Pet Shop Boys say Yes to Farrow
Posted in: UncategorizedFarrow resumes its longstanding relationship with the Pet Shop Boys with the sleeve for the duo’s latest album, Yes.
“When we had our first meeting about this album, Neil and Chris said that this was their most ‘pop’ album in a long time and the idea of creating something very bright and colourful – as we had for their ‘Introspective’ album – really appealed to them,” says Mark Farrow. “They had also been inspired by the Gerhard Richter 4900 exhibition at the Serpentine gallery which featured panels of brightly coloured squares.”
Gerhard Richter 4900 Colours: Version II, 2007, Enamel paint on Aludibond, 49 Panels, each 97 × 97 cm, La Collection de la Fondation Louis Vuitton pour la création, © 2008 Gerhard Richter
“Although the Richter paintings look stunning on a gallery wall, as an idea for a CD cover it felt a little tired and we felt we had ‘been there’,” Farrow says. “The tick was obviously inspired by the album’s title ‘Yes’. Reducing the title to a symbol that encompassed the other elements the band had requested just seemed to work; it’s instant and memorable and pop. The tick is made up of eleven coloured squares, one for each track on the album. It’s made up of eleven coloured squares, one for each track on the album.”
While the standard version of the album has a white background (shown top) a limited edition double disc version comes in black.
The coloured blocks continue on the inside of the package where the tick deconstructs and both merges and clashes with photographs of the band.
In addition, there will be a highly limited edition vinyl version of the album which will consist of the album tracks split over eleven separate vinyl records, each in a coloured sleeve, all housed in a smoked Perspex case.
When correctly arranged the eleven album sleeves will allow you to make up your own tick, measuring some eight feet in length.
Tom Gauld’s sketchbooks
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Detail of sketchbook page. © Tom Gauld
For a brief glimpse into the working methods of one of the UK’s best illustrators, head on over to Tom Gauld’s new Flickr page, where he has uploaded several of his sketchbook pages. For example, you can see how a cartoon he did for the Guardian entitled, The Street Tom Waits Grew Up On, evolved from a list of ideas and drawings to final artwork…
The page shown above, led to this finished cartoon:
Original drawing of cartoon for the Guardian Saturday Review letters page. Ballpen and whiteout on paper. © Tom Gauld
For larger versions of the pages shown here, plus a few more examples from his sketchbooks, visit Gauld’s Flickr set, here.
More excellent work over at cabanonpress.com, the website for the publishing venture he runs with illustrator Simone Lia.
The Monster Collection
Posted in: UncategorizedArtist/Designer Jessica Hill has a collection of monster themed illustrations that are graphically dynamic with a touch of humor. Take a peak below to see the font monster.
The worst book in the world?
Posted in: UncategorizedA new book documents Kessels Kramer’s 15-year campaign for the Hans Brinker Budget Hotel
“In the long history of hospitality, the Hans Brinker Budget Hotel stands alone as the worse there ever was,” says a press release promoting the book. Its 280 pages include every piece of communications ever made for the hotel by Kessels Kramer, which has famously made great capital out of the fact that the place is so awful.
Campaigns have included little flags stuck in dog shit (with illustrations by Anthony Burrill, an early collaborator)
Burrill also produced posters for the campaign
And this tongue-in-cheek list of complimentary items at the hotel
Other ads focussed on the awful effect a stay at the hotel may have on guests
And its somewhat cavalier attitude to hygiene
It was also quick to send-up other ads’ dubious environmental claims
A range of posters allows guests to recreate the wonderful view available from select rooms
The Worst Hotel in the World is published by Booth-Clibborn, £25
CR April Issue
Posted in: UncategorizedRick Poynor looks back over two decades of the Designers Republic plus, Spanish type case art, Alison Carmichael and our very own Mumbai taxi – all in the April issue of CR
April is our special issue on type and typography and all things letter-related. As detailed here, our cover features a Mumbai taxi covered in typography specially designed for the issue (watch an interview with the artists here)
We also have a profile of hand-lettering artist Alison Carmichael, whose work has a ribald charm that is proving very popular with ad agencies (hence the punning headline)
And a feature on the recent Art of Lost Words show in which selected designers and illustrators each based a piece on a word that is fast disappearing from the English language
Plus, from Barcelona, Jordi Duró and Meri Cuesta reveal how the remarkable ingenuity of Spanish printers gave rise to a unique form of modernist design
And Rick Poynor’s aforementioned tDR piece (which, in part, draws on his intro for the ill-fated, never-published-despite-what-they-said tDR book), which stretches over six pages and follows up our exclusive revelation that the studio had closed its doors earlier this year
Our subscriber-only Monograph this month features Synthesis, a series of organic forms created by Jeff Knowles
The April issue is on sale from 25 March. Next month: The Annual
Eve Duhamel
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Amazing painting and illustration work from Montreal/Berlin based Eve Duhamel.
I highly recommend taking a peek at her Campsites and Matters marker illustrations. Phenomenal colour. The way you can see the layered solid colours reminds me of the colouring books I coloured in as a kid.
P-Funk and the Font Allstars
Posted in: UncategorizedMatt W. Moore aka “The Vector Funk Master” has come out with his third edition of AlphaFont, an annual collection of vibrant letterform abstractions that celebrates his visual vocabulary and new ideas. You can grab a copy here.
On April 2nd he will be in NYC to speak at the PSFK Conference . You can register here, I believe there are still some spaces available.
Announcing the Suitcase Series: Camilla Engman
Posted in: UncategorizedThe Suitcase Series Volume 1:
Camilla Engman
Artist Camilla Engman may live in Gothenburg, Sweden, but her appeal is international. A professional illustrator and exhibiting artist, her images are whimsical, poignant, humourous and insightful. With her keen eye for finding the extraordinary in the everyday, Camilla documents her inspirations and artwork on her popular blog. Nearly 2000 fans visit her site on a daily basis (with three quarters being from North America) to get a glimpse into Camilla’s creative life.
UPPERCASE is proud to have been the first gallery outside of Sweden to feature her work, in our 2005 exhibition “Best in Show”. We are excited to be collaborating on a book of Camilla’s art and life, the first volume in our “Suitcase Series”, to be released in the fall of 2009. I am looking forward to travelling to Sweden next month and meeting Camilla (and her cute dog, Morran) at long last.
The Suitcase Series presents in glorious detail the lives of select artists and designers. The books are image-based, full of artwork, sketchbook pages, beautiful photographs and artifacts from where the artists live and work. Interviews with the artist are included in both their native language and English. The books’ size will be small and intimate, like a diary/sketchbook and each book in the series would have a special treasure added: perhaps a small limited-edition art print, a vellum envelope filled with foreign paper scraps for collage, fabric swatches, etc. The book becomes a precious souvenir of a creative journey shared between the reader and the artist.
For our book and magazine subscribers, you will be receiving the Jen11 and Camilla books as part of your subscription. If you’d like to preorder Camilla’s book by itself, click here. All pre-orders will include a unique keepsake of the project.
{ PHOTO: Elisabeth Dunker }
CR Taxi: Meet The Artists
Posted in: UncategorizedManohar and Samir Manohar Mistry are among the leading exponents of Mumbai taxi art, adorning the city’s cabs with wondrous typography. In this exclusive CR film (made for us by Grandmother India), they discuss the development of this urban art form and the design they created for CR’s April issue
With thanks to Grandmother India
For more on the Mistrys and on how the CR Taxi was done, please go here or read about it in the April issue, out 25 March