Cassell Street House by b.e. Architecture

Slabs of travertine in two different shades create horizontal stripes across the facade of this house in Melbourne by b.e. Architecture (+ slideshow).

Cassell Street House by b.e. Architecture

“The house builds on some of the ideas of 57 Tivoli Road,” architect Daniel Rees told Dezeen, comparing the project to a basalt-clad house the studio completed in 2010. “Here, the facade is clad in beautiful banded silver travertine marble.”

Cassell Street House by b.e. Architecture

b.e. Architecture sourced stone from opposite sides of the same quarry to create the two-tone effect, then cut the material into ten different slab sizes to give a varied pattern.

Cassell Street House by b.e. Architecture

The striped travertine clads the top floor of the two-storey Cassell Street House, while the lower floor features a mixture of concrete and glass walls. The glazed areas surround a living room on one side and a study on the other, allowing both rooms to open out to separate gardens.

Cassell Street House by b.e. Architecture

The architects were keen to make the building look aged, so they added weathered timber window shutters and entrance gates to help it fit in with its Edwardian neighbours.

Cassell Street House by b.e. Architecture

“The house was designed to be sympathetic with the period but not mimetic of any particular style, whilst remaining unapologetically contemporary,” they explain.

Cassell Street House by b.e. Architecture

Four bedrooms are located on the upper floor, alongside a series of en suite bathrooms. There are also three balconies on this floor, which sit within deep recesses in the stone facade.

Cassell Street House by b.e. Architecture

A car park occupies the basement and can be accessed by a ramp tucked around the side of the building.

Cassell Street House by b.e. Architecture

Melbourne-based b.e. Architecture was founded in 1997 by Jonathon Boucher and Broderick Ely. As well as 57 Tivoli Road, the studio also designed Meakins Road, a house surrounded by a steel and timber grid. See more by b.e. Architecture.

Cassell Street House by b.e. Architecture

Other residences completed in Australia recently include a house with a facade inspired by tree branches. See more houses in Australia.

Cassell Street House by b.e. Architecture

Photography is by Peter Clarke.

Cassell Street House<br /> by b.e. Architecture

Here’s some more information from b.e. Architecture:


Cassell Street house is a boutique new home built on a corner block in South Yarra, built in place of an attached Edwardian row house and set amongst homes of a similar vintage. The house was designed to be sympathetic with the period but not mimetic of any particular style, whilst remaining unapologetically contemporary.

Cassell Street House by b.e. Architecture

The limited material palate of natural and aged materials such as travertine, rusticated timber, concrete and steel cast over a strong rectilinear form work to give the building the quality of looking older than it is – to look as though in an another world it could well have been standing in its place unchanged since the 1930s.

Cassell Street House by b.e. Architecture

Being sited on a corner block, the first floor form in particular is highly visible from the street with all sides visible to the passer by. A bespoke material treatment was thus considered an appropriate urban gesture. The complex travertine facade is made up of 10 different sized slabs of stone laid in bands sourced from opposite sides of the same quarry producing two distinct colours. The banding quality of the stone facade is referential of Byzantine buildings in a reference to the owner’s heritage.

Cassell Street House by b.e. Architecture

The deep apertures formed in the travertine walls of the first floor facade make the building read as a singular and massive stone edifice and in doing so shade and shelter the western windows as well as protecting the occupant from the nearby major road.

Cassell Street House by b.e. Architecture

By contrast, downstairs is characterised by expansive glazing, opening the living areas to the secluded garden space which surrounds the building.

Cassell Street House by b.e. Architecture

A visitor enters from the street into the heart of the building adjacent a curving staircase rising three floors from basement garage to the upstairs bedrooms. The curving staircase contrasts with the rectilinear form of the exterior and is used as a separation device to define the ground floor living areas into two distinct zones: The day/summer areas facing north and overlooking a pool and outdoor eating area; the night/winter areas facing south and east into the more sheltered back yard.

Cassell Street House by b.e. Architecture

Architects: b.e architecture
Location: Melbourne, Australia

Cassell Street House by b.e. Architecture

Construction Team: Bayside Construct
Design Team: Andrew Piva, Broderick Ely, Jon Boucher, Kris Keen

Cassell Street House by b.e. Architecture

Area: 500 sqm
Year: 2012

Cassell Street House by b.e. Architecture

Above: ground floor plan

Cassell Street House by b.e. Architecture

Above: first floor plan

Cassell Street House by b.e. Architecture

Above: basement floor plan

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Sundial House by Hironaka Ogawa

Japanese architect Hironaka Ogawa designed this rural house in Kagawa like a sundial, with a south-facing tower that casts shadows across a grassy courtyard (+ slideshow).

Sundial House by Hironaka Ogawa

Named Sundial House, the building is the home of a farmer, so Hironaka Ogawa wanted to create a structure that reflects the seasonal calendar: “My goal was to build a home where the client can feel the seasons change from winter, spring, summer and fall”.

Sundial House by Hironaka Ogawa

He continues: “To accomplish this, I proposed this courtyard house with a two-storey unit in the middle of the site. As a result, the shadow of the tower moves slowly throughout the day.”

Sundial House by Hironaka Ogawa

The six-metre high tower with windows on three sides contains two bedroom floors and an attic.

Sundial House by Hironaka Ogawa

The rest of the rooms are contained in a single-storey volume that outlines the perimeter of the courtyard on three sides, creating a sequence of spaces with glazed elevations. Most of the glass panels slide open, so that rooms including the living room and dining room can easily be opened out to the garden.

Sundial House by Hironaka Ogawa

A wall of timber separates the courtyard from the surrounding field. Externally, this wall is stained in dark red, while the internal surfaces are white.

Sundial House by Hironaka Ogawa

Sundial House is our sixth recent story about the work of architect Hironaka Ogawa. Other residential projects include a house with indoor trees in Kagawa and a house with chunks missing from its sloping roof. See more architecture by Hironaka Ogawa.

Sundial House by Hironaka Ogawa

Photography is by Daici Ano, apart from where otherwise stated.

Sundial House by Hironaka Ogawa

Here’s a project description from Hironaka Ogawa:


Sundial House

This house stands in the middle of the fields in the country. The client does farming on the side.

Sundial House by Hironaka Ogawa

The site draws attention from the street; however it is not a place from which one can enjoy beautiful scenery in particular. Yet the client desired to live openly in this home.

Sundial House by Hironaka Ogawa

Modern housing lacks the feelings of seasonal and time changes by the artificial environment. My goal was to build a home where the client can feel the seasons change from winter, spring, summer and fall as a farmer. In order to accomplish this, I proposed this courtyard house with a two-storey unit in the middle of the site, surrounded by a one-storey unit.

Sundial House by Hironaka Ogawa

I purposefully placed the two-storey unit on the south part of the site to block the sun. As a result, the shadow of the tower moves slowly throughout the day. In addition, the shadows of objects and places to stay within the home move accordingly.

Sundial House by Hironaka Ogawa

Above: photograph is by the architect

In the summer, there would be a summer shadow. In the winter, there would be a winter shadow. The house shows different appearances in each of the four seasons. There would be a rhythm in the home’s atmosphere created by the shadow of the tower, intentionally constructed on the south part of the site.

Sundial House by Hironaka Ogawa

Also, the client can feel the sense of privacy at the same time as the indication of the each room by placing a small courtyard in the one-storey unit to maintain the distances in the house.

Sundial House by Hironaka Ogawa

In conclusion, this house is like a sundial where one can feel the change of the seasons along with the surrounding fields.

Sundial House by Hironaka Ogawa

Function: private house
Location: Kagawa, Japan
Structure: wood frame
Site area: 727.69 sqm
Architectural area: 132.21 sqm
Total floor area: 147.51 sqm

Sundial House by Hironaka Ogawa

Above: site plan

Sundial House by Hironaka Ogawa

Above: plan – click for larger image

Sundial House by Hironaka Ogawa

Above: long section – click for larger image

Sundial House by Hironaka Ogawa

Above: short section – click for larger image

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House T by Tsukano Architect Office

A narrow vertical slice at one corner is the only interruption to the monolithic facade of this plain white house in Miyazaki, Japan, by Hiroshima studio Tsukano Architect Office (+ slideshow).

House T by Tsukano Architect Office

Designed with a simple rectilinear shape, the austere two-storey residence has a single window slotted into its narrow opening, as well as a dark corridor that leads down inside.

House T by Tsukano Architect Office

A door at the end of the corridor opens into the house’s dining room, set around a metre below ground level, where a large window reveals a courtyard concealed behind the blank facade.

House T by Tsukano Architect Office

This courtyard spans the width of the building and is overlooked by every room inside. Its surface is at the same level as the ground outside the walls, but it also lines up with worktops in the kitchen and a concrete breakfast bar in the dining room.

House T by Tsukano Architect Office

Tsukano Architect Office designed the house with two almost-identical floor plans, creating a living room directly over the dining room, a kitchen that lines up with the upstairs bedroom and the study with a bathroom exactly overhead.

House T by Tsukano Architect Office

Surfaces are finished in a mixture of exposed concrete, timber panels and white plaster.

House T by Tsukano Architect Office

Architect Michiya Tsukano describes his intention to protect the house from the noises of the road and the overbearing surrounding buildings using an encasing “white plate”. He explains: “With the white plate, the house can be separated from the outer crowdedness, while sunlight is allowed to come into the courtyard.”

House T by Tsukano Architect Office

House T is one of the first completed projects by Tsukano Architect Office. Other recently completed houses in Japan include a home with a crooked blue spine and a residence in a converted warehouse. See more Japanese houses on Dezeen.

House T by Tsukano Architect Office

Photography is by Kenichi Asano.

House T by Tsukano Architect Office

Here’s a short description from Michiya Tsukano:


House-T

This scheme has been planned for the downtown in Miyazaki, located in southern Japan.

House T by Tsukano Architect Office

The road in front is so busy and noisy, and there are tall buildings for residence at the south. Considering all these factors, I came up with a brilliant idea to harmonize with the circumstances having a piece of white plate wrap the whole home space.

House T by Tsukano Architect Office

With the white plate, the house can be separated from the outer crowdedness, while sunlight is allowed to come into the courtyard, which makes inner space warm and brighter.

House T by Tsukano Architect Office

Architect: Michiya Tsukano/Tsukano Architect Office
Structural design: Hiroshi Okamoto, Tomoe Tsukano
Location: Miyazaki, Japan

House T by Tsukano Architect Office

Site area: 172.38 sqm
Building area: 59.47 sqm
1F floor area: 50.15 sqm
2F floor area: 57.99 sqm
Total floor area: 108.14 sqm

House T by Tsukano Architect Office

Structure: RC
Principal use: residence

House T by Tsukano Architect Office

Above: ground floor plan

House T by Tsukano Architect Office

Above: first floor plan

House T by Tsukano Architect Office

Above: cross section

House T by Tsukano Architect Office

Above: long section

House T by Tsukano Architect Office

Above: elevations

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OLS House by J. Mayer H.

The rounded forms of this house near Stuttgart by German studio J. Mayer H. conjure up images of a dinosaur’s head with big eyes and bared teeth (+ slideshow).

OLS House by J. Mayer H.

Named OLS House, the three-storey concrete residence is positioned on a sloping site in a suburban neighbourhood and functions as the home for a family of four.

OLS House by J. Mayer H.

The clients asked J. Mayer H. to bring the view of the nearby valley into the house, so the architects added a line of floor-to-ceiling windows that wrap around the front corners. This glazing and the railings in front look like the teeth of the building, while rounded windows on either side look like huge eyes.

OLS House by J. Mayer H.

The house was constructed from reinforced concrete, then coated with two different shades of render to emphasise the rounded forms of the walls and roof.

OLS House by J. Mayer H.

A discrete entrance is positioned on one side and leads directly into the centre of the house. Here, a curving concrete staircase winds between the floors, leading up from spas and utility rooms on the ground floor to living and dining rooms on the first floor and bedrooms on the top floor.

OLS House by J. Mayer H.

Each room is outlined by curving partitions and furniture is built into the walls, creating functional storage areas for residents.

OLS House by J. Mayer H.

The middle floor opens out to both a balcony along the front of the building and a terrace at the rear, while the second floor also features a small sheltered balcony.

OLS House by J. Mayer H.

German architect Jürgen Mayer H. founded J. Mayer H. Architects in 1996. One of the studio’s best-known designs is the Metropol Parasol, a giant latticed timber canopy in Seville, while other projects include a knobbly observation tower between Turkey and Georgia and a foster home for children and adolescents in Hamburg, Germany. See more architecture by J. Mayer H.

OLS House by J. Mayer H.

Photography is by David Franck.

OLS House by J. Mayer H.

Here’s some more information from the architects:


OLS HOUSE near Stuttgart, Germany

The new house is on a plot of land near Stuttgart, on a hillside with a generous view of the valley. The owners wanted a new home that would bring this view to life even inside of the building. The house is in a residential area with conventional developments, most of which date from the 1960s.

OLS House by J. Mayer H.

The new, 4-person family home is divided into an elevated ground floor with entrance area, utility room and spa, and a second floor with an open, flowing floor plan containing the living, dining and kitchen areas. Full-height glazing provides a free view of the valley and terrace looking over the garden area. Upstairs are the sleeping areas, dressing rooms and bathrooms. The central design element is a sculptural staircase that connects all three levels.

OLS House by J. Mayer H.

The house was built as a reinforced concrete construction. The facade consists of one heat-insulating compound system and an aluminum and glass facade. Slats and anti-glare sheeting provide integrated sun protection, protecting it against heat. All of the lightweight partition walls inside are made of drywall. The floor is a seamless layer of screed. The roof with the deep, recessed balcony was built with pre-weathered zinc plate cladding and is fitted with solar panels.

OLS House by J. Mayer H.

Team: Juergen Mayer H., Marcus Blum (Project Architect), Sebastian Finckh, Paul Angelier, Hugo Reis, Julian Blümle

OLS House by J. Mayer H.

Project: 2009-2011
Completion: September 2011
Client: Private

OLS House by J. Mayer H.

Architect on Site: AB Wiesler + Michael Gruber, Stuttgart
Structural Engineer: Gunter Kopp, Leutenbach/ Nellmersbach
Service Engineers: IB Funk und Partner, Leutenbach
Building Physics: Kurz&Fischer GmbH, Winnenden

OLS House by J. Mayer H.

Function: Private House, near Stuttgart, Germany
Site area: 891 sqm
Building area: 306 sqm
Total floor area: 488 sqm
Number of floors: 3
Height of the building: 10,43 m
Structure: reinforced concrete, brick, roof: steel
Principal exterior material: EIFS, glass, zinc, rooftiles
Principal interior material: wood, plasterboard, creative floor
Designing period: 08/09 – 04/10
Construction period: 04/10 – 09/11

OLS House by J. Mayer H.

Above: site plan

OLS House by J. Mayer H.

Above: ground floor plan

OLS House by J. Mayer H.

Above: first floor plan

OLS House by J. Mayer H.

Above: second floor plan

OLS House by J. Mayer H.

Above: long section

OLS House by J. Mayer H.

Above: front elevation

OLS House by J. Mayer H.

Above: side elevation

OLS House by J. Mayer H.

Above: rear elevation

OLS House by J. Mayer H.

Above: side elevation

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Madison House by Thomas Phifer and Partners

This curvy brick house for Madison, Wisconsin, is designed by architects Thomas Phifer and Partners to resemble a serpentine garden wall.

Madison House by Thomas Phifer and Partners

With construction set to begin later this month, the building will be the home for a pair of university professors within a neighbourhood that also features houses designed by Frank Lloyd Wright and Louis Sullivan.

Madison House by Thomas Phifer and Partners

The site was formally the garden of two residences, so the architects designed a building that would reference this. “This house in essence is a garden wall,” Thomas Phifer told Dezeen. “It’s extremely simple and humble, with not a lot of embellishment.”

Madison House by Thomas Phifer and Partners

Built from an assortment of reclaimed bricks, Madison House will comprise a free-flowing plan loosely divided up into four wings with cedar floors and white walls. There won’t be many partitions, but rooms will be naturally divided by the swelling and constricting shapes.

Madison House by Thomas Phifer and Partners

Phifer explains: “The couple live a very simple and uncluttered life, so they want something that is very minimal and expresses their desire for simplicity.”

Madison House by Thomas Phifer and Partners

Frameless windows will be set forward from the brickwork and finished in mirrored glass, preventing views into rooms from the surrounding garden, while circular skylights will be dotted intermittently across the roof.

Madison House by Thomas Phifer and Partners

“We wanted sporadic skylights that light up very particular little places,” added the architect. “They won’t be centred in the rooms at all, but organised according to the kind of informal spirit of the walls.”

Madison House by Thomas Phifer and Partners

Above: site plan – click for larger image

New York office Thomas Phifer and Partners also recently completed a college of architecture at Clemson University, South Carolina. See more architecture in the US.

Madison House by Thomas Phifer and Partners

Above: floor plan – click for larger image

Here are some project details from Thomas Phifer and Partners:


Madison House

Architect: Thomas Phifer and Partners
Structural Engineer: Skidmore, Owings & Merrill
Geotechnical Engineer: Nummelin Testing Services
General Contractor: Poulsen Enterprises

Location: Madison, Wisconsin
Years: 2011-Present
Client: Private
Size: 2900 sf
Project Team: Thomas Phifer, Eric Richey, John Bassett, Anja Turowski

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Prototyping UH by General Design

Japanese studio General Design constructed this two-storey house in Tokyo as the prototype for a series of urban housing templates that can be replicated in any Japanese city (+ slideshow).

Prototyping UH by General Design

“The clients simply asked for a basic house for themselves and their two children, so we regarded this project as an opportunity to work on urban house prototypes,” says General Design.

Prototyping UH by General Design

The building comprises a simple two-storey volume with a gabled roof and a plaster-covered exterior. There are no windows on the front facade, but a sky-lit atrium and private courtyard are contained behind the walls.

Prototyping UH by General Design

Skylights are dotted along the roof on both sides, bringing natural light into the house from different angles. There’s also a square window in the top-floor living room, offering a view out across the neighbourhood.

Prototyping UH by General Design

A large living and dining room spans the length of the building and folds around to a kitchen at the back. The glazed courtyard sits on the left, while an extra room at the front provides an office that allows residents to work from home.

Prototyping UH by General Design

An industrial staircase spirals up to the first floor, where a second living room leads through to three separate bedrooms.

Prototyping UH by General Design

General Design is led by Japanese architect Shin Ohori. Other projects by the studio include the bare concrete and steel headquarters for clothing brand Neighborhood and the windowless concrete flagship for Lad Musician. See more architecture by General Design.

Prototyping UH by General Design

Photography is by Daici Ano.

Prototyping UH by General Design

Here’s a project description from General Design:


Prototyping UH

The site is located in a typical urban site in central Tokyo, where low-rise wooden houses and light gauge steel apartment buildings are densely built up in narrow quarters.

Prototyping UH by General Design

The clients simply asked for a basic house for themselves and their two children, so we regarded this project as an opportunity to work on urban house prototypes.

Prototyping UH by General Design

This simple pitched-roof house, finished plainly with mortar, has rustic appearance like a barn.

Prototyping UH by General Design

Above: ground floor plan – click for larger image

We adopted a standard wood frame system to achieve a simple layout and low-cost construction. This prototype can be adjusted and be built on any other urban sites.

Prototyping UH by General Design

Above: first floor plan – click for larger image

Large openings are located around the small courtyard on ground floor, and a picture window towards the adjacent park is provided in additional living room on the second floor. And large skylights on the roof allows for nice breeze to flow inside, and also give contrasting effect of light and shadow throughout the house.

Prototyping UH by General Design

Above: second floor plan – click for larger image

We opened up the interior space as much as possible so that the family feels as if spending relaxing time outside, under the blue sky. We intended to turn this tiny urban lot into a place where the family members can live openly and enjoy sufficient light and wind.

Prototyping UH by General Design

Above: long section – click for larger image

Architect: Shin Ohori / General Design Co., Ltd.
Location: Meguro, Tokyo
Site Area: 120.04 sqm
Built Area: 64.33 sqm
Total Floor Area: 141.07 sqm
Structural System: Timber
Completion Date: May 2012

Prototyping UH by General Design

Above: cross section – click for larger image

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Omnibus House by Gubbins Arquitectos

Chilean architect Pedro Gubbins designed this concrete residence as a rural retreat for himself and his family and has balanced it on top of a dry-stone wall (+ slideshow).

Omnibus House by Gubbins Arquitectos

Named Omnibus House, the long and narrow residence is constructed on the side of a hill and the wall beneath it functions as a retainer against the sloping landscape.

Omnibus House by Gubbins Arquitectos

Gubbins wanted the house to be visually linked to the outdoor spaces of its woodland location, so he designed the concrete volume with lengths of glazing stretching across its longest facades, allowing views right through the building.

Omnibus House by Gubbins Arquitectos

“All the issues with privacy are solved because of the slope of the location,” said Jose Quintana Cabezas, an architect at Gubbins Arquitectos. “There are neighbours, but they are far away enough to not to have visual contact, plus all the tree trunks help.”

Omnibus House by Gubbins Arquitectos

One of the most prominent features of the house is a concrete staircase that cuts through its centre, connecting the rooms on the main floor with an entrance on the storey below and a terrace on the rooftop.

Omnibus House by Gubbins Arquitectos

Corridors run along both sides of the building, while rooms are arranged in sequence between. Glazed partitions divide the living and dining rooms, either side of the staircase, while wooden boards separate the bedrooms at the western end.

Omnibus House by Gubbins Arquitectos

The concrete walls are exposed inside the building, plus polished concrete floors run through each room.

Omnibus House by Gubbins Arquitectos

Santiago studio Gubbins Arquitectos also recently completed a hillside house with walls of timber and concrete.

Omnibus House by Gubbins Arquitectos

Other recent projects in Chile include an earthquake-proof house and a hotel for stargazers. See more architecture in Chile.

Omnibus House by Gubbins Arquitectos

Here’s some more information from Gubbins Arquitectos:


Omnibus House

Life and leisure space

To break the typical areas of an urban house; kitchen, living–dining room and dormitories, this house has a double circulation that deconstructs these areas into a set of complimentary places.

Omnibus House by Gubbins Arquitectos

This creates a way of inhabiting that moves away from a typical urban arrangement into a more playful one.

Omnibus House by Gubbins Arquitectos

To inhabit the exterior from within

To inhabit the exterior of a holiday house does not only imply the direct interaction with the outside of the house, but also the interaction through the house.

Omnibus House by Gubbins Arquitectos

This has been achieved through its own structure and arrangement, allowing the possibility of re-discovering new views from the terrace-roof; from the back terrace through the living room, from the corridor or galleria by the main façade or sheltered along the houses stone base.

Omnibus House by Gubbins Arquitectos

A sustainable architecture

The north orientation of the houses main façade (23.5 metres width by 3.1 metres height) offers the possibility of becoming a large solar collector that at night time re-emits the accumulated thermal energy gathered during the day, by its walls, concrete slabs and roof.

Omnibus House by Gubbins Arquitectos

Materiality and construction

The use of concrete as the main material, gives a sense of mass that is necessary for relating to the context.

Omnibus House by Gubbins Arquitectos

Its colour complements the surrounding trees and allowed the used of a large span for the roofing and the use of different textures produced by the rough sawn timber formwork sold by a local retailer.

Omnibus House by Gubbins Arquitectos

Above: ground floor plan – click for larger image

Omnibus House by Gubbins Arquitectos

Above: first floor plan – click for larger image

Omnibus House by Gubbins Arquitectos

Above: roof plan – click for larger image

Omnibus House by Gubbins Arquitectos

Above: east elevation – click for larger image

Omnibus House by Gubbins Arquitectos

Above: west elevation – click for larger image

Omnibus House by Gubbins Arquitectos

Above: north elevation – click for larger image

Omnibus House by Gubbins Arquitectos

Above: south elevation – click for larger image

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House in Sayo by FujiwaraMuro Architects

Boxy wooden rooms branch out from a crooked blue spine at this family house in Sayo, Japan, in our second story this week about the work of FujiwaraMuro Architects.

House in Sayo by FujiwaraMuro Architects

Simply titled House in Sayo, the single-storey residence is located beside a car park in a sparsely populated residential district.

House in Sayo by FujiwaraMuro Architects

FujiwaraMuro Architects planned the house around a meandering corridor, contained with the deep blue volume, and it swells in two places to accommodate a living room in the middle and a dining room at the end.

House in Sayo by FujiwaraMuro Architects

“A narrow space threads through the center of this house, expanding and shrinking, curving and meandering,” explain architects Shintaro Fujiwara and Yoshio Muro. “This part of the house morphs and transforms to become a space for relaxation, study, reading or tea time.”

House in Sayo by FujiwaraMuro Architects

Timber-clad rooms protrude outwards along the sides. One functions as the entrance, while the others contain bedrooms, bathrooms, a kitchen and a traditional Japanese room.

House in Sayo by FujiwaraMuro Architects

A seating area is located within the recess cerated by one of the boxes and a small terrace is slotted between two boxes on the south side of the building.

House in Sayo by FujiwaraMuro Architects

Shintaro Fujiwara and Yoshio Muro founded FujiwaraMuro Architects in 2002. Past projects include a house with a corridor coiling around its floors and the recently completed House in Muko, which features a facade of huge vertical louvres.

House in Sayo by FujiwaraMuro Architects

See more Japanese houses on Dezeen, including a converted warehouse with rooms contained inside a white box.

House in Sayo by FujiwaraMuro Architects

Photography is by Toshiyuki Yano.

House in Sayo by FujiwaraMuro Architects

Here is a few words from FujiwaraMuro Architects:


House in Sayo

A narrow space threads through the center of this house, expanding and shrinking, curving and meandering. This part of the house morphs and transforms to become a space for relaxation, study, reading, or teatime.

House in Sayo by FujiwaraMuro Architects

We built a small room in the middle of this space. As the width of these branches changes, the purpose of this room, along with its relationship with the surrounding space, transforms along with it.

House in Sayo by FujiwaraMuro Architects

Location: Sayo, Hyogo, Japan
Principle use: single family house
Site area: 262.53 sqm
Building area: 82.78 sqm
Total floor area: 81.26 sam
Project architect: Shintaro Fujiwara, Yoshio Muro
Project team: fujiwarramuro architects
Structure: timber

House in Sayo by FujiwaraMuro Architects

Above: floor plan – click for larger image

House in Sayo by FujiwaraMuro Architects

Above: cross section

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Family house in Český ráj by Stempel & Tesar

Czech studio Stempel & Tesar has completed a house that looks likes it’s being swallowed up by the landscape (+ slideshow).

Family house in Český ráj by Stempel & Tesar

The family house is located in Český ráj, an 18,000-hectare nature reserve also known as Bohemian Paradise, and the house nestles against a hillside blanketed with grass.

Family house in Český ráj by Stempel & Tesar

Stempel & Tesar tunneled down into the landscape to make room for a sauna that had been requested by the client. “We decided to add a basement rather than increase the footprint of the house,” architect Jan Tesar told Dezeen. “It wasn’t too complicated to build because of the sloping site.”

Family house in Český ráj by Stempel & Tesar

The rest of the three-storey house is designed to reflect the traditional local vernacular, as planning conditions in the area are strict. Three elevations are clad with timber, while the fourth is covered with stone – a nod to the old Bohemian residences that also contained workshops or barns.

Family house in Český ráj by Stempel & Tesar

Design guidelines stipulated that no more than four windows could be added to each elevation, plus each one had to follow precise size and proportion guidelines. The architects got around this by designing large timber shutters, which slide across larger glazing panels on the north-east walls.

Family house in Český ráj by Stempel & Tesar

A steeply pitched roof oversails the walls and is clad with pre-weathered sheets of titanium-zinc.

Family house in Český ráj by Stempel & Tesar

Rooms inside the house follow a basic linear arrangement and are divided into two rows by a central corridor.

Family house in Český ráj by Stempel & Tesar

Other residences completed recently in the Czech Republic include a gabled lodge with a first-floor observatory. See more Czech architecture on Dezeen.

Family house in Český ráj by Stempel & Tesar

Photography is by Fotes.

Here’s a project description from Stempel & Tesar:


Cesky raj – Stempel & Tesar architekti

The opportunity to construct a family house in Cesky raj turned out to be a very pleasant and unique one right from the very first moment when we met the client.

Family house in Český ráj by Stempel & Tesar

Unique location adjacent to a wood with view opportunities to rocks and forests was constraint by very prescriptive and challenging planning restrictions applicable in the location in protected natural area.

Family house in Český ráj by Stempel & Tesar

The guidance documents from the authorities outlined the design meticulously: main windows must be of rectangular shape, long edge vertical, subdivided into glass panes, fixed window height ratio of 2:3 up to 4:5, the typical width of windows between 0.7-1.2m, the number of windows in the front wall between 2-4 etc. Many other building elements were prescribed with the same precision to the same level of detail.

Family house in Český ráj by Stempel & Tesar

Our design proposal originated from characteristics of local historic architecture, hence half of the house is made of stone and other half of timber, this duality derives from original division between dwelling and a workshop or a barn. Traditional open barn entrances with in/out passage inspired the high clearance glazing. These opportunities for vistas bring desired southern light into the interior while opening unique view at forests in the north and peaks of mountains.

Family house in Český ráj by Stempel & Tesar

A simple pitched roof covers the entire building volume. For roof material we selected weathered titanium-zinc sheets resisting severe weather conditions. The roof is in 45dg and the ridge is oriented parallel to the entrance as well as the main building axes.

Family house in Český ráj by Stempel & Tesar

Building volume of the house is very simple and uncomplicated therefore the final design is a pure form without any additional architectural element. The final form is very respectful to the traditional building forms in the area and originates from principles of local vernacular architecture.

Family house in Český ráj by Stempel & Tesar

Building plans extends from ground floor to the attic space right above, both used as dwelling. The house is used as a terraced house with the entrance located in the centre of the building volume.

Family house in Český ráj by Stempel & Tesar

Above: site plan

Client: private clients
Location of site: Cesky Raj, Czech Republic
Program: housing 198 sqm
Project by (firm name): Stempel & Tesar architects
Principal designer: Jan Stempel, Jan Tesar
Site area: 2715 sqm
Building footprint: 189 sqm
Design and construction: 2010-2012

Family house in Český ráj by Stempel & Tesar

Above: basement floor plan

Family house in Český ráj by Stempel & Tesar

Above: ground floor plan

Family house in Český ráj by Stempel & Tesar

Above: first floor plan

Family house in Český ráj by Stempel & Tesar

Above: cross section

The post Family house in Český ráj
by Stempel & Tesar
appeared first on Dezeen.

Villa L by Powerhouse Company and RAU

Chunky horizontal bands divide the floors of this house in the woods outside Utrecht by architecture studios Powerhouse Company and RAU (+ slideshow).

Villa L by Powerhouse Company

Home to a family of five, the house comprises three storeys, including one that is buried underground. Living and dining rooms occupy the ground floor, while bedrooms are located upstairs and the basement floor contains guest rooms and a swimming pool.

Villa L by Powerhouse Company

The architects conceived the top floor as a “village of cabins”, which follow a different outline to the ground floor below. To achieve this, they installed a complex steel frame that surrounds a set of five rectilinear volumes.

Villa L by Powerhouse Company

“One of the most important aspects of the house is the amazing steel structure,” Powerhouse Company‘s Stijn Kemper told Dezeen. “There is this 11-metre free cantilever that makes the design possible, but the funny thing is that it’s completely covered up, so you never see the structure. It’s a strange experience.”

Villa L by Powerhouse Company

Different materials are applied to the facades at each level. On the ground floor, a wall of glazing fronts the garden-facing south facade, while the rear is clad with a mixture of glossy travertine and mirrored glass. To contrast, the top floor walls are covered with dark-stained wood but are also interspersed with mirrored glass windows.

Villa L by Powerhouse Company

Two hollows in the ground surrounding the house slope down to meet the basement floor, helping to bring natural light to the swimming pool and two guest bedrooms.

Villa L by Powerhouse Company

A small pavilion at the other end of the garden provides a playroom for the children. More mirrored glass is used to clad this structure, which can also be used as a separate guest house.

Villa L by Powerhouse Company

Charles Bessard and Nanne de Ru founded Powerhouse Company in 2005, with offices in Rotterdam and Copenhagen. This isn’t the first time the firm has teamed up with Amsterdam studio RAU, as the pair worked together to design a competition-winning dance and music centre for The Hague.

Villa L by Powerhouse Company

Other projects by Powerhouse Company include a spiral-shaped house extension and a woodland house near Arnhem. See more architecture by Powerhouse Company.

Villa L by Powerhouse Company

Photography is by Christian van der Kooy.

Villa L by Powerhouse Company

Here’s some more explanation from Powerhouse Company:


Villa L – Paradox of Uniting Diversity

Powerhouse Company, in close collaboration with RAU, recently completed Villa L. Designed to fulfill the desires and needs of a young family, Villa L is set in the woods of central Netherlands, fully oriented towards the sun and the views on the garden. Villa L is a spatially diverse residence where every floor has its own strong identity, creating a broad spatial spectrum within a unified whole.

Villa L by Powerhouse Company

A young family with three children asked Powerhouse Company to design a house that would fulfill their dreams: a paradox of a house that is simple yet surprising, open yet specific, minimal yet luxurious. Powerhouse Company resolved these contradictions with a sustainable design for a house based on a radical differentiation of spatial experiences on three floors (of which one is subterranean); the maximum buildable size on this site. Three clear levels, with three very different characters and functionalities as a basis for family life to emerge.

Villa L by Powerhouse Company

Family life

One level is for living, a generously open ground floor. A strip of serving rooms containing storage, toilets and stairs, provides easily access to the luxuriously open living spaces. The kitchen and living room are oriented maximally to the sun and view. In close relation to this living area there are two studies located on the north side next to the entrance.

Villa L by Powerhouse Company

Village of cabins

The collection of rooms on the first floor provides space for sleeping and privacy. Set in a delicate roof garden, all the bedrooms are autonomous volumes crafted in their entirety from dark wood. They work like a village of cabins, providing intimacy and privacy. Every room is like a world of its own with private views over the wooded landscape.

Villa L by Powerhouse Company

Wellness and retreat

The curved basement is for guests, wellness and storage. The excavations allow the pool and the guest rooms to have fully glazed facades and direct access to the garden.

Villa L by Powerhouse Company

Smart Sustainability

RAU designed innovative sustainable measures including a hot and cold-water storage and extensive use of hidden PV cells. The basement contains a dedicated area for the high-end energy saving installations.

Villa L by Powerhouse Company

A house designed for the hectic life of an evolving family; fragmented yet united, plural yet whole.

Villa L by Powerhouse Company

The audacious structural engineer Gilbert van der Lee, also responsible for engineering Villa 1, designed the structure, including the soaring ceiling of the living room. The interior furnishings are designed by interior designer Bart Vos.

Villa L by Powerhouse Company

Above: site plan

Location: near Utrecht, The Netherlands
Partner in charge: Nanne de Ru
Co-architect: Thomas Rau
Design: Nanne de Ru, Charles Bessard
Project leader: Stijn Kemper
Team: Ard-Jan Lootens, Bjørn Andreassen

Villa L by Powerhouse Company

Above: exploded axonometric

Structural engineering: Gilbert van der Lee – BREED Integrated Design
Sustainability: Thomas Rau – RAU
Project management: Stef Pierik – Pierik Projecten Groep BV
Contractor: Coen Hagedoorn Bouwgroep BV
Landscape design: Sander Lap – LAP Landscape & Urban design
Interior design: Bart Vos – VOS Interieur

Villa L by Powerhouse Company

Above: ground floor plan – click for larger image

Villa L by Powerhouse Company

Above: first floor plan – click for larger image

Villa L by Powerhouse Company

Above: basement floor plan – click for larger image

The post Villa L by Powerhouse Company
and RAU
appeared first on Dezeen.