Mark Your Calendar: Donald Judd Mini Film Festival at David Zwirner

Time’s a wastin’ to catch the stellar Donald Judd exhibition at New York’s David Zwirner gallery, but procrastinators will be rewarded with a special film program on the show’s final day, this Saturday, June 25. First up is The Artist’s Studio: Donald Judd, Michael Blackwood‘s 2010 compilation of unused footage from two previous films (American Art in the 1960s and Masters of Modern Sculpture: Part III The New World). The 30-minute film, which will be shown four consecutive times beginning at 10:30 a.m., follows Judd from his SoHo home and studio to his early adventures in Marfa, Texas. The remote west Texas town is the focus of the day’s second film: Marfa Voices, a gorgeous documentary short by Rainer Judd, the artist’s daughter. Co-directed by Karen Bernstein, the film features excerpts from interviews conducted for the Judd Foundation‘s ongoing Oral History Project. Among the Marfa residents and Judd intimates who share their anecdotes are artist Boyd Elder, studio manager Dudley Del Balso, art dealer Paula Cooper, and lawyer Carl Ryan, who steals the show with his astute observations and brilliant comic timing. Rainer Judd will be on hand to introduce the film (screening at 1 p.m., 3 p.m., and 5 p.m.) and answer questions afterwards. Until then, enjoy the trailer:

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Sofia Design Week 2011: Victoria Knysh’s Cardboard City

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Russian-born, Bulgarian-based graphic designer and illustrator Vicky Knysh installed an intriguing fantasy city, completely made from cardboard, for this year’s Sofia Design Week. The little houses, cars, labyrinth and “local residents” were not only a big hit for kids but captivated grown-ups in equal measure.

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This gentleman, with a mustache and hat, is one of the residents of Cardboard City, getting lost in the Labyrinth.

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The Puppet Theatre of Cardboard City staged regular performances.

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The cardboard cars being “parked” on a coat stand when not in use.

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Sofia Design Week 2011: Design Marketo: Lemonade for All!

alex gerome.jpgAlex and Jerome, the duo behind London-based Design Marketo, behind their lemon bar.

London-based Design Marketo orchestrated a great project for Sofia Design Week. This time their temporary hangout place and pop-up shop was all related to lemons, in particular lemonade.

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A variety of really nice design objects was on show, commissioned specifically for this event. My favorite object is Lemon Toys by Loris & Livia, a new interpretation of the classical wooden lemon squeezer, made from upcycled vintage and new wooden staircase parts.

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The Lemonatus mixing straw, designed by Julian Bond, allows you to enjoy a glass of “fresh-squeezed” lemonade instantaneously: One straw goes into the lemon, the other into a glass of water. Suck, and both liquids mix in the upper mixing chamber, et voila, you get your lemonade. It really works!

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One of the workshops that Design Marketo offered was about creating lemon bread.

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Portraits of the CEO as a Young Man: Nir Hod’s Budding Geniuses


Brushstrokes of Genius An installation view of Nir Hod’s exhibition of new paintings and sculpture at Paul Kasmin Gallery (Photo: Paul Kasmin Gallery)

Thomas Edison defined genius as one percent inspiration and 99 percent perspiration, but he failed to mention the personality quirks, secret knowledge, and megalomania that often come along for the high-IQ ride. That’s where Nir Hod comes in. The Tel Aviv-born, New York-based artist (pictured at right) offers his own fascinating glimpse into exceptional beings with his first solo exhibition at New York’s Paul Kasmin Gallery. On view through Saturday, “Genius” consists of constellations of off-kilter kids whose sfumato surroundings, accusing eyes, and wafting cigarettes are as compelling as they are disturbing. Hod’s painted tots, with their arched eyebrows and superior hairdos, are knowing, demonic, and louche. Some stop just short of cartoonish, while others evoke the wacky proportions of folk art and lush ensembles of court portraits. More than one could be subtitled “Portrait of the CEO as a Young Man.” We talked to Hod about the origins of these spooky yet magnetic creatures, his working process, and what’s next for him and his jaded little rascals.

The work in “Genius” was three years in the making. Where did you begin?
I’ve always been fascinated by beauty and destruction. I’ve always liked the border between low tech and high tech, low taste and high taste, and this twilight zone when they mix together. I also started to read a lot about different kinds of taste, from very extravagant to weird decoration. A lot of the time, I have to say, I said “genius” about things that are really not genius. It’s easy to look at things, a look or a decorative style, and call it genius, especially when you see things from the past, particularly from the 1960s, ‘70s, and ‘80s.

What are some examples of things that struck you as “genius”?
One example was images from when people used to smoke on planes or on TV. When you look at it today, it looks so weird, but in such a beautiful way, you say it’s genius.

Where did the spooky children come in?
Everything started with this child that I did a single painting of for a show, an installation. The installation was supposed to be like an estate of a very extravagant personality, someone like Yves Saint Laurent. The collections that powerful people tend to surround themselves with are of very naïve, innocent images, but I was looking for something that would have some kind of twist. I wanted something that would tell a new story and take something we would call familiar and give it a different look, almost a new existence.

So I painted this child. I started with an image of a child that I photographed, and then for the first time in my life almost, or in my career, I made it looser and used more of my imagination. Before that work, I considered myself more of an image maker or a storyteller, and it was very important for me to be very precise about the images I used to work from. With this one, I decided to be more interpretive.

And how would you describe that interpretation?
I made this child, but I wanted him to have an impact or an attitude of somebody who knows something that we don’t. Especially when you see this in a child, it makes it more interesting, because we see children as people we are supposed to teach and play with. I wanted to create an image that would be more striking, that would look at you in some weird way.


From left, Hod’s “Genius ‘Rodhin,’” “Genius ‘Yoel’” and “Genius,” all 2010. (Photos: Paul Kasmin Gallery)

Did you have references or inspirations besides the photograph you mentioned?
I looked at a lot of portraits of very sophisticated people or the very rich or those with very strong personalities. They often have something very bitter and nasty in their expressions. I think it’s because they hold knowledge or they hide knowledge. They have something that they can’t share, and usually this makes them feel far superior to other people. This is especially true, for good or bad, if you’re talking about geniuses.
continued…

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W Hotels Designers of the Future at Design Miami/Basel 2011

W Hotels Designers of the Future at Design Miami/Basel 2011

Design Miami/Basel 2011: here are some images of installations at Design Miami/Basel by this year’s W Hotels Designers of the Future award winners Studio Juju, Asif Khan and mischer’traxler.

W Hotels Designers of the Future at Design Miami/Basel 2011

Above: In the Clouds by Asif Khan

London designer Asif Khan created floating clouds of foaming bubbles by filling soap suds with helium and forcing them through fishing nets.

W Hotels Designers of the Future at Design Miami/Basel 2011

Above: Dyadic Conversations by mischer’traxler

Thomas Traxler and Katharina Mischer of mischer’traxler present mirrors that only work when more than one person is standing in front of them, alongside their Relumine lights (see our earlier story).

W Hotels Designers of the Future at Design Miami/Basel 2011

Above and top: Juju Has Us Talking by Studio Juju

Singapore designers Timo Wong and Priscilla Lui of Studio Juju have created a meeting place with flexible metal strips that frame little blue chairs.

W Hotels Designers of the Future at Design Miami/Basel 2011

Above: In the Clouds by Asif Khan

Design Miami/Basel continues until 18 June.

W Hotels Designers of the Future at Design Miami/Basel 2011

Above: Dyadic Conversations by mischer’traxler

See last year’s W Hotels Designers of the Future installations here.

Here are details from Design Miami/Basel:


W HOTELS 2011 DESIGNERS OF THE FUTURE REVEAL INNOVATIVE WORKS AT DESIGN MIAMI/ BASEL

Winners of the Coveted Award Display Their “Conversation Pieces” at the Global Forum for Design

Continuing its dedication and passion for innovation in design, W Hotels Worldwide today unveiled the works of the 2011 W Hotels Designers of the Future award winners during Design Miami/ Basel.  Now in its second year, the successful alliance between W Hotels and Design Miami/ seeks to expand the benefits that the award brings to the winners, giving the emerging designers a global platform on which to showcase their work.

“W Hotels DNA stems from innovative design and we are always looking toward the future at what is new and next,” says Eva Ziegler, Global Brand Leader, W Hotels Worldwide. “We are thrilled to continue our partnership with Design Miami/ and celebrate these three forward-thinking design studios as they present their work to the world.”

The 2011 W Hotels Designers of the Future Award looks beyond traditional product and furniture design, seeking work that is truly groundbreaking and innovative.  This year, the recognized designers were commissioned to draw inspiration from “Conversation Pieces,” a theme provided to the design candidates by Design Miami/ Basel and W Hotels.

The 2011 W Hotels Designers of the Future Awards winners were announced during Salone del Mobile in Milan and include:

  • Asif Khan
  • Mischer’Traxler – Thomas Traxler & Katharina Mischer
  • Studio Juju – Timo Wong & Priscilla Lui

These three winners were chosen by a selection committee comprising of Wava Carpenter, Associate Director, Design Miami/; Aric Chen, Beijing Design Week; Li Edelkoort, Edelkoort Inc.; Marcus Fairs, Editor-in-Chief, Dezeen.com; Alexis Georgacopoulos, Director of the Ecole cantonale d’art de Lausanne; Constance Rubini, School of Decorative Arts, Paris; Kenya Hara, Creative Director, Muji; Konstantin Grcic, KGID; Zoe Ryan, Art Institute of Chicago; and Mike Tiedy, Senior Vice President, Global Brand Design & Innovation, Starwood Hotels & Resorts Worldwide, Inc.,  the parent company of W Hotels Worldwide.

“Being at the forefront of design is an ongoing goal for W Hotels,” says Mike Tiedy, Senior Vice President, Global Brand Design & Innovation, Starwood Hotels & Resorts Worldwide, Inc. “To identify and connect with these emerging designers will continue to drive design forward at W Hotels across the globe.”

The “Conversation Pieces” created by the 2011 award winners are three distinct designs that showcase each studio’s range of talent.  Asif Khan turns foaming bubbles into an architectural yet whimsical element of design, while Studio Juju constructs a social space where people can convene.  Mischer’Traxler creates conversation by using mirrors that work only when two or more people stand in front of them.  All of the pieces trigger an immediate response in the viewer, from serious to fanciful, creating conversation that is sure to last beyond the Design Miami/ Basel exhibition halls.

The winners of last year’s W Hotels Designer of the Future Awards – Beta Tank, Graham Hudson, rAndom International, and Zigelbaum + Coelho – are continuing to celebrate their successes.  W Hotels created a global platform for these designers, helping them take their work from a conceptual stage to a level where they can expose their work to consumers and design enthusiasts alike.  The winners traveled to W locations across the globe during key design weeks, setting up on-site installations at W Barcelona, W Doha and showcasing their work during Istanbul Design week.  Zigelbaum + Coelho and rAndom International were also integrated at the W Taipei premiere event in March 2011, where rAndom International had also created a permanent installation for the hotel. Zigelbaum + Coelho was commissioned to create installations for the W St. Petersburg premiere event, which took place earlier this month.


See also:

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W Hotels Designers of the Future 2010Tetra light by
Peter Liversidge and Asif Khan
Relumine
by Mischer’Traxler

RISD’s "Cocktail Culture" Exhibition

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Here’s a great example of how to tie industrial design, fashion design, jewelry design, textile design, photography and film together in a single exhibition: RISD’s “Cocktail Culture: Ritual and Invention in American Fashion, 1920-1980.” The currently-running exhibition features more than 200 objects, from flapper dresses to brooches to barware, all dedicated to classy boozing and there’s also an attendant coffee-table book/catalog.

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“The cocktail is not just a drink,” writes curator Joanne Dolan Ingersoll, “not just spirits combined with a mixer, but a spectacle, a symbol of American joie de vivre, prosperity, youth and unity.”

The show runs until July 31st. NPR gave it a glowing review, which you can read here.

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Sofia Design Week 2011: Cherga Design Group

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The members of Cherga Design Group, a group of young Bulgarian designers, are currently showcasing their latest products in the Lozenets Water Tower for Sofia Design Week. The water tower is an amazing place with a long winding staircase and various levels, presenting an interesting mix of great projects.

lastika chair.jpgFeatured above is Velichko Velikov “Lastika” chair that he created for the Italian furniture company Lago.

top view.jpgLooking down from the first level of the water tower.

topographic lamp shade.jpgTopographic lampshade by Volen Valentinov

characters.jpgFelt toy characters by Nevena Todorova.

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Field Recordings

Photographer Bryan Graf’s intoxicatingly tinted view of nature in an NYC solo show

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Bryan Graf uses nature to make photos that are incredibly beautiful without being overly romantic. In his 2010 series “Wildlife Analysis,” the artist’s photographic studies of the woods and swamps around his native New Jersey using black and white film might sound like an austere treatment of familiar subjects—plants, flowers, butterflies and deer—until you see the densely-layered end result.

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To achieve the gorgeously re-imagined everyday scenes, Graf (who honed his skills with Yale’s MFA program) makes color negatives without a lens which exposes the film directly to ambient light. Bringing the two negatives together in the darkroom creates images reminiscent of photographic screw-ups like light leaks and double exposures. In Graf’s hands however, dizzying abstract patterns of light and color flow across the paper, introducing an array of hallucinatory hues rarely seen in contemporary photography.

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Images from Wildlife Analysis, along with a selection of Polaroid “sketches” from “The Sun Room: Interchanges, B-Sides & Remixes” and a sculptural piece called “An Encyclopedia of Gardening” are currently on view in the exhibition “Field Recordings” at NYC’s Yancey Richardson Gallery until 15 July 2011.


Anish Kapoor Boycotts ‘UK Now’ Show in China Over Ai Weiwei’s Detainment

Anish Kapoor, one of the first artists involved in speaking out against Ai Weiwei‘s ongoing detainment by Chinese authorities, has put his money where his mouth is this week, as The Art Newspaper reports that he’s “canceled plans to present his sculptures at the National Museum of China in Beijing.” Kapoor had been invited by the British Council, an organization that develops “high-quality events and link thousands of artists, cultural leaders and arts institutions in more than 100 countries, drawing them into a closer relationship with the UK” for a planned exhibition next year in China’s capital city called “UK Now.” While Kapoor dropping out in protest likely won’t put an end to the event, it surely isn’t the sort of initial press neither the Chinese government, nor the Council, would prefer. Here’s a bit more:

Kapoor has been outspoken in his criticism of the Chinese government’s treatment of Ai Weiwei, since his detention on 3 April. On 10 May, when he opened his Leviathan installation at the Grand Palais in Paris, he dedicated it to the Chinese artist, describing his detention as “barbaric”. Once Kapoor had spoken out, it was realised that his participation in the “UK Now” festival would be difficult. A British Council spokeswoman stressed that the exhibition proposal had been at “a very early stage, and until he had seen the space we could not have proceeded”.

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Museum at FIT Readies Daphne Guinness Exhibition

Daphne Guinness prepared for last month’s Metropolitan Museum of Art Costume Institute gala by donning an Alexander McQueen gown of pale gray duck and ostrich feathers, striking a series of ethereal poses, and surveying her appearance at a Lucite vanity. All of this took place not in the comfort of Guinness’s apartment or hotel suite but in a window of Barneys New York on Madison Avenue, where a crowd of hundreds had gathered to watch (both in person and online, thanks to a livestream by Barneys). Guinness described it as “the crowning moment” in a six-week project that saw the department store showcase pieces from her legendary couture collection, but it was more like a warm-up.

On September 16, the Museum at the Fashion Institute of Technology will debut “Daphne Guinness,” an exhibition devoted to the fashion icon, editor, model, muse, and stylist. It will feature approximately 100 garments and accessories from her personal collection (which ranges from haute couture by the likes of Chanel and Valentino to Gareth Pugh ensembles and uniforms of her own design), along with films, videos, and images, of and by her. Co-curated by Guinness and Valerie Steele, director and chief curator of the Museum at FIT, the exhibition will be designed by Ken Nintzel, who took inspiration from Guinness’s New York apartment. Tide yourself over for the show (and accompanying book, published by Yale University Press) with Daphne’s Window by documentary filmmaker Brennan Stasiewicz. The new video (posted below) includes a first glimpse of the armor-inspired sculptural pieces that Guinness created in collaboration with jeweler Shaun Leane.

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