounds the shop window and the wooden entrance door.

Martagon by Reiichi Ikeda

Earlier today we featured another Osaka shop designed by Ikeda with a wooden house inside it.

Martagon by Reiichi Ikeda

Have a look at our Pinterest board of shops featured on Dezeen.

Martagon by Reiichi Ikeda

See more stories from Japan »
See more stories about shops »

Martagon by Reiichi Ikeda

Photographs are by Yoshiro Masuda.

Here’s some more information from the designer:


Design concept:
This is an interior design for a specialty boutique in Osaka, Japan. The owner has their own world view and wants to share it with others that people should enjoy various fashion regardless of rules and genres, just like going off on adventures.

Martagon by Reiichi Ikeda

I constructed a design concept out of the keywords, going off on adventures, and designed a boutique where you can freely walk around as in going around the globe. I considered partitions as what can connect areas to each other, and I controlled the number of areas by using them in this space with too much good visibility.

Martagon by Reiichi Ikeda

The use of the undecorated chain-link fence is very clear, and can be a special element to differentiate the areas. The unique space gives you curiosity and a sense of anticipation as an adventure does.

Martagon by Reiichi Ikeda

Project Name: Martagon
Use: Clothing store
Location: 1F SOLEIL Minami-Horie, 1-15-10, Minami-Horie, Nishi-ku, Osaka-city, Osaka, Japan 550-0015
Store floor area: 66 sq m
Completion of construction: Mar 16, 2012
Interior Designer: Reiichi Ikeda
Photographer: Yoshiro Masuda

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Not Wonder Store by Reiichi Ikeda

Not Wonder Store by Reiichi Ikeda

Designer Reiichi Ikeda has come up with a shop for Japanese fashion brand Wonderland that has a small wooden house inside.

Not Wonder Store by Reiichi Ikeda

Ikeda left the interior of the Not Wonder Store in Osaka bare with a glazed shop front and simple wooden rails and tables.

Not Wonder Store by Reiichi Ikeda

Bare timber has been used to construct the miniature house, which contains an office and fitting room.

Not Wonder Store by Reiichi Ikeda

Like a lot of projects we’ve featured from Japan, the shop uses materials that make it seem unfinished – check out more of them here.

Not Wonder Store by Reiichi Ikeda

We also recently featured two transparent facades from Japan – this exposed cedar house in Osaka prefecture and this glass box house near Kobe.

Not Wonder Store by Reiichi Ikeda

Have a look at our Pinterest board of shops featured on Dezeen.

Not Wonder Store by Reiichi Ikeda

See more stories from Japan »

Not Wonder Store by Reiichi Ikeda

Photographs are by Yoshiro Masuda.

Not Wonder Store by Reiichi Ikeda

Here’s some information from the designer:


This is an interior design for a clothing store and an atelier of the fashion brand Wonderland in Osaka, Japan. On my first visit, what made me feel as if it is outside even though there was the ceiling was that there wasn’t an entrance to define the border.

Not Wonder Store by Reiichi Ikeda

I made it a point to keep this strange and unique feeling, and tried making new interiors. I mean that I did not simply change the interior design to a radically new one, but I maximized the effect of the existing elements.

Not Wonder Store by Reiichi Ikeda

People very differently picture a world behind a closed door. So by setting up an entrance at the unimagined point, I expected a favorable effect on the “shift of the border”.

Not Wonder Store by Reiichi Ikeda

The area made by the shift of the border gets you a bit confused, and you will lose the idea where you are in or out. As a result, you find yourself coming in the shop.

Not Wonder Store by Reiichi Ikeda

Project Name: Not Wonder Store
Use: Clothing store
Location: 1-4-5-101, Toyosaki, Kita-ku, Osaka-city, Osaka, Japan 531-0072

Not Wonder Store by Reiichi Ikeda

Store floor area: 31.68 square meters
Completion of construction: Mar. 24, 2012
Interior Designer: Reiichi Ikeda
Photographer: Yoshiro Masuda

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by Reiichi Ikeda
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