A Red Object by 3Gatti Architecture Studio

A Red Object by 3GATTI Architecture Studio

This faceted red volume in a Shanghai office, designed by 3Gatti Architecture Studio of Rome and Shanghai, houses two meeting rooms and a cafe.

A Red Object by 3GATTI Architecture Studio

Called A Red Object, the enclosure forms part of an office inside a former factory.

A Red Object by 3GATTI Architecture Studio

The project also involved inserting two mezzanine levels, coating much of the concrete interior in white resin, and installing a black reception desk and workbench around the stairwell.

A Red Object by 3GATTI Architecture Studio

Photographs are by Masato Kawano.

A Red Object by 3GATTI Architecture Studio

The information that follows is from 3Gatti Architecture Studio:


A red object
Conversion of an ex factory into a office building

Red and black are historically avant-garde colours. In the last century they represented bold uncompromising ideologies and artistic movements that combined ethical and cultural beliefs with innovative forms of expression.

A Red Object by 3GATTI Architecture Studio

These were the colours that represented a certain turbulence or tension towards the essence of objects whereas white represented a vacuum or void in which to collocate their significance or meaning.

A Red Object by 3GATTI Architecture Studio

A blank sheet of paper on which nothing has yet been written is white; once there is a text, the colour red is used to underline words. In a similar way and in a contemporary setting Francesco Gatti associates colours to the objects he designs.

A Red Object by 3GATTI Architecture Studio

To convert an ex factory in the centre of Shanghai, the Italian architect was given certain criteria to follow and final requirements to be met: there should be premises to be used as offices, versatile spaces, meeting rooms, a reception and a café.

A Red Object by 3GATTI Architecture Studio

Taking into account the height of the rooms, it was decided to divide the upper space into two mezzanine floors joined together by two bridge-corridors. In this way a neutral central void was created.

A Red Object by 3GATTI Architecture Studio

The use of white resin for the floors and epoxy applied directly onto the concrete makes the double height a perfect setting for the utility functions, all housed among objects resembling sculptures.

A Red Object by 3GATTI Architecture Studio

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A faceted red object contains two meeting rooms and a kitchen in its lower level. It is separated from the floor by an illuminated slice of void and it reflects onto the white resin. Other less startling sculptures, are the reception desk which lies in the bend of the banister of the stairs and another long belt-like surface which can be used as a working surface which leads the way into the central area.

A Red Object by 3GATTI Architecture Studio

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Programme: Two storeys office events open spaces, two meeting rooms, reception area, bar, special dress storage-exhibition room, storage room, server room.

A Red Object by 3GATTI Architecture Studio

Click for larger image

Architect: 3GATTI.COM ARCHITECTURE STUDIO
Chief architect: Francesco Gatti
Project manager: Ingrid Pu
Collaborators: Paola Riceci, Jessie Zheng, Candy Zhang, Vivian Husiyue, Ben Hou, Peter Ye, Sunny Wang, Chen Han Yi, Robin Feng
Contractor: K2Lab
Engineer: Jachy Yan
Client: Italia Servizi s.r.l.
Location: Jing An district, Shanghai, China.
Total area: 708 m²

A Red Object by 3GATTI Architecture Studio

Click for larger image

Materials:
ground floor: white resin
mezzanine: steel structure, concrete floor with transparent epoxy
red object: concrete and brick structure, wooden secondary structure, plasterboard skin with plexiglass windows
reception desk: steel structure, wooden skin with grey piano painting


See also:

.

Cheap Monday Office
by Uglycute
Goldberger by
Tervhivatal
Wieden + Kennedy offices
by Featherstone Young

The Rug Company Reveals Alexander McQueen Designs


Courtesy The Rug Company

A field of fingerprintish feathers, a troubling of hummingbirds, military-flavored brocade, and signature skulls. These are the opulent designs conjured by Alexander McQueen for The Rug Company. The collaboration—three years in the making—was one of the last projects the fashion designer took on before committing suicide in February, and the results are reminiscent of the stunning gilded warrior looks that filled what would be his final collection. Handknotted in cashmere, wool, and silk, and in some cases woven with shimmering golden threads, the rugs each took six to eight months to produce. The Rug Company, which has collaborated with the likes of Paul Smith, Vivienne Westwood, and Tom Dixon and recently picked up a Veranda Art of Design award, now plans to take the McQueen designs on a global tour. First stop: Miami, where they’ll be exhibited at the company’s Design District showroom during Art Basel Miami Beach and Design Miami in early December.

New Career Opportunities Daily: The best jobs in media.

Pixels XL

Change up homes, offices and more with oversized adhesive pixels
pixels1.jpg

One of the highlights at Valencia Disseny Week 2010 was the constantly changing Pixels XL booth, a concept developed by Valencia-based CDRoig design studio.

The square tiles easily attach to the wall, and are just as easily removed to suit any color, mood or event. The genius in the design is its simplicity, flexibility, and ease of use, working well for temporary needs like events or meetings, freshening up rooms in your house, and keeping kids busy for hours at a time. Just about any material can be affixed to the front of the tile—such as aluminum, wood or plastic, making the incredibly simple design applicable to a wide scope of uses.

pixels2.jpg pixels3.jpg

A clear way to graphically communicate or create relevant themes for various office projects without completely changing a space, Pixels XL also encourage creativity within the home.

pixels4.jpg

The patent-pending design adheres without leaving behind holes in the wall or a sticky residue. Not available yet for purchase, contact CDRoig for availability and pricing.


Shigeru Ban, Neil Denari, Karim Rashid Selected for Interior Design Hall of Fame

Three design stars will be inducted into Interior Design‘s Hall of Fame this year: Shigeru Ban (Shigeru Ban Architects), Neil Denari (Neil M. Denari Architects), and Karim Rashid. The magazine has also created a new award—the Design Icon. The inaugural recipient of the honor will be Paige Rense, former editor of Architectural Digest and a 1985 Hall of Fame inductee. The foursome will be feted at a December 1 gala at New York’s Waldorf-Astoria Hotel, with proceeds from the event benefiting the Council for Interior Design Accreditation and the Alpha Workshops. While the Interior Design Hall of Fame has historically cast a relatively wide net in fulfilling its mission “to honor design professionals who have contributed to the growth and prominence of the interior design field,” this year’s selections aren’t sitting well with everyone. “Why are two architects, an industrial designer, and a shelter magazine editor being lauded as the best of the best by Interior Design magazine?” asked one commenter on ID‘s website. “Why isn’t Interior Design magazine lauding interior designers? This seems to happen every year, and it’s sending a pretty negative message to those of us who are trained interior designers.”

New Career Opportunities Daily: The best jobs in media.

House DE by Davidclovers

House DE by Davidclovers

Hong Kong studio Davidclovers have covered the interior of this house in aluminium strips to create patterns of light and shadow that change throughout the day.

House DE by Davidclovers

Situated at Clearwater Bay in Hong Kong and called House DE, the design merged two existing homes into one,  joined by three staircases.

House DE by Davidclovers

The undulating fins admit natural light through the ceiling during the daytime while emitting artificial illumination at night.

House DE by Davidclovers

Photographs are by Almond Chu.

House DE by Davidclovers

Here’s more from the architects:


Davidclover

House DE is an “infill” townhouse, spectacularly sited on a hillside above Clearwater Bay, Hong Kong.

House DE by Davidclovers

Combining two existing units into one, the design uses the volumes of three staircases to blend, burrow and interlock spaces vertically across four floors.

House DE by Davidclovers

Each “interaction” is materially monolithic, using stone, wood and a series of delicate aluminum fins.

House DE by Davidclovers

Defined by these fins, the texture and form of the lantern-volume subtly changes shape and depth, casting shadow and emitting light in different ways throughout the day.

House DE by Davidclovers

Each stair-volume pries open the house vertically and horizontally, pulling in daylight and emitting artificial light.

House DE by Davidclovers

Thickening the existing building enclosure and stretching it across the front and rear, the bedrooms and new master suite on the upper floors are protected from the elements, yet opens up to views of the natural surroundings.

House DE by Davidclovers

Towards the South, the facade thickens and torques, providing shade for bedrooms and balconies; while on the North, the facade transforms into a garden trellis for an outdoor dining terrace.

House DE by Davidclovers

House DE by Davidclovers

House DE by Davidclovers

House DE by Davidclovers

House DE by Davidclovers

House DE by Davidclovers

House DE by Davidclovers

House DE by Davidclovers

House DE by Davidclovers


See also:

.

Barker Residence by
Davidclovers
Yud Yud by Davidclovers
and C.E.B. Reas
House in Fukuyama by
Suppose Design Office

Barker Residence by Davidclovers

Barker Residence by Davidclovers

This staircase curls between two floors of an apartment designed by Hong Kong studio Davidclovers.

Called Barker Residence, the home commands a view over Hong Kong’s Victoria Harbour.

Barker Residence by Davidclovers

Twisting and sloping walls join together storage, entertainment systems and a fireplace, with the floor and lower part of the walls finished in wood.

Barker Residence by Davidclovers

See all our stories featuring spectacular staircases »

Barker Residence by Davidclovers

Here’s some more information from the architects:


BARKER RESIDENCE (2010) by davidclovers

At eye-level with the top of IFC, the tallest building in Hong Kong, the Barker Residence holds stunning views of Victoria Harbor.

Barker Residence by Davidclovers

The project is the first of a series of projects designed by davidclovers for a developer of residential properties in Hong Kong.

Barker Residence by Davidclovers

The basic approach is to hone in on the most potent areas of the existing layout, and enhance them.

Barker Residence by Davidclovers

At Barker Residence, davidclovers reworks the unit horizontally and vertically using a series of subtly inflected walls and artificially-lit ceilings to bend space around corners and through floors.

Barker Residence by Davidclovers

The design thoughtfully subdues the palatial scale of the flat while delicately intensifying its hidden potentials.

Barker Residence by Davidclovers

The existing vestibule is broken open to the full panorama of the skyscrapers along the “fragrant harbor”, gently combining the living area and entry. Subtly twisting walls organize various elements such as cabinetry, fireplace, desk and TV.

Barker Residence by Davidclovers

A stair unfurls to interlock the lower and upper levels. It is washed in an effervescent glow from a custom-designed chandelier above. Previously cave-like bathrooms are thrust into spaces capturing views.

Barker Residence by Davidclovers

The kitchen, bar and dining areas are cracked open and lit above by textured glowing ceilings.

Barker Residence by Davidclovers

Design: davidclovers
Design Team: David Erdman, Clover Lee, Mui Fuk Man, Jason Dembski, Damien Hannigan, Katrina Lee, Spencer Mak
CLIENT: Ample Source Holdings Ltd.
LOCATION: The Peak, Hong Kong
TYPE: 4000 sf townhouse renovation

Barker Residence by Davidclovers


See also:

.

Yud Yud by Davidclovers
and C.E.B. Reas
Staircase by Caruso St John
and Jean-Francois Bodin
Staircase by
Manuel Maia Gomes

Món Petit by Miquel Merce Architect and MSB Workshop

Mon Petit by Miquel Merce Architect and MSB Workshop

Toys are displayed between steel fins at this second-hand shop in Andorra by Miquel Merce Architect and MSB Workshop.

Mon Petit by Miquel Merce Architect and MSB Workshop

Called Món Petit, the space is also used as a meeting place and to host workshops.

Mon Petit by Miquel Merce Architect and MSB Workshop

Items for sale are displayed between the vertical recycled-steel plates.

Mon Petit by Miquel Merce Architect and MSB Workshop

More stories about retail »

The following information is from the architects:


A store more than just a store. A singular shop, not only for its premiere in Andorra as a sustainable space of pre-owned baby items, but also for its expressive and sincere architecture.

Mon Petit by Miquel Merce Architect and MSB Workshop

This shop come into being in a specific period: crisis, ecology, sustainability… a set of factors that makes us react and change. Retrieve, save, consider, are verbs that we have to go along with in this new phase, and demonstrate that they are not only a philosophy of a minority, but they should be the philosophy of everyone and everything.

Mon Petit by Miquel Merce Architect and MSB Workshop

More than a store: here the customer brings the product, making it complicit in this new concept, where fashion and marketing becomes necessity and reality. Opening up endless possibilities, in terms of volume and sizes, of products on display. First difficulty: flexibility, it should be possible to expose both small and large items, in varying amounts without having to turn constantly the space.

Mon Petit by Miquel Merce Architect and MSB Workshop

Any product intended to children has striking colours, shapes, motifs… that concentrated in such stores are intensified up disconcerting. In many cases, this visual intensity plays against the order and serenity of the space, the content can “beat” the container. Second complexity: the space must control children’s products usually striking.

Mon Petit by Miquel Merce Architect and MSB Workshop

We respond to this problematic creating a single item, which transmit this philosophy of sustainability, and natural recovery. It doesn’t want to be furniture, but to be immaterial, sculptural and essential. We create an element that, like everything else in this space, can be reused, giving him a second chance, without adornment or gimmicks, without irreversible manipulations … It is not decoration or vogue; it is sincerity, philosophy… Architecture.

Mon Petit by Miquel Merce Architect and MSB Workshop

Those elements are recycled black steel plate, chosen especially for this space for its elegant and evocative dark texture. Pushed to the limit of their strength, those plans give the sensation of “floating” lightly in space, helping to create a special and unique atmosphere.

Mon Petit by Miquel Merce Architect and MSB Workshop

Thanks to its constructive and material sincerity, it enhances the value of the products exhibited. With its repetition, it gives rhythm and vibration to space. Opaque and heavy laterally, invisible and clear front side, the steel elements metamorphoses dramatically forcing the viewer to move, to change perspective, interacting with it. It is a geometric reality: to see all the products, the customer is forced to enter and go at the back of the store, participating and living this sculptural architecture.

Mon Petit by Miquel Merce Architect and MSB Workshop

Mixed with this trading area, there is a space for kids and parents, where meetings, conferences, workshops are possible to emphasize even more this idea of interaction with space, mixture client/seller, and new philosophy of sustainable trade.

Mon Petit by Miquel Merce Architect and MSB Workshop

In short, we wanted to create a sculptural space, useful and critic of the times we live in, doing with the minimum, the maximum, giving a new sustainable dimension to the “less is more” of Ludwig Mies van der Rohe. A space formed by a repetition of reusable elements with sculptural rhythm, that beyond a commercial or environmentalist discourse wants to bring it spectator into a architectural world where elegance and sustainability works; Where necessity and art mingle; where things can have other uses, and still make us vibrate for its naturalness. It is not interior design or decoration, is a change in our society, our way of thinking and seeing things,a change in our time, in short, Architecture.

Miquel Merce Architect + MSB workshop office Andorra, October 2010.

Name: Món petit
Location: Av. de les Escoles no5 Escaldes-Engordany ANDORRA
Program: Commercial and meetings space
Surface: 60m2
Architectural project: Miquel Merce Architect + MSB Workshop office d’arquitectura i disseny
Fotography: Miquel Merce Architect
Graphic design: BAG Disseny Constructor: Lizarte Blacksmith: Cortals


See also:

.

9 Department Store and Gallery
by Case-Real
Ahoti by
Studio Lama
Foldaway Bookshop
by Campaign

Starbucks Rolls Out Latest (Final?) Redesigned Test Shop

In the latest chapter of Starbucks reinvention of itself through new designs, which began last year with the announcement of new “greening” plans and redesigned test shops springing up internationally, the company has reopened its Olive Way shop in its native Seattle, redesigned, green as can be, and now even serving wine and beer. While still just another test store while the company figures out what direction to go in now that it’s become perhaps too large and too ubiquitous, according to what’s said in the first look at the new store the company gave exclusively to USA Today, it sounds as if this might be the decided-upon model going forward, at least assuming it receives high marks from customers now that it opened for business earlier this week. Here’s a bit from the company’s rundown on the new look:

  • Columns and floor were preserved from the existing building.
  • Coffee bag tapestry on the wall was created using repurposed burlap coffee bags from the Starbucks Roasting Plant in Kent, Washington.
  • Live-edge wood at the coffee bar was made from urban salvaged wood.
  • Wood for the case-worked panels was made from reclaimed wood flooring.
  • Structure of the main serving bar incorporates reclaimed and recycled materials.
  • Community table was made from flooring from Garfield High School.
  • Community board was made from reused panels from old espresso machines.
  • Some of the chairs originally came from the University of Washington campus.
  • New Career Opportunities Daily: The best jobs in media.

    Trent Vioro by STAD

    Trent Vioro by STAD

    A diagonal wall clad in copper plates partially hides the interior of this boutique in Tenjin Fukuoka, Japan, by Japanese architect Toru Shimokawa of STAD.

    Trent Vioro by STAD

    The copper pieces are sized to match those of the stone floor tiles, and will oxidise over time as a result of shoppers touching the surface.

    Trent Vioro by STAD

    Called Trent Vioro, the boutique is located inside a mall.

    Trent Vioro by STAD

    See also: eel shop clad in burnt cedar by STAD

    Trent Vioro by STAD

    The following information is from the architect:


    Trent Vioro

    Boutique in VIORO in Tenjin Fukuoka.

    Client make me two contrary requests, one is open facade in order to invite guests and another is closed interior not to be seen from outside.

    As a solution, We constructed the closed shop like wrapped up that has a wide opened facade with a hanging diagonal wall to the opposite angle that also meets fire department’s requirements in shopping mall.

    Trent Vioro by STAD

    And this inclined facade wall crossing with elevator line made up a peculiar visual. The facade wall is covered with hundreds of copper sheets same size as the stone plates on the floor. Hundreds of copper sheets on the facade wall same size as the stone plates on the floor, going to lose lustre by touch of people who are interested in, and their color turns reddish-brown (It’s only copper and bronze) by oxidation and corroding as time goes by.

    Trent Vioro by STAD

    By reason that TRENT has established shops on streets by this time, I intend to create their brand image by using materials such as copper, stones, concrete blocks and scaffold just like other TRENT shops been done.


    See also:

    .

    Eel shop clad in burnt
    cedar by STAD
    Copper-clad
    concert hall
    More interiors
    stories

    H&M Seoul by Universal Design Studio

    H&M by Universal Design Studio

    Architects Universal Design Studio have created a perforated pleated facade for clothing retailer H&M in Seoul, South Korea.

    H&M by Universal Design Studio

    Each facet of the facade is perforated with patterns at different scales to increase the surface’s tonal contrast and perceived depth.

    H&M by Universal Design Studio

    The project also involved creating an internal staircase, this the studio lined with vertical louvres.

    H&M by Universal Design Studio

    The design is to be rolled out across stores worldwide.

    H&M by Universal Design Studio

    More about Universal Design Studio on Dezeen »

    The following text is from Universal Design Studio:


    H&M, Seoul, Korea

    Building on the continuing success of their work for international fashion brand, H&M, Universal Design Studio has now designed the exterior façade for the Korean flagship store in Seoul. This, the tenth site for H&M, is based on the distinctive modular design of other locations such as the H&M store in LA.

    Universal Design Studio has accentuated the three-dimensional appearance of the facade by using small and large-scale perforations to produce tonal contrast and visual depth to the pleated cladding. The façade comes alive at night when concealed illumination turns the store into a dramatically lit beacon. The three-storey-high sculptural relief creates an effect that softens the hard, dominant lines of the existing building structure.

    Internally, the design also includes a concept staircase created from a ‘ribbon’ of white glass. This forms the internal balustrade, and an articulated shroud of tightly stacked vertical louvers form the external walls.

    Universal Design Studio’s rolling project with H&M is an example of their ability to tailor solutions to individual sites whilst still creating engaging spaces and brand continuity. The original brief was to create an iconic façade concept that could be used to brand the first Asian H&M flagship stores but the design has proved so successful that it is now used as H&M’s global identity and will be applied to stores all over the world.

    Now established as two of the leading names in British design, Edward Barber and Jay Osgerby set-up BarberOsgerby together in 1996 and Universal Design Studio in 2001.

    Universal Design Studio is a multi-disciplinary team of architects, interior designers and industrial designers specialising in the creation of unique built environments. The studio takes a consistent, holistic approach to spatial design and interior architecture and offers a profound understanding and interpretation of the full range of creative possibilities.


    See also:

    .

    Reiss flagship store by
    Universal Design Studio
    James Cameron store by
    Universal Design Studio
    More retail
    interiors