Recession Chair by Tjep.

Recession Chair by Tjep

Dutch designers Tjep. have reduced part of a mass produced Ikea chair to a skeletal form to evoke the receding state of the global economy.

Recession Chair by Tjep

One corner of the standard chair has been carefully sanded so that hardly any material remains.

Recession Chair by Tjep

The fragile chair can no longer support the weight of a person as, like the economy, it is too diminished.

Some other chairs worth a look on Dezeen include one weighing 1.3 kilograms and another with a ladder-back reaching into the sky – see all our stories about chairs here.

Here is some text explaining the project from the designers:


“The furniture you haven’t seen at the Dutch Design Week.”

After visiting the Dutch Design Week two weeks ago, I was struck by how little the design world seems to react to the immanent economic crisis threatening Europe and the world. So here is a little something to make up for my esteemed colleagues. Following up on the XXL chair from 2005 we now present the Recession Chair.

Receding is the act of withdrawing and diminishing. We were interested in exploring the visual impact of receding in relation to a design object. We took an Ikea mass produced chair and started sanding it to the finest possible version. The result is a process where the chair goes from normal, to diminished, to skeleton like. The resulting object is barely functional as it most likely won’t withstand the weight of the person it’s trying to support, much like a society plagued by recession.

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Chidori Furniture by Kengo Kuma and Associates

Chidori Furniture by Kengo Kuma and Associates

Traditional Japanese toys inspired this modular furniture by architects Kengo Kuma and Associates for the East Japan Project.

Chidori Furniture by Kengo Kuma and Associates

Twelve wooden sticks slot together without glue to form the units, which combine to make shelving or tables.

Chidori Furniture by Kengo Kuma and Associates

The six-sided units can be connected to one another from any edge.

Chidori Furniture by Kengo Kuma and Associates

The Chidori Furniture is named after Chidori toys, which are made from simple wooden components with unique joints – see another furniture design based on a Japanese puzzle here.

Chidori Furniture by Kengo Kuma and Associates

East Japan Project brings together designers and local craft makers in the region, offering support to communities devastated by the Tohoku earthquake.

Chidori Furniture by Kengo Kuma and Associates

The pieces are made by skilled carpenters in the Tohoku region, which has traditionally been associated with small-scale craft manufacturing.

Chidori Furniture by Kengo Kuma and Associates

You can see more stories on projects supporting those affected by the earthquake here.

Here is some more information from the East Japan Project:


East Japan Project (Ejp) is a collaboration between designers and traditional craft artisans from East Japan, with the purpose to propose The New Lifestyle as a concept design for post 3.11 Tohoku earthquake. The New Lifestyle refers to a way of life that is deeply rooted in a locality. Locality is another name for the system in which every aspect of a place – climate, culture, and people – is integrated in a natural way. This system however, disappeared in the urbanized society of the 20th century with its pursuit for efficiency and convenience. The 2011 Tōhoku earthquake in eastern Japan urges us to revisit this lost system and reevaluate its implications for a modern society.

Chidori Furniture by Kengo Kuma and Associates

The New Lifestyle attempts to reverse the course of the 20th century and to revive the notion of place through the collaboration with craftsmen from the Tōhoku region in eastern Japan. – Yanagi Muneyoshi who lead the mingei (folk craft) movement of Japan in the late 1920s, once called the Tohoku region ‘the land of handcraft’.

Chidori Furniture by Kengo Kuma and Associates

In the framework of the East Japan Project (Ejp), to achieve this mode of New Lifestyle, the products are conceptualized as new types of daily tools with a deep appreciation of local craftsmanship and material and are to be part of a larger product portfolio called, ‘location’.

Chidori Furniture by Kengo Kuma and Associates

As one of Ejp Products, Chidori Furniture is a flexible system developed from the joint system of Chidori. Chidori, the name of an old Japanese toy from Hida Takayama, a small town in Japan, is originally an assembly of wood sticks with unique joints. Transformed from the traditional system of Chidori, 1 unit of Chidori Furniture consists of 12 timber sticks with different junction details. Each modular unit of Chidori Furniture can be connected to from all 6 sides making numerous combinations possible. Merely by twisting the sticks, without any nails or metal fittings, it shows a myriad of possibilities to become anything from a table to a shelf. The 2010 project GC Prostho Museum Research Center by Kengo Kuma and Associates is another project developed on basis of the Chidori system.

Chidori Furniture by Kengo Kuma and Associates

The junction details of the system require the high level of craftsmanship in Tohoku region to produce. One of the manufacturers, Fujisato Mokkoujo (Fujisato Woodshop) in Iwate Prefecture, is well- known for making Iwayado Tansu Drawers, which originated in the late 1700s. Their expertise in precise wood crafting and lacquer painting could produce multiple identical units of Chidori Furniture.

Chidori Furniture is currently exhibited in Bals Tokyo Nakameguro and Ginza stores and is also for sale.

Chidori Furniture by Kengo Kuma and Associates

Click above for larger image

Activities of EJP include:

  1. Designers and craftsmen from East Japan will collaborate to develop items of daily use that provide a sustainable and minimal New Lifestyle.
  2. Multiple corporations and groups will collaborate beyond the boundaries of a commercially driven enterprise and industry to develop a strong distribution and cooperative network.
  3. EJP will conduct a field study and research of the unique traditional craft industry scattered in the regions of East Japan.
  4. EJP will raise money from the profit of the EJP products sales to support the next generation of artisans, to acquire the skills of traditional crafts in East Japan.

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In Vein by Ayala Serfaty

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Israeli designer Ayala Serfaty’s new collection of sculptural furniture and lighting includes upholstered pieces resembling lichen-covered stone.

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Sixteen pieces are presented at Cristina Grajales Gallery in New York as part of Serfaty’s first solo exhibition in the United States.

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The furniture is covered in a textural surface incorporating layers of silk, linen and wool fibres that produces an aged look.

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Organic forms resembling rocks or tree trunks offer a base for the seamless handmade fabrics.

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Cloud-like lighting installations are made from glass filaments covered by a polymer membrane.

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The exhibition continues at Cristina Grajales Gallery until 23 December.

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Here is some more information from the gallery:


Ayala Serfaty: In Vein

November 1st – December 23rd, 2011

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Cristina Grajales Gallery is pleased to present the first solo exhibition in the United States of Israeli lighting and furniture designer Ayala Serfaty, In Vein.

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In Vein is a collection of 16 new lighting and furniture pieces that highlight Serfaty’s exploration of ancient materials merged with contemporary design. Beginning with her Soma light sculptures, Serfaty manipulates glass and polymer to expose the delicacy and behavioral nuances of the object while communicating her interpretation of nature’s complex structures. She continues this exploration with her Limited Edition Apaya lights, combining ancient wool felting techniques with modern lighting technology and transforming wool into a sculptural carrier of light in a uniquely aesthetic way.

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In her newest work, the complexity of design is focused on the intense exploration of hand made felt used to create contemporary furniture pieces. Serfaty views the object as a canvas, where silk, linen and wools are molded into emotional expressions in seamless upholstery. The combination of the layered fibers create a dense and intricate skin that provokes the viewers sensibilities.

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Serfaty studied fine art at Bezalel Academy of Art and Design in Jerusalem and Middlesex Polytechnic in London, where she completed her BFA. Alongside her artistic work, Serfaty has designed lighting and furniture for Aqua Creations Lighting & Furniture Atelier. The design firm has earned international recognition for its innovative designs, which combine craftsmanship with advanced technology. In addition to her commercial ventures, Serfaty continues to explore the boundaries of art and design through her installations and studio pieces.

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Serfaty’s work is found in the collections of the Museum of Art and Design in New York and the Tel Aviv Museum of Art in Israel. Her work has been exhibited at the Tel Aviv Museum of Art in 2008-2009, in the Museum Beelden aan Zee in the Netherlands in November of 2009, and at the London Design Museum in 2010 when she was nominated for the Brit Insurance Design Award.

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Cristina Grajales Gallery is pleased to produce a limited edition book with this exhibition.


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