Louche glassware by Mathias Hahn

London Design Festival 2013: London product designer and co-founder of OKAYstudio Mathias Hahn has designed a range of opaline glassware.

Louche glassware by Mathias Hahn

Mathias Hahn‘s new Louche glassware collection features an opaque white water bottle with a grey stopper, a tall mint-green glass beaker and a small transparent beaker with a green lid.

Hahn said that this experimental glassware range aimed to expose opaline or opaque glass qualities to a younger and contemporary audience.

Louche glassware by Mathias Hahn

The glassware has different grades of opacity that are created by hand-blowing opaline glass into changing wall thicknesses. “By using a subtle set of monochrome colours, the often very decorative use of opaque glass is transferred into refined and plain objects,” explained Hahn.

“The louche [name] describes a very similar visual condition, when spirits such as absinthe or pastis turn from clear to cloudy when adding water,” Hahn said.

Louche glassware by Mathias Hahn

Mathias Hahn started his own design studio in 2006 and is one of the founding members of design collective OKAYstudio. The Louche glassware will be on display until 22 September as part of OKAYstudio’s Loose Thread exhibition at Ben Sherman’s Modular Blanc exhibition space in London at 108 Commercial Street, London, E1 6LZ.

Other projects by Hahn’s that we’ve featured on Dezeen include a set of mirrors with wooden handles that swivel up and down and a collection of coloured glass vessels that feature concrete, brass and metal. See all our coverage on Mathias Hahn »

Louche glassware by Mathias Hahn

Other ceramics featured on Dezeen recently include a new collection of bone china plates with a sandy texture and a small ceramic pendant that bounces light off of large steel bowls.

See all our stories about London Design Festival 2013 »
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Photographs are courtesy of the designer.

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Formwork by Industrial Facility for Herman Miller

London Design Festival 2013: London studio Industrial Facility has created a range of stacking containers to store desktop items for American office furniture manufacturer Herman Miller.

Formwork desk storage by Industrial Facility for Herman Miller

Sam Hecht and Kim Colin of Industrial Facility designed the Formwork plastic boxes with a non-slip silicone base to stack in any combination, lining up horizontally or stacking vertically.

Formwork desk storage by Industrial Facility for Herman Miller

The products grew out of a project by the duo last year, in which they closely examined the analogue and digital items that tend to populate a desk.

Formwork desk storage by Industrial Facility for Herman Miller

“It became clear that the modern desk is an amalgamation of not just the office, but also the kitchen, the workshop and the bathroom,” they said, explaining how they found that alongside stationery, workstations tend to accommodate items like fruit, mugs, tissue boxes and toiletries.

Formwork desk storage by Industrial Facility for Herman Miller

The Formwork storage system for Herman Miller keeps some of these items on show and in easy reach, while hiding others from view. Some pieces include cantilevered ledges that act as a little tray, elevating important objects and keeping them to hand.

Formwork desk storage by Industrial Facility for Herman Miller

Components of the system include a pencil pot that a roll of masking tape will fit around, small and large trays, a tissue box, a media stand and paper trays.

“The idea is that with forms that are pluralistic and stackable, the range of use is far broader than in the office, and can be used in the home, the workshop and many other places too,” said the designers.

Formwork desk storage by Industrial Facility for Herman Miller

Hecht and Colin will preview the range as part of a pop-up shop by Retail Facility, the arm of their company set up to sell their products, at 20 Britton Street, London EC1M 5UA from 17 to 20 September as part of the London Design festival.

They’ll also show lighting for OLuce and a stool for Mattiazzi, which we reported on when they were first shown in Milan in April 2013.

Formwork desk storage by Industrial Facility for Herman Miller

Earlier this year Industrial Facility unveiled an office furniture system for Herman Miller that promotes interaction in the workplace.

See more design by Industrial Facility »
See more stories about office furniture from Herman Miller »
See more stationery »

Formwork desk storage by Industrial Facility for Herman Miller

Here’s some more information from the designers:


Formwork

Herman Miller’s Formwork modular desk accessories have been designed by Sam Hecht and Kim Colin to help people bring order to their papers, tools, and artifacts. The approach aligns itself with Herman Miller’s recent trajectory of extending its reach beyond furniture and into personal tools and accessories that serve the users’ individual needs and preferences, enhancing their experience for both home and work life.

With shapes and sizes that were rigorously considered to relate an intuitive sense of utility, Formwork™ may be stacked and combined in any way the user sees fit. In varying permutations they allow for some items to be kept out of view, while others to remain within reach. The simple yet sophisticated forms, material production, and color palette indicate a level of thoughtfulness rarely brought to desktop goods.

Formwork is made from ABS Plastic with a non-slip Silicone Base. The collection ranges from a Pencil to Small and Large Trays, Small and Large Boxes, a Tissue Box, a Media Stand, and Paper Tray. The idea is that with forms that are pluralistic and stackable, the range of use is far broader than in the office, and can be used in the home, the workshop and many other places too.

Background

Formwork™ was first commissioned in 2012 as an affirmation that the things we have around us are now a mixture of the analogue and the digital. Hecht and Colin approached the project by examing the items themselves that were populating our lives and our desks, rather than the environements where these items are found. Most research and documentation in these areas are photographs from a distance which merely presents visual complexity and disorder.

By looking more closely at the actual items on the desk themselves, it became clear that the modern desk is an amalgamation not just the office, but also the kitchen, the workshop and the bathroom. Not only were there stationary items, but fruit, sugar packets, spoons and mugs; tissue boxes, ear buds and plasters; tapes, glues and staplers.

Because of the sheer breadth of these items to be stored and used, the simplest of forms – the box – was chosen. The box sizes realte to the dimensions of these commonly found items. For instance pen cups share the same diameter as the internal roll of masking tape; boxes share the same size as tissue boxes; and paper trays are the share the sizes of assorted papers and magazines. Hecht and Colin promoted the idea of a collection of simple boxes that could be arranged horizontally or stacked vertically, with each accessory being multi-dimensional in where they could be used and what they could contain and allowing for a hierarchy of usefulness.

Some things can be hidden away, while others can be kept visible. Several of the accessories have cantilivered surfaces that act as a tray to help with this type of hierachical organization – instead of digging for a USB stick, it can stay at a higher level.

Retail Facility pop-up shop

17th – 20th September 2013
20 Britton Street,
London EC1M 5UA

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Snow Vases by Maxim Velčovský

Czech designer Maxim Velčovský presents a series of porcelain vases cast from snow at the London Design Festival, which starts today.

Snow Vase by Maxim Velčovský

Velčovský produced the Snow Vases by moulding snow into vase forms and then casting them in plaster – a technique he describes as “lost-snow casting”.

Snow Vase by Maxim Velčovský

The vases were created over three winters, from 2010 to 2012, using different types of snow collected at different locations.

Snow Vase by Maxim Velčovský

Velčovský, founder of Prague design studio Qubus, describes making vases out of snow as “a casting of water that we perpetually try to close into containers”.

Snow Vase by Maxim Velčovský

“I took snow and modelled the vases,” Velčovský explained to Dezeen. “Then you pour plaster on the snow. Plaster gets warm when hardening, so the snow melts and you get the mould. Into the mould I poured porcelain slip, so by slip casting I got the shape of the snow.”

Snow Vase by Maxim Velčovský

“This technique can be called ‘lost-snow casting’,” he adds. “It is limited edition as the mould breaks after several casts.”

Velčovský made one vase each winter and produced a limited edition of fifteen vases from each mould.

The vases, created for Prague gallery Křehký, will be shown at west London design store Mint from today until 30 September as part of the London Design Festival.

Mint, part of the Brompton Design District, is exhibiting work by many designers as part of its Cabinets of Curiosity exhibition during the festival. You can find the exhibition plus other key shows in the Brompton district on our online map of the London Design Festival.

Here’s some more info about the vases from Velčovský:


Snow Vase for Křehký Gallery

Maxim Velčovský molded vases from snow and casted their shape in plaster for three consecutive years (2010, 2011, 2012). Thus, various types of snow from various locations gave birth to a unique collection of vases.

Their molds are imprinted with time, plus solidification and melting processes that often counteracted. Designed exclusively for the Křehký gallery, the Snow Vase limited edition of 15 pieces has just been presented there.

“I am more and more interested in the moment of ephemerality. I thought that frozen water would be an ideal material for exploring that moment,” says Maxim Velčovský. “You wait for the material to fall down from the sky and then model a shape. You are cold, your hands are freezing, and then the vase melts and vanishes or you manage to capture it in a different form of water combined with plaster. The entire process and all its aspects are very fascinating.

“For instance, the fact that you can mold a vase from snow only in a specific moment and in a specific part of the planet, or water circulation that is ever-present in the process even after the process is over and the vase becomes a water container. Initially, I only wanted to make an abstract object, but then I thought it would be more interesting to make an object in the context of design that would, in essence, be a casting of water that we perpetually try to close into containers.”

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NY NOW Summer 2013 Photo Recap!

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NY-NOW-2013-Best02.jpgMenu Booth

Re-branded as NY NOW, the biannual trade show formally known as the New York International Gift Fair was back this August with all of the usual suspects presenting their wares. Viewing this show through a designers’ lens can be a little overwhelming—there’s just so much stuff!—but as veteran attendees we stuck to the small but well curated flagship section of the fair, “Accent on Design.”

There was not much in the way of new product at the show this year, with most companies opting to refresh their collections with new colors and invest in more sophisticated branded booths—always a good thing, as it elevated the overall experience of walking the floor. One of our favorite booths, pictured above, was Danish vendor Menu who consistently present a strong product line-up, their no-frills gallery like presentation a testament to the strength of the products.

Overall, it felt like most companies exhibition spaces had a smaller footprint. it was inspiring to see some of the independent designers like Fort Standard and Chen Chen & Kai Williams who got their start with the AmDC graduate to getting their own booths, and Japan’s presence was undeniable with both their minimal approach to display and product selection offering a welcome visual break.

Here’s a quick round-up of stuff that caught our eye!

NY-NOW-2013-Best04.jpgDesktructure by Hector Serrano

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POV Candleholder by Note Design Studio for Menu

Product News: Note Design Studio of Stockholm has created a set of wire candle holders that look different depending on where you stand.

POV Candleholder by Note Design Studio for Menu

The candleholders by Note Design Studio for Danish brand Menu are called POV in reference to the filming technique of framing a shot as though through the eyes of one of the characters.

POV Candleholder by Note Design Studio for Menu

“Depending on that point of view, things will change – settings, stories and the way we interpret things,” said the designers, likening the effect to the way their product appears to change when seen from different sides.

POV Candleholder by Note Design Studio for Menu

“From some angles it seems like a flat graphical drawing – move around it and suddenly the graphic lines floats in mid air,” they said. “Shadows and shapes change, making it a fun object to interact with.”

POV Candleholder by Note Design Studio for Menu

The pieces are made of powder-coated steel wire and come in a wall-mounted version for tea lights or a table-top version for tall candles. They’re available in white, black, grey, turquoise or terracotta and can be displayed singly or mounted in groups.

dezeen_POV Candleholder by Note Design Studio for Menu 6

Other products by Note Design Studio include porcelain and wood pendant lamps and mobile trolleys to display shoes at a Camper store.

POV Candleholder by Note Design Studio for Menu

Other candle holders we’ve featured include candelabras made from a compound of stone and resin by KiBiSi, also for Menu, and a lantern with one glass bubble sitting inside another.

POV Candleholder by Note Design Studio for Menu

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Ladder by Charlie Styrbjörn Design

Gothenburg designer Charlie Styrbjörn will present a ladder with curving linked rungs during the London Design Festival next month.

Ladder by Charlie Styrbjorn Design

Working under Charlie Styrbjörn Design, the designer steam-bent sections of solid wood to maintain the direction of the grain along the shaped sections.

Ladder by Charlie Styrbjorn Design

“I wanted to create a unique ladder for interior use with a high decorative value but still functioning as a good ladder should,” said Styrbjörn.

Ladder by Charlie Styrbjorn Design

Treads are flat at the centre, but curve up on alternate sides as they rise to create a continuous line between the two long poles either side.

Ladder by Charlie Styrbjorn Design

Stained black or left natural, the ladders are not currently in production but will be exhibited at the Tent London exhibition as part of next month’s London Design Festival. Photos are by Jonas Lindstedt.

Ladder by Charlie Styrbjorn Design

We’ve also featured a step ladder that can both rest flat against the wall and fit into a corner, plus a slimline coat rack formed from two ladders joined together.

Popular homeware designs we’ve published recently include a collection of utensils that contains an elasticated egg cup and a dustpan that funnels sweepings into the bin through its handle.

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In House by David Steiner

Royal College of Art graduate David Steiner has turned his house into a factory by adapting household appliances to create a range of tableware and lighting (+ slideshow).

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“The project began as an experiment in self-sufficiency, to some extent a reaction against the growing prevalence of desktop digital manufacture,” said David Steiner, adding that he wanted to show what can be achieved using his existing possessions.

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Simple interventions transformed everyday objects that can be found in most homes into tools that replicate industrial manufacturing processes, such as rotational moulding and steam bending.

dezeen_In House by David Steiner 15

A lampshade made from a baking tray was cut with scissors before being pressed into shape in the edge of a door frame.

dezeen_In House by David Steiner 13

An embroidery hoop and sections of a notice board frame were used to make a framework for a polypropylene mould that was put in a washing machine to create a device for rotation casting tableware.

dezeen_In House by David Steiner 12

Cutlery was cast from pewter in a mould made from a cereal box cut into shape and fixed to a chopping board.

dezeen_In House by David Steiner 11

Cork from notice boards was layered and turned on a lathe surface attached to the top of a blender.

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A mixer was transformed into a pottery wheel used to throw a cup made from sugar paste.

dezeen_In House by David Steiner 9

Wooden rulers dunked in water were heated in a microwave and bent to form a tray in a process replicating steam bending.

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Other graduation projects presented at Show RCA 2013 included a range of copper, maple and glass tools for making cosmetics at homebicycle helmets made from paper pulp and a bioplastic made from crab shells.

dezeen_In House by David Steiner 8

See all our stories from Show RCA 2013 »
See more homeware »

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Photography is by Lynton Pepper.

This movie shows how the machines were made and the products were manufactured:

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A utensil is not just a utensil by James Stoklund

An elasticated egg cup, a fork that bends to pick up food and a glass tumbler with a cheeky bottom all feature in a collection of utensils by Royal College of Art graduate James Stoklund (+ slideshow).

Danish designer James Stoklund said he wanted to “challenge the traditional way we eat or pick up food but at the same time consider the food and its consistency in a playful way.”

Egg cup by James Stoklund
Fresh Eggs

Stoklund’s rubbery egg cup, named Fresh Eggs, has a white silicone surface that stretches to hold different sized eggs. They can be pushed into the holder from underneath through a hole in the elastic membrane.

Tableware by James Stoklund
Lick It Clean

Lick it Clean is a round plate that also features an elasticated surface and stretches when pressure is added, allowing the user to scoop up all the food.

Fork by James Stoklund
Flexible Fork

Stoklund’s curved fork has a flat surface and features eight long prongs that bend when pressure is added to pick up food from a normal plate.

Extend the Pleasure by James Stoklund
Extend the Pleasure

An extra-long stainless steel spoon, called Extend the Pleasure, offers users a longer and bigger spoonful.

Extend the Pleasure by James Stoklund
Extend the pleasure

A glass tumblr, named Shake that Booty, appears to sit at an angle and rest on two bum cheeks.

Tableware by James Stoklund
Shake That Booty

Pour Thing is a white silicone milk jug that looks like a tea cup and forms a spout when the liquid is poured in one direction.

Pour Thing by James Stoklund
Pour Thing

Pass the Salt is a salt shaker that features an empty egg attached to a spoon. The egg is fixed in place via two tiny interlocking tubes. Salt is dispensed from the egg when the spoon is tipped downwards.

Pass the Salt by James Stoklund
Pass the Salt

Stoklund, who graduated from London’s Royal College of Art this summer, said that he wanted to challenge traditional tableware design.

“Everyone knows the feeling of having a spoon in their mouth or the sound of a fork against the plate,” he said. “These are experiences we have known since we were born. However, most of us do not question the function of these everyday life utensils and what a simple change can do.”

Here’s a film featuring the utensils in use:

Other kitchen products featured recently include an angular flat-pack whisk and a tilting mixing bowl by Prianka Sisodiya, patterned rolling pins that make edible plates and a set of cutlery with slim handles like chopsticks.

See more kitchenware design »
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Poly Bowls by Martin Zampach

Czech designer Martin Zampach has produced a range of hexagonal bowls that are each made from three interlocking wooden leaves.

Poly bowls by Martin Zampach

Martin Zampach constructed the Poly Bowl using pieces of cork, coated with ash, maple and alder wood veneers to create different colours and textures.

Poly bowls by Martin Zampach

Curved edges allow the pieces to slot together, forming the hexagonal shape.

Poly bowls by Martin Zampach

“The flexible building materials allow for extreme shaping of the segments and when all parts are locked to form the bowl the structure gets its strength,” Zampach explained.

Poly bowls by Martin Zampach

The designer also says that the pieces fit together in different arrangements, “to form illusional 2D and 3D ornaments”.

Poly bowls by Martin Zampach

Marcus Zampach’s previous projects include a collection of handblown glassware with bottle tops that can be used as shot glasses.

Poly bowls by Martin Zampach

Other bowls we’ve featured on Dezeen include some that are so thin they quiver in the wind, a collection made from shredded money and a fruit bowl with concentric circles milled from a slice of oak.

Poly bowls by Martin Zampach

See all our stories about bowls »
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Poly bowls by Martin Zampach

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Elbow Grease by Prianka Sisodiya

An angular flat-pack whisk, a tilting mixing bowl and a pastry binding ring make up this range of baking tools by graduate designer Prianka Sisodiya.

Elbow Grease by Prianka Sisodiya

The Elbow Grease products by Kingston University graduate Prianka Sisodiya subtly adapt archetypal kitchen utensils. “The objects appear to look normal yet surprise people when they use them” said Sisodiya.

Elbow Grease by Prianka Sisodiya

All three items in Sisodiya’s range are designed to make it easier to mix batter for pastry or cakes. “Subtle details differentiate them from ordinary baking tools,” said Sisodiya.

Elbow Grease by Prianka Sisodiya

The angular metal whisk can be flattened by pressing the wires together on one half. It is pointed and angular rather than curved to allow users to scrape a bowl when using it while flat.

Elbow Grease by Prianka Sisodiya

Sisodiya has also created a bowl that has flat corners around the base, to allow it to rest at an angle when the bowl is tilted during mixing.

Elbow Grease by Prianka Sisodiya

The third item in the range is a pastry binder – an angled wire ring that slips onto the finger to help the user to stir butter and flour.

Elbow Grease by Prianka Sisodiya

The project will be on display at Tent London in September, as part of a show by graduate design collective Nous that will also feature Aaron Dunkerton’s enclosed cavity brick fitting and Alice Kim’s maternity vest for plants.

Elbow Grease by Prianka Sisodiya

Similar projects featured on Dezeen include patterned rolling pins that make edible plates, a meat grinder that squeezes out biodegradable bowls, five different sized measuring spoons to bake the perfect loaf of bread and a set of cutlery with slim handles like chopsticks.

See more kitchenware design»
See more homeware design»

Photographs are by Prianka Sisodiya.

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