The Shed at the National Theatre by Haworth Tompkins

Architecture firm Haworth Tompkins has installed a bright red auditorium amongst the brutalist concrete of London’s National Theatre (+ slideshow).

SHED at the National Theatre by Haworth Tompkins

Haworth Tompkins designed The Shed as a monolithic red box, entirely clad with rough-sawn timber boards. This material references the board-formed concrete of Denys Lasdun’s celebrated 1970s National Theatre and was intended by the architects to appear as its opposite.

SHED at the National Theatre by Haworth Tompkins

Four towering chimneys rise up from the corners, helping to draw air through the structure using a stack-effect system of natural ventilation. These chimneys were also planned as a reference to the architecture of the theatre and they mimic the angular geometry of its riverside facade.

SHED at the National Theatre by Haworth Tompkins

A temporary foyer is created beneath the existing balconies and leads straight through into the 225-seat auditorium.

The Shed at the National Theatre by Haworth Tompkins

Reclaimed chairs provide all of the seating inside the building, while recycled materials were used for all of the cladding and surfaces.

SHED at the National Theatre by Haworth Tompkins

“This collaboration has been a wonderful opportunity to explore the ways in which temporary public buildings can alter our perceptions of places and organisations,” said practice director Steve Tompkins. “We hope The Shed will be seen as a playful but thoughtful building, both challenging and complementary to the permanent cultural architecture.”

SHED at the National Theatre by Haworth Tompkins

Above: photograph is by Philipe Ville

The auditorium will remain in place for a year, temporarily replacing the Cottesloe Theatre room while it undergoes a renovation.

SHED at the National Theatre by Haworth Tompkins

Pop-up theatres and cinemas have become increasingly popular in London over the last few years. In 2011 a team of volunteers built a cinema under a motorway flyover, while a theatre for an audience of six travelled around Clerkenwell during last year’s design week in the district.

SHED at the National Theatre by Haworth Tompkins

Above: photograph is by Philipe Ville

Other temporary theatres created recently include one made from scaffolding and plastic pond liner in southern England and one in Estonia made from straw bales. See more theatres on Dezeen.

SHED at the National Theatre by Haworth Tompkins

See more architecture by Haworth Tompkins, including the new home for print-making and photography at the Royal College of Art.

SHED at the National Theatre by Haworth Tompkins

Photography is by Hélène Binet, apart from where otherwise stated.

SHED at the National Theatre by Haworth Tompkins

Above: photograph is by Philipe Ville

Here’s some extra information from the architects:


Haworth Tompkins creates temporary venue at the National Theatre ‘The Shed’

Haworth Tompkins announces the completion of The Shed, a temporary venue for the National Theatre on London’s South Bank. The Shed will give the NT a third auditorium while the Cottesloe is closed for a year during the NT Future redevelopment, also designed by Haworth Tompkins.

SHED at the National Theatre by Haworth Tompkins

The artistic programme for The Shed, recently announced by the Director of the National Theatre, Nicholas Hytner, pushes creative boundaries, giving the NT the opportunity to explore new ways of making theatre. In the same way, The Shed has been a test bed for experiment by the architectural design team. Conceived by Haworth Tompkins and regular collaborators Charcoalblue, it was then designed and built in little more than a year, a collaborative process between the building designers, the National Theatre, and theatre-makers who will work in the space, in a way that more closely resembled a theatre show than a conventional construction project.

SHED at the National Theatre by Haworth Tompkins

Above: photograph is by Philipe Ville

Its temporary nature, building on Haworth Tompkins’ earlier temporary projects like the Almeida Theatre at Gainsborough Studios and King’s Cross, permits a structure that can be seen less as a building than as an event or arts installation – a vibrant intervention on London’s South Bank that will entrance, and sometimes bewilder, passers-by for a period of twelve months.

SHED at the National Theatre by Haworth Tompkins

Above: photograph is by Philipe Ville

The Shed occupies Theatre Square, at the front of the National Theatre, beside the river. Its simple form houses a 225-seat auditorium made of raw steel and plywood, while the rough-sawn timber cladding refers to the National Theatre’s iconic board-marked concrete, and the modelling of the auditorium and its corner towers complement the bold geometries of the NT itself. A temporary foyer has been carved out from the space beneath the NT’s external terraces and provides easy connection to the existing foyers. The Shed’s brilliant red colour covering the entire mass of a form without doors or windows, announces its arrival boldly against the concrete bulk of the NT, giving it a startling and enigmatic presence.

SHED at the National Theatre by Haworth Tompkins

Above: photograph is by Philipe Ville

The Shed also represents another step in Haworth Tompkins’ ongoing project to research sustainable ways of making theatres. Built of materials that can be 100% recycled and fitted out with re-used seating, The Shed is naturally ventilated, with the four towers that draw air through the building providing its distinctive form.

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by Haworth Tompkins
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The Dyson Building by Haworth Tompkins

This factory-like building by architects Haworth Tompkins is the new home for print-making and photography at the Royal College of Art in London.

The Dyson Building by Haworth Tompkins

Named after British industrial designer and entrepreneur James Dyson, the Dyson Building also contains an innovation wing where start-up designers can launch their businesses.

The Dyson Building by Haworth Tompkins

At the heart of the building is a factory-like production room, referred to as the ‘machine hall’, which is filled with large printing machines and layout spaces.

The Dyson Building by Haworth Tompkins

Above: photograph is by Helene Binet

All the departments are arranged around this triple-height space and glass walls let students look across to see what’s going on in other studios.

The Dyson Building by Haworth Tompkins

Above: photograph is by Helene Binet

“What’s most successful is the way you can see everywhere,” architect Graham Haworth told Dezeen at the opening party.

The Dyson Building by Haworth Tompkins

Above: photograph is by Helene Binet

He went on describe the contrast between this building and the RCA’s 1960s Darwin Building, where “all the floors are stacked up on top of each other” and explained how Haworth Tompkins had tried to avoid this. ”We pushed the idea of a creative factory,” he said. “Just like Andy Warhol’s factory, a place of visible art production.”

The Dyson Building by Haworth Tompkins

Above: photograph is by Helene Binet

Raw concrete walls and surfaces recur throughout the building, which the architects hope will become gradually marked with traces of paint, glue, and other materials used by students.

The Dyson Building by Haworth Tompkins

Above: photograph is by Helene Binet

An exhibition room lines the building’s street-facing facade and a 220-seat lecture hall is located on the first floor.

The Dyson Building by Haworth Tompkins

Above: photograph is by Helene Binet

Now the project is complete, the architects are working on another building for the RCA, which will eventually link up with the Dyson Building and extend the length of the central hall.

The Dyson Building by Haworth Tompkins

Above: photograph is by Helene Binet

Haworth Tompkins also designed the Sackler Building, which accommodates the RCA’s painting school and is located next door.

The Dyson Building by Haworth Tompkins

Above: photograph is by Helene Binet

See more stories about the Royal College of Art here, including a series of movies we filmed at this year’s degree show.

The Dyson Building by Haworth Tompkins

Photography is by Philip Vile, apart from where otherwise stated.

The Dyson Building by Haworth Tompkins

Here’s some more information from the Royal College of Art:


Royal College of Art officially opens The Dyson Building in Battersea

The Royal College of Art, the world’s leading postgraduate art and design university and now in its 175th year, has opened a new academic building as part of a £61 million masterplan.

The Dyson Building by Haworth Tompkins

The Dyson building is named in honour of the British industrial designer, inventor and entrepreneur whose educational charity, the James Dyson Foundation, donated £5 million to support the development.

The Dyson Building by Haworth Tompkins

Designed by award-winning architects Haworth Tompkins, it is the most significant new development for the College since it moved to Kensington Gore in 1962 and will form the centre-piece of the RCA’s Battersea campus alongside the RCA’s existing Painting and Sculpture buildings.

The Dyson Building by Haworth Tompkins

It will connect with and provide a huge boost for ‘Creative Battersea’, which currently boasts the headquarters of fashion designer Vivienne Westwood, architects Will Alsop, Foster + Partners and the re-development of the Battersea power station site.

The Dyson Building by Haworth Tompkins

The building is home to the Printmaking and Photography programmes, providing state of the art facilities and studios for nearly 100 Master’s, Mphil and PhD students, as well as new offices for InnovationRCA, the College’s business incubator unit.

The Dyson Building by Haworth Tompkins

There is also a 220-seat lecture theatre and a gallery space which will be open to the public for talks and exhibitions, including the hugely popular RCA Secret postcard exhibition and sale which will re-locate to the Dyson building in March 2013.

The Dyson Building by Haworth Tompkins

For the first time in the College’s history all four fine art programmes will be based on one site, leading to a dynamic new synergy between the disciplines, and an exciting new chapter in the furtherance of the College’s fine art research.

The Dyson Building by Haworth Tompkins

Exploded block drawing – click above for larger image

The building is conceived as a creative ‘factory’ both in the industrial sense (as a place of industry), and through the reference to Andy Warhol’s Factory as a place of art production. An open, central ‘machine hall’ forms the heart of the building, designed to house the large printing machines used by students and technical staff to make work.

The Dyson Building by Haworth Tompkins

Site plan – click above for larger image

Centred around this space are the studios, offices and workshop facilities.

The Dyson Building by Haworth Tompkins

Section model – click above for larger image

A key characteristic of the RCA’s success is the fluid relationship between programmes. The building has been designed to create ‘horizontal drift’ between disciplines, and the creative processes take place in highly visible proximity to one another.

The Dyson Building by Haworth Tompkins

Section – click above for larger image

The cross-fertilisation of ideas that is present and encouraged on the programmes is also enhanced through the additional inclusion of InnovationRCA within the main building, blurring the boundary between the academic and the commercial.

The Dyson Building by Haworth Tompkins

Section – click above for larger image

InnovationRCA provides business support and incubation services to help students and graduates protect and commercialise pioneering design-led technologies successfully.

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Haworth Tompkins
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The Dovecote Studio by Haworth Tompkins

London architects Haworth Tompkins have inserted a Corten steel artist’s studio into a ruined Victorian dovecote in Suffolk, UK. (more…)

The Sackler Building by Haworth Tompkins

London architects Haworth Tompkins have completed a building to house the painting department of the Royal College of Art in London. (more…)