Coroflot hits 150,000 portfolios!

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A brief moment ago, something momentous happened over on the front page of Coroflot: the Odometer-of-Creativity that’s been ticking off the site’s population for the past few years just flipped over, to reveal the mind-bendingly enormous value of 150,000 portfolios. That’s, like, a portfolio for every man, woman and child in a mid-sized town of 150,000 people!

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In honor of this milestone (and the 1.5 million or so images that come along with it), Carl over at Creative Seeds has put together a short review of the top five most popular portfolio images on the site, as determined by the user-powered Me Likey system. Three of them are pictured above — Oliver Rosito’s Zero Mouse, MisoSoup Design’s K Workstation, and the “At Your Command” lighting series by Daniel Loves Objects! To see the list in its entirety, and some observations on what it takes to make an image almost literally one-in-a-million, check out the post here.

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Core77 Forum Topic: Can a single brand sustain multiple consumer groups?

Featured Forum Topic of the Day:
Can a single brand sustain multiple consumer groups?
by PackageID in the branding iron

So I was in a meeting today and there was a discussion around taking one of our brands and a question came up if we could hit a lower age group as well as our current demographic. It currently is marketed towards mid aged adults and they would like to target late teen early 20’s with out a brand extension or new candy product. Is this possible? do any of you know of a brand that has done this?

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Coroflot Design Job of the Day: Industrial Designer – Dell, Austin, TX

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Industrial Designer
Dell, Inc.

Austin, Texas

We are searching for an Industrial Designer with solid experience in the product development process of high volume goods, preferably IT related. This individual will have an aptitude for all things mechanical and IT related, remain current on leading edge technologies, have sound materials and process knowledge and be capable of pushing stakeholders for early industry adoption. The selected candidate will need to possess the ability to self-direct, prioritize the needs of the group and to exhibit a passion for “best in class” user experience. In addition, this individual will need to possess excellent negotiation and communication skills. This individual will be an integral part of Dell’s Global Experience Design Group and be located in our US ID Studio which resides in Austin, TX. This position will be a role in our Enterprise product group.

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The best design jobs and portfolios hang out at Coroflot.

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Core77 Photo Gallery: Sydney Design Festival 2009

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The Sydney Design Festival, which takes place in the first half of August, is now in its 13th year. Though this international design event revolves around the Powerhouse Museum, many offsite events promoting independent designers are staged throughout the city. Donald Corey was on site at Launch Pad, Workshopped, and the Object Gallery and shares his experience with us in the Core77 Galleries.

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Coroflot Design Job of the Day: Digital 3D Modeler – Apple, Cupertino, CA

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Digital 3D Modeler
Apple

Cupertino, California

The CAD sculptor is responsible for interpreting and defining the design intent of the industrial designer using Alias software while working with mechanical engineering, manufacturing and tooling requirements. 3D CAD data is used to develop product concepts and details for appearance models and renderings as well as production level surfaces used for engineering and tooling. This position requires an advanced understanding and use of 3D surface modeling software, preferably Alias Studio or Rhino. Also helpful if the candidate is familiar with rendering/ visualization software tools, various CAD file format translations, and mechanical design of molded plastic parts.

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The best design jobs and portfolios hang out at Coroflot.

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Core77 Forum Topic: Generation M

Featured Forum Topic of the Day:
Generation M
by ip_wirelessly in general design discussion

I think this Manifesto sums up quite well the angst most Designers feel: “Dear Old People Who Run the World, my generation would like to break up with you. Everyday, I see a widening gap in how you and we understand the world—and what we want from it. I think we have irreconcilable differences. You wanted big, fat, lazy “business.” We want small, responsive, micro-scale commerce. You turned politics into a dirty word. We want authentic, deep democracy—everywhere. You wanted financial fundamentalism. We want an economics that makes sense for people—not just banks. You wanted shareholder value—built by tough-guy CEOs. We want real value, built by people with character, dignity, and courage…

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Coroflot Design Job of the Day: Researcher/Ethnographer – Worrell, Minneapolis, MN

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Researcher/Ethnographer
Worrell

Minneapolis, Minnesota

The Researcher/Ethnographer will be responsible for the implementation of ethnographic research projects with clients in the U.S. and elsewhere. You will work with a multi-disciplinary design team to conduct ethnographic programs for a diverse array of markets including consumer, industrial and medical products and services. You will lead small teams in designing research strategies, conducting the research, analyzing and interpreting the data, and presenting findings to clients. You must have an interest in, and aptitude for, solving business problems and be adept at handling “big picture” issues as well as project detail.

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The best design jobs and portfolios hang out at Coroflot.

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NO MORE FEEDS PLEASE! How abundant information is making us fat.

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Fat David by Scholz & Friends, Hamburg, Germany

Lately I’ve been unusually cranky: It may be the frustrations of a difficult marketplace where economic adversity forces one to tolerate the otherwise intolerable. It may be the extra hours of summer sunlight here in the Pacific Northwest, which brings about an initial euphoria that can descend into mania. But with a gnawing conviction, I’ve come to believe that this crankiness is the physiological manifestation of an uneasy realization: there is too much opinion in the world and precious little fact. For the past two months I’ve found my idle thoughts converging on three disjointed but persistent topics: food, information and society. With time these three topics have paired themselves off into a set of relatively stable couplings: Food and Information, Information and Production, and Production and Society.

Cheap Tasty and Vacant
A few months back I was at a conference in Portland where one of the speakers made reference to Michael Pollan’s In Defense of Food, reframing the title as In Defense of Product. I was so taken by the idea that I walked out of the conference, crossed the street to Powel’s and bought a copy. I wont go into a lengthy explanation of that book here, but for those who haven’t read it, Pollan’s book builds upon his eater’s manifesto: Eat Food. Not too much. Mostly plants. Within this straightforward statement resides an insight relevant to any contemporary consumer dynamic: scale your consumption to a level that’s sustainable. I explored the potential implications of this manifesto for product designers in a recent post entitled Featurism is Fat: Lessons on consumerism from the organic food movement. What’s particularly intriguing in Pollan’s book is the back-story he builds around nutritional science. Throughout the book Pollan describes how the mass marketing of foods in terms of nutritional value helped industrial agriculture productize produce, ultimately reaching its zenith in an American diet that is chemically rich but nutritionally vacant.

All around us tastier, sweeter and starchier content awaits–ready to be ingested faster and more readily than ever before. Raising the question, if nutritional tampering set in motion a growing inventory of health issues, where will content snacking lead us?

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Coroflot Design Job of the Day: Studio Assistant – Potion, New York, NY

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Studio Assistant
Potion

New York, NY

Small design firm seeks a Studio Assistant to become an integral part of our team. We are an 8-person interaction design firm located in Soho, and we need a competent, dedicated studio assistant to handle administrative and project-based responsibilities. Our studio is a creative environment full of smart, fun people. Our work is fast-paced and our schedule is always full – so we’ll need your support across the board, from basic office management tasks (answering phones, filing, keeping the office neat & organized) to more complex responsibilities (maintaining schedules, managing hardware orders, interfacing with clients, PR, making travel arrangements).

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The best design jobs and portfolios hang out at Coroflot.

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Case Study: Freescale Netbook Design at SCAD, by Dave Malouf

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I’m a professor at the Savannah College of Art & Design (SCAD), where I’ve taught Interaction Design (IxD) in the Industrial Design department for two quarters now. One of the things that attracted me to SCAD was the high number of corporate sponsored classes there—companies often approach SCAD with a project they feel would benefit from a student perspective. Usually, we then take the project and restructure an existing class that maps to the sponsor’s goals and objectives. I truly believe that projects grounded in reality are more compelling educationally, as they provide truer constraints for the students.

Last quarter I had the privilege of teaching a class sponsored by Freescale Semiconductor. Freescale produces computer chips in various categories—the market segment that approached us was the mobile market, whose chips are used in many of the cellphones and other mobile products in high circulation today, including Blackberry and Asus. Specifically, Freescale makes an architecture of CPUs known as ARM. Significantly different from the Intel x86 architecture CPUs that run almost all desktop, laptop and netbook class personal computing systems, ARM attempts to compete against Intel’s ATOM CPU chipset. Atom is currently being used in two classes of devices: the netbook (like the HP Mini and Asus Eeee Pc) and Mobile Internet Devices (MID). ARM differs from the Intel Atom in that it runs cooler (saving space because they don’t need a fan), uses less power (offering extended battery life or a smaller battery), and can’t run Microsoft Windows. All three of these qualities offer both industrial design and interaction design opportunities.

We began to understand better their perception of technology and how productivity and play very much intertwine. They are very electronically social and don’t distinguish between electronic friends and physical friends, but rather through physical proximity.

Freescale conducted extensive research with existing non-Windows netbooks and learned that both the user interface and form factor issues co-mingle in these devices. They approached our industrial design department and asked us to work on concepts that address these issues for specific markets: tweens, teens and soccer moms.

There were two sponsored courses that participated in this project. My class was a graduate introduction to interactive product design while the other course was a 4th year undergraduate studio on professional practice and process taught by Professor Verena Paepcke-Hjeltness. What follows is our class’ process for developing the initial framework and vision for a new graphical user interface to run on top of an existing operating system (like Linux) that can take advantage of an ARM CPU chipset on something akin to a netbook or a smartbook. Though this case study will focus on the work of my class, there was much collaboration between the two courses’ students, influencing the final outcomes of both.

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