Gizmodo Gallery ’09: Automatic Pancake Machine Demo

These pancakes were seriously perfect every time! Typically you add a measured jug of water or milk to the pre-mixed powder bags, but the crew at Gizmodo had the machine on loan for a week and assure us that coffee pancakes taste great, as do beer pancakes which also get an incredibly fluffy texture. You can add almost any extra ingredient (within reason) to the mix for flavor.

Okay let’s face it, It’s easy to be cynical about the wasteful nature of such a unit, like the office coffee machines that use disposable capsules, the real business here is supplying vendors with bags of the powder batter mix. That aside, the ChefStack is intended for commercial use and is a very functional piece of engineering. You need almost no training operate it, the interface is dead easy and there’s very little cleaning required. The unit is designed so that pancake mix will only go onto the belt, and not get into the machine.

With 3 size options to choose from, the ChefStack can produce about 200 large pancakes an hour. Over the course the week Gizmodo cranked out 629 large, 1074 medium and 4730 mini pancakes, a total of 6433 pancakes. That’s a few well fed attendees and some really well fed exhibitors.

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Click through for more pics and see the full Gizmodo Gallery here.

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London Design Festival 09: Video Drive-By: Jason Iftakhar’s Folding Scooter

Jason Iftakhar presented his folding scooter Geetobee at 100 Percent Design. Designed for adults as a commuter vehicle, it offers a seriously fun alternative to brompton bikes, kick boards and tube rides with your nose trapped in other passengers’ smelly armpits – perfect for zooming round town.

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SUMA Y SIGUE Exhibition at the Valencia Design Week

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The “SUMA Y SIGUE” show opened last week in Valencia Spain — It is a collection of designs in print, in new media, in products and beyond which represent some of the more interesting output of the region’s creative class of the last 10 years. The breadth of the work presented allows the visitor a quick understanding of the local design sensibility; notably of a playful character that manages to appear in even abstract and corporate realizations. (It misses the time frame for inclusion in Suma y Sigue, but the Oceanic pen for Tombow by Daniel Nebot is an exemplar.) Click through for some of our favorites from the show and check out this Flickr set for more VDW pics!

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2 Questions for Emily Delmont of Google Creative Lab

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Google, from the outside, is a strange and magical place.

First off, their effectiveness: they didn’t exactly invent the internet, but it’d be hard to find a part of the internet’s modern form that hasn’t in some way been shaped by their efforts. That’s unique, and phenomenal.

Second, and maybe more interesting from the designer’s perspective, are the unique ways in which they engage their employees: from their famous “20% policy,” to their remarkable workspaces, to their coder-driven development process, essentially unfettered by the demands of marketing.

So, what would it be like to work as a creative professional amidst all this braininess, peculiarity, and success? The two-year-old Google Creative Lab, an idiosyncratic venture in the best Google tradition, offers a small window in. Headed by former Ogilvy co-president Andy Berndt, the Creative Lab was conceived as a cutting-edge multi-platform branding studio with a pile of creative talent and a single client. Finding the right creatives for an entity so bizarre and exciting is a daunting task, and we at Coroflot have been extremely fortunate to gain the ear of one of the people most responsible for completing it: Creative Lab recruiter Emily Delmont.

Emily will be joining us at the San Francisco installment of the Coroflot Creative Confab this month to talk about this process, but we’ve gotten in a couple of our most burning questions ahead of time. Read on for some thoughtful explanation (we’re particularly fond of the idea of a healthy inner-geek), or, if you’re in the Bay Area, come join us for the discussion panel and networking event on October 21st.


The Creative Lab is obviously a unique venture: a branding studio working within a company that famously has no marketing department at all. Does this make it challenging to find designers who can work in such an environment? What’s a good Creative Lab hire look like?

Contrary to popular opinion, Google does have a global marketing team and the Creative Lab is a part of that broader marketing effort. The projects that Lab works on at the Creative Lab are high-profile, global and use a variety of mediums. Attracting great creatives to do this kind of work is made easier because we don’t approach marketing in typical manner. A marketing campaign does not only mean putting our logo on a bunch of billboards around town. We look for ways to leverage our products in other innovative ways that make sense for our users and improve the experience that Google delivers to them. One example is Chrome Experiments, a somewhat unconventional project for a company to do but something a crew at the Creative Lab can execute because of it’s unique position within Google. Another example is bringing code.google.com into the mix of a Radiohead video.

The Google Creative Lab is a small team that strives to re-think marketing across every kind of media – currently existing or not, with Google as its sole client. Our job is to manage the Google brand, find new ways to communicate the company’s innovations, intentions and ideals, and do work of which we can all be immensely proud. The Lab’s mission is to remind the world what it is that they love about Google. The studio is the production arm, focusing on translating the creative work into a variety of assets.

At Google in general as well as at the Lab, we value what people have accomplished and what makes you interesting as a person. We are looking for people with fabulous portfolios demonstrating that they have a huge breadth of experiences and versatility. We’re big fans of someone whose work shows that they are passionate about doing things differently and not always taking the safe route. A great candidate has a background has a healthy inner-geek that goes beyond pure aesthetics, is passionate about their work and thinks of their job as an adventure. Someone with a true adventure-seeking, entrepreneurial spirit.

Freelance-to-staff is an increasingly common employment mode in the creative world, and you’ve mentioned the Creative Lab uses it pretty extensively. Are you finding potential hires that get turned off by the idea of undergoing a “trial period,” or is it just accepted practice?

We leverage freelance for a variety of reasons. The most likely scenario is that we have some short term needs based on specific projects or body of work but aren’t sure if we have a long-term need. Sometimes the stars align and we’re able to transition those folks into full time roles. At Google, we have a very flat hierarchy which means that people with the same titles may have different levels of experience. So therefore, in our full-time hires we may be looking for a broader level of experience and versatility vs. someone who is coming in to fill a short-term, specialized need.

Delmont will be appearing with similarly intriguing experts from the creative hiring field, from some similarly innovative companies: IDEO, LinkedIn, and creative staffing agencies 24 Seven and Aquent. Check out the Confab page for details and registration info.

Coroflot’s Creative Employment Confab
Wednesday, October 21, 2pm – 6pm (workshops: 10am – noon)
The Autodesk Gallery
One Market Street, San Francisco, CA

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Organizing the events after a loss of life

No one likes to think about losing loved ones, but unfortunately it can be a reality. The website About.com has an extremely helpful set of downloadable PDF files that you can print to aid in organizing all of the events after a loved one has passed.

The Death, Dying, and Bereavement Guides include six forms to help plan the events after a death: compare funeral/burial/cremation options, information for writing a eulogy, data needed for an obituary and death notices, and flowers and donations thank you note wording suggestions.

This is one of those times when I hope that you never have to use this information from our website.


London Design Festival 09: Video Drive-By: 100% Futures

Royal College of Art student and graduate Hwang Kim and Ilgu Cha were exhibiting their CCTV Chandelier and Honest Radio as part of 100% Futures at 100% Design in London last week. Hwang Kim’s CCTV Chandelier consists of 30 CCTVs, surrounding and hanging close to the viewer’s face, engineering the viewer’s experience to show their “Virtual Doppelganger” in the connected TVs. Ilgu Cha’s radio has a simple yet striking interface.

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Gizmodo Gallery ’09: ArcAttack perform live with Singing Tesla Coils

Hailing from Austin, Texas, electronic rock band ArcAttack performed daily at the Gizmodo Gallery with their singing tesla coils and robotic drummer. With some modifications to their home-made telsa coils which are explained in the video, not only can they produce lightening, but sound as well–how badass is that! A little dangerous yes, however so far, so good. They’ve performed over 300 live shows without incident, although they once tackled a cop to save him when the police shut down a rave, and the kid exhibiting next to ArcAttack had his wi-fi card fried the first day the gallery opened.

Like many electronic musicians, they craved the authentic live sound that only comes from a real drum kit. 2 months after one of those parties where you talk at length about such things, their friend turned up with a working robotic drum kit. He’d spent 15 years building animatronics for Disney and was able to make the whole thing out of spare parts in garage. Click through for pics and to watch ArcAttack perform the classic Doctor Who theme.

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London Design Festival 09: Cromwell Place

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5 Cromwell Place housed three different shows this year during the London Design Festival. Young Creative Poland was organised as part of POLSKA! YEAR, aiming to bring Polish culture to a wide UK audience. It showcased a group show of emerging young designers from Poland (as for example Tomek Rygalik with his Corian light series and the new Warsaw based design studio Kompott). Also in the building was the production office of our friends from The Incidental, a community-generated news pamphlet and website which offers debate, reviews, news updates and recommendations and is organized by the British Council.

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Another show was “Three Yet One” – a design exhibition that explores the role different media play in shaping our understanding and perception of objects. Curated by Parallel Projects as part of the Brompton Design District, it showcased the work of twelve emergent designers working across Europe.

“Three yet one” takes as starting point Joseph Kosuth “One and Three Chairs” art piece, but rather that presenting an object from the same point of view with different media, “Three yet one” interest is to widen the understanding of the object by showing the objects from different angles.

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London Design Festival 09: 5 Cromwell Place

Cromwell Place 2.jpg

5 Cromwell Place housed three different shows this year during the London Design Festival. Young Creative Poland was organised as part of POLSKA! YEAR, aiming to bring Polish culture to a wide UK audience. It showcased a group show of emerging young designers from Poland (as for example Tomek Rygalik with his Corian light series and the new Warsaw based design studio Kompott). Also in the building was the production office of our friends from The Incidental, a community-generated news pamphlet and website which offers debate, reviews, news updates and recommendations and is organized by the British Council.

Cromwell Place 9.jpg

Cromwell Place 29.jpg

Another show was “Three Yet One” – a design exhibition that explores the role different media play in shaping our understanding and perception of objects. Curated by Parallel Projects as part of the Brompton Design District, it showcased the work of twelve emergent designers working across Europe.

“Three yet one” takes as starting point Joseph Kosuth “One and Three Chairs” art piece, but rather that presenting an object from the same point of view with different media, “Three yet one” interest is to widen the understanding of the object by showing the objects from different angles.

Cromwell Place 30.jpg

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Click for more pictures!

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Pictorial Highlights from IDSA Project Infusion

We’re back from a few days in Miami Beach attending the IDSA 2009 Project Infusion conference. Here’s a handful of pictures that touch on the breadth of the experience. More pics in the Flickr pool.

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Although there was no giant robot at the Core77 party (see 2007) it was still a great time, with a lot of intense conversation, some of the “No, I love you, man!” variety.

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Oh, of course. South Beach. A guy in a Formula 1 (or similar – car experts? anyone?) street-legal Indy Experience car pulls over on Ocean Ave. so his passenger can chat on his cell phone. Conspicuous consumption taken to a new level.

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It’s fascinating to see how Twitter is changing conference interactions. We tweeted our dismay that there was no job board (since we arrived with fresh printouts to post), someone repeated that concern from the podium, and eventually one appeared. D’oh! for not having one from the outset but woo-hoo for being so responsive. By the end of the conference, the job board was far more packed than this photo shows. Packed with people looking to hire.

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