Tom Gauld on Diet Coke

It might seem an unusual pairing, but comic artist Tom Gauld has produced some rather lovely work for a new series of cans for Diet Coke…

Gauld’s agency Heart emailed us with the above image of his latest project which, sadly for fans of his here in the UK, is only released in the US. The limited edition cans are designed to raise awareness of The Heart Truth, the women’s heart health program. Gauld also helped create a series of animations for the campaign, two of which can be viewed here.

Well known for his comic books and strips that have appeared in The Guardian, Gauld’s portfolio of work on the Heart site includes some real gems. You can, of course, see more of his work at tomgauld.com.

Nice publications: Bumper Edition!

This hefty 600 page tome is the fruit of a collaboration between Dutch magazine Fluff and Nike Skateboarding (Nike SB). Nike gave Fluff full creative freedom to come up with a document that celebrated Nike’s SB teams in Europe and Fluff commissioned photographer Marcel Veldman to visit no less than 19 countries across Europe and hang out with skateboarders both on and off their boards. The book features  images of over 100 skateboarders doing what they do best: pulling tricks in a huge variety of urban environments – and, but of course, arsing about at parties. There are interviews a-plenty and lots of nice editorial design – as well as full bleed photography and sequential action shots… Nice book, but weighing in at about three kilos, it’s not something you’d want in your backpack on a trip to the skatepark… To see video footage taken during Veldman’s 150 day European roadtrip – visit the book’s accompanying website: fluff-sb.com/


The Fluff SB Book project was supervised, art directed, designed and published by Dutch design agency vijf890

 

This is the fifth issue of Centrefold, a large format (A3) bi-annual publication which showcases the work of leading photographers, artists and designers within the creative industries. This issue is The Vintage Issue and contains several photo stories which look to evoke the 60s and 70s by re-imagining defining pop cultural moments and events from those periods, with the models all sporting looks using mainly vintage clothing sourced from Beyond Retro, Elio Ferraro and Bolongaro Trevor, among others. There’s lots of full bleed imagery and the typographic introductory pages, designed by Julian Morey, who worked with Tom Lardner on the issue’s design and art direction, are really nice. The cover (above) features an illustration by Michael Gillette… Centrefold has a blog at centrefoldmagazine.blogspot.com

 

This is the catalogue that accompanies artist Kamil Kuskowski’s exhibition, The Truth of Painting, which ran earlier in the year at the Piekary Gallery in Poznan, Poland. Seven different stocks, coated and coloured, were utilised to accenuate several techniques used by the artist in his work. “There are four chapters in the catalogue,” explains its designer, Ryszard Bienert of 3group, “each with its own distinct colour and paper stock. The aim was to allude to the techniques and bold colours used by the artist but at the same time keep it simple and uncluttered, in keeping with the artists work.”

 

Ouroboros is the first publication in Nobrow‘s new 17×23 series: “a new graphic short story project designed to help talented young graphic novelists tell their stories in a manageable and economic format.” The name of the series, 17×23, refers to the format size (in centimetres). The name of this particular 26 page book by illustrator Ben Newman, Ouroboros, meanwhile, refers to an ancient symbol depicting a snake or dragon swallowing its own tail and forming a circle. His story mirrors this concept by cleverly ending precisely as it begins, thus creating a never ending, circular story. Charming stuff – here are a few spreads…

Ouroboros is priced at a very reasonable £8.50 from nobrow.net/ 

 

Melissa Auf der Maur (MAdM) was a member of Courtney Love’s band Hole – and she also played with The Smashing Pumpkins for their farewell tour in 2000.  Now she’s about to release her second solo album entitled Out Of Our Minds (OOOM) which will encompass various elements besides just a collection of 12 songs. There will be a 28minute film (directed by Tony Stone and starring MAdM) and a twelve page comic book (cover shown above / spreads below) illustrated by Brooklyn-based artist Jack Forbes – which mirrors the story of the film…

“OOOM began as a song,” explains Auf der Maur of the project. “It was half way through the first decade of the 21st Century and technology had just begun to dismantle the music business. It was the best thing that could have ever happened to me. The landscape changed and I began to morph my roots in visual arts with the music. The many portals of OOOM invite listeners and viewers to discover on their own, at their own pace and in their own space.” 

Find out more about the OOOM project at xmadmx.com/ooom/

We were recently sent this booklet (just under A4, landscape format) by its author and designer, Jim Williams – a senior lecturer in graphics at Staffordshire University – along with a note explaining that he created it to hand out to his students. It’s a great introduction to typography and includes tips on kerning numbers, ligatures and ampersands, apostrophes and quotation marks and plenty more… Williams can be contacted through the University’s Faculty of Arts, Media and Design on +44(0) 1782 294415 or by email at j.g.williams@staffs.ac.uk

This is the cover of photographer Amanda Marsalis’ self published book, Lost At Sea – which is a collection of Polaroid images shot over two years which, she tells us, “run the course of a love affair.” The cover has an embossed Polaroid frame which hints at the contents. It’s full of beautiful Polaroid imagery taken on beaches, planes, boats, balconies and other locations. Here are a few spreads. See more of Marsalis’ work at amandamarsalis.com/

 

Illustrator Nigel Peake self publishes small books and zines as and when he feels like it. He actually sent us a copy of his 28 page A5 zine, Des Constructions de panneux publicitaries dessines pour une ville Francaise (Billboard constructions for a French town) at the end of last year (opening page shown above, spreads below) but it got lost under a pile of publications on a desk (OK, it was my desk) here at CR. Having recently uncovered it, I though it only right to showcase it. Some lovely illustrations of what I can only assume are imagined signage constructions for French shops and services…

 

Ah, just in time to feature in this blog post, Manzine issue 3 landed on our doormat here at CR towers today. And what a cracking issue it is – complete with a free colour Ralph Steadman print and also a colour feature entitled Saddamski which features photography by Andreas Lux and commentary by Daniel West documenting the pair’s visit to the former Iraqi embassy in East Berlin which is now empty and in (glorious) decay… At a glance the issue looks great. Looking forward to reading on the tube on the way home. Here are some spreads:

Manzine info can be found at themanzine.com/

Roberto Mollá: Tamatori

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Spanish artist Roberto Mollá‘s latest work, a series of 15 compositions taking up the famous Japanese tale of pearl diver Princess Tamatori (showing at the upcoming Pulse art fair in NYC), puts the artist in the well-populated ranks of other cultural interpreters of the story. Compared to Hokusai’s explicit illustration of the fabled sexual encounter between girl and octopus and more recent examples in manga, film and pornography, however, Mollá’s surreal vision makes for a more restrained telling.

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In fact, it was Mollá’s minimalist graphic style—mixing geometric shapes, delicately realistic pencil renderings, and a sparing use of color—that first caught our eye at the Fountain exhibition in Miami last January. While the work we saw then took up Japanese themes too, these new pieces see the 44-year-old punctuating his grayscale palette with gold instead of red.

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A futuristic tenor, reinforced by Mollá’s use of cream-colored graph paper as a medium and vector-based imagery, nicely plays off the artist’s highly-detailed depictions of sea creatures, like mollusks festooned with tentacles and beautifully scaly Koi fish.

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Inspired by artists such as Dadaist Francis Picabia, Italian Futurists and Russian Suprematist El Lissitzky, Moll#225;’s uses the influence of these art movements to come up with his fresh and personalized style.

Be sure to check out “Tamatori” at Christina Ray Gallery’s (formally GlowLab) booth at Pulse New York, 4-7 March 2010.


Nicholas DiGenova

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Nicholas DiGenova is a Toronto-based illustrator who attended OCAD for Sculpture and now shows internationally. He’s definitely one of my absolute favorite illustrators. His work is phenomenal.

Vicente García Morillo

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Nice illustration series from Vicente, working from Madrid, Spain.

You can see more of his work on Behance.

Goodby for HP Retail Publishing

Bellissime queste illustrazioni di Ryan Meis per la Goodby, Silverstein & Partners che ha realizzato questa campagna di HP Retail Publishing. Peccato solo che le illustrazioni non siano fatte veramente in carta ma sono state renderizzate in 3D da Electric Art.
[Via]

David Foldvari

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Born in Budapest, illustrator David Foldvari now lives and works in the UK. More of his work here.

Via: Product of God

Rugby’s big stars at Twickenham

Hat-Trick Design has created a series of portraits of Rugby greats for the hotel at Twickenham stadium

The hotel backs on to the stadium itself. On the fourth floor, there is a large, and somewhat featureless, atrium which links the two, which the RFU asked Hat-Trick to do something with.

The studio decided to use the space to showcase the giants of international rugby. A public vote was held on the most popular players from each of the eight founding nations of rugby (England, Ireland, Scotland, Wales, France, New Zealand, Australia, South Africa).

Each chosen player’s image was then reproduced 11 metres high, printed onto shirt material as massive banners. The mages are made up of graphic rugby shirts in the appropriate colour for each player’s country.

Some of the hotel rooms themselves look out onto the banner display, providing a rather more interesting vista than the blank wall had that been all guests had to look out on previously.

Kicking ass in six frames

David Rigby has won Little White Lies’ competition to condense a favourite film into a six panel comic strip, with his take on Zombieland (detail shown, above). We have his comic, plus a selection of some of the other best entrants here on the CR blog…

Sporting a cover by comics legend John Romita Jr., the new issue of Little White Lies has new film Kick Ass as its featured title; a tale of a high school student who decides to become a super hero, despite having no special powers, adapted from Romita Jr’s and Mark Millar’s comic book.

To coincide with having Kick Ass as its lead film, LWL ran a readers competition to transform a favourite film into a six panel comic strip. The winner was David Rigby, who cast an ironic eye over the nuances of the film Zombieland, and whose entry features in the new issue of LWL out March 4 alongside two runners-up strips. The best of the rest will also be included in a special digital edition published March 5.

Until then, Rigby’s work plus the two runners-up are shown in full below, followed by several of the best entries, which include six panel digests of Total Recall, The Wicker Man, Seven, Adaptation, Flash Gordon and The Road.

The new issue of Little White Lies is available to buy, here

Zombieland by David Rigby (winner)

Seven by Mat Bond (runner up)

Total Recall by Matt Boyce (runner-up)

American Psycho by Claire Murray

The Road by David Pye

The Wicker Man by Hurk

Man On Wire by Jack Noel

Flash Gordon by Mark Taplin

Adaptation by Phil Marsden

2001 by Rich Johnston

And here’s John Romita Jr.’s fantastic cover for the new issue:

Nathan Burton

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Some excellent work from the London-based designer, specializing in book covers. This one caught my eye a few weeks ago, and after contacting him I was able to get some of his latest to share (see below).

He’s been designing since 1998; first at Bloomsbury Publishing, later at Penguin, and currently freelances out of a shared studio with a ping pong table in North London. Sounds good to me! Check out his site for more.