Aesop Tiquetonne by Ciguë

Glass bottles rest on rows of hand-made iron nails along the walls of this Aesop skin and haircare shop in Paris by French designers Ciguë (+ slideshow).

Aesop Tiquetonne by Ciguë

Located in one of the city’s oldest neighbourhoods, Aesop Tiquetonne was inspired by old-fashioned workshops and garages, where tools are often fixed to the walls with hooks or nails.

Aesop Tiquetonne by Ciguë

Architect Hugo Haas told Dezeen that he had bought the nails during a visit to Japan, and had decided later to use them to create an entire shelving system. ”The main idea with Aesop is to find different ways of displaying their products,” said Haas. ”The bottles are so classical they have their own existence. They just need a good background to help them levitate.”

Aesop Tiquetonne by Ciguë

The square-sectioned nails form neat rows along the sycamore-covered walls, creating spaces to hang and stand products of different sizes. ”These old nails are pretty hard to control, so to make sure we had straight lines we laser-drilled them to the wall,” explained Haas.

Aesop Tiquetonne by Ciguë

Unlike other Aesop stores designed by Ciguë, the counter and sink are separated from one another, due to the narrowness of the shop.

Aesop Tiquetonne by Ciguë

The taps and pipes are made from unpolished steel, and the architects chose to fit them themselves instead of consulting a plumber.

Aesop Tiquetonne by Ciguë

Pale blue paint gives the shop a colourful exterior. “The only place we wanted to put colour was the window,” said Haas. “We didn’t want to use colour in the store, as we prefer to use the colours that are inherent to materials. It seems a more natural process for us.”

Aesop Tiquetonne by Ciguë

Aesop regularly commission designers to come up with unique concepts for their stores and this is the fifth one created by Ciguë. Others we’ve featured by the studio include one filled with steel caps from the city’s plumbing network and one modelled on a medical laboratory.

See all our stories about Aesop »

Here’s some text from Aesop:


Aesop’s latest Parisian signature space, a fresh collaboration with Cigue, opened in rue Tiquetonne in mid-June. Home to many tradesmen in the mid-twentieth century, the area features a number of workshops that have remained unchanged for decades. The store’s design is entirely in keeping with this aesthetic – reminiscent of a garden workshop housing well-worn tools that defy obsolescence.

The design makes ingenious use of the most humble materials; shelving is fashioned from rows of large, hand-made square-sectioned wrought iron nailed – on which Aesop products are arranged like lovingly ordered implements. Walls feature stone and raw sycamore maple wood, which is also used for a large sink. A waxed concrete floor and pipes and taps of unpolished steel add further references to modest industry. The interior represents not only respect for local tradition, but a marriage of intelligent design, straightforward functionality and unadorned beauty.

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Gue(ho)st House by Berdaguer & Péjus

French artists Christophe Berdaguer and Marie Péjus have converted an old house in France into a visitor centre by giving it a ghostly cloak of polystyrene and paint.

Gue(ho)st House by Berdaguer & Péjus

The building, which was formerly used as a prison house, a school and a funeral home, is located in the grounds of the Synagogue de Delme contemporary art centre, a gallery inside a 19th century synagogue.

Gue(ho)st House by Berdaguer & Péjus

Blocks of polystyrene create the chunky shapes on the facade, and are covered with resin and a layer of white paint.

Gue(ho)st House by Berdaguer & Péjus

The artists imagine the building as a ”ghost-house” and have named it Gue(ho)st House, in reference to the phrase invented by Marcel Duchamp “A GUEST + A HOST = A GHOST”.

Gue(ho)st House by Berdaguer & Péjus

Above: photograph is by Marie Le Fort

“Duchamp’s wordplay ended up being a trigger, a base line for drawing up the project,” said Berdaguer and Péjus. “Guest is the common denominator, the sharing space that we imagined. Ghost is a metaphor, a phantasmagoria.”

Gue(ho)st House by Berdaguer & Péjus

The completion of the Gue(ho)st House marks the 20th anniversary of the arts centre and provides new reception spaces for visitors, as well as studios for resident artists.

Gue(ho)st House by Berdaguer & Péjus

Above: photograph is by Marie Le Fort

Other projects inspired by ghosts include a collection of laser-cut chairs and a series of mesh screens around a Tokyo house.

Photographs are by Olivier-Henri Dancy, apart from where otherwise stated.

Here’s some more information from the Synagogue de Delme contemporary art centre:


The art project and the context of the commission

Christophe Berdaguer and Marie Péjus are creating a remarkable work of architecture-sculpture in the area surrounding the Synagogue de Delme contemporary art centre: by enhancing the art centre’s visibility, by creating new reception spaces for visitors and artists, this work makes it possible to use the public space for new purposes.

The heart of the project is the transformation of an existing building that was once a prison, then a school and then a funeral home. Keeping this context in mind, the artists used the memory of the place and transformed the building into a ghost house, a veritable architectural phantasmagoria, which the title echoes. Gue(ho)st House borrows Marcel Duchamp’s wordplay: a Guest + A Host = A Ghost. This served as a trigger for the project, which offers an interface between hosts (art centre, commune) and guests (visitors, artists).

Berdaguer and Péjus are covering the original house in a white veil that drips onto the surrounding area and creates a living body, a moving form that looks to the past as well as to the future. As the spatial projection of a collective psyche, the house becomes not only a place of emotions, perceptions and memories, but also a great mediation tool for the art centre.

This public commission constitutes a major milestone in the history of the Synagogue de Delme, which has always presented itself as a place where artists can work and research, open to all members of the public, in a spirit of dialogue and proximity. In 2013 the art centre will be celebrating it’s 20th year of operation and will then be able to offer everyone a very a high quality experience.

Future uses

The ground floor of the building will contain a reception centre (for groups and schoolchildren, and for the art centre’s educational events), an information office and a documentation centre. The upper floor will be transformed into a studio that will occasionally provide accommodation to artists, students, interns and other art world professionals.

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Department of Islamic Arts at Musée du Louvre by Mario Bellini and Rudy Ricciotti

An undulating golden plane blankets the new Islamic art galleries at the Musée du Louvre in Paris, which opened to the public this weekend (+ slideshow).

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

Designed by Italian architect Mario Bellini and his French colleague Rudy Ricciotti, the new gallery wing is surrounded by the neoclassical facades of the museum’s Cour Visconti courtyard and has two of its three floors submerged beneath the ground.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

Tessellated glass triangles create the self-supporting curves of the roof and are sandwiched between two sheets of anodized aluminium mesh to create a golden surface both inside and out.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

Above: photograph is by Philippe Ruault

“It’s more like an enormous veil that undulates as if suspended in the wind, almost touching the ground of the courtyard at one point, but without totally encumbering it or contaminating the historic facades” said Bellini.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

Beneath the roof, two exhibition floors accommodate over 2500 works by Islamic artists from the seventh to the nineteenth century.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

Glass facades surround the galleries at ground floor level, so visitors can look out at the surrounding architecture, while the underground galleries are filled with artworks that are sensitive to light.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

The layout of the galleries is designed as a loop, which connects with the existing routes of the museum and encourages visitors to enter the new wing.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

A third floor is located beneath the galleries to house technical facilities and storage areas.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

We’ve noticed a trend in golden buildings recently. See more of them here »

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

Section – click above for larger image

Photography is by Antoine Mongodin, apart from where otherwise stated.

See more stories about art galleries on Dezeen »

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Variations On a Dark City by Espen Dietrichson

Variations On a Dark City by Espen Dietrichson

The buildings of Lyon are pulled apart in these impossible photographs by Norwegian artist Espen Dietrichson.

Variations On a Dark City by Espen Dietrichson

The series is entitled Variations On a Dark City and forms part of the artist’s One of Many Unusual Moments exhibition on show at the Galerie Roger Tator in Lyon.

Variations On a Dark City by Espen Dietrichson

For each image the walls and roof of a building are moved apart into the sky, just like the exploded axonometric diagrams drafted by architects.

Variations On a Dark City by Espen Dietrichson

“The series of modified or levitated architecture started as my first interest when I went to art academy,” Dietrichson told Dezeen.

Variations On a Dark City by Espen Dietrichson

Above: exhibition view is by David Desaleux

Explaining his technique, he said: “The photos are made half manually and half digitally. The technical drawing of the explosion is hand-drawn on paper, and after the first cut and paste almost all of the end-process is digital, before the silkscreening.”

Other manipulated photography on Dezeen includes a tower block that looks like it’s being unzipped and landscapes that are distorted into circles.

See more stories about photography »

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Bastide Niel on Miroir d’Eau in Bordeaux by MVRDV

Architects MVRDV have shown residents of Bordeaux their plans to extend the city by inviting them to walk between rows of model houses on stilts (+ slideshow).

Bastide Niel on Miroir d'Eau in Bordeaux by MVRDV

The models show the masterplan for the 35-hectare Bastide Niel development, which will provide approximately 2400 homes, as well shops, offices and other community facilities on the east banks of the Garonne River.

Bastide Niel on Miroir d'Eau in Bordeaux by MVRDV

The blue-painted miniature buildings were erected on the opposite side of the river on top of the Miroir d’Eau, or ‘water mirror’ fountain, which caused clouds of mist to rise up and surround the exhibition.

Bastide Niel on Miroir d'Eau in Bordeaux by MVRDV

Tennis umpires’ chairs around the edges provided a viewpoint over the rooftops, which will “reference the medieval town centre,” said MVRDV’s Jan Knikker.

Bastide Niel on Miroir d'Eau in Bordeaux by MVRDV

The architects used a model of Thomas Heatherwick’s Rolling Bridge to show how a new, but not-yet-designed bridge will connect the development with the city centre.

Bastide Niel on Miroir d'Eau in Bordeaux by MVRDV

A similar masterplan of little blue buildings was presented at the Dutch Pavilion for the 2010 Venice Architecture Biennale – take a look here.

Bastide Niel on Miroir d'Eau in Bordeaux by MVRDV

See more projects by MVRDV here, including a call centre covered in QR codes.

Bastide Niel on Miroir d'Eau in Bordeaux by MVRDV

Here’re a few words from MVRDV:


People are invited to walk in the model and see the shapes of the new neighbourhood.

Bastide Niel on Miroir d'Eau in Bordeaux by MVRDV

The roofscape with its characteristic spires can be observed from elevated tennis chairs.

Bastide Niel on Miroir d'Eau in Bordeaux by MVRDV

MVRDV and the Communaute Urbaine de Bordeaux present the inner city extension Bordeaux Bastide Niel by means of an abstract model to the population.

Bastide Niel on Miroir d'Eau in Bordeaux by MVRDV

In the course of the next 10 years the project with its 2400 homes will be realised. AGORA, Biennale Architecture & Urbanisme & Design, September 13-16, Bordeaux.

Bastide Niel on Miroir d'Eau in Bordeaux by MVRDV

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Maison et Objet Fall 2012: For the Home

Novel offerings from the Parisian design trade show

Maison et Objet Fall 2012: For the Home

Among the myriad of brands vying for attendees’ attention at the Maison et Objet 2012 were a handful of particularly innovative products—a high-tech foosball table not least among them—that caught our attention. In our multi-part look at the massive design fair, we start with the following standouts for just…

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Eurostar Interior Design

Découverte de Christopher Jenner qui nous propose sa vision d’avenir de l’Eurostar, reliant Paris à Londres. Avec un design splendide, ce projet à la fois simple et futuriste permet de donner une âme et une identité à ce train joignant 2 des plus grandes capitales du monde. Plus d’images dans la suite.

euro
Eurostar Interior Design3
Eurostar Interior Design2
Eurostar Interior Design

Lycée Georges Frêche by Massimiliano and Doriana Fuksas

Italian architects Massimiliano and Doriana Fuksas have completed a school for hotel management in Montepellier, France, clad in anodized aluminum triangles and punctured by 5000 unique triangular windows.

Lycée Georges Frêche by Massimiliano and Doriana Fuksas

The Lycée Georges Frêche occupies two curvy cast-concrete buildings connected by footbridges over a courtyard.

Lycée Georges Frêche by Massimiliano and Doriana Fuksas

Above image is by Studio Fuksas

The facade is pulled up on one side to create a tunnel through which students and staff enter.

Lycée Georges Frêche by Massimiliano and Doriana Fuksas

Above image is by Studio Fuksas

As well as classrooms, offices and accommodation for students and staff, the complex includes a hotel and three restaurants that are open to the public, accessed from the opposite side of the campus.

Lycée Georges Frêche by Massimiliano and Doriana Fuksas

The walls of the school and student accommodation are painted in a different colour on each floor.

Lycée Georges Frêche by Massimiliano and Doriana Fuksas

Other projects by Massimiliano and Doriana Fuksas we’ve featured on Dezeen include a concrete church in Italy and a glowing orange music hall in France.

Lycée Georges Frêche by Massimiliano and Doriana Fuksas

See all our stories about Massimiliano and Doriana Fuksas »
See all our stories about Montpellier »

Lycée Georges Frêche by Massimiliano and Doriana Fuksas

Photography is by Moreno Maggi unless otherwise stated.

Here’s some more information from the architects:


Massimiliano and Doriana Fuksas inaugurated a new public building in France: the Georges-Freche School of Hotel Management in Montpellier. Besides the architectural project that won the competition launched by the Région Languedoc-Roussillon in 2007, Fuksas architects have realized the interior of the spaces open to public: a hotel and three restaurants. Built on 3.95 acres in the ZAC Port Marianne area to the East of Montpellier, the hotel-school Lycée Georges Frêche transforms the landscape and provides it with a distinct urban identity.

Lycée Georges Frêche by Massimiliano and Doriana Fuksas

Above image is by Studio Fuksas

Massimiliano and Doriana Fuksas’ project, which is developed horizontally, comes across as a single entity. It has a formal diversity, compact volumes and sculptural shapes. The volumetric complexity, which can be seen even inside the building, gives every room its own spatial individuality.

Lycée Georges Frêche by Massimiliano and Doriana Fuksas

The School includes:

– Two main buildings connected by footbridges that cross a tree planted central courtyard
– Accommodation for students (75 beds spread over three floors)
– Housing for management (10 apartments over 5 floors)
– Gym
– Athletic Track and sports ground situated outside

Lycée Georges Frêche by Massimiliano and Doriana Fuksas

The entrance for the students and the professors is through an arch while the entrance for the clients is on an opposite side. The two buildings that form the edifice make up the sculptural mass around which the gym, the students’ residence and the management’s housing gravitate. The first building, situated on the Titien Road, has three floors and includes: the multi-purpose room, the exhibition gallery, the administrative offices, the classrooms and the canteen that has exits leading towards the recreational areas outside.

The second building is distinguished by its Y form and is on two floors. Here, there are the spaces for the vocational teaching as well the areas dedicated to the hotel and the gastronomic restaurant: a hotel that is open to the public (12 rooms, 6 of which are two/three star, 4 four star and 2 suites); three restaurants, one of which is a gastronomic restaurant (50 places), a brasserie and a teaching restaurant (200 places in total), a bread-making workshop and a pastry making classroom. The gastronomic restaurant, the brasserie and the 4 star hotel showcase the School’s excellence and are the most important areas of the project.

Lycée Georges Frêche by Massimiliano and Doriana Fuksas

Massimiliano and Doriana Fuksas have designed the interior, the areas accessible to the public and the spaces devoted to the gastronomic sector and to the hotel. In the entrance hall leading to the gastronomic restaurant and to the hotel, there is a reception desk: a white lacquered sculptural object, mirroring the fluid forms and the solid character of the structure. The desk is covered with materials that are used for making boat hulls. Different types of originally designed tables and chairs define the spaces dedicated to the interaction between the public and the students. There is also the limited edition furniture specially made for the hotel.

The School walls and those of the students’ residence are painted in a different colour on each floor, with the shades ranging from yellow to green to magenta and orange. The colours serve as signage to distinguish the different spaces and activities. The project can be called “experimental” as much for its triangular shaped aluminium façade as for the use of reinforced concrete. Both materials have been adapted in order to be able to adopt specific shapes – curved and fluid – as required by the structure.

Lycée Georges Frêche by Massimiliano and Doriana Fuksas

The facades of the building have been constructed using 17,000 cases of anodized aluminum in triangular shapes. Each aluminum case is unique and bears its own specific bar code in order that it can be identified for its specific situation on the façade. The interaction between the facades reinforces the dynamic tension between the solid materials and the cavities, the light and the shadows, that are an inherent part of the project. The geometric design of the aluminum “skin” is developed further to apply to the 5,000 triangular glass frames that are mounted on metal nets. Each of these is different.

The structure of the building is made from reinforced concrete. To reproduce the curves of the volumes, the project has used “shotcrete” technology. Photovoltaic panels have been installed on the roof of the first building (multi-purpose room, exhibition gallery, administrative offices, classrooms, canteen) as well as on the roof of the apartments for the management.

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RBC Design Centre Montpellier by Jean Nouvel

RBC Design Centre Montpellier by Jean Nouvel

Architect Jean Nouvel has completed a design showroom in Montpellier where furniture and homewares are caged behind chain link fencing.

RBC Design Centre Montpellier by Jean Nouvel

A four-storey atrium divides the split-level building into two halves, with staircases that criss-cross from side to side.

RBC Design Centre Montpellier by Jean Nouvel

A bookshop occupies the ground floor, alongside a restaurant furnished with stacking metal chairs that Nouvel designed especially.

RBC Design Centre Montpellier by Jean Nouvel

The facade of the building is embellished with a series of words, which name activities that might take place in the home.

RBC Design Centre Montpellier by Jean Nouvel

As the fifth RBC Design Centre to open in France, the Montpellier store was initiated by brand founder Franck Argentin and is due to be inaugurated later this month.

RBC Design Centre Montpellier by Jean Nouvel

Read more about the chair designed by Nouvel for the showroom in our earlier story.

RBC Design Centre Montpellier by Jean Nouvel

See all our stories about Jean Nouvel »

Here’s some information from Ateliers Jean Nouvel:


RBC Design Centre – Montpellier

Designed by Jean Nouvel and initiated by Franck Argentin, founder of RBC, RBC Design Centre is the ultimate place dedicated to design.

RBC Design Centre Montpellier by Jean Nouvel

This amazing building of 9 levels, is a 2 000 m2 art of living destination with no equivalence in Europe in its architecture and philosophy.

RBC Design Centre celebrates a global design culture that goes from furniture pieces, objects, books to exhibitions and food.

RBC Design Centre Montpellier by Jean Nouvel

Synthesis of RBC’s know-how, leading player in the french design retail, RBC Design Centre presents the best international brands of furniture, lighting, kitchen and bathroom design (Alias, Artemide, Arper, B*B ITALIA, Belux, Cappellini, Cassina, Emu, Fantoni, Flos, Fontana Arte, Foscarini, Knoll, Antonio Luppi, Magis, MDF, Muuto, Poliform, Poltrona Frau, Varenna, Vitra…), taken care of by a great architecture and design passionate professionals’ team who is entirely dedicated to the best indoor and outdoor solutions for better living. To support even better people’s needs, a lightnig designer position has been created so that lighting becomes a true wellness source in function as well as in design.

RBC Design Centre also features a 120 m2 Kartell shop and a 150 m2 shop in shop dedicated to smaller objects and supporting international and french young design editors such as Edition sous Etiquette, Atelier d’Exercices, Chilewich, Eno…

RBC Design Centre Montpellier by Jean Nouvel

Positioned as a cultural destination, RBC Design Centre will also held a number of design exhibitions, together with book signatures in its amazing library of 4000 books on architecture, design and food.

The 70 seat restaurant – MIA by Pascal Sanchez, with a large 120 seat terrace has just opened. Chef Pascal Sanchez has worked more than 15 years with famous Pierre Gagnaire, first at its parisian place and further on at Sketch (London) and Twist (Mandarin Oriental-Las Vegas). From those years he takes with him the love of a very modern mix of good local food, art and design. Outdoor tables and chairs have been specially designed by Jean Nouvel and edited by EMU and tableware is 100% Alessi.

RBC Design Centre Montpellier by Jean Nouvel

The building designed by Jean Nouvel can be first seen as a simple box, in a very neutral grey, enhanced by key words in white: CREATE – DREAM– READ – COOK – LIGHT – LIVE

Once you enter, the outside opacity gives place to transparency. The deep unique grey tone of the building is a perfect scene for the strong museum like set ups of the furniture pieces.

Distributed on eight levels on both sides of a central major hole, protected by a stainless stitch, they are colors and life of the place, inviting to roam from a visual request to the other one.

RBC Design Centre Montpellier by Jean Nouvel

This spectacular “furniture wardrobe”, cut by stairs that link levels, looks inspired by mathematician Escher’s drawings.

The building is situated in Port Marianne, a brand new contemporary area in Montpellier where Jean Nouvel has also designed the town hall.

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Une Maison sur la Maison by THE Architectes

Une Maison sur la Maison by THE Architectes

A mysterious black gable frames two new bedrooms on the roof of a house in the outskirts of Paris.

Une Maison sur la Maison by THE Architectes

Designed by French studio THE Architectes, the black-painted timber extension contrasts with the clay tiles and white render of the house’s walls and roof.

Une Maison sur la Maison by THE Architectes

The slope of the gable matches the angle of the existing pitched roof.

Une Maison sur la Maison by THE Architectes

Skylights bring daylight into each of the new bedrooms and wooden beams are exposed on the ceilings.

Une Maison sur la Maison by THE Architectes

Horizontal louvres shade the window on the southern side, while the window on the northern side is left exposed.

Une Maison sur la Maison by THE Architectes

See more stories about residential extensions »

Une Maison sur la Maison by THE Architectes

Photography is by Nicolas Fussler.

Une Maison sur la Maison by THE Architectes

Below is a project description from THE Architectes:


This project in La Varenne Saint Hilaire by French office THE Architectes consists of a rooftop house extension to add two new bedrooms.

Une Maison sur la Maison by THE Architectes

The idea of the project was to put a new object over the existing house.

Une Maison sur la Maison by THE Architectes

All cladded in wood, the materiality of the extension really stands out from the masonry and the tiles of the existing house.

Une Maison sur la Maison by THE Architectes

Still the iconic pitched roof of the extension recalls the architecture of the existing house. Thus the project is clearly contemporary but is in relation with the existing architecture in a rather subtle way.

Une Maison sur la Maison by THE Architectes

The house is made in timber frame and all cladded in black wood.

Une Maison sur la Maison by THE Architectes

The southern facade is protected from overheating by horizontal wooden sun breakers also painted in black.

Une Maison sur la Maison by THE Architectes

Ground floor plan – click above for larger image

Une Maison sur la Maison by THE Architectes

South elevation- click above for larger image

Une Maison sur la Maison by THE Architectes

East elevation- click above for larger image

Une Maison sur la Maison by THE Architectes

North elevation- click above for larger image

Une Maison sur la Maison by THE Architectes

West elevation- click above for larger image

Une Maison sur la Maison by THE Architectes

Axonometric – click above for larger image

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