Docks for Ophelis by Grosch + Meier

Product news: German designers Till Grosch and Björn Meier have created a modular office furniture system that can be arranged in a variety of groups and islands (+ slideshow).

Docks by Grosch and Meier

Interior designers Ophelis asked Till Grosch and Björn Meier to develop pieces of furniture to occupy areas between workstations in an office.

Docks by Grosch and Meier

The Docks collection includes chairs, tables, shelves and cabinets that can fit together to form open-plan meeting spaces, small pods for individual work and areas for rest and relaxation.

Docks by Grosch and Meier

The pieces are made from aluminium with an oak veneer and high-pressure laminate, while seating is upholstered in a range of pastel-coloured fabrics.

Docks by Grosch and Meier

The Berlin-based designers said with an unlimited amount of possible combinations, they focused on designing the individual parts so that each configuration is perceived as self contained furniture.

Docks by Grosch and Meier

“We see Docks as a flexible ingredient in the constantly changing world of work and due to its modular nature it is designed to continuously keep evolving in line with the needs of a transforming work culture,” they said.

Docks by Grosch and Meier

“Lamps and side tables can also be docked by slotted panels and by simple indentation they become an integral part of the furniture islands,” they added.

Docks by Grosch and Meier

Other modular furniture collections on Dezeen include a series of angular lounge chairs and ottomans and a range of office furniture with tall backrests.

Docks by Grosch and Meier

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Docks by Grosch and Meier

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by Grosch + Meier
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Parasite Production by Samuel Treindl

German designer Samuel Treindl has made a clock, lamp and other products from shapes cut out of existing furniture (+ slideshow).

Parasite Production by Samuel Treindl

Samuel Treindl from Münster in Germany used what he called a “parasite strategy” to create new products from existing furniture items and intends for the final pieces to reflect the manufacturing process.

In the collection – called Parasite Production – Treindl created a clock from material cut from a peach cabinet and a desk lamp from shapes cut out of an Ikea PS cabinet.

Parasite Production by Samuel Treindl

More recently the designer cut a range of components such as a hooks and hinges from a brass book shelf.

Parasite Production by Samuel Treindl

His process means that the original cabinets can still be used. “In order to work in a more economic way, I superimpose different objects on a single metal sheet,” said Treindl. “So the same material would be used twice.”

Parasite Production by Samuel Treindl

All of the objects have been produced in Germany as limited editions. Triendl’s work will be exhibited at London’s Mint Shop during London Design Festival next month.

Parasite Production by Samuel Treindl

Parasite Production was first shown as a prototype at the SaloneSatellite showcase for young designers at the Salone Internazionale del Mobile in Milan in April, that also featured squishy lamps made out of rubber by Thomas Schnur.

Parasite Production by Samuel Treindl

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Photographs are by the designer.

Here’s a full project description from Treindl:


Parasite Production

This work is based on a parasitic strategy. The cabinets and other products are produced simultaneously. The results therefore reflect the manufacturing process and history of the production.

Parasite Production by Samuel Treindl

As a producer and designer I have to pay attention to the manufacturing of a product, but also to offcuts and loss of material.

In order to work in a more economic way, I superimpose different objects on a single metal sheet. So the same material would be double used. And the question is, where is here the rest? According to which other objects are currently produced, the obtained ornaments as well as the thickness of the material of the shelf can differ.

Parasite Production by Samuel Treindl

Example: If an industrial company produces spoons and forks, I will make a spoon shelf. If lamps are produced, I make a lamp cabinet. That way, I don’t want to design furniture, but I create a process which uses industrial production for generating and designing objects.

Parasite Production by Samuel Treindl

Material: brass steel, aluminum, powder-coated, laser cutting method.  The IKEA PS cabinet/lamp was hand-cut.

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by Samuel Treindl
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LK 1303 Console

The simplified composition and structure of the LK 1303 console echoes the harmony, symmetry, and order found in the sublime designs of the De Stijl m..

snow covered table

One of the never melt “winter memories” collection. Snow piled up on the table is a cover. It can contains some articles.

Haptic Chair by Trine Kjaer Design Studio

Danish designer Trine Kjaer has created a chair with a backrest and seat wrapped in thick lengths of cord intertwined with thin strands of copper.

Haptic Chair by Trine Kjaer Design Studio

Trine Kjaer upholstered the Haptic chair with foam under the threads on the seat and backrest. The oak arms and legs resembe slender tree branches.

Kjaer is based in Værløse north of Copenhagen and said the project is the result of an extensive process of analysing, experimenting and interpreting tactile surfaces in nature. “The project focuses on the haptic processes of the sense of touch as well as how we are drawn towards the object wanting to explore it by hand, activating the sense of touch and feeling the tactile differences of the chair,” said the designer.

Haptic Chair by Trine Kjaer Design Studio

“The chair is designed to stimulate the hands with fine and detailed craftsmanship, while the areas touching the back and the seat have a rougher and more tactile character,” she said.

Haptic Chair by Trine Kjaer Design Studio

Other seating on Dezeen includes a group with seats and backs moulded from lightweight 3D plywood, a chair designed in the shape of a tongue and brightly coloured angular lounges and ottomans.

Haptic Chair by Trine Kjaer Design Studio

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Trine Kjaer Design Studio
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The Roly-poly Pod

Designed specifically for use in airports, the Slater lounge applies the best of biomimicry to create a personal, relaxing and private sanctuary while you wait for your flight! Inspired by the slater bug (more widely known as the roly-poly), each lounge has wireless internet access, power sockets, a luggage lock, and even an alarm clock so you don’t miss your flight. Forget about the airport, I want it to keep my annoying coworkers out!

Designer: Uriel Serrano


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(The Roly-poly Pod was originally posted on Yanko Design)

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Repurposing done right!

One of the most abundant and yet easily forgotten objects, the shipping pallet can be found in all corners of the world… many of which are neglected, or disposed of after use. The Re-Stacked Lounger breathes new life into old pallets, repurposing them into a lightweight mobileseating structure. Though unrecognizable from its original form, each lounge maintains the character and patina of the material for a naturally aged aesthetic!

Multiple angles in the Re-Stacked Lounger that act to visually lighten the piece. These angled edges create a lounger that is more comfortable, with easy transition between standing and seating. The back two edges have been left square and unchanged to show the stacking structure clearly.  

Rough parts are finished smooth where users sit. This contrasts with the interior of the piece, which is still in its rough and original state and highly visible due to the stacking of the pallets, which are inherently porous.

To ensure that the lounger is inviting and looks comfortable, a soft surface has been developed and created in conjunction with the seat itself. Woollen fleece cuts along with the process of dry needle felting create a knitted blanket as a form of cushioning. The colors of the knit were created through the process of natural dye, sourcing colours from local waste streams, such as left over onion skins from local restaurants and rusty nails kept from the palettes. This woollen covering is completely detachable so that it can be easily washed and taken off if necessary, and is held in place though old bike inner tubes which have been tightened and fixed to the pallet.

Designers: John van Huenen, Andrew Wilkie, Stephanie Ward, Ursula Davy, & Hannah Hutchinson


Yanko Design
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(Repurposing done right! was originally posted on Yanko Design)

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Charles Pollock 1930-2013

Charles Pollock dies aged 83

News: furniture designer Charles Pollock has died in a house fire in New York, aged 83.

A fire ripped through the house on Tuesday morning and Pollock died at the scene, according to reports from NY Daily NewsABC News visited the house and spoke to friends of the designer about his life and work.

Executive Office Chair by Charles Pollock for Knoll
Executive Chair by Charles Pollock for Knoll

Pollock’s Executive Chair, which he designed for Knoll in 1963, has become an iconic symbol of mid-20th century workplaces. The swivel chair, set on a five-star base with rolling wheels, features buttoned upholstery and “rim technology” – the use of a single aluminium band around the edge of the seat.

Fifty years after its original design, Pollock’s chair is still in production and has been exhibited around the world, including at Metropolitan Museum of Art in New York and the Louvre in Paris.

CP Lounge Chairs by Charles Pollock for Benhardt
CP Lounge Chairs by Charles Pollock for Benhardt

Pollock, who studied design at New York’s Pratt Institute, went on to work with designers such as George Nelson at Herman Miller.

Charles Pollock was born in Philadelphia, Pennsylvania, in 1930. He moved to Toledo, Ohio, before settling in Detroit, Michigan. Pratt Institute in New York, where the designer studied, awarded Pollock with its 1991 Excellence by Design Award.

In 2012, Bernhardt Design commissioned Pollock to design a new collection of lounge chairs, which he sits on in the main image.

Photographs from Knoll and Bernhardt design.

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1930-2013
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Carbon Creature Stool

The Red Dot Award winning Plum Stool’s swift, aerodynamic form emulates natural, organic style in modern carbon material. Though delicate looking, the logical structural geometry and material quality together make it not only strong but incredibly light. To highlight this, the design’s name is a derivative of the Spanish word “pluma” which means “feather.”

Designer: Alvaro Uribe


Yanko Design
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(Carbon Creature Stool was originally posted on Yanko Design)

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Banquet by Paula O’Connor

Graduate designer Paula O’Connor surrounded this table with net curtains to create a more intimate dining experience.

Banquet by Paula O'Connor

Paula O’Connor designed the Banquet table to encourage people to eat together, a notion she feels has been lost in contemporary society. “This concept is focused on creating an experience and encouraging an event around a table,” she said.

Banquet by Paula O'Connor

A chunky chipboard surface sits on four angled white metal legs, which bend around to form posts that support the curtain rails. “Banquet is a statement piece which celebrates dining and symbolises a special ritual,” said O’Connor. “It aims to evoke feelings of grandeur, intimacy and seclusion through a simple, pared-down aesthetic.”

Banquet by Paula O'Connor

The removable sheer curtains let in light and allow diners to see out, while creating a cosier atmosphere inside. “The element of a detachable curtain offers a playful atmosphere, reminding the user of childhood experiences in tent and fort like structures,” she added.

Banquet by Paula O'Connor

O’Connor graduated from the Furniture Design course at the Dublin Institute of Technology this year. The dining table forms part of her thesis project titled Dining Together Matters.

Banquet by Paula O'Connor

We’ve only just posted an installation based on fourteen different ways to replace a table leg, as well as a collection of tables and benches with surfaces made from materials chosen to age well.

Banquet by Paula O'Connor

Also on Dezeen there’s a meeting table surrounded by swinging chairs and a table with a top made from 400 wooden slats that fan out into a full circle.

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Here are some extra details from Paula O’Connor:


Dining is an important ritual. For many, the act of dining and eating together has been lost. For several individuals, dining has been reduced to a rushed affair. We “eat” but do not engage in a dining experience.

Banquet by Paula O'Connor

In contemporary society, there are numerous factors to blame for this outcome. Increasingly, we see a large proportion of people eating on “the move”.

Banquet by Paula O'Connor

“Dining Together Matters” cannot eliminate some of the factors which have caused the change, but it encourage s a different way. It celebrate s the joy of eating and dining. Establishing the importance of eating with others is core message this project.

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Paula O’Connor
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