Peter Schjeldahl Lecture Excerpt on Why “Good Artists Tend to Be Bad Students”

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Of all the design lectures we’ve sat through, either as part of our schools’ curricula or in postgraduate events, the most interesting ones are where you can’t quite decide if the speaker is crazy or not. It is those lecturers right on the edge whose bizarre-yet-articulate, incendiary-yet-well-reasoned statements often inculcate long-lived, resounding thoughts. I will sometimes look at an object or space and still hear then-professor Karim Rashid’s words echoing in my head.

One professor whose lectures I wish I’d been exposed to in school is Peter Schjeldahl, senior art critic for The New Yorker and former art critic for The Village Voice. I’ve just come across this snippet of an older lecture of his, delivered at Boston University’s College of Fine Arts, on why “Good Artists Tend to Be Bad Students.” The clip below is choppily-edited and too short to work up any kind of conclusive momentum—the end of the clip leaves us none the wiser as to why the title might be true—but I do miss hearing crusty, quotable thoughts like this:

I don’t believe in the existence of beautiful things. I believe in experiences of beauty. I think it’s a regular occurrence in the mental economy of anyone who is not clinically depressed.

The entire lecture is available for viewing here. It’s 80 minutes long so you’ll have to carve out some time to watch it in full.

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Jack Shepard, Portland ID Student, Creates Addition to Art Institute’s Curriculum

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We don’t often think of undergraduate industrial design students as being able to influence their schools’ curricula, but Jack Shepard is not your average student. First off, Shepard was a Sergeant and Anti-Terrorism Officer in the U.S. Marine Corps, and after two tours—that’s eight years—he spent a few years in China, studying Chinese medicine.

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“I sustained a pretty bad foot injury [in the ‘Corps],” Shepard told Core77. “Western doctors told me my foot was ‘done,'” i.e. permanently damaged; but while subsequently vacationing in China, Shepard encountered an Eastern doctor who restored his foot in three weeks. Impressed, Shepard moved to Chengdu to study the techniques, as well as the language.

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After returning from China to his hometown of Portland, Oregon, Shepard started a small apparel company with some friends. Eventually he became interested in industrial design and enrolled at the Art Institute of Portland. From the Marine Corps to China to Industrial Design is not your typical educational trajectory, but “I am a think-outside-the-box type of guy,” as Shepard’s resume states.

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As part of that outside-the-box thinking, Shepard took a hard look at his school’s ID program and decided it was missing something. “While the school offered multidisciplinary business courses to better prepare design students,” a local-area newspaper reports, “Shepard felt the classes were too detached from industry and real-world problems.”

Around the same time, Shepard had attended the Portland edition of Startup Weekend, a traveling entrepreneurial program that visits cities to marshal creative brainpower–developers, designers, marketers, et cetera–and has them go from open-mic pitches to workable startups over the course of a 54-hour weekend. A panel of relevant experts oversees the proceedings, providing crucial real-world expertise and advice.

Inspired by this set-up, Shepard decided his ID program would benefit from a similar process. “At first I figured I’d just start up a club [to mimic the Startup Weekend process] at school,” he says. But while discussing it with Molly Deas, the Art Institute’s then-chairperson for the ID department, she pointed out that this would be a fantastic for-credit opportunity. Soon they’d hatched plans for it to be a semester-long course, run by Justin Pyle, a designer and adjunct professor Shepard had hit it off with.

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Elevated Sports Court by Guzmán de Yarza Blache

Students arriving at and departing from this school in Zaragoza, Spain, often obstructed sports games in the playground, so architect Guzmán de Yarza Blache decided to lift one of the sports courts up out of the way (+ slideshow).

Elevated Sports Court by Guzmán de Yarza Blache

Raised up by one storey, the new elevated sports court sits at the entrance to Lasalle Franciscanas School. It is held in place by concrete pilotis, creating a sheltered entranceway underneath that can also be used as a general playground.

Elevated Sports Court by Guzmán de Yarza Blache

Yarza Blache, a director at J1 Arquitectos, was asked to complete installation of the structure during the six week summer holiday period, so he specified a prefabricated concrete structure that could be built in just a few days.

Elevated Sports Court by Guzmán de Yarza Blache

Two layers of steel fencing were added to create see-through walls, which are curved over at the top to prevent balls from escaping. The outer layer sits within a Corten steel planting box, so that ivy can grow up and eventually surround the court.

Elevated Sports Court by Guzmán de Yarza Blache

Ramps extend down from both sides of the structure, leading to an infants’ play area on one side and an entrance to the building on the other.

Elevated Sports Court by Guzmán de Yarza Blache

Since its opening, children at the school have nicknamed the structure “The Whale” in reference to its bulbous shape.

Elevated Sports Court by Guzmán de Yarza Blache

Other playground structures completed in recent years include a pavilion featuring funhouse mirrors and a building with fairytales engraved into its facade. See more stories about schools.

Elevated Sports Court by Guzmán de Yarza Blache

Photography is by Miguel de Guzmán.

Elevated Sports Court by Guzmán de Yarza Blache

Here’s a translated project description from the architect:


Elevated Sports Court at Lasalle Franciscanas School

The commission is originated by the need from the school to augment the total surface of the courtyard that due to the great amount of students and parents that usually gather during the day, can sometimes obstruct the correct developing of the sports and leisure activities that should take place in it.

Elevated Sports Court by Guzmán de Yarza Blache

The courtyard is 33 metres wide by 35 metres long and has a south-east orientation. It is formed by the existing school that has a U form with two wings, one from the 50’s and another one from the 70’s.

Elevated Sports Court by Guzmán de Yarza Blache

The fact of being a school meant that we had to accomplish the building works exclusively during the summer months. That fact made immediately think about a prefabricated concrete structure that could be built in a couple of days, and that could also solve the 13 meters distance that we wanted to cover in the ground level.

Elevated Sports Court by Guzmán de Yarza Blache

The necessary elimination of the two existing trees in the courtyard gave another of the key drivers of the project; the inclusion of vegetation in the new structure. To do so we have designed a 70 metres long corten steel flower pot from which almost three hundreds of ivy plants grow, that in a few years will have covered the whole metallic bubble.

Elevated Sports Court by Guzmán de Yarza Blache

That metallic bubble is formed with a double layer of galvanized steel, so one of the layers can help the ivy grow while the other one can resist the practice of teenager ball-related sports.

Elevated Sports Court by Guzmán de Yarza Blache

The ground level hosts a garden-bench with an organic shape that includes different species of plants and allows the parents and the students to sit down and observe. The relation of the new volume with the rest of the school also had to be solved, for which a soft 45-meter ramp was designed to connect the ground level with an intermediate level and the elevated court.

Elevated Sports Court by Guzmán de Yarza Blache

Another organic ramp was also included to let the children from the infantile area get out to their courtyard´s zone, also in the ground level and partly under the court.

Elevated Sports Court by Guzmán de Yarza Blache

The later visits to the school have revealed the success of the project and its fast iconic assimilation by the students, who have kindly called it “The Whale”.

Elevated Sports Court by Guzmán de Yarza Blache

Architect: Guzmán de Yarza Blache
Finishing Date: September 2012
Location: Calle Andrés Piquer 5, Zaragoza.Spain
Client: Lasalle Franciscanas School
Built Surface: 350 sqm
Budget: 290.000 Euros

Elevated Sports Court by Guzmán de Yarza Blache

Contractor: GM Empresa Constructora
Collaborators: Ana Guzmán Malpica, Julien Luengo-Gómez
Quantity Surveyor: Jose Manuel Arguedas
Structure: Josep Agustí de Ciurana, PRAINSA

Elevated Sports Court by Guzmán de Yarza Blache

Above: ground level plan – click for larger image

Elevated Sports Court by Guzmán de Yarza Blache

Above: court level plan – click for larger image

Elevated Sports Court by Guzmán de Yarza Blache

Above: roof plan – click for larger image

Elevated Sports Court by Guzmán de Yarza Blache

Above: long section – click for larger image

Elevated Sports Court by Guzmán de Yarza Blache

Above: cross section – click for larger image

Elevated Sports Court by Guzmán de Yarza Blache

Above: long elevation – click for larger image

Elevated Sports Court by Guzmán de Yarza Blache

Above: side elevation – click for larger image

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Guzmán de Yarza Blache
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Language-Learning Tools for Kids: Digital aids give toddlers an edge in Mandarin and other languages

Language-Learning Tools for Kids

The statistics supporting bilingual education are hard to argue with—improved problem-solving and social skills as well as higher test scores mean that foreign languages set kids up for success across the board. The sweet spot for second language acquisition comes early on, so exposure in the first few years…

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MFA Products of Design Summer Program in France: Food Design!

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As the inaugural year of SVA’s new MFA in Products of Design program nears the spring, they have opened up applications for their summer program, this time around the growing field of food design. Headed up by faculty member Emilie Baltz and Core77 Design Awards Favorite Marc Bretillot, the program takes place in France from July 7–13, 2013. Below are more details:

This immersive workshop is a delicious foray into the growing field of food design. Taking place in the French capital of Champagne province, the program will be hosted in the kitchens of L’Ecole Supérieure d’Art et de Design de Reims (L’ESAD), home to one of the first culinary design program in the world. Emphasizing a maker-driven, cooking-centric approach, the program will reveal new perspectives unto the ways that we engage and identify with our food.

Under the direction of Marc Bretillot, founder of the food design program at L’ESAD, and Emilie Baltz, artist and food designer, the program is based on the understanding that food is our most fundamental form of consumption. In recent years, we have seen a growing awareness around the quality of the food we ingest and the industrial means surrounding our most basic foodstuffs. With the rapidly expanding reach of the design industry, designers are now uniquely situated to explore and affect these systems.

Using materials, gestures, forms and interactions, participants will investigate the role that ingredients, taste, shape and service play within food design. Throughout the workshop, critiques and performances will be held to emphasize the authentic development of personal “taste”.” Students will likewise be challenged to consider the sensory experience of their work and its ethical, aesthetic, historical and political implications. A professional chef will assist participants with technical needs. Scheduled visits and tastings to neighboring distilleries, vineyards, local farms and food producers will be an essential component of revealing the complex, and delightful, space in which food design exists.

Located 80 miles from Paris (45 minutes on the high-speed train), the City of Reims is one of the cultural centers of France. Participants will stay in centrally located apartment-style housing with full service amenities.

Learn more about the program at the site.

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Mark Your Calendar: Aftertaste at Parsons

Parsons’ reliably outstanding and thought-provoking Aftertaste symposium returns next weekend with a focus on objects. Aftertaste: The Atmosphere of Objects will “address interior experience through close examination of the way objects inform inhabitation, influence perception, and create social dynamics.” Things get underway next Friday evening as Mia Lundström, creative director of Home Furnishings at IKEA, sits down for a chat with interlocutor extraordinaire Susan Szenasy, editor-in-chief of Metropolis. Their discussion of possessions and personal statements (in which we hope to gain insight into what our growing mound of Alexander Girard-patterned pillows says about us) will be followed by design writer Akiko Busch on “The Language of Things.” Other panelists and featured speakers include frog’s Jonas Damon, expert collector Fritz Karch, David Mann of MR Architecture + Decor, and T design editor Pilar Viladas. Check out the full agenda and RSVP (admission is free) here.

New Career Opportunities Daily: The best jobs in media.

Binissalem School Complex by RipollTizon

Bold blocks of colour at ground level contrast with the white upper storeys of this school in Mallorca by Spanish architects RipollTizon (+ slideshow).

Binissalem School Complex by RipollTizon

The Binissalem School Complex combines both a primary and a secondary school and comprises a single building made up of overlapping volumes and recessed openings.

Binissalem School Complex by RipollTizon

RipollTizon explains that the building was designed to reference the different scales of its neighbours: “From the beginning, our intent was to develop the project as a dialogue, on different scales, between the school and its surroundings.”

Binissalem School Complex by RipollTizon

The colourful stripes were generated using photographs of children wearing bright clothing. “The intention of using colour in some parts of the facade is to create a background for the children,” the architects told Dezeen. “Their colourful clothing and movement will blend with the facade.”

Binissalem School Complex by RipollTizon

The school is laid out on an L-shaped plan with three storeys. This creates long walls along the edge of an adjacent road but opens the building out to playgrounds at the rear.

Binissalem School Complex by RipollTizon

Classrooms are arranged in tiers so that multi-purpose spaces are located nearest to the playground and can be utilised for non-school events.

Binissalem School Complex by RipollTizon

A long ramp also leads up from this area to a roof terrace with a view out towards the mountains.

Binissalem School Complex by RipollTizon

The main entrance is on the north-west corner, where the walls step back to frame a small courtyard.

Binissalem School Complex by RipollTizon

RipollTizon is led by architects Pep Ripoll and Juan Miguel Tizón. The studio also recently completed a family house at the end of a traditional row.

Binissalem School Complex by RipollTizon

Other newly completed school buildings include a stark concrete extension to a school in Portugal and a UK school built with brick, aluminium and timber.

Binissalem School Complex by RipollTizon

See more schools on Dezeen »

Binissalem School Complex by RipollTizon

Photography is by José Hevia.

Binissalem School Complex by RipollTizon

Here’s a project description from Ripolltizon:


Binissalem School Complex by RipollTizon

The School Complex (provides primary and secondary school levels) is located in the outskirts of Binnisalem urban fabric. The plot is located along a suburban road named “Camí de Pedaç” on which the urban planning has concentrated a heterogeneous mix of typologies, including diverse row houses, detached blocks and urban facilities.

Binissalem School Complex by RipollTizon

From the beginning, our intent was to develop the project as a dialogue, on different scales, between the school and its surroundings. On the one hand, the new school building faces the road with a fragmented volume and a broken skyline that enhances perspective effects and scale control in relation to the singularities of the unorganized neighborhood volumes. On the other hand, towards interior of the plot that faces the countryside, the building embraces the sport ground areas creating a facade with bigger scale elements and more compact massing. Moreover, the building areas used only for teaching were clearly separated from those that can be used also for non-school events, creating different building parts and scales that were properly arranged into the complex.

Binissalem School Complex by RipollTizon

A set back on the facade to the road creates the main access space, an open plaza in the building corner, that generates the circulations and arranges the different functions. The functional packages are grouped in different levels with the intention to reduce the building coverage surface and create a plot area where playgrounds, sport grounds and future extensions can be located.

Binissalem School Complex by RipollTizon

Above: site plan – click above for larger image

An exterior ramp connects the school grounds to an elevated plaza that is created in the roof of part of the ground-floor. From this roof plaza is also possible to enjoy the excellent views of Binissalem skyline and its surrounding mountains.

Binissalem School Complex by RipollTizon

Above: ground floor plan – click above for larger image

Architects: Pep Ripoll – Juan Miguel Tizón
Collaborators: Xisco Sevilla (architect)
Quantity Surveyor: Toni Arqué

Binissalem School Complex by RipollTizon

Above: first floor plan – click above for larger image

IBISEC Collaborators: Juan Vanrell (architect IBISEC)
José Juan Amengual (quantity surveyor IBISEC)
Structural Engineer: Jorge Martín
Building Services E.: TIIS Ingeniería

Binissalem School Complex by RipollTizon

Above: second floor plan – click above for larger image

Client: Institut d’Infraestructures i Serveis Educatius i Cultural (IBISEC)
Contractors: PROINOSA
Project Area: 3.166 sqm
Budget: 2.060.064 EUR

Binissalem School Complex by RipollTizon

Above: section – click above for larger image

Start of Design: 2005
Year of Completion: 2011
Location: Camí de Pedaç – Binissalem. Mallorca. Spain

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by RipollTizon
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Etsy’s Female Engineer Hiring Initiative Pays Off. Who Can Accomplish the Industrial Design Equivalent?

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Industrial design isn’t the only field suffering from a dearth of women; the engineering sciences have the same problem. So it’s interesting to see that Etsy, through concerted effort, has increased the numbers of their female engineering staff more than four times over.

Before you get too excited—First Line Capital’s headline of “How Etsy Grew their Number of Female Engineers by Almost 500% in One Year” might skew your expectations—that simply means they went from four to eighteen female engineers. But the effort is still laudable, particularly since few people in charge seem capable (if they’re even truly interested) in solving issues of workplace gender inequality, and here we have a concrete example of how to go about it.

In this nearly 20-minute talk, Etsy CTO Kellan Elliott-McCrea discusses specifically how they enacted the increase—and isn’t shy about revealing the failure of the initial foray, which led to a female decline.

My favorite point of Elliot-McCrea’s is the bit about “more data.” Forums are fine for airing feelings or bringing up individual tales, but it is a comprehensive and data-driven structural analysis of the problem, undertaken by many different people working together, that can yield true results.

Also fascinating: His “Zero or 2+” female statistic, which I wish we could hear more about.

What do you think—is it possible for there to be an ID equivalent to the Hacker School? And if so, which firm or organization do you think would be well-placed to enact one?

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FIT Seeks Design Entrepreneurs for ‘Mini MBA’

Back in the day, the not-yet-slickly-professionalized New York fashion scene “could support somebody who didn’t get into the business with a business plan and a backer,” said New York Times style scribe Guy Trebay in a recent interview. “You can no longer do that–that’s out. You better arrive with a business plan and maybe an MBA…” Enter the NYC Economic Development Corporation and the Fashion Institute of Technology, the partners behind Design Entrepreneurs NYC, an intensive, classroom-style, and FREE “mini-MBA” program. Fashion designers whose businesses are based in one of NYC’s five boroughs and have been open for at least one year are eligible to apply for the program, which includes weekend courses on fashion business marketing, operations, and financial management, and culminates in a business plan honed by feedback from industry pros. Applications, available here, are due by March 31.

New Career Opportunities Daily: The best jobs in media.

Braamcamp Freire Secondary School by CVDB Arquitectos

Bold primary colours punctuate this stark concrete extension to a secondary school outside Lisbon by Portugese architect CVDB Arquitectos (+ slideshow)

Braamcamp Freire Secondary School by CVDB Arquitectos

Braamcamp Freire Secondary School, located in the Pontinha area just outside Portugal’s capital city, was originally built in 1986 as five prefabricated units.

Braamcamp Freire Secondary School by CVDB Arquitectos

CVDB Arquitectos restructured the dispersed units into a single building by connecting them with new corridors, creating what they call a “learning street”.

Braamcamp Freire Secondary School by CVDB Arquitectos

The school is now arranged around a central courtyard, created by joining up the existing buildings.

Braamcamp Freire Secondary School by CVDB Arquitectos

A series of punctured concrete walls support a new set of classrooms on one side of the courtyard and provide a sheltered area where pupils can gather.

Braamcamp Freire Secondary School by CVDB Arquitectos

The facades combine exposed in situ concrete and prefabricated concrete elements in order to minimise building and maintenance costs.

Braamcamp Freire Secondary School by CVDB Arquitectos

The windows have been recessed into the facade to create a series of vertical concrete louvres, each painted red, yellow or blue to add a flash of colour to the exterior.

Braamcamp Freire Secondary School by CVDB Arquitectos

Splashes of primary colours also punctuate the main staircase and selected interior walls, including the blue wall of sound absorbing concrete blocks.

Braamcamp Freire Secondary School by CVDB Arquitectos

The school hall is lined in vertical timber studs and acoustic panels.

Braamcamp Freire Secondary School by CVDB Arquitectos

We’ve featured a number of schools on Dezeen, including a gabled extension to an English boarding school and a Vietnamese school with open-air balconies – see all schools on Dezeen.

Braamcamp Freire Secondary School by CVDB Arquitectos

Other buildings in Portugal we’ve published lately include a home on a golf course complex outside Lisbon and a bright white building in the monastery town of Alcobaça – see all Portugese architecture.

Braamcamp Freire Secondary School by CVDB Arquitectos

See all schools »
See all buildings in Lisbon »

Photographs are by Invisible Gentleman.

Here’s some more information from the architects:


CVDB Arquitectos
Secondary School ES/EB3 Braamcamp Freire
Lisboa, Portugal

The Braamcamp Freire Secondary School is located at the edge of the historical centre of Pontinha, Lisbon. The site has approximately 17,380 sq m and borders an accentuated topography. The school is part of Pontinha’s urban fabric with the exception of its north boundary which faces an unconstructed valley.

Braamcamp Freire Secondary School by CVDB Arquitectos

The School was originally built in 1986, with five standardised prefabricated pavilions – a central one with a single storey and four two storey pavilions. These pavilions were organised along an east-west axis, connected by covered walkways. The existing school included a gym as well as an outside playground at a lower level and very disconnected from the buildings.

Braamcamp Freire Secondary School by CVDB Arquitectos

The rehabilitation project of the building was part of the Portuguese “Modernisation of Secondary Schools Programme”, which has been implemented by the Parque Escolar E.P.E. since 2007. The Programme’s objective is to reorganise schools spaces, to articulate their different functional areas and to open these schools to their local communities.

Braamcamp Freire Secondary School by CVDB Arquitectos

The project proposes to restructure the dispersed pavilion typology into one single building, to connect all the pavilions through interior circulation spaces. The new buildings are built to work as a link in between the existing pavilions.

Braamcamp Freire Secondary School by CVDB Arquitectos

The programme is structured as a learning street and a continuous path throughout the various building levels and floors. These pathways consist in a succession of several interior spaces, offering different informal learning opportunities. The learning street therefore articulates the various programmes of the school. The pathways are punctuated with social areas which actively contribute to interactions between students, the various educational programmes and the school community.

Braamcamp Freire Secondary School by CVDB Arquitectos

The school is structured around a central open space, a “learning square” that expands the “learning street” as an outside social central space of the school. The square’s relationship with the playground areas provides a strong relationship with the existing natural landscape and topography. The Square is open as an amphitheater connecting it to the playgrounds in the northern part of the school grounds.

Braamcamp Freire Secondary School by CVDB Arquitectos

This amphitheater is below the new classrooms building supported by a series of punctured concrete walls allowing students either to walk through them or to use them as places to sit, talking and playing. The facades of the school are essentially constituted in exposed in situ concrete and prefabricated concrete elements, to minimize maintenance costs. The concrete panels were carefully designed to respond adequately to each façade’s solar orientation.

Braamcamp Freire Secondary School by CVDB Arquitectos

In the interior spaces, adequate resistant materials were chosen for an intensive use and very low maintenance costs. The multipurpose hall has timber studs and acoustic panels. The circulation spaces walls are mainly done with concrete acoustic blocks. The social spaces present themselves as niches in bright colours.

Braamcamp Freire Secondary School by CVDB Arquitectos

Project: ES / EB3 Braamcamp Freire
Location: Pontinha, Lisboa, Portugal
Client: Parque Escolar, EPE
Total built area: 15,800 m2
Project and construction period: 2010 – 2012

Braamcamp Freire Secondary School by CVDB Arquitectos

Above: ground floor plan – click for larger image

Design Team: CVDB Arquitectos
Cristina Veríssimo, Diogo Burnay, Tiago Santos, João Falcão, Rodolfo Reis, Joana Barrelas, Adam Pelissero, André Barbosa, , Ângelo Branquinho, Ari Nieto, Guilherme Bivar, Hugo Nascimento, Inês Carrapiço, Irune Ardanza, José Maria Lavena, Leonor Vaz Pinto, Luigi Martinelli, Miguel Travesso, Silvia Amaral, Silvia Maggi

Braamcamp Freire Secondary School by CVDB Arquitectos

Above: upper floor plan – click for larger image

Landscape design: F&C Arquitectura Paisagista
Structure, foundations and services: AFA Consult

Braamcamp Freire Secondary School by CVDB Arquitectos

Above: section – click for larger image 

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by CVDB Arquitectos
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