Elding Oscarson completes Swedish seaside house in Mölle

This house in the Swedish seaside town of Mölle by Stockholm studio Elding Oscarson has an upper storey clad with roughly sawn Douglas fir and a lower section that is entirely transparent (+ slideshow).

Elding Oscarson completes Swedish seaside house in Molle

When developing the design for the Mölle house, architects Jonas Elding and Johan Oscarson set out to reestablish the architectural experimentation they say dominated the town at the turn of the last century.

Elding Oscarson completes Swedish seaside house in Molle

“Experimentation has been overpowered by conservation,” said the architects. “Our ambition has been to recover Mölle’s dormant architectural tradition, extrapolating it into the twenty-first century, while providing a house for generations to come.”

Elding Oscarson completes Swedish seaside house in Molle

Referencing the nearby Villa Italienborg, which features a striking chequerboard facade, the designers chose oversized planks of Douglas fir to create a cladding unlike any other in the town.

Elding Oscarson completes Swedish seaside house in Molle

These horizontal boards wrap all the way around the building, punctured at intervals by an assortment of square and rectangular windows.

Elding Oscarson completes Swedish seaside house in Molle

To contrast, the ground floor level features floor-to-ceiling windows with slender frames, offering residents uninterrupted views towards the surrounding garden and coastline beyond.

Elding Oscarson completes Swedish seaside house in Molle

“The building expresses both contrast and tenderness in relation to site and context,” said Elding and Oscarson.

Elding Oscarson completes Swedish seaside house in Molle

The house has three storeys – two above ground and one below. Three wings make up the plan, framing a pair of garden terraces and a driveway at the building’s entrance.

Elding Oscarson completes Swedish seaside house in Molle

Living, dining and kitchen spaces occupy the entire ground floor. All furniture is free-standing so as not to obstruct views through the glass walls, and includes a kitchen island. Heating is provided by a wood-burning stove in the middle of the space.

Elding Oscarson completes Swedish seaside house in Molle

A spiral staircase leads to floors both above and below. Upstairs, three bedrooms are arranged around an extra lounge, while the basement accommodates a fourth bedroom and a sauna.

Elding Oscarson completes Swedish seaside house in Molle

Photography is by Åke E:son Lindman.

Here’s a project description from Elding Oscarson:


Mölle by the Sea

Mölle is an extreme location with regards to topography and landscape, as well as history and aura. Around the turn of the century 1900, Northern Europeans were migrating to “Sinful Mölle” – where men and women were allowed to enjoy each other’s company at the same beach – leaving a trace of eccentric and experimental architecture from the first half of the 20th century.

However, from that point in time and onwards, experimentation has been overpowered by conservation. Our shared ambition with our client has been to recover Mölle’s dormant architectural tradition, extrapolating it into the 21st century, while providing a house for generations to come suited an open-minded family, presently with one child.

Elding Oscarson completes Swedish seaside house in Molle

The building expresses both contrast and tenderness in relation to site and context. Its volume has been kept low, without any plinth or pitched roof. Facing Öresund, the terraced site has an ocean view, but the building questions the convention to turn all rooms towards that same view – the site has many qualities all around, with stone and brick walls, vegetation, and an old ice cellar semi-submerged into a hill.

The building’s shape divides the site into different exterior spaces and provides a softly divided sequence to the interior. Not immediately perceptible, the graphic form of the plan results in a building volume that rather reads as a fragmentised whole – from some angles striking, from other angles neat.

Elding Oscarson completes Swedish seaside house in Molle

On the ground floor, a pilotis space wrapped in low iron glass, with sliding doors and undivided panes of up to almost 7 metres wide, the garden and its stone walls frame the interior space. The upper volume is resting on a slender steel structure in an abrupt collision between glass and saw finish douglas planks in jumbo format – a facade which is the first of its kind, just like Mölle’s most famous house “Villa Italienborg”, with its chess-board ethernite shingles facade, was back in the days.

Elding Oscarson completes Swedish seaside house in Molle

Architect: Elding Oscarson
Project team: Jonas Elding, Johan Oscarson, Yuko Maki, Gustaf Karlsson
Textile: Akane Moriyama
Location: Mölle, Sweden
Client: Private
Area: 300 sqm

Elding Oscarson completes Swedish seaside house in Molle
Site plan – click for larger image
Elding Oscarson completes Swedish seaside house in Molle
Basement plan – click for larger image
Elding Oscarson completes Swedish seaside house in Molle
Ground floor plan – click for larger image
Elding Oscarson completes Swedish seaside house in Molle
First floor plan – click for larger image
Elding Oscarson completes Swedish seaside house in Molle
Section – click for larger image

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No Picnic by Elding Oscarson

No-Picnic-by-Elding-Oscarson

Swedish design duo Elding Oscarson have completed this office for design consultants No Picnic in Stockholm, divided in two by a reflective aluminium wall. 

No-Picnic-by-Elding-Oscarson

Previously a stable and troop hall, the office has meeting areas concealed behing the mirrored divider.

No-Picnic-by-Elding-Oscarson

The large windows to the meeting room are set flush with the metal cladding.

No-Picnic-by-Elding-Oscarson

A spiral staircase at the far end of the office leads to the existing mezzanine.

No-Picnic-by-Elding-Oscarson

The office also includes a workshop, showroom, project rooms and customer area.

No-Picnic-by-Elding-Oscarson

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No-Picnic-by-Elding-Oscarson

Photographs are by Åke E:son Lindman.

No-Picnic-by-Elding-Oscarson

The following is from the architects:


No Picnic by Elding Oscarson

No Picnic is one of the world’s largest design consultants, covering industrial design, product design, and packaging design; as well as art direction, consumer insight, and architecture. We could hardly imagine a better oriented client, and expected nothing less than an ambitious, demanding, and fun project. They wanted large, open office spaces, a prototype workshop, a prototype showroom, several project rooms, and a striking customer area, distinctly separated from the other spaces in order to maintain secrecy.

No-Picnic-by-Elding-Oscarson

For this, the client had found a group of 19th Century buildings in central Stockholm, mainly consisting of two volumes, one originally an exercise hall for troops, and the other once a stable for police horses. They had been converted into showrooms in the 1980’s, and were in a sad state. These buildings currently enjoy the highest level of historical protection. Conversion had to be sensitive, and we have evaluated every step with an antiquarian, literally down to each new screw hole.

No-Picnic-by-Elding-Oscarson

We wanted to get rid of all added layers down to the origin. In the old stable we were able to peel the room naked, and just add a custom designed acoustical treatment along the walls, but in the exercise hall, economy and function demanded that a mezzanine constructed there in the 1980’s, was kept. The mezzanine cut the hall lengthwise, and crippled the experience of the space in an unfortunate way. Its edge coincided with the center of the hall, so we opted for the industrial designer’s own method – the way arbitrary but symmetric shapes can be sculpted as half models onto a mirror, we could restore the impression of the entire exercise hall by constructing a delicate aluminum wall along its central axis.

No-Picnic-by-Elding-Oscarson

The meeting rooms inside this metal membrane, has large window panes towards the hall. The flat reflection of the glass appearing flush with the distorting metal surface, makes the glass seem like a mirror while the metal appears transparent; the wall is there, yet it disappears. It is bold, kaleidoscopic and delusive with its trompe l’oeil effects. At the same time it takes a step back for the main act: the light and space of the exercise hall, and the old building’s straightforward display of material, construction, imperfections, and time that has passed.

Project Name: No Picnic
Architect: Elding Oscarson
Client: No Picnic AB
Location: Storgatan 23 C, Stockholm
Gross Area: 1100 sqm
Year of Construction: 2010-11


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