Wood Peg: It’s a multitasker and a space-saver (but not a floor wax or a dessert topping)
Posted in: UncategorizedAs it it isn’t cool enough that the various components of the Wood Peg furniture system by Studio Gorm can be assembled into a variety of different configurations. The whole system can also be stored on on a wall-hung rail when not in use.
(via Swiss Miss)
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The rounded wooden legs and tops of these stools by Norm Architects of Denmark are joined by brass or steel tubes.
Called Raft, the collection for design brand &tradition comprises stools in sand-blasted oak or stained ash, plus a table with the same material combinations.
The information below is from the designers:
The Raft Table and Raft stools blend the roughness of natural materials, aging with beauty, with the industrial efficiency of metal structures.
With a contemporary Scandinavian approach to the drift wood inspiration, the table and stools are unique pieces of furniture that combine simplistic purity and a discreetly sensuous look.
The sandblasted surface of the table top adds a patinated feel, while the triple legs of round wood has the playful appearance of a living creature in motion.
And the rounded edges beneath the tabletop or seat makes for a soft and pleasant feel when the hand touches the table.
Materials:
Lacquered steel or brass with legs of sandblasted solid oak or black stained ash. Top in sandblasted solid oak, white laminate or black ash laminate.
See also:
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Series One by Another Country | Chair by Glass Hill | Stools by Superfolk |
This architects’ desk designed by Note Design Studio of Stockholm has been covered inside and out with pine veneer in a herringbone pattern, then charred black on the outside.
Called Soot, the project was designed for cabinetmaker Karolina Stenfelt to demonstrate her skills while studying at Carl Malmsten School of Furniture.
It incorporates brass fittings and traditional equipment like built-in rulers, hidden magnets and rolls of paper, alongside electronic devices like USB ports and power outlets.
See also: Marginal Notes by Note Design Studio
Here are some more details from the designers:
Soot
Good things come from taking risks and cabinetmaker Karolina Stenfelt certainly took a risk when she gave Kristoffer Fagerström from NOTE Design Studio free hands to design her journeyman project at Carl Malmsten School of Furniture. NOTE Design Studios latest design project “Marginal Notes” was anything but the easy way out and this complex project turned out to be nothing less.
The brief was to design a desk that didn’t reveal everything at first glance and would stand out in a discreet way.
The choice of a desk was the result of that a journeyman project demands certain elements of construction and functions to be accepted for judgment by the jury.
Kristoffer designed an architects “black box” that combined the old analogue approach of built-in rulers, hidden magnets, sketchpaper rolls with new needs like USB hubs and power outlets.
“Pine is fine” is a shared motto of Kristoffer and Karolina and the idea of basing the desk solely on Swedish pine truly put the cabinet maker to the test. And if that wasn’t enough he wanted to use charred wood as surface finish.
Pine is a rather soft material and the charring was hopefully going to give the wood a hardened surface. There was no approved technique for charring pine veneer and especially no approved technique to create and conform the intricate intarsia pattern that covers the desk. Karolina tiresome experimenting with burning veneer finally gave results and the work could commence.
“When you have access to a cabinet maker like Karolina Stenfelt from of one of the best cabinetmaking schools there is you have to push the envelope a bit” Kristoffer smirks.
Contrast was the keyword through the project. Pine is a versatile material and Kristoffer wanted the desk to express pine from its very best side to its very ”worst”.
The exterior is covered with the experimental burned veneer in a fishbone pattern and when you open the desk the inside is covered with the finest selection of golden pine in the same pattern.
Kristoffer designed a tar burned steel frame to carry the “black box”. The tar burning of the steel covered the shiny welding forges along with the rest of the frame with a varied sooted surface.
Custom made brass fittings as locks, rulers and hinges gleam against the sooted surface, referring to the fire used for burning the veneer.
Cabinet maker Karolina Stenfelt and NOTE Design studio investigates the possibilites of developing a limited edition series of the desk. The desk is currently exhibited at Carl Malmsten Schools Spring Exhibition in stockholm, Sweden.
See also:
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Ausgebrannt by Kaspar Hamacher | Corbeille by Amaury Poudray | Raven Row by 6a Architects |
FALT.series by Tim Mackerodt
Posted in: DMY Berlin 2011Designer Tim Mackerodt of Germany will show this lamp and stool made of folded concrete at DMY International Design Festival in Berlin next month.
Called FALT.series, the objects are made from thin sheets of fibre-reinforced concrete that’s rolled out and formed over moulds.
Mackerodt completed the project while studying at Kunsthochschule Kassel in Germany and will exhibit alongside fellow students at DMY Berlin.
Here are some more details from the designer:
In order to produce FALT.lamp and FALT.stool, fiber-reinforced concrete from the company g.tecz is rolled out and manually folded on flexible molds.
Thin walled objects of the FALT.series produce shapes and surfaces not replicable via conventional concrete casting methods. The lampshade of FALT.lamp has a material thickness of only 2.7 mm and therefore weights less than 1.400 grams.
In contrast, FALT.stool shows the structural strength of the folded concrete.
All legs are only held in place by a layer of 5 mm fiber-reinforced concrete. The technique of folding concrete opens a new field for the application of high performance concrete in design.
FALT.series will be exhibited at Material Vision 2011 at the stand of G.tecz (Hall 4.1 L32) and can be viewed at the DMY 2011 together with other students from Kunsthochschule Kassel at “Liebling, lass uns nach Kassel fahren”.
See also:
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Dune by Rainer Mutsch | Trash Cube by Nicolas Le Moigne | Aplomb by Lucidi and Pevere |
Dezeen Archive: as the Training Dresser by Peter Bristol (top left) was one of our most debated recent stories, we have gathered all our stories from the Dezeen archives about children’s furniture. See all the stories »
Paperdiamond Pippa
Posted in: UncategorizedEasy chair
Posted in: UncategorizedSkin Collection by Pepe Heykoop
Posted in: UncategorizedDutch designer Pepe Heykoop has created this collection of furniture by covering an assortment of old chairs in odd scraps of leather.
The leather offcuts are roughly stitched together, covering each chair entirely.
Photography by Annemarijne Bax.
More stories about Pepe Heykoop on Dezeen »
The following is from the designer:
Skin_collection
Furnitures covered up in leather leftovers. The 25-30 percent waste of leather in the furniture industry triggered me to make something beautiful. Covers out of waste.
This project is fed by leather scrap, turning it into random skin patterns, refering to cell structures and growth in nature.
The furnitures used are existing, modified and therefore sometimes slightly seem to grow.
Recycling old furnitures and leatherscrap into fairytale furnitures.
Designed and executed by: Studio Pepe Heykoop
Materials: mainly existing chairs, wood, metal, foam, glue, leather
Size: different sizes
Year: 2011
See also:
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Stitch by Pepe Heykoop | Soft Oak chair by Pepe Heykoop | Sputnik by Pepe Heykoop |
The Sidebar Project
Posted in: barware Tradition meets innovation in a design collaboration centered around the at-home bar
Since stepping on the scene nearly five years ago, Teroforma has stayed true to their core as a tableware company committed to honest design. The husband-and-wife team seeks out manufacturers and designers who share their passion for quality, and as a result have worked with some of the most talented artisans around the world.
Evidence of their high standards is clearly visible in the latest addition to their lineup—a set of impeccably crafted glassware and coordinating liquor cabinet created in collaboration with Seattle-based design studio Urbancase. Dubbed The Sidebar Project, the collection is the first in what they predict to be several executed together under the label Crafted. It includes a handmade hutch in either walnut or white Corian, and stemware boasting an elegant crosshatched diamond pattern that was cut into the crystal using a new machining method.
Invented by Bohemia Machine in the Czech Republic, the BM-Jack 1 is an automated machine that closely mocks manual glass-cutting with a micro-format technique that controls the depth of each cut.
Before employing this innovative cutting method, each glass—conceived by Prague-based designer Roman Vrtiska for Teroforma—is mouthblown against a hand-carved wooden mold.
The pattern, originally programmed on a computer, is then translated by the BM-Jack 1 and cut into the surface of the non-lead crystal glass. The upshot is a beautifully constructed glass with a highly detailed pattern at a lower price point than hand-etched crystal.
Glassware for The Sidebar Project spans $55-65 and the handcrafted liquor cabinets start at $3,100. Created in limited runs, contact the companies through the “Crafted” website for purchasing. See more images in the gallery below.