University of Westminster appoints FAT founder Sean Griffiths as Professor of Architecture

Sean Griffiths

News: following the announcement last month that London architecture studio FAT is to disband this year, founding member Sean Griffiths has been appointed professor of Architecture at the University of Westminster.

Griffiths is an alumnus of the University of Westminster and has recently held posts there as a teacher and researcher at the Department of Architecture.

“In my new role I want to highlight alternative forms of practice, exemplified by firms such as FAT, which emerged from the University of Westminster, as well as draw attention to the huge variety of activities in fields such as fine art, journalism, property development, social activism and arts consultancy that a number of prominent former students currently undertake,” said Griffiths. “This is particularly important in light of the ongoing debate about the value of architectural education.”

“I’m particularly pleased that the Professorship is at the University of Westminster, which was the springboard for the formation of FAT and has been a fantastic workshop for ideas that have found their way into my practice work, a process that will no doubt continue,” he added.

Alongside his position at University of Westminster, Griffiths will continue his current work as an architect, designer, artist, writer and teacher.

dezeen_A House for Essex by FAT and Grayson Perry
A House for Essex by FAT and Grayson Perry

The appointment follows the news that London studio FAT, which Griffiths co-founded in 1995 with Charles Holland and Sam Jacob, will close down this summer.

Renowned for its playful, postmodern approach to architecture, FAT announced in December that it would disband following the completion of two major projects – the curation of the British Pavilion at the Venice Architecture Biennale 2014 and a fairytale house it designed in collaboration with artist Grayson Perry for the Living Architecture series of holiday homes.

Photograph by Tim Soar.

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FAT architects announce studio closure

FAT calls it a day after 23 years

News: London architecture office FAT has announced that it will shut down its studio next summer, after “exploring the potential of the projects as much as possible”.

FAT directors Sean Griffiths, Charles Holland and Sam Jacob, who became famous for combining Postmodernist architecture with playful iconography, plan to end their 23-year-old practice with the completion of two major projects – the curation of the British Pavilion at the Venice Architecture Biennale 2014 and a house inspired by fairytales that they are working on with artist Grayson Perry for the Living Architecture series of holiday homes.

FAT announces the end of its practice
Blue House in Hackney, London

“We feel like we’ve explored the potential of the projects as much as possible,” Jacob told Dezeen. “We don’t want to end up like many architects do, flogging the same dead horse. We think it’s best to go out on a high.”

“In lots of ways FAT has been more like a band than a traditional architecture office,” he added. “We wanted to finish it in a way that’s coherent and makes sense.”

FAT started in the mid 1990s as a collective of architects, artists and film makers, before going on to complete projects such as the Blue House in London’s Hackney, the BBC Drama Production Village in Cardiff and the Community In A Cube (CIAC) in Middlesborough.

Community In A Cube in Middlesborough

“What we’re doing is saying there’ll be two more projects,” said Jacob. “We think this is really the completion of the FAT project which began many years ago, with no intention that we were starting an architecture office and the ‘glittering careers’ we would have.”

After completing the two final projects, the three partners plan to “let the dust settle”, but will continue to work within the architecture and design industry. Jacob is currently also a columnist for Dezeen.

BBC Roath Basin Studios
BBC Drama Production Village in Cardiff

Here’s the full announcement from FAT:


FAT announces the end of its practice

The highly successful 23 year collaboration will culminate next summer with the completion of A House For Essex, designed for Living Architecture (in collaboration with artist Grayson Perry), and the curation of A Clockwork Jerusalem at the British Pavilion as part of the 2014 Venice Biennale (in collaboration with Crimson Architectural Historians and Owen Hatherley)

Following on from the completion of a number of architecturally significant projects, directors Sean Griffiths, Charles Holland and Sam Jacob believe that, with the conclusion of these final projects, FAT will have achieved all it set out to do when the practice first emerged in the 1990’s. FAT was always conceived as a project in itself, a vehicle for critically opening up the culture of architecture rather than purely a conventional architectural practice.

“FAT has provided the three of us with the most extraordinary platform for creative collaboration. We have enjoyed 23 years together and want to end our union on a high with two typically FAT projects – A House For Essex and our curatorial role at the world’s most prestigious architectural event – The Venice Architecture Biennale.”

Evolving out of a ‘collective’ of architects, artists and film makers, in the mid 1990’s, FAT became one of Britain’s most influential architecture practices. Their work pushed the boundaries of architecture by developing innovative forms of cross disciplinary practice and new critical directions in architecture while engaging mainstream clients and delivering a series of highly original buildings in the UK and abroad.

Their work has ranged across installations, interiors, buildings and masterplans that include (amongst others) Kessels Kramers offices in Amsterdam, Kessels Kramers offices in Amsterdam, the BBC Drama Production Village, Cardiff for Igloo, Islington Square for Urban Splash and the Great Places Housing Group, The Villa in Rotterdam and CIAC in Middlesbrough, as well as installations and exhibitions at the Venice Biennale, the V&A, MAK and the Vienna Secession House.

FAT’s work has been characterised by a highly conceptual approach, which combined the practical demands of architecture with critical and provocative thinking. Their work demonstrated the creative possibilities for architecture to engage beyond the traditional boundaries of an architecture office and the limits of professional concern.

FAT has also been an influential international presence in architectural education at a diverse range of institutions including the AA, the University of Westminster, the RCA, The Bartlett, the University of the Arts, UIC and Yale.

FAT’s final two projects will realise many of the strands that have characterised its work: Pushing the boundaries of architecture, collaboration and working with fine art, a deep interest in the culture of architecture and how architecture relates to wider culture, society and politics.

FAT would like to place on record its thanks to all our collaborators, the students, critics and journalists, who have avidly followed our progress, the outraged BTL commentators who gave us so much entertainment, and above all to the visionary clients who saw the potential for, and who dared to invest in, a unique approach to twenty first century architecture.

FAT’s directors will continue to be a presence as individuals in the fields of architecture, design, art, writing and education.

They remain open to offers for a lucrative reunion in 20 years’ time.

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Fat & Furious Burger

Déjà en couverture du numéro de Fricote Magazine, le duo de designers français Thomas et Quentin a fondé le collectif Fat & Furious Burger, mettant ainsi en scène avec talent leur mets préféré dans diverses situations. A découvrir dans une sélection d’images dans la suite de l’article.

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Community In A Cube by FAT

An assortment of building typologies appear to be stacked on top of one another at this housing block in Middlesborough, England, by London architects FAT (+ slideshow).

CIAC Housing by FAT

The Community In A Cube (CIAC) building was first conceived as part of a larger masterplan drawn up by architect Will Alsop in 2004 for a site beside the city’s old docks. Other ideas for the development included a building shaped like a toaster and an apartment block resembling a stack of Jenga pieces.

CIAC Housing by FAT

The crash in the economy stalled almost all of these projects, so nearly ten years later FAT‘s cartoon-like building is the first and only project to complete. FAT director Sean Griffiths told Dezeen he is confident it won’t stand alone for long: “The developers were trying to add a bit of of pizazz and glamour, which I think was a great idea and I think it will in time spark more development.”

CIAC Housing by FAT

The nine-storey building comprises three tiers. At the lowest level, a gabled timber chalet sits alongside a row of shop units, which together support a six-storey apartment block in the middle section. Above this, two vernacular houses appear to be sitting on the roof.

“The idea was that it was like a little urban village,” said Griffiths. “It was about assembling disparate elements you would think of as incongruous into a collage that has an expression of community.”

CIAC Housing by FAT

He continued: “You have a thing that looks like a Swiss chalet on the ground floor, which was going to be the the local community pub. Then you have housing on the roof that taps into local culture. They’re not exactly ordinary houses, more of an aesthetic expression you’d be more likely to find in New England or Kent, but they become very odd because they sit on top on an apartment building.”

CIAC Housing by FAT

A total of 82 apartments are accommodated within the U-shaped plan and fold around a central south-facing courtyard. Balconies extend out over this space, while more are located in a large recess on the northern facade.

CIAC Housing by FAT

The architects used a variety of materials to give the building its colourful appearance. Purplish engineering bricks appear on the outward-facing elevations, while the walls flanking the courtyards and recesses are clad with timber and decorated with a black-painted lattice.

CIAC Housing by FAT

Apertures in the walls are created with a pattern of triangular, circular and square perforations. On the opposite side, the main stairwell is highlighted with geometric patterns in pink, green and blue.

CIAC Housing by FAT

“Our general philosophy about architecture is that much of it is very dull with no sense of exuberance, or any openness to a wider variety of influences and sources” added Griffiths. “This building is part of our expression that architecture should contribute something more memorable.”

CIAC Housing by FAT

The entrance to the building sits beneath a parapet of cloud motifs, where a single flight of stairs leads up to the terrace, then a spiral staircase winds up to the main access corridor on the second floor. This sequence was designed to encourage interaction between residents.

Heating and hot water for the building comes from a wood chip biomass boiler, plus the walls are heavily insulated to stop heat from escaping.

CIAC Housing by FAT

Architecture studio FAT, short for Fashion Architecture Taste, is run by three directors; Charles Holland, Sean Griffiths and Dezeen-columnist Sam Jacob. They’re also currently working on a house inspired by fairytales and recently completed a museum of copying at the Venice Architecture Biennale. See more architecture by FAT.

See more housing projects on Dezeen, including another pile of buildings in France.

CIAC Housing by FAT

Above: spatial organisation diagram

Here’s a project description from FAT:


FAT Architecture have recently completed CIAC, an £11.8M, 82 unit housing project in north east England. Designed for a joint venture client comprising developers BioRegional and Quintain, the brief was to deliver a highly sustainable, landmark housing project.

CIAC Housing by FAT

Above: site plan – click for larger image

The buildings simple block form is eroded and sliced by different housing typologies, courtyards, shared amenities, garden space and circulation routes to create a vertical community, from which its nickname ‘Community In A Cube’ is derived. The architectural language explicitly expresses the diversity of the buildings community to create a rich visual and spatial experience.

CIAC Housing by FAT

 Above: ground floor plan

Flats have generous 2.7m floor to ceiling heights, and are carefully planned to maximise dual aspect views that take advantage of the buildings waterside location. Circulation links the shared garden space with the public square below though planted terracing, encouraging a strong link between public, semi public and private space. The building addresses its surrounding public space with commercial units, a community centre and a pub to form a streetscape while its higher levels respond to the scale of the surrounding docks and city.

CIAC Housing by FAT

Above: first floor plan

Materially, the building uses a pallet of tougher brick to its exterior, responding to the industrial landscape of the old docks. Its interior court is lined with a softer, warmer timber to which graphic motifs and planting are used to add to its intimate, sheltered character.

CIAC Housing by FAT

Above: second floor plan

CIAC follows the “One Planet Living” principles developed by Bioregional and WWF to promote the concepts of sustainable living and ecological footprinting addressing carbon emissions, recycling, transport, materials, opportunities for on-site food production, water consumption, biodiversity, sustainable community structure, and access to pleasant outdoor space. Exceeding an Eco Homes Excellent rating, it’s sustainable design features include a high thermal performance for the external envelope and a wood chip biomass boiler which meets 100% of the buildings demand for heating and hot water as well as providing capacity for further neighboring developments.

CIAC Housing by FAT

Above: section from north to south

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A House for Essex by FAT and Grayson Perry

Architects FAT have teamed up with artist Grayson Perry to design a house inspired by fairytales on the east coast of England.

A House for Essex by FAT and Grayson Perry

A House for Essex is the latest project from Alain de Botton‘s Living Architecture enterprise, which commissions celebrated architects to design contemporary houses for UK holiday rentals.

A House for Essex by FAT and Grayson Perry

Scheduled for completion in 2014, the house will feature four slanted roofs with symbolic statues on the apex of each one, arched dormer windows and patterned walls. ”The exterior of the house responds to this contemporary romantic landscape, forming something that is both ancient and modern, archetypal and imbued with narrative,” said architect Charles Holland.

A House for Essex by FAT and Grayson Perry

“The idea behind this project relates to buildings put up as memorials to loved ones, to follies, to eccentric home-built structures, to shrines, lighthouses and fairytales,” added Perry. ”There are much loved buildings all over the county and the country built in the same spirit.”

A House for Essex by FAT and Grayson Perry

Ground floor plan – click above for larger image

Perry’s colourful tapestries will hang from the walls inside the house, and the artist will also add mosaic floors, decorative timber panels and a series of ornamental pots. Meanwhile, two bedrooms on the first floor will have balconies that overlook the double-height living room, while a bath will be suspended over the entranceway below. ”It is a hybrid building, part house and part gallery,” explained Holland. ”Internally, this combination of domestic and formal uses creates a rich interplay between public and private space.”

A House for Essex by FAT and Grayson Perry

First floor plan – click above for larger image

Other projects in the Living Architecture series include a house that cantilevers over the edge of a hill and a boat-like structure on the roof of London’s Southbank Centre.

See all our stories about Living Architecture »
See all our stories about FAT »

Here’s some information from Living Architecture:


Living Architecture is delighted to announce that it will be working with architecture practice FAT and artist Grayson Perry to build a unique new house in the north Essex countryside.

A House for Essex by FAT and Grayson Perry

End elevation – click above for larger image

The house, near Wrabness on the North Essex coast, is both an artwork in itself and the setting for a number of works by Grayson Perry exploring the special character and unique qualities of Essex.

A House for Essex by FAT and Grayson Perry

Side elevation – click above for larger image

The building has been designed to evoke a tradition of wayside and pilgrimage chapels. It is a singular building, appearing as a small, beautifully crafted object amongst the trees and fields. It belongs to a history of follies, whilst also being deeply of its own time.

Visitors entering the house from the south will pass through a series of spaces that become increasingly formal, culminating in a double-height living room lined with decorative timber panelling and Grayson Perry’s richly coloured tapestries. Upstairs there are two bedrooms which will have views across the landscape to the east and west.

A House for Essex by FAT and Grayson Perry

Context elevation one – click above for larger image

The stepping up of the volumes creates a series of interlocking spaces on the inside where each pushes into the other. The first floor bedrooms, for instance, will also have balconies that look into the living room space, and the bath offers an unusual location from which to observe visitors in the hallway.

The interior of the house will contain a number of specially commissioned art works by Grayson Perry including beautiful tapestries, pots, decorative timberwork and mosaic floors, celebrating the history and psyche of Essex.

A House for Essex by FAT and Grayson Perry

Context elevation two – click above for larger image

Living Architecture is delighted that the planners at Tendring District Council approved the planning application, following strong local support for the project. Construction will start in 2013, and the house will be completed in 2014.

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“Copying is both fundamental and dangerous to architecture,” says Sam Jacob of FAT

FAT director Sam Jacob explains why he believes that “copying is both fundamental to how architecture develops and something that threatens its foundational belief in originality,” in this movie we filmed at the Venice Architecture Biennale, where the firm has created an installation called The Museum of Copying.

See our earlier story here for more information about the project, and see all our coverage of the biennale here.

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The Museum of Copying by FAT at Venice Architecture Biennale 2012

London studio FAT will create an exhibition dedicated to architectural copying inside a 5-metre-high model of Palladio’s Villa Rotunda for the Venice Architecture Biennale 2012 next week.

The Museum of Copying by FAT at Venice Architecture Biennale 2012

A CNC-cut mould will form one quarter of the historic symmetrical building, while a second will be a spray-foam cast taken from inside it. The two quarters will be arranged opposite one another to create the structure, named the Museum of Copying.

The Museum of Copying by FAT at Venice Architecture Biennale 2012

“There is a history of copies of the Villa Rotunda that have been important staging posts for architectural culture,” explains FAT director Sam Jacob. “We hope to extend this history and explore how copying something is, strangely, a way of inventing new forms of architecture.”

The Museum of Copying by FAT at Venice Architecture Biennale 2012

A host of architects including Andrea Branzi, Denise Scott Brown and Jonathan Sergison will exhibit a book filled with photocopies as part of the exhibition and visitors will also be invited to assemble one of their own.

The Museum of Copying by FAT at Venice Architecture Biennale 2012

The installation will be on show as part of the Common Ground exhibition in the Arsenale from 28 August to 25 November. Watch director of the biennale David Chipperfield talk to Dezeen editor-in-chief Marcus Fairs about his theme and the current architecture scene in our movie interview.

See more stories about the Venice Architecture Biennale 2012 »
See more projects by FAT on Dezeen »

Here’s some more details from FAT:


FAT presents The Museum of Copying at the 13th Venice Architecture Biennale

Invited by David Chipperfield, director of the 13th International Architecture Biennale, FAT has contributed an exhibition to the Arsenale titled The Museum of Copying. Responding to the curator’s theme of Common Ground, the Museum of Copying explores the idea of the copy in architecture as an important, positive and often surreal phenomenon.

The Villa Rotunda Redux

The museum centres around FAT’s own installation, The Villa Rotunda Redux, a 5m high re-make of Palladio’s Villa Rotunda that explores the Villa as both a subject and object of architectural copying. The facsimile is made using contemporary fabrication techniques, CNCing a giant mould from which a spray-foam cast is taken. Cast and mould are arranged as two quarters of the Villa displaying the process of fabrication as well as opposing qualities of positive and negative, and interior and exterior.

Sam Jacob, a director of FAT said “There is a history of copies of the Villa Rotunda that have been important staging posts for architectural culture. We hope to extend this history and explore how copying something is, strangely, a way of inventing new forms of architecture. It also seems sweet to return a bastardised form of the Villa to its original home in the Venito.”

Book of Copies

The Museum of Copying also includes a contribution by San Rocco titled The Book of Copies comprising a library of volumes prepared by invited architects each of whom have assembled photocopies relating to a thematic building typology. Visitors to the Biennale can assemble their own version of the Book of Copies by photocopying these photocopies into a unique Book of Copies. The 60 contributors include Andrea Branzi, Jan de Vylder, Ryue Nishizawa, Paul Robbrecht, Francois Roche, Denise Scott Brown and Jonathan Sergison.

Architectural Doppelgängers

Architectural Doppelgängers, investigates examples of architectural copies, fakes and replicas. Strange stories that surround Architectural Doppelgängers are told through examples that include a facsimile of the Villa Rotunda in the Palestinian Territories and a fake Austrian village in China.

Repeat Yourself

Ines Weizman’s “Repeat Yourself”: Loos, Law and the Culture of the Copy researches the significance of copyright on architecture, using legal disputes around the ownership of Loos’ archive and work as a test case.

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FAT surfer

Vince lui.