Evelyn Grace Academy by Zaha Hadid Architects

Evelyn Grace Academy by Zaha Hadid Architects

Zaha Hadid Architects have completed this school that bridges a running track in Brixton, south London.

Evelyn Grace Academy by Zaha Hadid Architects

Designed for ARK EducationThe Evelyn Grace Academy is organised into four smaller schools that share outdoor spaces and facilities.

Evelyn Grace Academy by Zaha Hadid Architects

The building zig-zags across the site with sports fields tucked between it and the roads on both sides.

Evelyn Grace Academy by Zaha Hadid Architects

Classrooms are organised along wide corridors with occasional double-height halls.

Evelyn Grace Academy by Zaha Hadid Architects

Photographs are by Luke Hayes.

Evelyn Grace Academy by Zaha Hadid Architects

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Evelyn Grace Academy by Zaha Hadid Architects

The following text is from Zaha Hadid Architects:


The Evelyn Grace Academy in Brixton, London Borough of Lambeth, broadens not only the educational diversity of this active and historical part of London but also augments the built environment in a predominantly residential area.

Evelyn Grace Academy by Zaha Hadid Architects

This Academy presents itself as an open, transparent and welcoming addition to the community’s local urban regeneration process.

Evelyn Grace Academy by Zaha Hadid Architects

The strategic location of the site within two main residential arteries naturally lends the built form to be coherent in formation.

Evelyn Grace Academy by Zaha Hadid Architects

The building assumes a strong urban character and identity which is legible to both the local and neighbouring zones.

Evelyn Grace Academy by Zaha Hadid Architects

It offers a learning environment that is spatially reassuring thereby being able to engage the students actively.

Evelyn Grace Academy by Zaha Hadid Architects

The design of the building proffers that, which contemporary architecture can, to create a healthy atmosphere as a milieu for progressive teaching routines.

Evelyn Grace Academy by Zaha Hadid Architects

In keeping with the educational ideology of ‘schools-within-schools’ the design is to creates natural segregation patterns nested within highly functional spaces which give each of the four smaller schools a distinct identity, both internally and externally.

Evelyn Grace Academy by Zaha Hadid Architects

These spaces present generous environs with maximum levels of natural light, ventilation and understated but durable textures.

Evelyn Grace Academy by Zaha Hadid Architects

The collective spaces – shared by all the schools – are planned to encourage social communication within a distinct hierarchy of natural aggregation nodes which weave together the extensive accommodation schedule.

Evelyn Grace Academy by Zaha Hadid Architects

Similarly, the external shared spaces, in order to generate a setting that encourages interaction, are treated in a manner of layering creating informal social and teaching spaces at various levels based on the convergence of multiple functions.

Evelyn Grace Academy by Zaha Hadid Architects

PROGRAM:

Secondary school for 1200 pupils
Building area: 10,745 m

Evelyn Grace Academy by Zaha Hadid Architects

CLIENT:
School trust: ARK Education
Government: DCSF

Evelyn Grace Academy by Zaha Hadid Architects

ARCHITECT:
Zaha Hadid Architects
Design: Zaha Hadid with Patrik Schumacher
Project: DirectorLars Teichmann
Project Architect: Matthew Hardcastle

Evelyn Grace Academy by Zaha Hadid Architects

Project Team: Lars Teichmann, Matthew Hardcastle, Bidisha Sinha, Henning Hansen, Lisamarie Villegas Ambia, Judith Wahle, Enrico Kleinke, Christine Chow, Guy Taylor, Patrick Bedarf, Sang Hilliges, Hoda Nobakhti

Evelyn Grace Academy by Zaha Hadid Architects

Project Manager: Capita Symonds
Engineers: Arup
Quantity Surveyors: Davis Langdon
Landscape: Gross Max
Acoustic Consultant: Sandy Brown Associates
Main Contractor (Design & Build): Mace Plus
Main Contractor’s Architects: Bamber & Reddan

Evelyn Grace Academy by Zaha Hadid Architects

CDM Co-ord: Arup
FF&E: Favourite Cat
Planning consultants: DTZ
Employer’s Agent: EC Harris
Catering Consultant: Winton Nightingale

Evelyn Grace Academy by Zaha Hadid Architects

Evelyn Grace Academy by Zaha Hadid Architects

Above: main elevations. Click above for larger image

Evelyn Grace Academy by Zaha Hadid Architects

Above: sections. Click above for larger image

Evelyn Grace Academy by Zaha Hadid Architects

Above: ground floor. Click above for larger image

Evelyn Grace Academy by Zaha Hadid Architects

Above: first floor. Click above for larger image

Evelyn Grace Academy by Zaha Hadid Architects

Above: second floor. Click above for larger image

Evelyn Grace Academy by Zaha Hadid Architects

Above: third floor. Click above for larger image

Evelyn Grace Academy by Zaha Hadid Architects

Above: depot layout. Click above for larger image

Evelyn Grace Academy by Zaha Hadid Architects

Above: site plan. Click above for larger image


See also:

.

West Buckland School by
Rundell Associates
Pestalozzi School
by SOMAA
The Langley Academy
by Foster + Partners

A look at how better design can improve schools’ performance

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We learn design in schools, but sadly, the layout of most regular schools is not informed by design. Kind of a stretch but it reminds me of how barbers can’t cut their own hair.

In an article in Slate, educator Ronald E. Bogle discusses how his opinions on school facilities changed drastically after he received a little design education. Beforehand, “I came up with many ideas, which in hindsight I now see were plenty flawed, about how we should approach [school] design,” he writes. “There were few resources available to inform us. Too often, education leaders have not had much exposure to new ideas in design. The fallback position is to go with what you know.”

(more…)


Learn a thing or two at Autodesk’s free online Sustainability Workshop

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Autodesk’s Sustainability Workshop is a free online site with short videos to educate viewers on the environmental impacts of design. Right now they’ve got a section up for Intro to Whole Systems design, which encourages viewers to think through the entire lifecycle of a product, and the self-explanatory Intro to Lightweighting and Material Reduction.

While the project was built specifically for mechanical engineering undergraduate students, the team thinks it would also be interesting to industrial design students (who may not get this technical with their sustainability approaches), mechanical engineering and industrial design teachers (who are looking for a quick resources to supplement their already super full curriculum), other young students, and adult engineers and designers who are retooling and learning new tricks.

Says sustainable design strategist Jeremy Faludi, “[The videos] could be used for a design class, or a mechanical engineering class, or even a management class that wants to educate managers about the more technical aspects of sustainability. The combined Whole Systems & Life-Cycle thinking process could potentially be a very powerful tool for designers and business executives to innovate their products and services.”

Check it out here.

(more…)


Re:Form School

Artists band together in an altruistic exhibition to help close the American education gap
reformschool1.jpg

The creative and influential group of artists and activists behind Re:Form School have a very specific goal—to transform public schools and help students flourish. Their desire to reinvent the American public education system has inspired countless hours and tireless determination to create a major group art exhibition, as well as a public awareness campaign. From 9-11 October 2010, the Re:Form School show will bring together the work of more than 150 artists including Gary Baseman, Michel Gondry, Simone Legno, Mike Perry, Phil Lumbang III, Ron English, Jermaine Rogers, Joe Ledbetter, Lisa Congdon, Sage Vaughn and Shepard Fairey.

A myriad of school-themed pieces fill the exhibition space, a school building in Manhattan. Eric Anderson is busy filling a chalkboard with his images and words. Mixed-media artist Erik Otto decided to build a school bus created from reclaimed materials. With wheels he brought from San Francisco and driver’s seat is fashioned from a wooden school chair, Otto is creating a structure that can be rolled around during the show. Sonja Rasula from Unique LA is turning the principal’s office into a store filled with handmade items and unique crafts.

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The Re:Form School mission statement offers these words of hope: “We believe every child should be allowed the opportunity to shine and thrive. They should feel safe, challenged and excited to learn. They should be encouraged to bring creativity, imagination and innovation into our future.”

Re:Form School is a REDU project aiming to find ways for rethinking, reforming, and rebuilding the education system. They hope this weekend’s art show will galvanize communities and encourage support for Urban Arts Partnership, Teach for America, Donors Choose and Rock the Vote.

reformschool2.jpg reformschool3.jpg

Ultimately Re:Form School hopes the show this weekend will motivate people to find teaching and mentoring opportunities as well and to donate their time and money and help transform the education system.

Re:Form School is open to the public beginning 9 October 2010 through 11 October 2010 between the hours of 10am-6pm.


The surprising truth about what motivates us (video)

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pCareer satisfaction, life-work balance, the reality of the changing workplace, and understanding personal goals and priorities has been emotionally draining for many as we surface from the economic crisis./p

pRecently we’ve seen books like ema href=”http://www.amazon.com/Whats-Next-Gen-Keeping-Getting/dp/1422120643″What’s Next Gen X?/a/em, the film ema href=”http://www.core77.com/blog/videos/lemonade_a_short_film_about_creative_unemployment_15648.asp”Lemonade/a/em, 37signals’s ema href=”http://37signals.com/svn/posts/893-workplace-experiments”4 day work week/a/em, Frog’s latest issue of ema href=”http://designmind.frogdesign.com/magazine/work—life/”design mind/a/em, and numerous others explore these issues #8212; and on the flip side #8212; companies large and small are constantly looking at new a href=”http://www.thisisbrandx.com/2010/05/things-look-mighty-perky-around-silicon-valley-and-bay-arae-tech-firms.html”ways/a to attract talent, and retain it!/p

pIn the video above, author a href=”http://www.danpink.com/”Daniel Pink/a cites 50 years worth of behavioral science research demonstrating that money is only a motivating factor to a point for getting good results. After that people seek autonomy, mastery and purpose to be fully productive and indeed happy. emSide note/em #8212; love the animation that accompanies this talk, originally given at the a href=”http://www.thersa.org/events/vision/vision-videos/dan-pink-drive”RSA/a in London, January 2010./p

pemvia a href=”http://joegebbia.posterous.com/what-motivates-you-7″Joe Gebbia/a/em/pa href=”http://www.core77.com/blog/education/the_surprising_truth_about_what_motivates_us_video_16650.asp”(more…)/a
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RISD’s “Artrepreneur Starter Kit” for 2010 graduates

pimg alt=”RISD_artrepreneurkit.jpg” src=”http://www.core77.com/blog/images/RISD_artrepreneurkit.jpg” width=”468″ height=”624″ class=”mt-image-none” style=”” //p

pa href=”http://www.risd.edu/”RISD/a is now supplementing its diploma with an “Artrepreneur Starter Kit,” helping the graduating class of 2010 get a head start on creative entrepreneurship. Kudos to RISD president John Maeda for arranging this kit. He believes that “a new kind of design-led leadership is needed to innovate out of this global economic crisis. Artists and designers can bring their intuitive, creative thinking to a broad array of fields, and become the drivers of economic possibility in our slowed economy.” /p

pThe kit, pictured above, will include a href=”https://squareup.com/”Square/a, an application and peripheral for receiving credit card payments on mobile devices, a pack of a href=”http://us.moo.com/en/products/business_cards.php”MOO/a business cards, and a free license a href=”http://everfi.com”everfi.com/a, a financial literacy platform. /p

pIt’s hard to say whether this particular toolkit will make a difference or not, but RISD’s supportive attitude towards creative entrepreneurship certainly will, and we hope more schools will follow suit./pa href=”http://www.core77.com/blog/education/risds_artrepreneur_starter_kit_for_2010_graduates__16641.asp”(more…)/a
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Patti Smith to Pratt Grads: Be Happy, Take Care of Your Teeth

Photo by Rene Perez.jpgWe’ve written (and ghostwritten) our share of speeches, and none is so fraught with peril as the commencement address, a difficult-to-master mix of anecdotes, life lessons, and hope for the bright future that the newly graduated are uniquely equipped to harness and monetize. And so it is with great excitement and some trepidation that we clutched our grubby copy of Easter and awaited the remarks (and post-speech performance) of Patti Smith, who on Monday addressed Pratt Institute’s 121st commencement ceremony and received an honorary degree alongside architect Daniel Libeskind, MoMA director Glenn Lowry, former NYC Landmarks Commissioner Barbaralee Diamonstein-Spielvogel, novelist Jonathan Lethem, and director Steven Soderbergh. Reader, she did not disappoint.

Smith opened and closed with dentistry. “I’ve been thinking about what I’d like to talk about: Moby Dick, the slaves of Michelangelo, Hans Hoffman, My Bloody Valentine, but now that I’m here, my greatest urge is speak to you of dental care,” she began. “My generation had a rough go, dentally….You have a better chance at dental health, and I say this because you want at night to be pacing the floor because your muse is burning inside of you, because you want to do your work, because you want to finish that canvas, because you want to make that design, because you want to help your fellow man. You don’t want to be pacing because you need a damn root canal.” The take-home message? “Floss, you know, use salt, baking soda, get them professionally cleaned, you know, for a bit, take care of your damn teeth.”

From there, Smith lauded the graduates for their determination and offered a bit of Pratt-centric personal history (coming to New York, meeting Robert Mapplethorpe, eating and dreaming in the corner diner) before turning to…Pinocchio, that rare combination of mendacity and tenacity. “Pinocchio went out into the world filled with good intentions, with vision, he went ready to do all the things he dreamed, but Pinocchio was pulled this way and that, he was distracted, he faltered, he made mistakes, but he kept on,” she explained. “Pinocchio, in the end, became himself, because the little flame inside him, no matter what crap he went through, would not be extinguished.” Jiminy Cricket went unmentioned, but Smith did conclude with a few pieces of advice, including letting your conscience be your guide. “I’m telling you, these simple things: taking care of your teeth, being happy…they will be your greatest allies. Because when you’re happy, you ignite that little flame that tells you and reminds you who you are, and it will ignite, it will animate your enthusiasm for things. It will enforce your work.”

New Career Opportunities Daily: The best jobs in media.

Italy by way of midtown

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pFor those who haven’t yet heard, last week La Triennale di Milano, Italy’s premier institution for architecture, design and the arts, announced they will open the A HREF=”http://www.triennale.it/index_ny_eng.php” Triennale di Milano New York/A in September of this year. Taking up nearly 20,000 square feet in midtown Manhattan, the multidisciplinary space will hold exhibitions and special events as well as a bookstore, shop, espresso bar, and guest-curated restaurant./p

blockquote”Triennale New York will bring the essence of Italian identity to New York City,” said Davide Rampello, President, La Triennale di Milano “We will try to represent the extraordinary qualities that are the hallmark of Italian ingenuity, industry and culture.”

pThe entire space has been designed to be flexible and will utilize the latest interactive information and exhibition technologies in order to accommodate artistic programs, meet high-quality museum standards, and host a series of talks, special programs, and social and cultural events. /p

p”La Triennale has, for many years, been a place at the center of international, Italian and Milanese debates and culture. Triennale New York will allow us to bring this dialogue–through examples of Italian culture in all its many forms–to New York, as well as into contact with wider global trends and discourse.”/blockquote/p

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/0triennyc03.jpg” width=”468″ height=”281″ alt=”0triennyc03.jpg”//div

div style=”align: right;”img src=”http://s3files.core77.com/blog/images/2010/05/0triennyc04.jpg” width=”468″ height=”281″ alt=”0triennyc04.jpg”//diva href=”http://www.core77.com/blog/education/italy_by_way_of_midtown_16596.asp”(more…)/a
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Philly U’s ID program providing students with great connections

pIn a shrewd bit of business maneuvering, the ID program at Philadelphia University has gained their students access to a client most graduated designers would dream of being able to snag: Urban Outfitters. The lifestyle retailer has annual sales of nearly $2 billion and has an extremely desirable customer base–college students and recent grads, a young but spendy demographic for whom buying certain “lifestyle” products defines their very identity. Students had an opportunity to pitch product designs which, if selected, could wind up on store shelves in UO. /p

pPhilly’s U’s Industrial Design 202, a.k.a. BUILD Studio, owes much of this access credit to Josh Owen:/p

blockquoteIn the five years since Josh Owen, designer and holder of the Craig R. Benson Chair for Innovation at the university, conceived of BUILD, his students have collaborated with companies in Philadelphia and New York, where commissions are hard to come by for even experienced professional designers.

p…As a working product designer with pieces in the permanent collections of several museums, Owen knows the significance of real-life experience. He conceived of BUILD as a way to impress upon students still in early stages of their design education the importance of what he calls “the compressing world of industrial design.”/p

p”There’s not much separation between design, business, and engineering,” Owen says. “We want students to be aware of and immersed in these realities so they can compete in an increasingly demanding marketplace.”/blockquote/p

pTheir lessons about competing seem to be having an effect–out of 32 sophomore projects presented to Urban Outfitters, the retail giant is reportedly interested in pursuing 18 of them!/p

pRead more about BUILD Studio A HREF=”http://www.philly.com/inquirer/home_design/20100514_Design_students_learn_by_working_with_pros.html#axzz0nuKULb3e” here/A./pa href=”http://www.core77.com/blog/education/philly_us_id_program_providing_students_with_great_connections_16563.asp”(more…)/a
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BBC2’s five-part “The Genius of Design” series premieres tonight

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pIt’s frustrating reading about great programming that you have no access to, but for those of you lucky enough to live in the UK, tonight is the debut of BBC2’s new “A HREF=”http://www.bbc.co.uk/programmes/b00sc85s” The Genius of Design/A” program. (Gotta love that acronym.) /p

pThe five-part series kicks off with the “Ghosts in the Machine” episode:/p

blockquoteThe first episode of this new series tells the fascinating story of the birth of industrial design. Alongside the celebrated names, from Wedgwood to William Morris, it also explores the work of the anonymous designers responsible for prosaic but classic designs for cast-iron cooking pots to sheep shears – harbingers of a breed of industrially produced objects culminating in the Model T Ford. Includes interviews with legendary designer Dieter Rams and J Mays, Ford Motors’ global head of design./blockquote
a href=”http://www.core77.com/blog/education/bbc2s_five-part_the_genius_of_design_series_premieres_tonight_16527.asp”(more…)/a
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