Le Cointreau Privé

One of our favorite Parisian hotels hosts Dita Von Teese for a month of burlesque affairs

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Having visited the Hotel Particulier Montmartre when it opened in 2007, we recently returned for another stay in the artfully decorated private-residence-turned-hotel. While some of its charms remained the same—such as the view of the pétanque players in the neighboring courtyard, a curious collection of art books and fashion-forward magazines, and the feeling that you’ve stepped into an eccentric French fantasyland—the hotel’s ambiance and decor is consistently evolving, thanks to the vision of co-owner and conceptual artist Morgane Rousseau. (See more images here.)

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As the former curator of the renowned Château de Bionnay, a massive castle near Lyon that’s now a residence for artists, transforming the hotel periodically comes naturally to Rousseau. Its latest incarnation, a tasteful burlesque theme, was designed to serve as the home to Dita Von Teese, who will perform there nightly for the month of October 2010.

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The event, Le Cointreau Privé, is part of Von Teese’s ongoing collaboration with Cointreau dating back to 2008. Accessed by a bracelet, the exclusive cocktail club includes signature drinks and private meals held in each of the hotel’s five rooms (for guests who’ve been personally invited by Hotel Particulier).

A place where reality and dreams blur, Hotel Particulier Montmartre is the perfect place for a romantic visit to Paris.

Rooms span €290 to €590, to reserve visit Mr and Mrs Smith.

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NY Art Book Fair 2010

NYC’s art book fair returns for its fifth year with an exciting lineup of events and books
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The fifth-annual NY Art Book Fair is around the corner, and organizer Printed Matter (NYC’s premiere art bookstore) have put together an exciting lineup of readings, signings, limited editions and more from an intriguing cadre of artists and international presses. The world’s biggest art book fair, the three-day-long events at MoMA PS1 showcase some of the brightest minds in contemporary publishing.

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Highlights include artist Leidy Churchman‘s lobby installation—a massive set of facsimile book paintings on wood that depict “artists’ publications from the last hundred years”—as well as a special gallery project from San Francisco’s Goteblüd zine shop, which will present an exhibit of more than 600 Riot Grrrl zines.

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As a media sponsor for the fair, stay tuned to Cool Hunting for information or check out Printed Matter’s website. NY Art Book Fair runs from 5-7 November 2010 at PS1. See additional images from the 2009 fair in the gallery below.


Which “Sex & The City 2” Star Was Best Dressed At The Film’s World Premiere?

imageJust two months ago, we caught up with only 3/4 of the ever-stylish SATC 2 gang back at ShoWest (Kim Cattrall was too busy being fabulous in the UK). However, all 4 leading ladies were finally reunited just in time to rule the red carpet (err, blue carpet!) at the film’s much-anticipated World Premiere at New York’s Radio City Music Hall. While rumor has it that the obscenely expensive film wardrobe is rather disappointing (say it ain’t so!), the stars definitely didn’t disappoint in person in their gorgeous gowns! Sarah Jessica Parker and Kristin Davis both popped in refreshing neon shades, rocking Valentino and vintage Jean Desses, respectively. Kim Cattrall (in a slinky, sparkly gold Naeem Khan number) and Cynthia Nixon (in a strapless Carolina Herrera gown) donned more classic evening-appropriate looks. As stunning as they all looked on their big night, only one can be named best dressed! Vote for your favorite look below! Photo Credit: PR Photos
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The Good, The Bad and The Empty: A documentary about the full lives of empty lots

pimg alt=”cup-goodbadempty.jpg” src=”http://www.core77.com/blog/images/cup-goodbadempty.jpg” width=”468″ height=”366″ class=”mt-image-none” style=”” //p

pIf you’ve got an interest in the a href=”http://www.core77.com/blog/featured_items/real_estate_bust_how_creatives_are_carving_up_las_empty_space_16288.asp”potential creative uses/a for empty urban space, emThe Good, The Bad and The Empty/em might be worth a watch. In it, Douglas Paulson, who is a teaching artist at the Center for Urban Pedagogy, works alongside students in an afterschool program in East Flatbush to investigate the “hidden uses, ownership patterns, and alternate futures” in the lots right near their school. /p

pThe film will be presented by the Center for Urban Pedagogy at the Anthology Film Archives at 7:30 on June 1st. The screening will be followed by a panel discussions with empty lot experts moderated by the documentary crew./p

pThe event is free, but be sure to RSVP to info (at) anothercupdevelopment (dot) org./p

pa href=”http://hosted.verticalresponse.com/620136/eb918f4181/287902735/ac5bd6e154/”bThe Good, The Bad, The Empty/b/abr /
Tuesday, June 1 at 7:30 pmbr /
Anthology Film Archivesbr /
New York, NY/pa href=”http://www.core77.com/blog/events/the_good_the_bad_and_the_empty_a_documentary_about_the_full_lives_of_empty_lots__16640.asp”(more…)/a
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Moving Past User Needs: Reflections on IIT’s 2010 Design Research Conference

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pemGuest post by Tara Mullaney./em/p

p”What’s Next?” was the question posed to the speakers at this year’s Design Research Conference held by a href=”http://newbauhaus.id.iit.edu/index.html”IIT’s Institute of Design/a on May 10-12. In its 9th year, the DRC has seen Design Research go from a niche field to being internationally recognized as the leading way to understand people. In response, this year’s organizers, student chairs Raphael D’Amico and Gene Young, focused on the new challenges Design Research faces now that it has become widely accepted.br /
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Kicking off the conference was the ever-insightful and purposefully controversial a href=”http://www.jnd.org”Donald Norman/a. Rekindling the fire he started earlier this year in the Design Research community with his article a href=”http://interactions.acm.org/content/?p=1343″”Technology First, Needs Last: The Research-Product Gulf,”/a Norman challenged the crowd with his assertion that none of the major innovations to drastically alter society were the result of a needs-based approach. Instead, when it comes to revolutionary innovation the “technology comes first, applications second, and needs last.” He argues that fundamentally Design Research does not lead to new product categories, despite the fact that radical innovation is what design companies prefer, what design contests reinforce, and what most consultants love to preach. Norman suggests that the most frequent gains provided by Design Research are incremental changes that fit comfortably into the existing product-delivery cycle. However, if innovation is driven by technology and not needs, what does this mean for human-centered design? /p

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pemDonald Norman (top) and Rick Robinson./em/p

pa href=”http://rickerobinson.com/”Rick Robinson/a, co-founder of Elab (http://www.elab.com/), agreed that considering needs is “entirely beside the point, and an outdated way of thinking.” Quite the loaded statement, Robinson supports this concept by explaining that needs refer to the motivations and drives of one person, and only captures a small piece of a complex and dynamic system. He contends that the field of Design Research has been in a “methodological malaise” for the past twenty years due to its preoccupation with methodology and its search for needs. To become “unstuck” the field needs to embrace openness and uncertainty. Doug Look of a href=”http://usa.autodesk.com/”AutoDesk/a concurred with Robinson in his comment “its time to get over our fascination with methods and tools and focus on ways to influence.” Look suggests one way that Design Research can be influential is by increasing communication and integration between business silos./p

div class=”article_quote””Ethnographic research has become the security blanket of Design Research.” – Rick Robinson/div

pThe next step for Design Research then is to get out of its own way. The methodologies that drive us to find “key insights” are simply bogging us down. According to Tim Brown, CEO of a href=”http://www.ideo.com”IDEO/a, “we should spend a little less time scripting the play and more time building a stage for people to collaborate.” Other conference speakers such as Martha Cotton of a href=”http://www.gravitytank.com”gravitytank/a and Heather Fraser of a href=”http://www.rotmandesignworks.ca/”Rotman DesignWorks/a reiterated the value of collaboration in their talks./pa href=”http://www.core77.com/blog/events/moving_past_user_needs_reflections_on_iits_2010_design_research_conference__16638.asp”(more…)/a
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Swissmiss turns 5! Join the birthday bash at Galapagos tomorrow in NYC

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pCongrats to Swiss Miss, who is turning 5 tomorrow! You are all invited to the a href=”http://www.swiss-miss.com/2010/05/swissmiss-5.html”big birthday bash/a at a href=”http://www.galapagosartspace.com/”Galapagos/a in DUMBO tomorrow night. Expect a real alphorn player, a studio booth, and an entire wheel of appenzeller cheese. Get your a href=”http://www.smarttix.com/show.aspx?showcode=SWI12″tickets/a soonmdash;the event is filling up./p

pIf you can’t make it, check a href=”http://www.swiss-miss.com/2010/05/swissmiss-5.html”here/a for instructions on how to virtually join in on the fun. /p

pSee you there!/pa href=”http://www.core77.com/blog/events/swissmiss_turns_5_join_the_birthday_bash_at_galapagos_tomorrow_in_nyc_16624.asp”(more…)/a
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Which Star Shined At The 2010 World Music Awards?

imageWhile the rest of Hollywood (and the rest of the entertainment world!) has been kicking back at Cannes, some starlets opted to party it up in Monte Carlo at the 2010 World Music Awards. While the biggest winner of the night, Lady GaGa herself, wasn’t present to claim her golden gongs, Jennifer Lopez walked away with an award in honor of her contribution to the arts. All prizes aside, what we really had our sights on was the star-studded red carpet! Hayden Panetierre rocked a tight long-sleeved sheath while presenter pal Michelle Rodriguez looked uncharacteristically feminine in a daringly-sheer drape-y number. J. Lo went bold in a feathered animal print dress, while the Hilton sisters lit up the event in elegant floor-length gowns. But only one star can rule the red carpet! Vote below for your favorite look. Photo Credit: PR Photos
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Droog in Dubai

pimg alt=”droogalarab.jpg” src=”http://s3files.core77.com/blog/images/droogalarab.jpg” width=”468″ height=”355″ class=”mt-image-none” style=”” /br /
emThe Droog team on location./em/p

pa href=”http://www.droog.com/presentationsevents/droog-al-arab/\”Droog al Arab/a is the first project of the recently initated a href=”http://www.droog.com/lab/”Droog Lab/a. The outcome is a platform for creative development in Dubai, in response to the city’s ambition and reputation for excess. /p

blockquoteMany know Dubai has the tallest skyscrapers, the biggest malls, luxury cars, indoor skiing and fake coastlines. Driven by an ambition to be the best in the world, Dubai’s unprecedented growth has reached a ceiling. Promoting a life of excess in today’s financially and ecologically sensitive climate, can certainly make one unpopular.

pInspired by Dubai’s level of ambition and ability to build new worlds, the Lab will explore a new model for future development, one characterized by social intelligence and collaborative creation./blockquote/p

pThe platform will debut at the traffic offices in Dubai on Sunday, May 30th at 7pm. A panel discussion will follow. Participants are director Renny Ramakers, lead designers Jurgen Bey and Saskia van Drimmelen, local partner Rami Farook of traffic and Omran Al Owais of Centimetrecube. /p

pFor more info, look a href=”http://www.droog.com/presentationsevents/droog-al-arab/”here/a and a href=”http://www.droog.com/lab/droog-al-arab/”here/a. /p

pa href=”http://www.droog.com/presentationsevents/droog-al-arab/”bDroog Al Arab/b/abr /
Sunday, May 30th, 7:30pmbr /
traffic officesbr /
Saratoga Bldg., Al Barsha, Dubai/pa href=”http://www.core77.com/blog/events/droog_in_dubai__16606.asp”(more…)/a
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Watch this right now: Product/Service Break-up Videos

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pI had a great time giving a talk at IIT’s a href=”http://www.designresearchconference.org/”Design Research Conference/a last week, but of course the real joy was being inspired by all of the other presentations. One of the huge highlights was a video shown by a href=”http://www.smartdesignworldwide.com/”Smart Design/a’s Erica Eden entitled “a href=”http://www.vimeo.com/11854531″The Breakup Letter/a”#151;a brilliant, hysterical compilation of the results of their a href=”http://www.designresearchconference.org/index.php?option=com_k2view=itemlistlayout=categorytask=categoryid=6Itemid=78″DRC Sex Ed Workshop/a just the day before. /p

p “The Breakup Letter” is a design research tool that Smart uses to explore the emotional connection between people and their products, services, and experiences. In Chicago, participants of the workshop were asked to choose a product, service, or experience, and to write and recite a “breakup letter” on camera. Participants were limited to 15 minutes, and the video was cut that night and shown the next day. The film is unbelievably charming, funny, and revealing, and as a consumable, engaging piece of design research, this is tough to beat./p

pemThe workshop was conducted by Senior Design Researcher and Femme Den co-founder Yvonne Lin, Design Researchers Diane Lee and Sarah Nagle, and Smart’s Associate Director of Industrial Design, John Kiechel./em/pa href=”http://www.core77.com/blog/events/watch_this_right_now_productservice_break-up_videos_16594.asp”(more…)/a
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London Design Festival Plans for Robots, Neville Brody to Launch Anti-Festival

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Perhaps trying to outdo last year, with Jaime Hayon‘s giant chess set installed in Trafalgar Square, the London Design Festival has announced that for 2010 they’ve paired with Reed Kram and Clemens Weisshaar, the designers/architects and regular Rem Koolhaas/Prada collaborators, to dream something up for the Square when the fest kicks off in mid-September. What they’ve delivered, of course, is robots. Robots that make pretty things out of light:

The installation titled “Outrace” consists of an immense mechanical octopus assembled from six industrial robotic arms on loan from Audi’s production line. Custom software developed by the designers will allow members of the public to temporarily take over the installation and render text input as light traces drawn by the synchronized mechanical tentacles. The resulting light paintings will be recorded using specialized high definition video equipment and published online.

Beyond the fest and its joy-manufacturing robots, it’s been (as far as we’ve been able to find) informally announced that Neville Brody, famous designer and from the Visit London blog:

Based in and around Redchurch Street, events will include a “microplex” cinema seating just five people. Brody says, “You can see us as an ugly sister or an ugly cousin of the Design Festival. It’s time to tear up the plans and see what happens. You’re all invited!”

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