Much Debate Over Parsons Faculty Shifting/Firing

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Even if his main line of work has suffered some ups and downs lately, Tim Gunn probably feels fairly fortunate that he left Parsons the New School of Design in exchange for a life of celebrity when he did. In case you missed it, news came out that a slew of faculty members at Parsons were told that they would no longer be teaching in the fine-arts department after the summer or let go entirely. This has created something of a firestorm, with the faculty upset, other schools like Columbia chiming in to call the decision things like “anti-artist” and “anti-culture,” and Parsons releasing a statement right away to quell some of the anger, saying the whole thing is about union contracts and the regular shifting of faculty between semesters. Of course, no matter how it all plays out, this is certainly not boding well for the school’s president, Bob Kerrey, who has been at odds with the faculty since he took over roughly eight years ago. Will be interesting to see how it all plays out.

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Richard Serra to Receive Honorary Degree from Pratt Institute

que serra serra.jpgReinforce the floors! Richard Serra is coming. But this time there’s no need for the artist’s usual entourage of cranes, rolling gantry, and team of welders. Serra has been chosen to receive an honorary degree from the Pratt Institute at the art and design school’s 120th commencement on May 18, when approximately 1,200 graduating bachelor’s and master’s degree candidates will receive their diplomas. Where, you ask? At a venue not usually associated with Serra’s transcendent abstraction: Radio City Music Hall. [Cue Rockette kick line] In addition to Serra, Pratt will award honorary degrees to musician Judy Collins and children’s book author and illustrator Tomie dePaola.

New Career Opportunities Daily: The best jobs in media

ATLtoNYC Georgia Tech visit and sky fight

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I wish we had trips like this back in school, Core77 just hung with 12 industrial design students from Georgia Tech as part of their ATLtoNYC non-stop tour of New York design studios. Check out where they’ve been and where they’re going here.

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ATLtoNYC Georgia Tech visit Core77 and sky fight

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Wish we had trips like this back in school! Core77 just hung with the 12 industrial design students from Georgia Tech as part of their ATLtoNYC non-stop tour of New York design studios. Check out where they’ve been and where they’re going here. Thanks for coming by!

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“All of it screamingly public”: Jessica Helfand, on Facebook

Seemingly just-published on Design Observer–no comments yet–Jessica Helfand explores the ecosystem of Facebook, the ramifications for privacy and self, and the particular terrain of posting images (yes, of you) on the social network. How’s this:

For anyone under the age of, say thirty or so, the whole notion of open-source thinking is a native habitat that can be applied to everything from group-table seating in restaurants to sharing playlists to data clouds (I tag, you tag, we all tag) — in short, there’s nothing proprietary because people in this particular demographic group don’t perceive space as anything you can own. They see it as infinite real estate, to be grazed but not commandeered, shared but not colonized. The beauty of this thinking, besides the fact that it is inherently democratic and gracious, is that it lends itself to a kind of progressive evolution in which everyone wins. It’s commendable, really, and speaks well for us all.

On the other hand (and I’m not the first, nor will I be the last to mention it) there are implicit pitfalls in this rapidly growing virtual arena, particularly for those for whom social skills have not caught up with, say, their computational skills. On Facebook, this leads to huge numbers of pictures by kids of kids at parties acting stupid — yes, stupid — with cigarettes and sunglasses and cans of beer and face paint. It’s kind of sweet and sort of sad and probably meaningless (or so way too many parents of teenagers tell me) and lighten up, I’m told, because they’re just posturing, showing the world just how radical they can be. It’s safe, because after all, they’re not drinking and driving. They’re just on screen.

Or are they?

Read the whole thing here.

And in the same breath, don’t forget about Steve Portigal’s piece on Core77 last week, Where does Twitter go from here?

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Steven Heller on The 2 New Logos

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Today on The Moment (well, in a moment today, anyway) Steven Heller investigates the new logos introduced by the Obama administration last week. Here’s a nice taste:

What’s also interesting about this logo is that its goal is to become obsolete. Just as the W.P.A. was retired when the Depression was over (and World War II began), the ARRA logo is tied to the fate of the economy. “Hopefully, the recovery effort will work so well and so quickly that we’re no longer in recovery but back at full strength and don’t need it,” Juras said. “The sooner it becomes a historical artifact, the better.”

Meanwhile, what does he hope these marks accomplish? “I would say that we are more interested in how people who know little or nothing about design respond to them in their daily lives,” he said. “That is to say: Does the logo give the truck driver or the grocery store clerk or the plumber a little more confidence in our economy? Does a young kid derive some hope for the future by stenciling it on her lunchbox? Only time will tell, I suppose.”

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Design-LESS Manifesto: It’s way too short…

…but I suppose that’s in keeping with the subject. (D.O. even gets slapped in the comments for twittering!)

Read the piece here.

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Italy’s Newest Boutique School Of Design

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Architect Marc DiDomenico, the 2009 President of the American Institute of Architects Continental Europe, is overseeing The Florence Institute of Design International, a brand new “boutique” design school in Florence, Italy:

Just opened in the historic center of Florence, a new international design school will welcome students from all over the world to commence the first full session in January. The Florence Institute of Design International offers a new type of boutique academics focused entirely on international students providing Interior Design, Graphic Design and Architecture programs with both master and semester abroad options available, as announced by Founder and Creative Director, Architect Marc DiDomenico.

Hit the jump to read more.

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Design Ignites Change website launches

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Worldstudio has just launched their new project, Design Ignites Change, aimed at bringing design thinking to and from high school and college students. Teaming up with with the Adobe Foundation’s Adobe Youth Voices, Design Ignites Change “encourages talented high school and college students to use the power of design to address social issues in their local communities through substantive public projects.” There are already 15 colleges and universities signed up, who are targeting issues such as racism, economic inequality and climate change. Here’s more:

Students are working to develop actual, visible projects aimed to stimulate thought, dialog, action, and ultimately, change. A major component of the initiative is a mentoring program through which college and university students, educators and creative professionals, work with underserved high school students to develop projects that will benefit their own communities, while giving them a voice around important social issues.

Learn more about the initiative here.
Join your school up here.
Check out mentoring here.
Get in on the HotButtons here

[Disclosure: Core77 is a media partner; Allan Chochinov is an advisor.]

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AIGA Winterhouse Awards for Design Writing Criticism

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Tired of reading about design? Well, maybe your should start writing about it. Yup, it’s that time again when Winterhouse calls upon all you design thinkers out there to put fingers to keyboard and come up with some hot, juicy, illuminating, provocatating (okay, that’s not a real word, so I’m OUT!) design discourse. Here are the deets (that’s not one either):

The AIGA Winterhouse Awards for Design Writing & Criticism seek to increase the understanding and appreciation of design, both within the profession and throughout American life. A program of AIGA, these annual awards have been founded by Jessica Helfand and William Drenttel of the Winterhouse Institute to recognize excellence in writing about design and encourage the development of young voices in design writing, commentary and criticism.

Ten grand for the top prize (that could work out to a decent dollars-per-word), plus a 1K student prize (that could treat your entire dorm to pizza); Last year’s winners are here.

This year’s judges are William Drenttel, Rick Poyner, Alice Rawsthorn, and Michael Sorkin, so you’re in good hands. Well, your words are.

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