Creativity “isn’t welcome” in UK universities, says head of axed design course

News: universities “aren’t interested in the type of education that is needed for creatives,” says Neil Austin, head of the UK’s leading furniture design course, which is being closed down.

Bucks New University in High Wycombe, northwest of London, announced last month it will cease recruitment for its renowned undergraduate programmes in furniture design and there will be no new intake for September 2014.

“This isn’t just about getting rid of furniture courses, it’s about making a statement that creativity isn’t welcome within a university environment,” Austin told Dezeen.

“If Bucks goes down, it’s a big signal that universities themselves aren’t interested in the type of education that is needed for creatives,” he continued. “This is beyond furniture, this is about creative courses.”

He believes the main problem is that the space and resources needed to teach subjects like design make them less financially attractive for universities than more academic subjects.

“Creative courses are a little bit messy and a little bit big – they need workshops, they need facilities and they need space to play,” he explained. “Universities like sticking 100 students in a lecture theatre with one lecturer for an hour, two or three times a week. That’s the business plan.”

Rather than simply abandon courses that don’t fit the neat business model universities have been forced to adopt, he suggests that academic institutions should balance the more lucrative courses against those that are more expensive to run in order to continue equipping graduates with skills required by industry, in particular the creative sector.

“Any good university has got to get the balance right between making the income and supporting courses that foster skills and intellectual pursuits which are needed in the country,” he said. “If some of those other courses with one lecturer and 100 students are able to support the courses that make less money, then so be it.”

Bucks New University axes furniture courses
Work by Bucks furniture students on show at New Designers 2013

Bucks New University cites the high costs of running the courses and declining numbers of applications as reasons for the decision.

“Competition for students has increased significantly in recent years and it has become necessary for universities to make changes in order to remain financially sustainable,” said a statement from the university. “Our evaluation of courses took into consideration amongst other things the operational costs and investment required in delivering the programmes as well as declining student number trends over time.”

Austin blames student numbers on a lack of targeted marketing. “Marketing at Bucks has no budget within the university – it’s very poorly funded,” he said. “But the bigger problem is that the people who do the marketing truly have no idea what the essence of advertising a creative course is about and so we’re not reaching the right people. We get bundled in with the generic marketing programme that has absolutely no results for us.”

Students, tutors and alumni are campaigning to keep BA furniture design courses at the university. Though the decision is unlikely to be reversed, by keeping discussion about furniture at Bucks open they hope it will be possible to create new undergraduate options in the future, to complement MA courses that are not affected.

“There is no doubt that since this announcement there is huge support outside the university for Furniture at Bucks, which is really heartening,” said head of department Lynn Jones on the campaign’s Facebook page. “Endorsements like these on Facebook give us a great marketing opportunity,” she added. “I hope that in time we can turn this support into positive proposals for any potential future growth and new courses.”

The BA Furniture course itself has only been running for two years, having formed from the merging of BA Contemporary Furniture and Product Design with BA Furniture Design and Craftsmanship. All current students will be allowed to complete their degrees but there are fears they could be affected by immediate cuts in staff and workspace.

The university is also closing BA Furniture Restoration, Conservation and Decorative Arts, BA 3D Contemporary Crafts and Products, and BA Fine Art, plus five engineering degrees.

Bucks is just one of many UK design schools under pressure from funding cuts, dwindling applicant numbers and increasing costs. Though record numbers of overseas students have applied to study architecture and design courses in the UK this year, the number of UK students seeking places on domestic architecture and design courses has been falling steadily since 2010.

Though MA courses in the country continue to thrive, closure of the UK’s undergraduate courses fuels concerns raised last year that postgraduate institutions like the Royal College of Art could become “a Chinese finishing school”, with intake limited to those who have already completed undergraduate education overseas.

However, recent changes to immigration law have fuelled concerns from prominent figures in the industry, who predict that visa restrictions could put off overseas talent as well.

The post Creativity “isn’t welcome” in UK universities,
says head of axed design course
appeared first on Dezeen.

Table for Shopaholics

After a day of shopping, you’re way hungry… so you stop to eat. But where do you put your new precious belongings? Under the table on the dirty floor? Behind you in the seat? Not anymore! The HangOut table keeps your bags, purse or other goodies right by your side. One simple cut makes all the difference, so you can relax and enjoy your lunch! Check out the vid to see how it works —>

Designers: Kaito Choy, Zhenmin Li, Hyokwon Kwak


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
Shop CKIE – We are more than just concepts. See what’s hot at the CKIE store by Yanko Design!
(Table for Shopaholics was originally posted on Yanko Design)

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Stefan Borselius designs minimal chairs for Fogia

Stockholm 2014: Swedish designer Stefan Borselius has created a series of minimal chairs for Swedish furniture brand Fogia.

Stefan Borselius designs minimal chairs for Fogia

Stefan Borselius‘ Tondo range for Fogia was exhibited at last week’s Stockholm Furniture Fair and consists of three designs, each a development of the one before.

Stefan Borselius designs minimal chairs for Fogia

“The aim was to make it classic yet playful, and preferably loved by all,” said Borselius. “The road to get there became a balancing act – intuition and emotion in interaction with craftsmanship and precision.”

Stefan Borselius designs minimal chairs for Fogia

The base design for all the chairs is formed by a simple cushioned seat and back. The next model up incorporates arms and the final design features a headrest.

Stefan Borselius designs minimal chairs for Fogia

All chairs come upholstered a range of colours, supported by either a dainty metal frame or rounded wooden legs.

“The chair’s thin metal legs makes it pretty and classic, while the rounded wooden legs have a more playful expression,” the designer said.

Stefan Borselius designs minimal chairs for Fogia

Other collections launched by Fogia at the fair include a series of small side tables and a sofa with a base that extends outwards to provide a surface for placing cups or books, both designed by Note Design Studio.

The post Stefan Borselius designs minimal
chairs for Fogia
appeared first on Dezeen.

Montessori Floor Bed

A cot, Montessori style, for total freedom. The child can easily climb on and off the cot, but the side edges will prevent possible night tumbles.

Färg & Blanche designs quilted Emily chair for Gärsnäs

Stockholm 2014: Swedish-French design duo Färg & Blanche has created a small padded chair for Swedish furniture brand Gärsnäs.

Emily chair by Farg and Blanche for Garsnas

Färg & Blanche designed the Emily chair for dining or conference tables as a version of their larger Emma armchair, also produced by Gärsnäs.

Emily chair by Farg and Blanche for Garsnas

“Emily is our Emma easy chair’s little sister,” said the designers. “The family likeness can be seen in the needlework – they are both upholstered but differently patterned.”

Emily chair by Farg and Blanche for Garsnas

The chair back curves around the seat to form the arms. Padding is quilted into sections, creating a simple pattern on both sides of the back support. It comes upholstered in fabric or leather and solid ash legs poke out from short sleeves of material below the seat.

Emily chair by Farg and Blanche for Garsnas
Emily chair with larger Emma chairs

Gärsnäs exhibited the design at last week’s Stockholm Furniture Fair, where Färg & Blanche also debuted a furniture collection created by sewing pieces of plywood together.

The post Färg & Blanche designs quilted
Emily chair for Gärsnäs
appeared first on Dezeen.

saska modern desk 4colours

Desk, or rather secretary hand made out of oak wood and veneered blockboard. Hand turned and polished knobs out of aluminum. Please, type “saska fabri..

Interactive slideshow: One Nordic Furniture Company extends flat-pack furniture range

Stockholm 2014: here’s an interactive slideshow showcasing the latest collection from Finnish brand One Nordic Furniture Company, which features flat-pack designs specifically created for online retail.

One Nordic Collection Stockholm 2014

All the items in One Nordic‘s range are designed to pack flat. The brand recently launched an online platform so the ordering and shipping process can all be managed on the web.

One Nordic Collection Stockholm 2014

“It’s not innovative to ship effectively or to buy things online, but the idea of us developing every product in this collection with that brief is innovative,” One Nordic creative director Petrus Palmér told Dezeen at Stockholm Furniture Fair last week.

One Nordic Collection Stockholm 2014

He explained that furniture is lagging behind other online retail sectors due to the size of items such as sofas and dining tables.

One Nordic Collection Stockholm 2014

“The furniture industry is still a bit behind the [online sales] developments of the rest of the world, thanks to the size of the products we’re dealing with,” said Palmér.

One Nordic Collection Stockholm 2014

This is why all items in One Nordic’s collection can be broken down into parts and shipped more efficiently. “The products have to be adjusted for the world we live in today,” Palmér added.

One Nordic Collection Stockholm 2014

All the designs unpack and assemble with minimal effort once they arrive. For example, the Bento chair by Palmér’s own design studio Form Us With Love is fixed together with just one clamp.

One Nordic Collection Stockholm 2014
Bento chair by Form Us With Love

New items launched at Stockholm Furniture Fair include the Kuu pendant lamp by Jenny Stefansdotter and Kerstin Sylwan, developed from a design released last year.

One Nordic Collection Stockholm 2014
Kuu pendant lamp by Jenny Stefansdotter and Kerstin Sylwan

The lampshade is formed from a structural textile that diffuses the light, and is pulled into a sphere using drawstrings at the top and bottom.

One Nordic Collection Stockholm 2014
Vinkel mirror by Nicole Losos and Nikolaus Kayser

Nicole Losos and Nikolaus Kayser’s circular Vinkel mirror is split in two so the angled halves reflect different areas of a room. The mirror is delivered in two sections to take up as little space as possible.

One Nordic Collection Stockholm 2014

Prints by fashion photographer Erik Wåhlström depicting photography shoots behind-the-scenes and still life images are also new additions.

One Nordic Collection Stockholm 2014
Hai armchair by Luca Nichetto

Product lines that have been extended include Hai by Luca Nichetto, who has designed an ottoman to accompany his armchair with a folding backrest.

One Nordic Collection Stockholm 2014
Hai ottoman by Luca Nichetto

One Nordic’s inaugural Bento family now comes in a walnut frame and leather seat, plus dining and conference tables have been added.

One Nordic Collection Stockholm 2014
Bento chair by Form Us With Love

The Lift shelving system by Steffan Holm has been created as a modular piece so it can be formed into a giant storage unit and mounted on the wall or stood on the floor.

One Nordic Collection Stockholm 2014
Lift shelving system by Steffan Holm

One Nordic founder Joel Roos told Dezeen that the way design is sold to the public is “stuck” in the past during an interview last year.

The post Interactive slideshow: One Nordic Furniture
Company extends flat-pack furniture range
appeared first on Dezeen.

Taula

This project aims to optimize the functionality of a normal desk by using a calculated matrix with perforations and a set of components that adapt to ..

Functional Wall Art

The Wallmonds Hanger is a sculptural, wall-mounted rack designed to keep your handy things handy! Its irregular waves are functional for hanging objects of various size and also create a barrier for conveniently storing smaller objects like keys and mail directly behind. Made of solid birch plywood and beech, it’s robust and durable for a lifetime of use. Get it here!

Designer: Gonçalo Campos


Yanko Design
Timeless Designs – Explore wonderful concepts from around the world!
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(Functional Wall Art was originally posted on Yanko Design)

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BEBOP

The BEBOP armchair is the result of the first cooperation between Sven Dogs, the German designer who lives in Vienna, and Durlet. The ornamental seams..