Underwater hotel room opens off the coast of Zanzibar

Holidaymakers can now spend nights sleeping beneath the surface of the ocean at this partially submerged hotel suite in the Zanzibar archipelago (+ movie).

Underwater hotel room opens off the coast of Zanzibar

Located 250 metres off the coast of Pemba Island, the Underwater Room forms parts of the Manta Resort, a holiday retreat on the mainland of the island, and comprises a three-storey floating structure with its lowest level positioned four metres beneath the water.

Underwater hotel room opens off the coast of Zanzibar

After being escorted to the remote suite by boat, guests use a staircase to descend to their underwater bedroom, where windows on every wall allow 360 degree views of the underwater coral reef and sea life.

Underwater hotel room opens off the coast of Zanzibar

“Some [reef fish] have taken up residence around the room, which affords them some protection from predators,” said the resort owners. “For instance, three bat fish and a trumpet fish called Nick who is always swimming around and seemingly looking in!”

Underwater hotel room opens off the coast of Zanzibar

Coral is expected to grow around the outer walls, plus underwater spotlights are fitted below the windows to encourage squid and colourful sea slugs to come into view.

Underwater hotel room opens off the coast of Zanzibar

The structure was designed and built by Swedish company Genberg Underwater Hotels and takes its cues from Utter Inn, a floating structure on Lake Malaren in Sweden that was modelled on a traditional Scandinavian house.

Underwater hotel room opens off the coast of Zanzibar

Like this structure, the Underwater Room has a timber-clad upper section that sits above the water. This includes lounge and bathroom facilities, as well as a roof deck that can be used for either sunbathing or stargazing.

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Singapore hotel covered with plants was “inspired by rock formations”

Movie: Wong Mun Summ of WOHA explains how the Singapore studio tried to recreate geological forms in the architecture of PARKROYAL on Pickering, which won the Hotels category at last month’s Inside Festival

PARKROYAL on Pickering by WOHA

PARKROYAL on Pickering by WOHA is a 367-room hotel on the edge of Singapore’s Central Business District, which features large balconies and terraces covered in 15,000 square metres of tropical plants.

PARKROYAL on Pickering by WOHA, Singapore

“We wanted to create a hotel in a garden,” explains Wong. “We have achieved more than 200% of the site area in green replacement. So the green areas in the building are actually larger than the site itself.”

PARKROYAL on Pickering by WOHA, Singapore

The balconies are made from layered slabs of contoured concrete, which continue inside the hotel in the reception areas on the ground floor. Wong explains that they were arranged to suggest natural landscapes.

PARKROYAL on Pickering by WOHA, Singapore

“All the inspiration comes from rock formations,” he says. “It’s a very organic feeling that you get from the building.”

He adds: “We wanted to mimic the idea of the sedimentary layer and that is actually quite obvious from the form of the various strata in the building. Each layer is grooved, so that it has more shadows and is more refined.”

PARKROYAL on Pickering by WOHA, Singapore

The hotel rooms themselves are more simple in design, but Wong says that the layout of each one is designed in relation to the garden outside.

“We wanted create a very warm feeling that is extending from the gardens,” he says. “The hotel rooms are configured in such a way that all of the rooms look into the sky terraces. Not only do you get a city view, you get a garden view.”

PARKROYAL on Pickering by WOHA, Singapore

The large windows in the bedrooms are broken up by an irregular pattern of timber mullions, which is replicated by the bespoke furniture and fittings inside the rooms.

“Because we were the architects [as well as the interior designers] we wanted to make sure there was a good transition from architecture to interiors,” says Wong. “So the idea was to transform [the windows] into framing structures for the cabinets, the shelves, and even the lamp fittings.”

PARKROYAL on Pickering by WOHA, Singapore

Wong says that he believes the hotel can be enjoyed by both passers-by and guests.

“We succeeded in creating a building that the man in the street can relate to,” he claims. “Quite often high-rise buildings tend to be very abstract, almost lacking in details. In this case what we have tried to do is humanise the skyscraper.

“It’s not just the guests that benefit from it, but also people who walk around in the city.”

Wong Mun Summ of Singapore studio WOHA
Wong Mun Summ of Singapore studio WOHA

This movie was filmed at Inside Festival 2013, which took place at Marina Bay Sands in Singapore from 2 to 4 October. The next Inside Festival will take place at the same venue from 1 to 3 October 2014. Award entries are open February to June 2014.

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Business Playground meeting room by Mathieu Lehanneur

French designer Mathieu Lehanneur has created a meeting room in a London hotel where guests can relax beneath a canopy with an image of trees projected onto its surface (+ slideshow).

Business playground Mathieu Lehanneur for Pullman

Mathieu Lehanneur designed the space for the Pullman London St Pancras hotel, where it provides a meeting room for business clients who want a creative environment suitable for work and relaxation.

Business playground Mathieu Lehanneur for Pullman

Poker tables inspired the leather edge surrounding the large meeting table, which encourages people to lean forward as they would when playing cards.

Business playground Mathieu Lehanneur for Pullman

“By bringing comfort and a certain suppleness to the table itself, I wanted to instil in each person the desire to participate and be at the heart of the debate, to go from passive to active, from spectator to participant,” Lehanneur explained.

Business playground Mathieu Lehanneur for Pullman

A breakout space features comfortable armchairs and tables arranged underneath the faceted canopy, which is illuminated by a digital projection to create the impression of being “somewhere else, outside, under the trees.”

Business playground Mathieu Lehanneur for Pullman

A series of illuminated boxes with reflective interiors contain unusual books and objects “inspired by the living spaces of scientists, aesthetes or collectors,” and were added to offer guests a source of inspiration.

Business playground Mathieu Lehanneur for Pullman

Lehanneur also designed faceted pebble-shaped containers for storing meeting supplies such as notepads and pens.

Business playground Mathieu Lehanneur for Pullman

The unique furniture designs and interventions will be applied throughout Pullman’s hotels in the future.

Here are some more details about the meeting room:


Pullman and Mathieu Lehanneur invent “Business Playground”: a place to work and a playing field for ideas

Pullman reinvents meetings with the “Business Playground” room created by designer Mathieu Lehanneur. This room reflects the brand’s “Work hard, Play hard” motto as well as its guests’ lifestyle. It combines performance and pleasure with a fresh take on the traditional aspects of a meeting: a meeting table designed like a poker table, a private area for informal conversations or breaks, and a cabinet of curiosities. All these features are designed to stimulate creativity and reinvent international hospitality codes. The Pullman London St Pancras will premier the “Business Playground” room from November 2013, before it is gradually rolled out across the network starting in 2014.

Business playground Mathieu Lehanneur for Pullman

“Blurring” as a source of inspiration for meetings

The Pullman Hotels & Resorts cater for the new lifestyles and expectations of the brand’s clientele of cosmopolitan, mobile, hyper-connected travelers. These accomplished professionals, who travel for business or with their clans on holiday, are curious about the world around them. The “blurring” of private and professional life is part and parcel of their daily routine. As a result, whether they are travelling for business or for pleasure, they want to be able to work and live intensely during their stays.

Pullman is an event organization expert, with over 30,000 events organized in its hotels. It aims to offer a unique meeting experience and remove the increasingly artificial barrier between work and relaxation. To do so, it invited designer Mathieu Lehanneur to create a new approach to workspaces and design a boardroom that reflects its “Work hard, play hard” motto.

Business playground Mathieu Lehanneur for Pullman

Xavier Louyot, SVP Pullman Global Marketing explains, “Our business guests travel a lot. Hotel guestrooms and meeting rooms are part of their daily routine. Quality of service and efficient facilities are intrinsic to all upscale international hotels. So, it’s the experience that makes the difference. It takes inspiration for big ideas to make the leap forward. With “Business Playground” we aim to create unforgettable meetings for our guests, so that their gatherings in our establishments in London, Paris, or elsewhere are unlike any others.”

The “Business Playground” room is a far cry from very formal conventional meeting rooms and disrupts the codes of business with style by focusing on defining elements and unique furniture create specially for Pullman.

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Generator Berlin Mitte hostel by Ester Bruzkus with Anwar Mekhayech and Mark Asipowicz

Exposed ductwork and rough materials feature at this hostel in central Berlin (+ slideshow).

Generator Berlin Mitte hostel by Anwar Mekhayech, Ester Bruzkus and Mark Asipowicz

Anwar Mekhayech of Toronto firm The Design Agency collaborated with local architects Ester Bruzkus and Mark Asipowicz of WAF Architects to design the hostel interior.

Generator Berlin Mitte hostel by Anwar Mekhayech, Ester Bruzkus and Mark Asipowicz

The latest accommodation in the Generator chain is located in an early twentieth-century building in Berlin’s central Mitte district, close to the city’s Museum Island.

Generator Berlin Mitte hostel by Anwar Mekhayech, Ester Bruzkus and Mark Asipowicz

Minimal en-suite rooms and dorms with exposed concrete ceilings can accommodate up to 552 guests.

Generator Berlin Mitte hostel by Anwar Mekhayech, Ester Bruzkus and Mark Asipowicz

In the reception light wood panels contrast with dark flooring and seats in pink and red. Patterns are created by overlapping strings stretched from the exposed ceiling pipes to the walls.

Generator Berlin Mitte hostel by Anwar Mekhayech, Ester Bruzkus and Mark Asipowicz

Wooden work benches act as tables in the dining area, accompanied by wood and copper-coloured stools. Bright artwork on corridor walls is based on graffiti around the city. The doors are covered with large room numbers.

Generator Berlin Mitte hostel by Anwar Mekhayech, Ester Bruzkus and Mark Asipowicz

Communal areas include a bar, library, cafe and central courtyard. An event space in the basement with seating integrated into steps will host exhibitions by local artists and performances by local bands.

Generator Berlin Mitte hostel by Anwar Mekhayech, Ester Bruzkus and Mark Asipowicz

“Generator Berlin Mitte has been one of the most exciting Generator projects to date because of our collaboration with local interior designer Ester Bruzkus and also the talented Berlin-based artists who added a relevant cultural dimension,” said Mekhayech.

Generator Berlin Mitte hostel by Anwar Mekhayech, Ester Bruzkus and Mark Asipowicz

Generator also operates a hostel in Berlin’s Prenzlauer Berg district and has recently opened branches in Venice and Barcelona. Photography is by F+W Fotografie.

Read on for more details from the hostel:


Generator continues to challenge the traditional hostel concept with the launch of its third property in 2013

Generator Berlin Mitte follows the openings of Generator Barcelona and Venice and further strengthens the company’s position as Europe’s largest and most innovative urban design hostel group

Located in a historic 1900s building in the bohemian neighbourhood of Mitte, the design-led Generator Berlin Mitte accommodates up to 552 guests across 139 en-suite rooms and dorms. Public spaces include a lively Generator Bar, chill-out library, café, historic central courtyard and a basement event space that will be used to showcase the work of local artists, designers and musicians.

Carl Michel, Executive Chairman at Generator which is backed by Patron Capital, said: “Our new Berlin property is in an area that has undergone many transformations, from being the old Jewish quarter to the pulsing heart of the city that it is today with a vibrant nightlife scene. Our newest Generator offers our growing customer base a high standard of comfortable and stylish accommodation at an affordable price and just a stone’s throw from the Museumsinsel (Museum Island).”

Generator Berlin Mitte hostel by Anwar Mekhayech, Ester Bruzkus and Mark Asipowicz

Chief Designer Anwar Mekhayech, one of the partners at The Design Agency, has set the standard for the new wave of Generators with his work in Barcelona and Venice. For Berlin Mitte he has worked in collaboration with Mark Asipowicz from WAF Architects and guest designer Ester Bruzkus, from Ester Bruzkus Architects, whose impressive portfolio includes some of Berlin’s most celebrated boutique hotels and restaurants.

Bruzkus’ very distinctive style is combined with strokes of Berlin’s own grunge flair, very present in the use of cement tiles. The style is very clear: old vs. new, bright vs. dark and moody, rough vs. smooth and sleek; all visibly translating into a contemporary atmosphere that exudes an air of unpretentious style. The rough wood panelling and open ceilings, raw copper panels against black walls in the basement and the simple furniture and mastic asphalt in the breakfast area that contrast with the mirrored ceiling in the bar are just some examples of the stunning design details that are featured in this project.

Anwar Mekhayech, chief designer, said: “Generator Berlin Mitte has been one of the most exciting Generator projects to date because of our collaboration with local interior designer, Ester Bruzkus and also the talented Berlin-based artists who added a relevant cultural dimension.”

Generator Berlin Mitte hostel by Anwar Mekhayech, Ester Bruzkus and Mark Asipowicz

True to Generator’s commitment and passion to creating an authentic and locally inspired experience, the Berlin Mitte property has embraced the city’s love of street art. The colourful mural was created by London artist Luke Embden during a Berlin residency, while the legendary Thierry Noir has adorned the corridors with his famous ‘heads with big lips’, similar to those at the Berlin Wall, Eastside Gallery. In addition, over the coming months, the collective Urban Art Clash will be in residence, running a studio from the hostel’s top floor and curating an open exhibition in the basement space. Other artist collaborations include Bella Leonard, who has created a distinctive crochet sculpture in the shape of Generator’s “G” and notable artist Sebastian Preschoux has set up one of his famous string installations in the café and reception.

This new urban design-inspired hostel joins Generator’s first property in Berlin, situated in the bohemian Prenzlauer Berg, and will cater for the growing number of travellers choosing to explore the German capital.

Josh Wyatt, Investment Director at Patron Capital responsible for the Generator brand, said: “We are thrilled to bring another Generator to Berlin. As well as being one of Europe’s most visited destinations, it was also the first city where Generator opened when we expanded outside of London. Having grown our leadership role as the hostel industry’s largest urban design hostel group, this new property seems a natural step. Berlin’s cultural and social heritage, coupled with the vibrant art and music scene, is a perfect fit for the Generator brand. Building on this latest opening, we will continue to increase our portfolio both within Europe and globally.”

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Reykjavík Lights Hotel by TARK and HAF for Keahotels

An ancient Icelandic calendar influenced the layout and interiors in this Reykjavík hotel designed by local architects TARK and HAF (+ slideshow).

Reykyjavik Lights Hotel by TARK & HAF for Keahotels

Reykjavík Lights Hotel by TARK and HAF comprises 12 corridors, one for each month of the year, and rooms are themed around specific days in the traditional calendar.

Reykyjavik Lights Hotel by TARK & HAF for Keahotels

“A key element is the hotel’s unique visual calendar,” HAF founder Hafsteinn Juliusson told Dezeen. “Inspired by the ancient Icelandic calendar Rímtafla, it reflects the year-round daylight conditions in Iceland.”

Reykyjavik Lights Hotel by TARK & HAF for Keahotels

In the lobby, a large spherical light hangs above a wooden polygonal bar.

Reykyjavik Lights Hotel by TARK & HAF for Keahotels

The lobby wall is decorated in graphics based on star constellations that can be seen from Reykjavík.

Reykyjavik Lights Hotel by TARK & HAF for Keahotels

Graphic designer Sveinn Þorri Davíðsson worked in collaboration with the architects to design the typography for the hotel’s signage and stationery, which is based on historic Icelandic runes.

Reykyjavik Lights Hotel by TARK & HAF for Keahotels

One hundred and five custom-made wallpapers were created for the hotel, which correspond to the colour spectrums of Iceland’s daylight conditions.

Reykyjavik Lights Hotel by TARK & HAF for Keahotels

Room are decorated with an eclectic mix of frames, which contain artworks showing the country’s traditions and seasons.

Reykyjavik Lights Hotel by TARK & HAF for Keahotels

Photography is by Gunnar Sverrisson & Vigfús Birgisson.

Here is some more information from the architects:


Reykjavík Lights is a new concept hotel managed by Keahotels. The hotel design is a collaboration between architecture studio Tark and HAF. Team HAF developed the concept, interior and visual design of the hotel. The concept revolves around Iceland’s ever-changing light conditions and how they reflect Icelandic everyday life.

Reykyjavik Lights Hotel by TARK & HAF for Keahotels

A key element is the hotel’s unique visual calendar. Inspired by the ancient Icelandic calendar Rímtafla, it reflects the year-round daylight conditions in Iceland. The visual calendar Rímtafla is divided by months and distributed onto 12 corridors. Each corridor represents a month of the year and each room is linked to a specific day in the ancient Icelandic calendar.

Reykyjavik Lights Hotel by TARK & HAF for Keahotels

The rooms are decorated with unique color palettes expressing Iceland’s unique color spectrums. Artworks inside the rooms demonstrate local and seasonal traditions and circumstances, such as the Northern lights or the Midnight sun. In all, 105 custom made wallpapers were produced for the hotel. Throughout the hotel you will find various decorations and information about Icelandic culture, history and light.

Reykyjavik Lights Hotel by TARK & HAF for Keahotels

Reykjavík Lights’ visual identity was developed in collaboration with graphic designer Sveinn Þorri Davíðsson. The typography is based on ancient Icelandic runes and the color scheme is an interpretation of the Icelandic light.

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Bauhaus opens its dorms to paying guests

News: visitors to the museum at the Dessau campus of the Bauhaus can now spend the night in the dormitories of the former German Modernist design school (+ slideshow).

Reconstructed room at Studio Building, Bauhaus Dessau
Reconstructed room in the Studio Building at Bauhaus Dessau

Guests can book accommodation in the Studio Building once occupied by architecture and design students at the Bauhaus campus in Dessau, Germany, which is now a museum dedicated to the movement.

Reconstructed room at Studio Building, Bauhaus Dessau. Photo by Yvonne Tenschert
Reconstructed room

Visitors stay in one of the 28 rooms in the building, which were once let to junior masters and promising students.

Reconstructed room at Studio Building, Bauhaus Dessau
Reconstructed room

Previous inhabitants include Marcel Breuer, Josef Albers, Erich Consemüller, Herbert Bayer, Franz Ehrlich, Walter Peterhans, Hannes Meyer and Joost Schmidt, plus Marianne Brandt, Gertrud Arndt, Gunta Stölzl and Anni Albers on the “ladies floor”.

Marianne Brandt room at Studio Building, Bauhaus Dessau
Marianne Brandt room

The 24-square-metre studio flats are starkly decorated and minimally furnished. Boarders have to use the communal bathrooms and showers like the residents in the 1920s would have done.

Marianne Brandt room at Studio Building, Bauhaus Dessau
Marianne Brandt room

One single room has been accurately reconstructed with the original furnishings, while others have been kitted-out with work by their previous occupants.

Personalised studio of Josef Albers, Bauhaus Dessau
Josef Albers room

Prices start from €35 per night for a single room, while a double room on a Friday or Saturday night costs €60.

Personalised studio of Franz Ehrlich, Bauhaus Dessau
Franz Ehrlich room

The Bauhaus school was founded by Modernist German architect Walter Gropius in 1919 and was originally located in Weimar.

Studio building (Prellerhaus) by Walter Gropius, 1925/26 - view from east. Photo by Silvia Höll
Studio Building (Prellerhaus) by Walter Gropius, 1925/26 – view from east. Photo by Silvia Höll

The campus was relocated to Dessau in 1925, where the iconic listed building was constructed in the Modernist style. The school was then moved again to Berlin in 1932 before closing down in 1933.

Visitor on a balcony of the studio building (Prellerhaus), Gropius 1925/26
Visitor on a balcony of the Studio Building

Photographs are courtesy of the Bauhaus Dessau Foundation and are all by Yvonne Tenschert unless otherwise stated.

Studio Building (Prellerhaus) of Bauhaus building Dessau, Walter Gropius 1925/26. View from south-east
Studio Building

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Fogo Island Inn by Saunders Architecture

Saunders Architecture of Norway has added a hotel and gallery on stilts to the picturesque Fogo Island in Canada, where the firm has already created a series of rural cabins for artists (+ slideshow).

Fogo Island Inn by Saunders Architecture
Photograph by Alex Fradkin

Named Fogo Island Inn, the building is the latest edition to an ongoing arts residency programme being established on the Newfoundland isle. So far Saunders Architecture has completed four of six live-in artists’ studios and, most recently, this 29-room hotel and cultural attraction.

Fogo Island Inn by Saunders Architecture
Photograph by Iwan Baan

The building has an X-shaped plan comprising one two-storey volume and an intersecting four-storey block, both clad in timber.

Fogo Island Inn by Saunders Architecture
Photograph by Iwan Baan

Dozens of narrow columns support the protruding ends of the building, ensuring it has a minimal impact on the rocks, lichens and plants that make up the coastal landscape.

Fogo Island Inn by Saunders Architecture
Photograph by Alex Fradkin

“The inn is completely tied to Fogo Island and traditional Newfoundland outport architecture by the way it sits in the landscape and the materials used throughout,” said the architects.

Fogo Island Inn by Saunders Architecture
Photograph by Alex Fradkin

“The knowledge and skill of local carpenters and craftspeople were essential for establishing the details used throughout the buildings,” they added.

Fogo Island Inn by Saunders Architecture
Photograph by Iwan Baan

The smallest side of the building contains a series of public facilities, including an art gallery, a library dedicated to local history, a cinema, a gym and various meeting and dining areas.

Fogo Island Inn by Saunders Architecture
Photograph by Alex Fradkin

The four-storey structure runs parallel to the seafront and accommodates the 29 guest suites. The majority of these come with their own wood-burning stoves, plus three of the rooms feature a mezzanine floor.

Fogo Island Inn by Saunders Architecture
Photograph by Alex Fradkin

A deck on the roof of the building offers saunas and outdoor hot tubs, while laundry facilities and storage areas occupy an extra building nearby.

Fogo Island Inn by Saunders Architecture
Photograph by Iwan Baan

Here’s a project description from Saunders Architecture:


Fogo Island Inn

The Fogo Island Inn is a public building for Fogo Island with 29 rooms for guests. The building, located between the communities of Joe Batt’s Arm and Barr’d Islands on the Back Western Shore, is an X in plan. The two storey west to east volume contains public spaces while the four storey south-west to north-east volume contains the remaining public spaces and all the guest rooms and is parallel to the coast.

Fogo Island Inn by Saunders Architecture
Photograph by Iwan Baan

The public areas on the first floor include an art gallery curated by Fogo Island Arts, a dining room, bar and lounge, and a library specialising in the local region. The former president of Memorial University Newfoundland, Dr. Leslie Harris, donated the foundational material for the library. The second floor includes a gym, meeting rooms, and cinema. The cinema is a partnership with the National Film Board of Canada. The fourth floor roof deck has saunas and outdoor hot tubs with views of the North Atlantic.

Fogo Island Inn by Saunders Architecture
Photograph by Iwan Baan

All guest rooms face the ocean with the bed placed directly in front of the view of the Little Fogo Islands in the distance with the North Atlantic beyond. The room sizes vary from 350 square feet to 1,100 square feet. Guest rooms are located on all four floors with the 21 rooms on the third and fourth floors all having a wood-burning stove. The ceilings of the rooms on the fourth floor follow the slope of the roof and the three rooms on the east are double volume spaces with the sleeping area located on the mezzanine.

Fogo Island Inn by Saunders Architecture
Photograph by Iwan Baan

An outbuilding to the south of the inn contains service functions like laundry, storage, wood fired boilers, backup generator, and solar thermal panels on the roof. The required number and orientation of the solar panels dictated the form of the outbuilding and the angle of the roof. The space between these two buildings creates an entry court and frames the main entrance. Vehicle parking is off site.

Fogo Island Inn by Saunders Architecture
Photograph by Iwan Baan

The inn is a fully contemporary structure, built using modern methods. Ecological and self-sustaining systems were subtly integrated from the beginning of the project, incorporating the latest technologies to reduce and conserve energy and water usage. It is a highly insulated steel frame building and the windows have the equivalent rating of triple pane glazing. Rainwater from the roof is collected into two cisterns in the basement, filtered, and used for the toilet water and also to be used as a heat sink. The solar thermal on the outbuilding panels provide hot water for in-floor heating, laundry and kitchen equipment.

Fogo Island Inn by Saunders Architecture
Photograph by Iwan Baan

The inn is completely tied to Fogo Island and traditional Newfoundland outport architecture by the way it sits in the landscape and the materials used throughout. The building hits the land directly without impacting the adjacent rocks, lichens and berries. The exterior cladding is locally sourced and milled Black Spruce. The knowledge and skill of local carpenters and craftspeople were essential for establishing the details used throughout the buildings.

Fogo Island Inn by Saunders Architecture
Photograph by Alex Fradkin

The interiors of the inn continue the incorporation of the traditional with the contemporary. The materials, history, craft techniques and aesthetic of outport Newfoundland are the starting point for what has become a long term and ongoing collaborative project between contemporary designers from North America and Europe and the men and women makers and builders of Fogo Island and Change Islands. The furniture, textiles and interior surfaces throughout the inn are reminders that you are on the Back Western Shore of Fogo Island.

Fogo Island Inn by Saunders Architecture
Photograph by Iwan Baan

The Fogo Island Inn is owned by the Shorefast Foundation, a Canadian charitable organisation established by Zita Cobb and her brothers with the aim of fostering cultural and economic resilience for this traditional fishing community. The project has been a collaborative effort now lasting over 7 years starting with the relationship between the Fogo Island based Shorefast Foundation and the Newfoundland born and Norway based architect Todd Saunders. This atypical collaboration continues to be a happy adventure and is a kind of miracle considering the typical client-architect relationship on a project of this scale and duration.

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Ace Hotel, London: An interview with Ace Hotel co-founder Alex Calderwood at their new Shoreditch property

Ace Hotel, London


Well into bookings and a spot-on event schedule just a month after opening, The Ace Hotel’s latest offering takes its characteristic simplicity and buzz to east London’s Shoreditch neighborhood….

Continue Reading…

The Conservatorium Hotel, Amsterdam: Seek out the music hall-turned-hotel for the finest infusion of Dutch heritage and contemporary design in the city’s museum district

The Conservatorium Hotel, Amsterdam


Step one foot inside of Amsterdam’s stunning Conservatorium Hotel and it’s profoundly clear: This isn’t just a glossy set of digs with opulent soaps and near-perfect customer service—this is a vacation within a vacation. The Continue Reading…

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

A hotel under construction on a South Pacific island is depicted as a collection of architectural ruins in this series of images by Australian photographer Peter Bennetts (+ slideshow).

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Designed by Australian architect Kristin Green, la Plage du Pacifique Hotel is under construction along the beach of an island in Vanuatu – an archipelago over a thousand miles east of northern Australia.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Concrete has been used for the structures of each building in the complex, which includes 18 guest villas, a restaurant with a roof garden and sun lounge, and a swimming pool and spa facility.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Peter Bennetts joined Green on a site visit to capture the structures in pictures. Although almost complete, the buildings contain few traces of life, which the photographer says created the impression of “a ruin”.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

“Like pods of little whales, the off-form concrete villas swim together, entwining with native pandanus and rosewood trees in the face of trade winds and frequent cyclones,” he said.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Comparing one structure to both an ancient monument and an iconic Italian villa, he added: “As in an Aztec temple, or Casa Malaparte, a stair leads to a deck on top of a form I’d describe as the architect’s dance shoe. In the unflinchingly bright tropical sun the stair casts a shadow that Escher could’ve dreamed of.”

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Each structure is designed to be cyclone resistant, with cross-ventilation that will reduce the need for air-conditioning. The architect has also added a series of concrete walls that will offer shade from intense sunlight.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

The swimming pool is modelled on the ancient Roman baths at Hadrian’s villa in Tivoli, creating another reference to architectural monuments.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

“The Colosseum has invaded these new lands, not a new notion for Western man,” writes Green. “Here she protects from violent storms; patrons are offered a chance at romance, to dance, dream and escape.”

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Here are some more details from Kristin Green:


La Plage D’hôtel du Pacifique

Sounds of crashing waves and wind through the palm trees, the Hotel du Pacifique complex offers a protected paradise, set to take the world by cyclone. The buildings are designed to allow wind to pass through with little or no need for air-conditioning. Modern forms take on an ancient roman bath providing escape from the demands of the city. Areas are separated by dancing concrete limbs intertwined casting shadows to relieve one from the tropical sun.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

D’hôtel du Pacifique: Restaurant Building

With this building we explored cinematic experience, coupled with the ideas of leisure, romance & dreaming. The ambience of 1950’s movies where casual bathing attire is worn by day yet one likes to dress up in the evening for dinner. The building is organised around zones:
» À la carte restaurant and bar with reception for arrivals,
» Open air roof garden for dining, cocktails and sun bathing,
» Casual grill bar for patrons relaxing around the pool & outdoor facilities including; Pétanque, beach tennis, swimming, handball &/or board games.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

D’hôtel du Pacifique: Villas Stage 1

The first 18 beach front villas are near completion. All components of the villas are custom made; complete in-situ concrete board marked walls, floor & roof, concrete benches, day beds, cast-in-place basins and handmade light fittings, in-built furniture, sunken baths along with timber herringbone windows which are hand carved from local timbers by local craftsman and hand-cut stone floors. Kristin is regularly on site coordinating fabrication techniques and ensuring consistency of local construction methods.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Each villa is conceived as a robust, cyclone ready building, the result of a series of key relationship studies between man, building & the tropical landscape. The nature of the body disrobing, exposure, privacy & the personalised experience offers a certain romance and seclusion for its patrons.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

La Plage D’hôtel du Pacifique: Pool Area & Landscape

The pool/massage/spa component of the resort offers a place for the leisure, relaxation and sensual decadence that one would expect from a quality 5-star experience in the Pacifique. A concrete slide, colonnade and capital recall the Ancient Roman baths, a direct homage to Emperor Hadrian (the pool is literally measured from & at Hadrian’s villa in Tivoli, outside Rome); ‘only here can one truly dream of being lost in time’.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

The pool and sun lounge area wraps around the building, white sand, the ocean, a sensuous entanglement. Memories of roman villas bedecked with capitals, pediments and statues offer a delight to the pool area; a shady concrete capital creates a weighty ambience and shade relief.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Irregular clusters of Pandanus & palm trees, a simple landscape of grass and white sand ground surface make bare feet is a must. The tree roots emerge from the ground like something of a child’s dream, creating gentle barriers and shadows. Sandy walking paths wander through resort facilities, offering the odd secluded stopping point for new or renewed romance, a cocktail in hand, the soft floating fabric of colourful transparent sarongs and the opportunity to stroll into their villa.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Undulating mounds caress the landscape. Vines trace the board marked surface of the concrete walls, delighting patrons with their patterns. The birds sing amidst the trees and promises of the sea turtle sanctuary are desired to continue nature’s course in the region.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Narrative

Bridget is perched behind Athena’s shield, a relief from the hallowing winds that are so frequent to the Pacifique region. The Coliseum has invaded these new lands; not a new notion for western man. Here she protects from violent storms…. patrons are offered a chance at romance, to dance, dream and escape; rekindling their love, offering hope for the future & their wellbeing.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

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photographed by Peter Bennetts
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