Dissecting the Dandy by Form Us With Love

Dissecting the Dandy by Form Us With Love

Swedish design studio Form Us With Love have completed the interior for an exhibition celebrating dapper gentlemen at Nordiska Museet in Stockholm, Sweden.

Dissecting the Dandy by Form Us With Love

Called Dissecting the Dandy, the space is filled with dismembered mannequins displayed in grey MDF boxes with wooden supports.

Dissecting the Dandy by Form Us With Love

The designers have suspended their Work Lamp (see our earlier story) from rows of connected metal frames at different heights to illuminate the pieces on display.

Dissecting the Dandy by Form Us With Love

The mannequins are dressed in typical ‘dandy’ attire – fashioned blazers, waistcoats, shirts, shoes and accessories.

Dissecting the Dandy by Form Us With Love

The Dandy exhibition is on show at Nordiska Museet, Stockholm, until May 2011.

Dissecting the Dandy by Form Us With Love

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Dissecting the Dandy by Form Us With Love

The following information is from the designers:


Dissecting the Dandy
Form Us With Love has designed the exhibition architecture for the exhibition “Dandy” at Nordiska Museet, Stockholm.

What is a dandy? What does he look like? Some say a dandy is a particular person. Others say a dandy is a way of life. The architecture of the exhibition dissect the dandy into pieces. “We wanted to expose the details that makes the Dandy” says John Löfgren, Jonas Pettersson and Petrus Palmér of Form Us With Love.

Dissecting the Dandy by Form Us With Love

The architecture consists of dismembered mannequins, fused with MDF boxes which then has been laqcuered in a slate grey, giving the illusion that a stonecutter has started working on sculptures, but only finished the parts essential for the exhibition pieces.

Dissecting the Dandy by Form Us With Love

The exhibition gives examples of how a contemporary Dandy could look. Tailor Frederik Andersen, fashion researcher Rickard Lindqvist, journalist Olaf Enckell, stylist Lalle Johnson, author Björn af Kleen, designer Göran Sundberg and shop owner Christian Qua- glia have all given their suggestions on the modern style dandy.

The exhibition is on display until May 1, 2011. Nordiska museet is situated on Djurgården.


See also:

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Maritiem Museum exhibition by Tjep.Drawing Fashion exhibition
by Carmody Groarke
Constructive by
Form Us With Love

Boulevard

Katy Grannan’s photography exploring the street and its characters

Berkeley, CA-based photographer Katy Grannan has made a name for herself with her strikingly beautiful portraiture. Drawing on classical and contemporary styles, her photos are touching and intimate, presenting raw images of people, subjects who are complex yet relatable.

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In her most recent show, “Boulevard”, Grannan spent the last three years roaming the streets of Los Angeles and San Francisco. All of her portraits depict strangers but her knack for composition and sharp eye depict the subjects as at once hyper human to the extent of looking surreal and intimately familiar. The cast of characters she unearths take the viewer on a trip through time, style and culture, ultimately delivering an eerie, unexpected look at people most of us would just pass by.

Photographing her subjects in front of nondescript white stucco walls removes any specific sense of place from her pieces. This freedom from geography makes Grannan’s photos universal and draws the focus directly to the subject; the street could be in any city but the characters are outstanding.

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Grannan received her BA from the University of Pennsylvania, followed by her MFA from Yale. Her photographs have been exhibited in institutions ranging from the Whitney to the Metropolitan Museum of Art. “Boulevard” runs through 14 February 2011 at the Fraenkel Gallery in San Francisco.


Will Cotton Rides Nation’s Cupcake Craze

Will Cotton has been whipping up confectionary canvases since before reasonable people began lining up to pay $4.50 for softball-sized cupcakes, but the artist’s latest solo exhibition is a timely treat. On view through February 26 at Michael Kohn Gallery in Los Angeles, the show features new paintings that incorporate figures into his signature sugary landscapes as well as several portrait-format works. Cotton painted the models wearing items of clothing that he created, including a dress based on a foil cupcake wrapper and one made of the pleated pastel papers themselves. There’s also a skirt made of cotton candy, candy tiaras, and the fetching croquembouche chapeau pictured at near right.

The exhibition of Cotton’s work comes just as the country’s cupcake craze is reaching a fever pitch, with New York-based Crumbs Bake Shop announcing plans to go public in a $66 million merger deal and L.A.’s Sprinkles continuing its sweet expansion plans into areas already brimming with local cupcakeries. Whether it’s all just a flash in the (baking) pan remains to be seen, but even in the midst of a red velvet backlash, we predict a steady appetite for Cotton’s canvases. “There’s something about sweets and sugar that makes most people’s eyes light up a little bit,” he has said. “It’s just for pleasure, and that’s what I was after. I wanted to make a whole place that’s just about pleasure.”

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Multiplayer

A poster show reimagines arcade classics for today
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“Multiplayer” relives the beauty and simplicity of the ’80s arcade with a group show—including the likes of Dave Perillo, The Silent Giants, Mike Budai and more—atGallery 1988‘s newly-opened westside location.

Sponsored by OMG Posters, the screen-printed works span Zelda to Frogger. Artist Kevin Tong‘s labor-intensive take on Tetris (seen in the video above) is sure to excite the Illustrator crowd, while the collection of quintessential cartridges on display will certainly enthuse the diehard Nintendo fans.

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“Multiplayer” continues the gallery’s video game theme established in the previous “I Am 8-Bit” exhibit previously showcased at 1988, but the broader reach here looks beyond the classic characters to the entire realm of gaming.

The show runs through 4 February 2010 at Gallery 1988‘s Santa Monica location, and a limited-edition set of posters will be given out to lucky “Multiplayer” patrons.


Cologne Design Week

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LivingKitchen

A trade fair focusing on all aspects of kitchens, open to trade visitors
and the public. With a live programme full of highlights. And maximum
app..

Passagen 2011

A
programme of events and exhibitions covering the latest trends in
design, with a special focus on interior design, that includes
exhibitions i..

Kiel Johnson

Sculptures and illustration explore busking in an L.A. artist’s newest work
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In his newest piece “Busker Rig,” L.A.-based artist Kiel Johnson explores past, present and future through a steampunk take on the one-man band. With an almost instantly recognizable style, his distinct drawings and cardboard sculptures make explicit the transformation of humble materials into form.

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As an artistic craftsman, Johnson relates to the notion of musicians peddling their talents for money. “Busker Rig” is a tribute to anyone “trying to earn a living through their handiwork.”

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While he embodies the DIY aesthetic, creating all of his sculptures from cardboard, chipboard and more recently UV-activated surfboard foam, Johnson’s ability to construct such complex works comes from a technical mastery that’s the upshot of an extensive education and meticulous study of his craft. Offsetting monotone colorways, his attention to detail makes his work exude energy and feel full of life .

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Catch Johnson’s latest work alongside a variety of great artists—including our friend Kim Rugg—at the inaugural exhibition for the new Mark Moore Gallery space in Culver City, CA, running through 12 February 2010.


MoMA Acquires A Fire in My Belly, Piece That Ignited Smithsonian Controversy

If there’s one thing that never hurts to raise a piece of art’s perceived social value, it’s controversy. Recently in the museum business, and the art world in general, there hasn’t been much more controversial or as high-profile as the ongoing debacle over the National Portrait Gallery‘s decision to remove the piece A Fire in My Belly by artist David Wojnarowicz back in early December, following some fabricated beating of the drums and calls for outrage by a select few political and religious groups. The move seemingly everyone upset, but it also pushed the artists’ piece front and center, undoubtably now seen by perhaps hundreds of thousands more people who would have otherwise never had known it even existed. That seems like it will continue to be the case with the latest news this week that the MoMA has acquired the piece and will immediately begin displaying it as part of a new exhibition (this in addition to the museum’s announcement yesterday that it’s bringing Juxtapoz to the big screen). So like with muralist Blu and the LAMOCA on the other side of the country, the bad possibly also wound up resulting in some good for the artist himself. Here’s the official statement:

The Museum of Modern Art has acquired a complete version of A Fire in My Belly (1986–87) by David Wojnarowicz — both its original 13-minute version and a 7- minute excerpt made by the artist — announced MoMA Director Glenn D. Lowry today. MoMA is the first institution to acquire the video, and it goes on view today in the Museum’s exhibition Contemporary Art from the Collection, a focused examination of artistic practice since the late 1960s that considers how current events from the last 40 years have shaped artists’ work.

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Prince George Art Show

A grassroots group show launches with orgasm drawings, partially-chewed crayons and other performances

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Armed with an “if you build it they will come” attitude, psychologist Ilana Simons curated the upcoming group show at the Prince George Gallery with the vision of creating an “instant art collective.” In a similar vein to a pop-up shop, the exhibit is the upshot of quick thinking after seeing the space on her hunt for a place to hold a wedding reception. “When I stumbled upon the space and realized my friends and I could go in on it for gallery space, it just became a no-brainer.”

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Showing alongside the New School professor, works spanning simple line drawings to paintings. The nine artists showing include David Pettibone (below left), a fellow at the New York Academy of Fine Art, Michael Alan (above left) whose chaotic visions of New York City create abstract fantasies in vibrant colorways and Jenny Keith (above right), who represents animal emotions in her work.

Chris Colvin (below right) will exhibit pieces from his upcoming solo show at Lincoln Center, which include mixed media portraits from his series called “The Bust Collection.” Retired ophthalmologist turned full-time artist Jane Lubin incorporates her knowledge of biology into works featuring strange bodies in odd locations and bulging eyes. Prudence Groube (bottom left), an Australian artist fascinated by the idea of dismembering the self, will exhibit her colorful ink-on-paper works which are chiefly centered around her fictitious character Mimachan, who “inhabits the space between the seen and unseen.”

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An opening night reception from 6-9pm this Friday, 14 January 2011, will launch the show with live performances dedicated to fine art. Sarah H. Paulson will perform with a group of other women, who will recline in the nude, and use their toes to draw whatever comes from their soul. Valmonte Sprout will paint with Crayola crayons she partially digested earlier in the night while the “ambidextrous visionary painter” Roman Zelgatas will paint himself in a translucent phone booth.

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The Prince George Gallery show opens 14 January and runs through 26 Febuary 2011.