Shared Space III by Chris Kabel

Shared Space by Chris Kabel

Dutch designer Chris Kabel has created a circular bench made from one 10 metre-long wooden beam.

Shared Space by Chris Kabel

Kabel cut the long beam into trapezium-shaped pieces then fitted them back together to form a ring that retains the grain of the wood.

Shared Space by Chris Kabel

These pieces are held in place by a metal strap.

Shared Space by Chris Kabel

The bench is in use for an installation called Shared Space III in the communal space of the Witte de With Center for Contemporary Art and Tent in Rotterdam.

Shared Space by Chris Kabel

Here’s some more information from the designer:


What do you like most about the project?

That the bench really works. If you sit with three people or more in it, it automatically becomes a very intimate space where the outside world dissapears. You really feel embraced by the tree.

What was the original concept and how does it differ from the finished project?

For the Shared Space III I wanted to make a circular bench. I liked this shape because it creates two very different spaces. Facing outward of the circle you can be alone and anonymous. You can read a book or look at the passers by. But as soon as you step into the circle you become part of the atmosphere created by the people that are already in there. It’s a bit like sharing a bath in the sauna but then without the nakedness and the wetness… It also reminds me of my early school years where on mondays we would all sit with our little wooden chairs in a circle and talk about the things we did in the weekend.

Shared Space by Chris Kabel

And then I thought of how I would make it. Obviously, wood first came to mind but I wanted to do something unexpected with the wood. Normally to make a circular bench out of something straight, you cut it in shape and glue or screw it back together. This however destroys the continuity of the wood grain, which for me is the most characteristic feature of wood. So that gave me the idea of cutting the wood in small trapezium shaped pie pieces that, when put back togheter, would create a circle of three meters in diameter. The bench consists of a hundred of those pieces, held together by a metal strap (just like a wooden bathtub or a wooden barrel). It actually works in the same way as the stones in an arch in a wall. Another good thing is that you can disasemble the bench, load it on a pallet and tranport it very easily.

Shared Space by Chris Kabel

Did you have any difficulties during the design process or assembly?

Yes, it was very hard to find a piece of wood of this dimensions. To be true to the idea I really needed a wood beam of ten meters long. Also it needed to be dry enough to cut without cracking open or breaking too much. Because when wood is freshly cut it is very wet and when it starts to dry out, the outside dries out quicker than the inside and shrinks and thus cracks because the inside didn’t shrink yet. Luckily I found this kind of wood and also a fantastic woodworker who works a bit like a mad scientist, he invents his own machines and techniques. He is a specialist in impossible projects. He has also worked for the Chinese artist Ai Wei Wei, Ettore Sottsas and Ron Arad, which made me feel confident he knew what level of finish I desired.

Shared Space by Chris Kabel

Do you have any anecdotes/ funny stories that occurred during the design process?

First I wanted to make the bench in my own workshop out of a thinner but also 10m long wood plank attached to a metal frame, and with the wood pieces cut by waterjet and glued together completely in one piece. We almost started doing this when I realised myself the immense size this bench would have and how we would transport it. So I measured the doors of the building and found out that after being finished, the bench would never leave the building because the doors were too small. After this desillusion the answer to make the entire bench out of pieces cut one much wider and higher wood beam and later strapped together by a metal strap, proved much more natural and logical… So in the end I thank the architect of our building (which used to be a hat factory by the way, items that easily fit through any door) for not making the doors too big…

Shared Space by Chris Kabel

What would you like people to take away after seeing this project?

I hope that they will have shared something with a complete stranger in this wooden circle.

About the project itself:

What materials and techniques did you use?

Oregon pine beam of 10m/ 40cm /30cm, a little geometry, and a lot of cutting… the wood is finished with a matte transparent varnish

Shared Space by Chris Kabel

Where were the materials found?

The wood originally comes from Canada, where it has been lying in the river for a year to wash out the wood acids. Then it has been drying to the air for two years in the Netherlands.

How long will the space be occupied by your design?

A year or maybe longer

What do you expect the bench to look like after 6 months- a year?

The wood will become even better with age so I hope it will last a hundred times longer than that…


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An Furniture by KAMKAM

An Furniture by KAMKAM

Seoul designers KAMKAM have created this cabinet based on the ratio of standard paper sizes.

An Furniture by KAMKAM

Called An Furniture, the piece can be reconfigured or deconstructed to make separate furniture forms.

An Furniture by KAMKAM

More furniture stories »

An Furniture by KAMKAM

The information below is from KAMKAM:


‘KAMKAM’ means the dark, made of millions of colors is made up of three members, Hyunjin Seo, Jaekyoung Kim, Jaehoon Jung.

An Furniture by KAMKAM

The recent work is ‘An Furniture’

An Furniture by KAMKAM

Ax sheets (A3, A4, A5, etc) have “Golden Ratio” that promotes productivity by keeping the dimensions always (approximately) in the same ratio of width:length when they are folded in half.

An Furniture by KAMKAM

Inspired by these Ax sheets, we assigned fresh sculpture of distinctive ratio to furniture, which makes the furniture economical by saving raw materials.

An Furniture by KAMKAM

Since An Furniture also can be rearranged and relocated to a closet, a bookshelf, a storage cabinet and a drawer by a straightforward process, there would be no furniture better than this for single-person households.

An Furniture by KAMKAM


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Jonah Takagi: New American Designer at Civilian Art Projects

Jonah Takagi New American Designer at Civilian Art Projects

An exhibition of furniture by American designer Jonah Takagi will be on show at Civilian Art Projects gallery in Washington  next month.

Top: Leafy Green Stool. Inspired by milking stools the world over, standing tall in maple socks. Maple, Milk Paint
Above: American Gothic Table. Tinker Toys, Windsor chairs and wayward Puritans. Maple, Medex, Black Lacquer

Entitled Jonah Takagi: New American Designer, the show has been organised by Apartment Zero and includes stools, tables and lighting by the Tokyo-born designer.

Jonah Takagi: New American Designer <br/>at Civilian Art Projects

Above: Bluff City Lights. As close as I’ve been to Memphis. Enameled steel cage, copper socket and enameled aluminum diffusor.

The show will be open 10 December 2010 to 8 January 2011.

Jonah Takagi: New American Designer <br/>at Civilian Art Projects

Above: Porcelain Pendant. Porcelain, Cloth Wire, Electrics

The information that follows is from Apartment Zero:


Celebrating 11 years of introducing the best of industrial design innovation by collaborating with area embassies, museums, universities and product designers, Apartment Zero is proud to partner with Civilian Art Projects to present the work of Jonah Takagi, a new American designer whose work has been awarded, exhibited and featured worldwide. Please join us for the press preview December 9th from 7-9pm following the week of Art Basel/Design Miami for the fascinating work of an up-and-coming young product-based designer.

Above: F/K/A Table Lamp. Bases and shades and cords. Aluminum, Steel, Enamel

Jonah Takagi: New American Designer

Born in Tokyo and raised in Connecticut, Jonah received a Bachelor of Fine Arts from the Rhode Island School of Design in 2002. After graduating, Jonah lived in Portland, Oregon and worked for a cabinet maker before relocating to Washington, DC. In Washington, he designed and built sets and props for theater, film and television while helping to develop “Pancake Mountain”, a kid’s music television show. For the next few years, Jonah designed furniture that he built in a friend’s studio while playing bass guitar, touring and recording with several indie rock bands. Needing to develop and showcase a growing body of work that few had seen, Jonah founded Atelier Takagi in 2005.

Atelier Takagi represents the functional and aesthetic ideals of artist and designer Jonah Takagi. Conceived as an outlet for an overactive imagination, AtelierTakagi is a multi-disciplinary design studio and workshop producing objects that require closer examination, that inspire and inform and re-contextualize our surroundings.

Jonah Takagi New American Designer at Civilian Art Projects

Above: Stepping Stool. For my mother. Red Oak

Apartment Zero

Over the past 11 years, Apartment Zero has presented the Washington DC market with the very best in emerging and established industrial design talents, as well as produced design symposiums, travelling exhibits and embassy and museum collaborations . They have partnered with the Smithsonian Associates, The Corcoran Gallery of Art, The Phillips Collection, Hillwood Museum, The National Museum of Women in the Arts and the Hirshhorn Museum as well as the Embassies of the Netherlands, Spain, Canada, Sweden, Finland, Norway and Australia. Apartment Zero has joined forces with the AIA and the IDSA and well as Maryland Institute College of Art (MICA) and the Cooper-Hewitt. Some of the designers presented have been Marcel Wanders, Karim Rashid, James Dyson, Martin Azua and Constantin and Laurene Boym, to name a few. Apartment Zero has been featured in The New York Times, The Washington Post, Elle Decor, Surface, Wallpaper, Dwell, Details, Metropolis, Interior Design, Food&Wine, GQ, Azure, Abitare, Home and Design, DC Modern Luxury, The Chicago Tribune, InStyle, House Beautiful, Lucky, USA Today and Washingtonian, among others.

Jonah Takagi New American Designer at Civilian Art Projects

Above: Simple Machines. Fasteners and components in harmony. A system of legs and surfaces. Clean and deliberate, detail and ornament derived from a simple machine. White Oak

Civilian Art Projects

Civilian Art Projects is a premier gallery in Washington, DC representing emerging and established artists. Civilian presents a challenging exhibition series supporting artists working in a broad range of media including painting, photography, sculpture, works on paper, and other emerging forms. Civilian will be participating in Scope Miami this year.


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Five Chair & Ten Tables

Conceptual artist Roy McMakin’s funny furniture gets a hometown show
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Roy McMakin‘s furniture designs aren’t the first to take on conventional assumptions about the distinctions between art and objects. As a trained architect, it’s not surprising that the interdisciplinary artist’s skillful manipulation of details rivals that of a legend like Ettore Sottsass. But where Sottsass used his painstakingly deliberate compositions to playfully reinvent ideas about what furniture can be, McMakin’s studied work makes wry observations about what furniture is. As the press release for his current show “Five Chairs & Ten Tables” puts it, McMakin’s absurdist work “emphasize[s] the sculptural quality of utilitarian objects, resulting in works both awkward and irreverent, exuding a presence simultaneously monastic and mischievous.”

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This new exhibit sees the Seattle-based artist (he was born in the rural town of Lander, Wyoming) showing in his adopted city at Ambach & Rice. With an installation that consists of a series of furniture mismatched in shape and appearing slightly unfinished or off—cushions are askew, tabletops pitch too far over their pedestals—the work introduces a tension between notions of art and commerce. Here, the chairs and tables perform as “actors suspicious of the role in which they were cast.”

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For more of McMakin’s explorations of emotion, scale, craft and function to explore how objects contain meaning, see Rizzoli’s retrospective book “When Is A Chair Not A Chair,” which includes almost all of his prolific output over the past 25 years. As McMakin explains it, “I see the job of an artist as that of a philosopher of visual experience.”

Five Chairs & Ten Tables” is currently on view through 5 December 2010 at Ambach & Rice. See more images of the exhibit in the gallery below.


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LAT Chair by Jeroen van Laarhoven

LAT Chair by Jeroen van Laarhoven

Dutch designer Jeroen van Laarhoven of Tjep. has created a collection of conjoined chairs.

LAT Chair by Jeroen van Laarhoven

Called LAT – Love.Approach.Together – the seats are connected together in twos or threes by criss-cross wooden elements on the back.

LAT Chair by Jeroen van Laarhoven

The inside legs of the chairs are also crossed and joined together.

LAT Chair by Jeroen van Laarhoven

Photographs are by Isabel Rottiers.

LAT Chair by Jeroen van Laarhoven

Here’s a bit more information from the designer:


LAT chair (Love Approach Together)

The concept of the LAT chair is about the loving embrace between two chairs, falling into each other as a reaction to a fragmented reality. A universal feeling that easily transmits to people, who are then free to interpret it in a personal key.

LAT Chair by Jeroen van Laarhoven

These days we are using a lot of technological media’s to communicate with each other (mobile phones, mobile internet, social network programs etc). We use al lot of these technologies to show that we care about somebody.

LAT Chair by Jeroen van Laarhoven

To stay connected with each other. But still there is a virtual distance: A personal distance. The LAT chair is designed to bring people closer to each other.

LAT Chair by Jeroen van Laarhoven

To expresses the feeling that we really care about somebody in a personal way.

LAT Chair by Jeroen van Laarhoven

From young to old, connected in a personal and human way. Embrace each other, embrace to be real connected!

LAT Chair by Jeroen van Laarhoven

The LAT chair is also designed in a triple version, as single chairs, in soft versions with cushions (the cushions are optional in different colour options). These designs still have the same design language and translate the same (human) embracing/connected feeling.

LAT Chair by Jeroen van Laarhoven


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Ikea, The Book

Sweden’s democratic furniture retailer unveils design secrets in a new book

ikeabook1.jpg ikeabook2.jpg

Opening its first store in 1958, Ikea ranks as not just one of the most successful Swedish companies alongside Volvo but was an early pioneer in making good design accessible. Its hard to imagine modern living without the brand’s inexpensive, self-assembled products (and those mysterious leftover screws!). While some of its pieces have begun to turn up at international design auctions, the lusted-after Verner Panton Vilbert chair from 1994 being one such cult item, there’s little to tell of the unsung design team behind the Ikea brand.

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Ikea, The Book” sets out with the goal of examining and celebrating the creatives behind the designs and indeed the stories behind some of Ikea’s successful designs. Written by Staffan Bengtsson, one of Scandinavia’s design authorities and editor of Form magazine, the 450-page title digs deep in its task to expose some of the secrets.

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For example, how the blazes did Ikea manage to get Panton to design not only an original piece for the company but happily allow it to be mass produced? Hella Jongerius too for that matter. Plus, how did its enigmatic founder Ingvar Kamprad (only 17 when he set the company up) manage not only to ensure the vision of his mass-produced, modern-design-for-all ethos translated well not only in its home country of Sweden but also the world?

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It’s a great insight into Ikea but also into the design framework of Scandinavia itself, putting shape form and colour into good context. we also know know who to blame for those dratted short allen-keys and indeed where to return our screws too!

The 450-page tome “Ikea, The Book” sells online from Sweden Book Shop for 425 SEK.