City Camouflage by Roeland Otten

Dutch designer Roeland Otten uses mosaic tiles, paint and photographic prints to disguise scruffy public buildings like this former public toilet in Amsterdam (+ slideshow).

City Camouflage by Roeland Otten

Above: mosaic tiles on Air Quality Measuring Station in Amsterdam

For the latest instalment in Roeland Otten’s City Camouflage project, the tiles provide a pixelated view of Jan van Galenstraat shopping street.

City Camouflage by Roeland Otten

Otten’s project began in 2009 with the transformation of a former electricity substation on the corner of Graaf Floristraat and Heemraadsingel in Rotterdam.

City Camouflage by Roeland Otten

Above: Transformatie Huisje in Rotterdam uses a photograph printed on aluminium

He clad the building in sheets of aluminium printed with high-resolution photographs of the surrounding streets, so that it seems almost invisible among the houses and trees.

City Camouflage by Roeland Otten

Last year he used acrylic paint to transform a rusty electricity substation on the Boompjeskade waterfront in Rotterdam.

City Camouflage by Roeland Otten

The bold graphic paintwork makes the substation blend in with the water and foliage nearby.

City Camouflage by Roeland Otten

Above: acrylic paint was used for Dazzle Painted Electricity Substation in Rotterdam

Similar projects featured on Dezeen include a glass building disguised as an old farmhouse in the Netherlands and clothing that blends in with manhole covers and vending machines.

City Camouflage by Roeland Otten

We previously featured Otten’s collection of 26 chairs that spell out letters of the alphabet.

City Camouflage by Roeland Otten

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Here’s some more information from Otten:


Air Quality Measuring Station (2012)

An old public toilet building used to measure the quality of the air in this thoroughfare in Amsterdam was to be renewed, but the district council determined the area shouldn’t suffer from another concrete element. The design camouflages the little concrete building of GGD (Health Department of the city) Amsterdam.
 The tiling patterns bring back the lost views as pixelated images of the shopping street Jan van Galenstraat.

Made in 2012. Materials: Winckelmans tiles 5 x 5 cm in 24 colours, anti-graffiti coating. Dimensions: 1.8 x 3 x 2.8 m

Location: Jan van Galenstraat, Amsterdam, the Netherlands

Dazzle Painted Electricity Substation (2012)

In the newly developed park at the Boompjeskade/Leuvenhoofd in Rotterdam there was a rusty 70s electricity substation that was not on any map, 
therefore not taken care of, and was still there after the completion of the area. 
Commissioned by Rotterdam City Development, the old object got a fresh look with this dazzle painting.

Made in 2012. Materials: acrylic paint, anti-graffiti coating. Dimensions: approx. 2 x 1.5 x 2.5 m

Location: Leuvenhoofd, Rotterdam, the Netherlands

Transformatie Huisje (2009)

Purpose of the design is to bring back the lost view in this historical part of Rotterdam that was taken up by a concrete electricity substation.
 It was the winning entry of a contest for artist and designers organised by the Graaf Florisstraat in 2007.

Made in 2009. Materials: coated hi-res print on aluminium. Dimensions: 3.5 x 2.5 x 2.5 m

Location: crossing Graaf Floristraat/Heemraadsingel, Rotterdam, the Netherlands

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"The floating illuminated telephone number had no explanation" – Paul Cocksedge

In the last movie of our Seven Designers for Seven Dials series, designer Paul Cocksedge demonstrates what happened when passers-by called the floating illuminated phone number he installed for the project curated by Dezeen.

Paul Cocksedge at Seven Designers for Seven Dials

“What I’m inviting Londoners to do is to phone [the number] and as soon as it rings it begins to flash and you are in direct contact with the piece,” says Cocksedge.

Paul Cocksedge at Seven Designers for Seven Dials

While the installation was in place during last year’s London Design Festival, anyone could dial the number and the voice of actress Joanna Lumley would answer, inviting the caller to text “smile” to the five digit number that appeared from the original.

Paul Cocksedge at Seven Designers for Seven Dials

She explained that texting gives one pound to children’s charity Barnardo’s and when someone donated the lights changed again and a smile appeared.

Paul Cocksedge at Seven Designers for Seven Dials

Dezeen commissioned seven young designers to create seven installations to hang above the streets of Covent Garden during last year’s London Design Festival, and Cocksedge’s installation was located on Mercer Street.

Paul Cocksedge at Seven Designers for Seven Dials

This is the final movie in our series about Seven Designers for Seven Dials in which each designers describes their installation – see them all here.

Paul Cocksedge at Seven Designers for Seven Dials

Photography is by Mark Cocksedge.

Paul Cocksedge at Seven Designers for Seven Dials

The music featured in the movie is a song called Blue Sapphire by Remote Scenes. You can listen to the full track on Dezeen Music Project.

Paul Cocksedge at Seven Designers for Seven Dials

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"We were fascinated by what to do with all these coins" – Aberrant Architecture

In this movie we filmed, Aberrant Architecture director David Chambers tells the story of a Covent Garden tradesman whose collection of pennies inspired their aerial installation for Seven Designers for Seven Dials curated by Dezeen.

David Chambers at Seven Designers for Seven Dials

“We particularly liked the story of a guy called James Catnatch who used to sell newspapers called Catchpennies that used to advertise news and stories from the area,” says Chambers. “He used to charge a penny for each of these newspapers, so he was stuck with all these pennies.”

David Chambers at Seven Designers for Seven Dials

Aberrant Architecture arranged 18 coins into a grid high above shoppers’ heads, each marked with a symbol representing quack doctors in the area’s history who didn’t always provide the services they advertised.

David Chambers at Seven Designers for Seven Dials

Dezeen commissioned seven young designers to create seven installations to hang above the streets of Covent Garden during last year’s London Design Festival, and Aberrant Architecture’s Catchpenny Quackery installation was located on Neal Street.

David Chambers at Seven Designers for Seven Dials

We’ve been publishing movies from the Seven Designers for Seven Dials series every day this week – see them all here.

David Chambers at Seven Designers for Seven Dials

The music featured in the movie is a song called Blue Sapphire by Remote Scenes. You can listen to the full track on Dezeen Music Project.

David Chambers at Seven Designers for Seven Dials

Photography is by Mark Cocksedge.

See all our stories about design by Aberrant Architecture »
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"Victorian Seven Dials was known for shady characters and wayward ladies" – Vic Lee

Illustrator Vic Lee tells us how his banners depicting the former names of Covent Garden streets hark back to the area’s sordid past in the next of our Seven Designers for Seven Dials movies about aerial installations curated by Dezeen.

Vic Lee at Seven Designers for Seven Dials

“I chose to illustrate the names of the streets as they used to be called,” says Lee. “When they were built they were called something completely different.”

Vic Lee at Seven Designers for Seven Dials

Vic Lee usually works quite small, so creating 3.6-metre-square banners for this project required a sizeable scale-up.

Vic Lee at Seven Designers for Seven Dials

Dezeen commissioned seven young designers to create seven installations to hang above the streets of Covent Garden during last year’s London Design Festival, and Lee’s banners installation was located on Shorts Gardens.

Vic Lee at Seven Designers for Seven Dials

Previous movies in this series include designers Faye Toogood, Dominic Wilcox, Gitta Gschwendtner and Philippe Malouin each speaking about their installations – see them all here. Photography is by Mark Cocksedge.

Vic Lee at Seven Designers for Seven Dials

The music featured in the movie is a song called Blue Sapphire by Remote Scenes. You can listen to the full track on Dezeen Music Project.

Vic Lee at Seven Designers for Seven Dials

See all our stories about illustration »
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"We didn’t want to take over the neighbourhood" – Philippe Malouin

Designer Philippe Malouin explains why he hung transparent bunting above the street in the next of our Seven Designers for Seven Dials movies about the aerial installations curated by Dezeen.

Philippe Malouin at Seven Designers for Seven Dials

“You can see through the installation and through the neighbourhood all the way to the momument itself without obscuring or taking up too much visual space in the street,” says Malouin.

Philippe Malouin at Seven Designers for Seven Dials

The 60 lines of transparent PVC bunting that were strung across the road caught the sunlight and rippled in the wind.

Philippe Malouin at Seven Designers for Seven Dials

Dezeen commissioned seven young designers to create seven installations to hang above the streets of Covent Garden during last year’s London Design Festival, and Malouin’s bunting installation was located on Earlham Street.

Philippe Malouin at Seven Designers for Seven Dials

We’ve already published three movies in this series with Faye Toogood, Dominic Wilcox and Gitta Gschwendtner speaking about their installations – see them all here.

Philippe Malouin at Seven Designers for Seven Dials

The music featured in the movie is a song called Blue Sapphire by Remote Scenes. You can listen to the full track on Dezeen Music Project.

Philippe Malouin at Seven Designers for Seven Dials

Photography is by Mark Cocksedge.

See all our stories about design by Philippe Malouin »
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Units for Reconstruction by Miguel Vieira Baptista

Portugese designer Miguel Vieira Baptista came up with a set of measuring tools for a hypothetical reconstruction of a castle by estimating lengths with his hands.

Units for Reconstruction by Miguel Vieira Baptista

Units for Reconstruction was made by Miguel Vieira Baptista as part of The Castle in Three Acts, an exhibition in Guimarães Castle inviting artists, architects and designers to explore the themes of construction, destruction and reconstruction.

Units for Reconstruction by Miguel Vieira Baptista

“After my first visit to the castle I started to work in the office without a measuring tape,” explained the designer. “I just stretched my arms, pointed out dimensions on the wall and defined thickness using my hand.”

Units for Reconstruction by Miguel Vieira Baptista

He then developed a series of cylinders, blocks and planks that echo some of the proportions of the tenth-century castle.

Units for Reconstruction by Miguel Vieira Baptista

The approximate sizes and the human scale of the objects allude to the absence of a rigid system of measurement when the castle was built.

Units for Reconstruction by Miguel Vieira Baptista

One of the cylinders is cut into wedges to act as an angle ruler, while two planks join at a right angle to form a set square.

Units for Reconstruction by Miguel Vieira Baptista

The objects are made from MDF and painted white, and were arranged inside the castle as though they’d been left behind by a carpenter or stonemason.

Units for Reconstruction by Miguel Vieira Baptista

Above: Guimarães Castle

The exhibition was held last summer as part of Guimarães’ year as a European Capital of Culture, which also included a tower of straw bales and a tiny cinema where audience members had to crawl like a centipede to get inside – see all installations from Guimarães.

Photographs are by André Cepeda.

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Here’s some more information from the designer:


Units for Reconstruction

During 2012 the Portuguese city of Guimarães hosted a great number of events as part of the programming for the European Capital of Culture. One of these events was the exhibition “The Castle in 3 Acts” where several artists, architects and designers were commissioned to develop work under the idea of construction, destruction and reconstruction.

Units for Reconstruction by Miguel Vieira Baptista

Above: the designer demonstrates human-scale measurements

Miguel Vieira Baptista’s site-specific work was the towers of the city’s iconic castle, often described as the place where Portugal’s birth took place around the year 1128. A castle by definition is an architectural piece that runs through the endless sequence of the exhibition’s themes.

Units for Reconstruction by Miguel Vieira Baptista

Miguel Vieira Baptista approached the challenge from a designer’s point of view and developed a series of measuring elements to be used on a hypothetical reconstruction of the castle. The piece consists of large-scale rulers along with several plates and blocks of varying sizes that relate strongly with the existing building.

Units for Reconstruction by Miguel Vieira Baptista

“After my first visit to the castle I started to work in the office without a measuring tape. I just stretched my arms, pointed dimensions on the wall and defined thickness using my hand.” His collaborators translated these imprecise measures in to technical drawings. The process sounds unusual, but designers often use this approach in the creative process. The metric system can hinder the flow of the design process. He wanted to allude to the nonexistence of a metric logic when the castle was built by accentuating the site, the materials, construction techniques and the human scale.

Units for Reconstruction by Miguel Vieira Baptista

Above: diagram of installation inside the castle

Miguel Vieira Baptista’s installation explored the idea of tooling for the reconstruction phase. Upon arriving at the 2nd floor of the castle tower, the visitor was left with the impression of entering a carpenter or stonemason’s workshop with all these site-specific units of measure lying on the floor.

Units for Reconstruction
2012
Painted MDF, various dimensions

The Castle in 3 Acts exhibition, Guimarães European Capital of Culture
Collaborators – Pedro Almeida, Rui Lopes, Vanessa Domingues

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"My ladders provide an imaginative route across the road" – Gitta Gschwendtner

Designer Gitta Gschwendtner explains how historic underground tunnels inspired her installation of seven ladders bridging the street in this movie we filmed about the Seven Designers for Seven Dials aerial installations curated by Dezeen.

"My ladders provide an imaginative route across the road" - Gitta Gschwentdner

“Each one of the apexes pointing towards the Seven Dials monument used to house a pub and the pub cellars used to be connected with vaults and underground tunnels to create handy escapes should the need arise,” says Gschwendtner. “I was very interested in taking that escape overground and creating an aerial escape across the street.”

"My ladders provide an imaginative route across the road" - Gitta Gschwentdner

Her configuration of seven ladders connected haphazardly above the road was inspired by cat ladders and fire escapes on buildings.

"My ladders provide an imaginative route across the road" - Gitta Gschwentdner

Dezeen commissioned seven young designers to create seven installations to hang above the streets of Covent Garden during last year’s London Design Festival, and Gschwendtner’s Aerial Escape installation was located on Earlham Street.

"My ladders provide an imaginative route across the road" - Gitta Gschwentdner

Movies we’ve already published from this series include Faye Toogood talking through her installation of 49 worker’s coats and Dominic Wilcox describing why he chose to string up a row of bird cages.

"My ladders provide an imaginative route across the road" - Gitta Gschwentdner

Gitta Gschwendtner also contributed a special edition from her Bodge Bench series to Dezeen’s Stepney Green Design Collectionwatch her talk about the project here.

"My ladders provide an imaginative route across the road" - Gitta Gschwentdner

Photography is by Mark Cocksedge.

"My ladders provide an imaginative route across the road" - Gitta Gschwentdner

The music featured in the movie is a song called Blue Sapphire by Remote Scenes. You can listen to the full track on Dezeen Music Project.

"My ladders provide an imaginative route across the road" - Gitta Gschwentdner

See all our stories about design by Gitta Gschwendtner »
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"I brought bird cages back to the Seven Dials area" – Dominic Wilcox

Designer Dominic Wilcox describes why he chose to hang a row of bird cages above a street in London in the next movie we filmed about the Seven Designers for Seven Dials aerial installations curated by Dezeen.

"I brought bird cages back to the Seven Dials area" - Dominic Wilcox

“I found a book called Dickens’ Dictionary of London, written by Charles Dickens’ son,” says Wilcox. “In that book he describes the Seven Dials area as having many pet shops, with birds from all over the world.”

"I brought bird cages back to the Seven Dials area" - Dominic Wilcox

Strung across the street in a line, the bird cages were left open to symbolise that the pet shops have now been replaced by clothes and shoe stores, though Wilcox claims he spotted a few birds using the cages.

"I brought bird cages back to the Seven Dials area" - Dominic Wilcox

Dezeen commissioned seven young designers to create seven installations to hang above the streets of Covent Garden during last year’s London Design Festival, and Wilcox’s The Birds of Seven Dials installation was located on Neal Street.

"I brought bird cages back to the Seven Dials area" - Dominic Wilcox

Watch Faye Toogood talk through her installation of 49 worker’s coats in the first movie from this series here.

"I brought bird cages back to the Seven Dials area" - Dominic Wilcox

Wilcox presents more of his projects in a movie we filmed at Dezeen Live, a series of talks at 100% Design during London Design Festival.

"I brought bird cages back to the Seven Dials area" - Dominic Wilcox

Photography is by Mark Cocksedge.

"I brought bird cages back to the Seven Dials area" - Dominic Wilcox

The music featured in the movie is a song called Blue Sapphire by Remote Scenes. You can listen to the full track on Dezeen Music Project.

See all our stories about design by Dominic Wilcox »
See all more about Seven Designers for Seven Dials »
See all our coverage of London Design Festival 2012 »

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Das Haus by Luca Nichetto

Cologne 2013: Italian designer Luca Nichetto installed his idea of the house of the future at trade fair imm cologne last week (+ slideshow).

Das Haus by Luca Nichetto

Luca Nichetto took inspiration from modernist architecture in California, the art of the Japanese masters and the buildings of Carlo Scarpa to create an eco-friendly environment that blurs the divisions between inside and outside.

Das Haus by Luca Nichetto

The house was made up of semi-enclosed walls and large windows, with plants along the shelves and in vases on the floor.

Das Haus by Luca Nichetto

Nichetto placed different plants in each area to serve a particular purpose, with thyme and rosemary in the kitchen, varieties of cabbage in the vegetable garden and greenery in the bathroom to keep the air fresh.

Das Haus by Luca Nichetto

Tall evergreen plants were placed around the house to create green walls that separated each area without completely blocking views.

Das Haus by Luca Nichetto

Various products designed by Nichetto were displayed around the house, with recent designs including the Hai lounge chair for One Nordic Furniture Company and a leather version of the La Mise sofa for Cassina.

Das Haus by Luca Nichetto

Das Haus is an annual installation at the fair, inviting designers to create their vision of an ideal home.

Last year London design duo Doshi Levien was invited to build their own vision of a dream home at imm cologne,

Das Haus by Luca Nichetto

Other projects by Nichetto we’ve featured on Dezeen include a table lamp inspired by Darth Vader and a set of grooved brass bowls – see all designs by Luca Nichetto.

Das Haus by Luca Nichetto

A DIY curtain kit and a chair made from wooden broom handles were among the products launched in Cologne last week – see all product news from imm cologne.

Das Haus by Luca Nichetto

Photographs are by Constantin Meyer and Koelnmesse.

Here’s some more information from the designer:


imm cologne 2013
Luca Nichetto presentsDas Haus —Interiors on Stage

At the next edition of imm cologne, which will take place from 14th to 20th of January 2013, Luca Nichetto will be the first Italian designer to carry out the project Das Haus –Interiors on Stage, where the designer will present his vision of house the future. For this project, Nichetto drew his inspiration from modernist architecture in California, as well as from the works of Japanese masters and the buildings of Carlo Scarpa. In all these works we can see nature being constantly side by side with architecture. Pursuing his interest in sustainable design, Nichetto compares his “Das Haus” with a small planet, where the living room becomes as important as the Amazon rainforest is for the Earth.

Das Haus by Luca Nichetto

That is precisely where Nichetto starts designing his “Das Haus” from – a house that is almost entirely made up of semi-enclosed walls and large windows, so as to emphasize the concept of merging the “inside” with the “outside”. That is nature entering the home. The living room, located in the centre of the house, is the “green heart” of “Das Haus”.

Das Haus by Luca Nichetto

All the other rooms are connected with this “heart” that turns the house into a totally eco-friendly environment. Here the entire living area is surrounded by the nature, which marks off the space by becoming the wall. A selection of plants, designed according to the characteristics that best suit each environment, was made to fill the various rooms with its invigorating presence.

Das Haus by Luca Nichetto

Imm cologne, is going to take place in January and this has led to some restrictions on the choice of seasonal plants. Nevertheless, there is going to be a large amount of exotic evergreen potted plants. Thanks to their photosynthetic activity, both decorative and non-decorative plants help to clear the air, especially (but not only) in areas such as the bathroom, where cleaning products usually leave an unpleasant residue.

Das Haus by Luca Nichetto

The vegetable garden was planted with different varieties of cabbage, the cultivation that best suits the harsh winter weather in Europe. For the aromatic plants garden in the kitchen, the choice fell on some varieties of thyme and rosemary. The tall plants placed in strategic locations within the house are evergreen varieties, too. Their function is to create green “walls” that do separate the environments, without blocking the view.

Das Haus by Luca Nichetto

A thorough research was also in the color selection that was carefully designed to create a welcoming environment where people visiting Das Haus 2013 can feel at ease, with no rush and pleasantly out of time. The warm and delicate colors of the walls result from the consideration given to the artistic representations of Venice by Canaletto, which perfectly blend with the natural materials of the floors: natural oak, porcelain stoneware and hand-made colored concrete obtained with natural colors.

Das Haus by Luca Nichetto

Our choice was to highlight the two main volumes, namely two parallelepipeds that intersect, thus determining the core of the house – the living room – with two different colours for both the exterior and the interior, so as to highlight the interpenetration effect of the two directrices. The interior colours are in turn chosen according to the room – in the library, for example, neutral and warm tones prevail whereas in the relaxation area the choice fell on pop colours and the kitchen is neutral, with the white combined with natural wood and steel in order to create movement and keep a general visual consistency at the same time. Colours were selected and matched on the basis of the NCS – Natural Colour System®©.

Das Haus by Luca Nichetto

Various products designed by Luca Nichetto in the course of his career will be displayed in this architectural and natural context. These products were designed for: Bosa, Carlo Moretti, Casamania, Cassina, David Design, De Padova, Discipline, Established & Sons, Fornasarig, Foscarini, Fratelli Guzzini, Gallery Pascale, Gallotti & Radice, Globo, Italesse, Kristalia, La Chance, MGLab, Moroso, Nodus, Offecct, Ogeborg, One Nordic Furniture Company, Petite Friture, Plust, Prosciutteria King‘s, Refin, Salviati, Skitsch, Skultuna, Tacchini, Tobeus, and Venini. Products designed by friends and colleagues, as well as iconic objects designed by the masters of design, will be displayed, too.

Das Haus by Luca Nichetto

Inside the house, ten new products created by the designer for “Das Haus – Interiors on Stage 2013” will also be presented. These products are the DHP pots for Bosa, the Toshi cabinets for Casamania, the new leather version of La Mise sofa for Cassina, the Railway Indoor table for De Padova, the family of Flamingo tables for MGLab, the two rugs, Regata Storica and Morgane for Nodus, the table clock and the bookends of the Swell collection for Petite Friture, and the Hai lounge chair for One Nordic Furniture Company.

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"It was about celebrating trades that have been lost" – Faye Toogood

Designer Faye Toogood talks through her installation of 49 workers’ coats hanging above the street in the first of this series of movies we filmed about the Seven Designers for Seven Dials aerial installations curated by Dezeen.

Faye Toogood at Seven Designers for Seven Dials

“For me it was really about celebrating trades that have been lost in this amazing part of London which has a rich history,” says Toogood.

Faye Toogood at Seven Designers for Seven Dials

Each of the handmade over-sized coats covered in industrial paint is labelled with the name of a trade, such as brewer, potter or puppeteer, that used to take place in the Seven Dials area of London.

Faye Toogood at Seven Designers for Seven Dials

Dezeen commissioned seven young designers to create seven installations to hang above the streets of Covent Garden during last year’s London Design Festival, and Toogood’s 7×7 installation was located on Monmouth Street.

Faye Toogood at Seven Designers for Seven Dials

Photos are by Mark Cocksedge.

See all our stories about designs by Faye Toogood »
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