"Charms & Disguises" by Jenny Ekdahl

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Jenny Ekdahl is currently pursuing her Masters degree at Sweden’s Lund University School of Industrial Design. Her Spring 2011 project “Charms & Disguises,” which was recently exhibited at DMY Berlin, is an exploration of the deeper meaning of fairy tales.

This project is about fairy tales that are worth remembering. Stories aimed for adults as well as for children. This project is about fairy tale furniture worth listening to. They tell stories, only to those who wants to hear and is prepared to listen. They tell stories, formed by thousands of years of fairy tale tradition… Written by your own imagination.

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The three pieces—”each inspired by the three different genres of original and dark fairytales; folk tales, art fairytales and fables”—capture both the strong sense of imagination behind the folklore and Ekdale’s intuition in translating the uncanny into tangible objects.

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For example, “Bye Bye Little Lamb” is a play on the “wolf in sheep’s clothing,” a stool with obvious zoomorphic reference points. The contrast between the brushed aluminum legs and the woolly cushion imparts a further dimension of artifice to the wolf’s limb, disguised among the other three legs.

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Things That Look Like Other Things (That We’ve Posted): Loopy Seating

Our own Hipstomp recently picked up on Etsy user ifsodoso’s “Long Form Library,” a fascinating combination bookcase / rocking chair that struck me as rather mollusk-like in its segmented form. Here’s a couple other variations on this spiral / loop-de-loop shape for good measure:

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First up, we have “Loopita Bonita,” a well-executed patio lounge chair from Mexico City’s Victor Aleman.

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Although the design dates back to 2007, “Loopita Bonita” is perfectly suited to the unforgiving heatwave that’s currently pulling the sweat out of our skin here in the Northern quadrant of the USA. (There’s also a “solid,” indoor version.)

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"LEAN" by William Lee & et al. collaborative

Anyone who has recently moved to New York has probably found themselves face to face with a housing crisis, so to speak, of a very personal sort: the premium on space makes for a very distinct kind of culture shock.

Well, industrial designer William Lee—a recent transplant from San Francisco—decided to do something about it: he’s partnered with Manu Garza of architecture and design studio et al. collaborative to “challenge the limitations of urban space.”

“LEAN” is the first product of their collaboration. It’s a simple, geometric shape that functions as a chair (when placed against a corner) or a coffee table when resting on the ground.

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Overstuffed Understatement: "Jamirang" Sofa Collection by Bora Kim

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If her minimal website is any indication, South Korea’s Bora Kim is yet another designer who prefers to let her work speak for itself. Kim’s “Jamirang” sofa collection is a pair of stout chair designs that draw on minimalist design vocabulary while simultaneously suggesting utmost comfort. Alternately, they’re elegant takes on overstuffed chairs, a bit unconventional but easily as inviting as a papasan or beanbag chair.

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Luzzo Bespoke’s "Bugatti": an Executive Desk Worthy of a Grand Prix

Given that Alan Sawyer arrived at luxury automobile interiors and decorative components via furniture design, it is only fitting that his return to furniture production—under the Luzzo Bespoke moniker—was inspired by a classic car. Specifically, he wanted to create a series of executive desks based on “the great classic names in motorsport like Alfa Romeo, Aston Martin, Bentley, Bugatti, Ferrari, Maserati, Porsche and American Indy cars from the 1930’s.”

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Hence, the Bugatti desk:

Luzzo’s first project is inspired by the Grand Prix cars created by Ettore Bugatti, cars like the Type 35 and 59. The beautifully cast aluminium components, French Racing Blue bodywork with its louvres and unique body bolts, honeycomb grille, engine spun dashboard and the use of leather are some of the inspirations for this desk.

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From the outset, Alan was not aiming to make a desk that simply resembled a car, but to draw inspiration from the unique aesthetic of the Type 37 Bugatti from the late 1920’s and convey the original concept—if not the period itself—in a newly-designed piece of furniture. (The desk also incorporates details from other Bugattis of the same period, namely the Type 57 and 59.)

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Boris Bally Puts the "sit" in "Transit" with Traffic Sign Furniture

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Boris Bally‘s “Transit” chairs have been around for a while now, but it’s still worth sharing for those of you (such as myself) who hadn’t seen his work before. (If nothing else, their playful aesthetic is perfect for a warm Friday before a holiday weekend… at least for those of us here in the States.)

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The Providence-based designer is a metalsmith by training—according to one (possibly apocryphal) account, he was making brass knuckles and throwing stars at age 13—his body of work is more properly classified as industrial design, if not art.

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Things That Look Like Other Things: "Fontable" by Alessandro Canepa and Andrea Paulicelli

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A little more abstract this time around: unlike the word “Portmanteau” itself, “Fontables” are exactly what they sound like.

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Alessandro Canepa and Andrea Paulicelli designed “Fontables” for Paris-based Outdoorz Gallery, who shamelessy describe the work as “a new language in design.” I don’t know if I would go that far, but in the language of design: [Fontables are] produced in a small atelier outside of Milan under the supervision of Alessandro & Andrea.”

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Con Form Lab’s CNC’d Plywood Expanding Dining Table

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Walter Zesk was a Philosophy major at Wesleyan; Seth Wiseman studied both Building Science and Industrial Design at Appalachian State U. Eventually the two gravitated towards getting Masters of Architecture Degrees at RISD, where they presumably met, and now the two run Con Form Lab, a design firm that strives to “make design, and the digital tools relevant to design, accessible to everyone.” Scale-wise their projects range from designing jewelry to 15,000-square-foot industrial facilities.

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Jeremy Petrus Selles Us on His Mash-Up Bench

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In the vein of the “tennis court” bench we tweeted yesterday (reason enough to follow Core77 on Twitter), designer Jeremy Petrus presents “Mishmash,” another variation of a sport-alluding bench, a collaboration with Italian bike saddle maker Selle Royal (fun fact: “selle” is Italian for saddle). Yet his inspiration runs deeper still: “Inspired by mash-ups (compositions created by blending two or more pre-recorded songs), ‘Mishmash’ is the result of the combination of two designs: Nelson’s ‘marshmallow’ sofa and Castiglioni’s ‘sella’ stool.”

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Recharge Yourself and Your Electronics with KVA’s Solar-Powered "SOFT Rockers"

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MIT Professor Sheila Kennedy and her team at Kennedy and Violich Architecture recently debuted “SOFT Rockers” as part of MIT’s 150th-anniversary Festival of Art+Science+Technology (FAST) celebration. The team arrived at a sleek, solar-powered energy recharging station, disguised as a comely piece of public furniture, as a response to “‘hard’ urban infrastructure.”

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Full specs after the jump…

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