Daniel Ballou Design
Posted in: ballou, daniel, projectsDaniel Ballou est un designer industriel installé en Californie. En 2007, ce dernier a fondé Dashdot, un studio de consulting design. Touche à tout, il parvient à changer des objets du quotidien et à détourner leurs usages pour obtenir des objets insolites.
Previously on Fubiz
Japanese studio 403architecture constructed the walls of this wooden shed using leftover materials from three earlier projects.
Entitled the Wall of Zudaji, the shed provides a furniture storage area for a restaurant near to the architects’ office in Hamamatsu.
Clear corrugated plastic clads the building to create a waterproof exterior screen, while the roof is a corrugated sheet of zinc-coated steel.
At night, lights inside glow through gaps in the wooden walls, which are affixed to a structural frame of recycled wooden palettes.
The three projects that had scrap material left over were the Floor of Atsumi, the Grid of Santen and the Difference of Ebitsuka – see them all here.
Photography is by Kenta Hasegawa.
The text below was provided by 403architecture:
The Wall of Zudaji
We designed and built an warehouse for interior shop including a restaurant. At this time, we had some stock of materials from the other 3 projects, “the floor of Atsumi”, “the grid of Santen”, “the difference of Ebitsuka”.
So, we decided to use these material for the warehouse. But it was not enough amount. The additional idea is wrecking a palette which is used by the freight. In these days, the material of the palette shift to plastic from timber, so the company of transportation is bothered with how to dispose much amount of woods.
That is why we decided to use this material which had supported the distribution system for new distribution we dreams.
The palette is strong to work as structure, so we sticked each boards of palette with a screw to make columns and the wall.
The materials for cladding are simple, for example the transparent waving polycarbonate, the palette siding, aluminum-zinc alloy-coated steel sheet.
In this project, we wanna touch not only design of Architecture, but also material consumption and distribution by using the material of palette and some stock of other projects with the alternative deign of distribution.
Slideshow: one of Antony Gormley‘s sculptures appears to guard the entrance to the British artist’s new galvanised steel workshop, designed by London architects Carmody Groarke.
The new space is an extension to Gormley’s existing studio in Kings Cross.
Galvanised steel is used throughout for its durability as well as aesthetic purposes.
The mono-pitched frame includes four bays, which are each accessed by mechanically operated roller shutters.
The bays can be separated off from each other or joined into one large space.
We’ve featured a number of projects by Carmody Groarke – click here to read them.
Photography is by Oak Taylor Smith.
Here is some more information from the architects:
Artist Workshop
Carmody Groarke designed this new artist workshop for Antony Gormley adjacent to his existing studio in London.The artist who works predominantly in metal, required more space to store raw metal materials and space for heavy duty processes to finish sculptures. The workshop has a mono pitched roof and is split into four ‘bays’, so that the internal space inside the building could be divided into separate processes. The building’s structure is made of a galvanised steel mono-pitched frame that is clad in bespoke galvanised steel panels in order to withstand the industrial nature of the artist’s creative process. Access into each bay is through mechanically operated galvanised steel roller shutters doors, which were carefully integrated into the design of the cladding and structure.
The use of hot dipped galvanised steel as a cladding material was considered for its robust nature, its excellent durability as well as its aesthetic appearance. Considerable research and prototyping was undertaken to ensure that the process of hot dip galvanising was controlled to achieve the desired accuracy of material junction and visual appearance. This yielded a design that maintains the protective qualities of the galvanising to prolong the lifespan of the building and gives the building a reassuringly solid and sculptural appearance. The completed workshop building now operates successfully within the artist’s studio in Kings Cross, London and was recently awarded a Commendation in the 2012 Architects’ Journal Small Projects Awards.
Dilemma
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Posted in: UncategorizedStoaninger Distillery by Hammerschmid, Pachl, Seebacher – Architekten
Posted in: Distilleries, Hammerschmid Pachl SeebacherThe asymmetric timber roof of this distillery by architects Hammerschmid, Pachl, Seebacher rises up amongst the trees of a valley in Upper Austria.
The distillery’s entire exterior is clad with nothing but roughly sawn, untreated timber, which was milled locally.
The four-storey building nestles against the steep hillside and has its entrance on the second storey.
A bar is located on the top floor and leads out onto a secluded terrace.
We’ve never featured a distillery on Dezeen before, but we have featured a few wineries – see them all here.
Photography is by Dietmar Hammerschmid.
Here’s a few more words from the architects:
The building is situated in the north of Austria, in the middle of an isolated narrow valley.
The Shape of the ground plan is influenced by the regional building regulations and the existing slope.
Moreover the design follows natural limitation given by the adjacent river.
The main idea of the project is to create one homogeneous sculpture for both distillery and living areas, opposing the existing building in an abstract way.
According to the characteristics of landscape the roof of the building is coated by facade material, using untreated rough sawn regional wood.