Four architects reimagine New York’s Penn Station

News: SHoP Architects and SOM are among four firms putting forward their visions for the future of New York’s Pennsylvania Station and Madison Square Garden.

Four architects propose Penn Station
SHoP Architects

In an event at the Times Center last night, the Municipal Art Society of New York also unveiled proposals by Diller Scofidio + Renfro and H3 Hardy Collaboration Architecture, each reimagining the rail hub and the indoor arena that sits atop it.

Four architects propose Penn Station
SHoP Architects

SHoP Architects proposes to expand the main hall of Penn Station into a bright and airy space surrounded by new parks and amenities. An extension of the High Line – the New York park built along a section of a former elevated railway – would connect the station to a new Madison Square Garden offsite.

Four architects propose Penn Station
SOM

Skidmore, Owings & Merrill LLP (SOM) put forward a huge expansion of the station centred around a central, transparent ticket hall. Floating above it would be an inverted dome containing offices, apartments and green spaces staggered over multiple levels.

Four architects propose Penn Station
SOM

The proposal by Diller Scofidio + Renfro suggests moving Madison Square Garden across Eighth Avenue and expanding Penn Station upwards to include new amenities such as a theatre and spa.

Four architects propose Penn Station
SOM

Finally, H3 Hardy Collaboration Architecture proposes shifting Madison Square Garden to a 16-acre platform over the Hudson River at 34th Street, creating cycling and pedestrian promenades and a new 16-acre park.

Four architects propose Penn Station
Diller Scofidio + Renfro

The competition was launched to encourage discussion about the future of the site, which seems increasingly uncertain. While the owners of Madison Square Garden have asked to renew their permit for the site above the station “in perpetuity”, the New York City Planning Commission recently voted to limit it to 15 years, placing a question mark over the arena’s future.

Four architects propose Penn Station
Diller Scofidio + Renfro

Penn Station, which was designed to accommodate around 200,000 passengers a day but now has to deal with around 640,000, is seen by many New Yorkers as inefficient and badly in need of an update.

Four architects propose Penn Station
H3 Hardy Collaboration Architecture

Last year the Municipal Art Society invited architects to suggest improvements to New York’s Grand Central Terminal, with SOM coming up with a floating observation deck that slides up and down and Foster + Partners proposing to increase the station’s capacity.

Four architects propose Penn Station
H3 Hardy Collaboration Architecture

Other railway stations we’ve published include a Spanish station with a faceted aluminium interior and the vaulted concourse by John McAslan + Partners at King’s Cross Station in London – see all stations and transport hubs.

The post Four architects reimagine
New York’s Penn Station
appeared first on Dezeen.

Nifty, Gifty: Diller Scofidio + Renfro’s Lincoln Center Inside Out

Diller Scofidio + Renfro excels at inversion, masterly flipping concepts of public and private, nature and structure (see also: High Line, The). The interdisciplinary design studio’s transformation of New York’s Lincoln Center is revealed in the pages of Lincoln Center Inside Out: An Architectural Account, hot off the Damiani presses. Falling somewhere on the continuum between art book and architectural diary, the monograph chronicles the extensive redevelopment project through photographs, drawings, renderings, texts, and interviews. Upping the book’s giftability quotient are the series of 30 gatefolds: large-format photographs by the likes of Iwan Baan and Matthew Monteith that open up to stories and ephemera documenting the spaces shown in the images.

In Miami? So are Elizabeth Diller, Ricardo Scofidio, and Charles Renfro. The trio will be signing books today at Design Miami from 1-2 p.m. before heading across the street to chat with Ari Wiseman, deputy director of the Solomon R. Guggenheim Foundation, as part of the Art Salon series at Art Basel Miami Beach.

This is part of a series of elegantly wrapped December posts about desirable goods that we suggest you purchase with the laudable yet vague intent of giving to others and then keep for yourself. Got a “nifty, gifty” idea? Tell the UnBeige elves: unbeige (at) mediabistro.com

Previously on UnBeige:
Nifty, Gifty: Rodarte’s Out-of-This-World Ornament

New Career Opportunities Daily: The best jobs in media.

Columbia University Medical Building by Diller Scofidio + Renfro

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Architects Diller Scofidio + Renfro have proposed a medical education centre at New York’s Columbia University that appears to have had its skin peeled away from its skeleton.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

The 14-storey building will be constructed at the existing medical campus in northern Manhattan and will accommodate facilities for physicians, surgeons, nurses, dentists and doctors in training.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Students will be able to recreate real-life medical situations within one of the proposed simulation rooms, or study in groups using learning spaces in the hallways.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Timber-clad boxes slotted into the glass facade will provide decked balconies and a decked terrace will offer a view out over the Hudson River.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Explaining the layout, Elizabeth Diller says that “spaces for education and socializing are intertwined to encourage new forms of collaborative learning among students and faculty.”

Columbia University Medical and Education Building by Diller Scofidio + Renfro

The building will be completed in collaboration with architects Gensler and is scheduled to open in late 2016.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Also new at Columbia University will be a sports centre by architect Steven Holl, which is currently under construction – see it here.

Columbia University Medical and Education Building by Diller Scofidio + Renfro

Click here to see more projects by Diller Scofidio + Renfro, including section two of elevated park the High Line.

Here’s some text from the design team:


Columbia University Medical Center Unveils Design for New Medical and Graduate Education Building

Building design led by Diller Scofidio + Renfro

Columbia University Medical Center (CUMC) has announced plans for a new, state-of-the-art medical and graduate education building on the CUMC campus in the Washington Heights community of Northern Manhattan. The new building, with a design led by Diller Scofidio + Renfro, in collaboration with Gensler as executive architect, is a 14-story facility that incorporates technologically advanced classrooms, collaboration spaces, and a modern simulation center, all reflecting how medicine is and will be taught, learned, and practiced in the 21st century.

Construction of this new building is supported by a lead gift of $50 million from P. Roy Vagelos, M.D., a distinguished alumnus of Columbia’s College of Physicians and Surgeons (P&S), and his wife, Diana Vagelos. This gift was announced in September 2010.

The building will become an important landmark to the skyline of Northern Manhattan – as it will be visible from the nearby George Washington Bridge and Riverside Park. Construction is expected to begin in early 2013 and will take approximately 42 months.

“The new building provides upgraded education facilities that reflect the eminence of one of the top medical schools in the world. Both the building and the newly created green space that will surround it will also revitalize our campus in ways that will benefit both our medical center and the entire community,” said Lee Goldman, M.D., dean of the faculties of health sciences and medicine at CUMC and executive vice president for health and biomedical sciences at Columbia University.

Located on existing Columbia property on Haven Avenue between West 171st and West 172nd Streets, the Medical and Graduate Education Building will be used by students from all four CUMC schools (P&S, Nursing, Dental Medicine and the Mailman School of Public Health), and the biomedical departments of the Graduate School of Arts and Sciences. Its high-tech medical simulation center, which will allow hands-on learning in realistic settings, will transform the way CUMC trains health professionals in medicine, dentistry, and nursing, as well as how practicing physicians maintain their clinical skills and learn new techniques.

“The new building will have the best possible design that is attractive, comfortable, and appropriate for the intense kind of education that our students receive,” said Dr. Vagelos, a 1954 graduate of P&S, and former chairman and CEO of Merck & Co. Inc. He is chairman of the CUMC’s Board of Visitors and Defining the Future Campaign “The formal learning space will have state-of-the-art electronics that facilitate the delivery of information to students. In addition, there will be space where the students can informally interact and work as teams – reflecting our new curriculum which emphasizes team-based learning. And there will also be space to relax and have coffee. It will incorporate every aspect of medical and graduate education – updated in a modern, environmentally responsible way.”

The design weaves together areas for study and other activities. It features technology-enabled classrooms; a state-of-the-art medical simulation center that will replicate clinics, operating rooms and other real world medical environments; innovative learning facilities for both collaboration and quiet study; an auditorium and event areas with integrated technology; centralized student support services; student lounges and cafés; and multiple purpose outdoor spaces, including a terrace with views of the Hudson River.

The “Study Cascade” is the principle design strategy of the building – a network of social and study spaces distributed across oversized landings along an intricate 14-story stair. The Study Cascade creates a single interconnected space the height of the building, stretching from the ground floor lobby to the top of the building, and conducive to collaborative, team-based learning and teaching. The “Study Cascade” interiors are complemented by a distributed network of south-facing outdoor “rooms” and terraces that are clad with cement panels and wood. While the “Study Cascade” provides an organizational strategy for the building’s interior, it is also an urban gesture that, with its glass façade, aims to become a visual landmark at the northern limit of Columbia University’s medical campus. The northern face of the building houses space for classrooms, clinical simulation and administration and support.

“The new Medical and Graduate Education Building will be the social and academic anchor of the CUMC campus,” said Elizabeth Diller, principal-in-charge of the project Diller Scofidio + Renfro. “Spaces for education and socializing are intertwined to encourage new forms of collaborative learning among students and faculty.”

“The architecture of the (campus) revitalization program is really powerful and brings medical students, dental students, graduate students all together and makes us feel more like we are part of the community,” said Kally Pan, a doctoral candidate in P&S and a member of a student committee that participated in the design process.

The Medical and Graduate Education Building incorporates green design and building techniques that will create a welcoming environment and contribute to the long-term sustainability of the entire neighborhood. The University is planning the building to meet LEED-Gold standards for sustainability. LEED stands for Leadership in Energy and Environmental Design and is a national design standard for green buildings and sustainability which is administered by the United States Green Building Council (USGBC).

For more than two centuries, Columbia University has been a premier destination for medical education, training generations of outstanding physicians and scientists. It was the first medical school in the United States to award the M.D. degree in 1770. The new building is intended to keep Columbia at the forefront of innovations in medical and graduate science education.

The post Columbia University Medical Building
by Diller Scofidio + Renfro
appeared first on Dezeen.

Outrage at gardens for Aberdeen by Snøhetta, Foster + Partners and Diller Scofidio + Renfro


Dezeen Wire:
architects including Diller Scofidio + RenfroFoster + Partners and Snøhetta have submitted plans to a controversial competition that proposes the transformation of a Victorian public gardens in Aberdeen, Scotland.

Models of the six shortlisted entries were unveiled at a public exhibition yesterday but Andrew MacGregor, secretary of the protest group Friends of Union Terrace Gardens, condemned the designs as an “absolute abomination” and said there would be rolling public protests by supporters who want to keep the gardens as they are – The Scotsman

The High Line Section 2 opens

High Line Section 2 by Diller Scofidio and Renfro

Landscape architects James Corner Field Operations, architects Diller Scofidio + Renfro and planting designer Piet Oudolf have completed Section 2 of the High Line, a 1.5 mile-long elevated park on an abandoned railway in New York.

High Line Section 2 by Diller Scofidio and Renfro

The project spans 22 blocks through the west side of Manhattan and is split into three equal stages, with Section 2 bringing the completed length up to one mile.

High Line Section 2 by Diller Scofidio and Renfro

Unlike Section one, which was completed in 2009, this second phase includes a stretch of lawn.

High Line Section 2 by Diller Scofidio and Renfro

A new platform elevated 2.5 metres above the main High Line overlooks a canopy of trees and plants below.

High Line Section 2 by Diller Scofidio and Renfro

Photographs are by Iwan Baan, apart from where otherwise stated.

High Line Section 2 by Diller Scofidio and Renfro

See our earlier story on Section 1 of the High Line »

High Line Section 2 by Diller Scofidio and Renfro

More projects by Diller Scofidio + Renfro on Dezeen »

High Line Section 2 by Diller Scofidio and Renfro

More landscape architecture on Dezeen »

High Line Section 2 by Diller Scofidio and Renfro

The following information is from Diller Scofidio + Renfro:


The High Line (Phase II)
Public Park: New York, NY 2011

The High Line, in collaboration with Field Operations, is a new 1.5-mile long public park built on an abandoned elevated railroad stretching from the Meatpacking District to the Hudson Rail Yards in Manhattan.

High Line Section 2 by Diller Scofidio and Renfro

Above photograph is by Barry Munger.

Inspired by the melancholic, unruly beauty of this postindustrial ruin, where nature has reclaimed a once vital piece of urban infrastructure, the new park interprets its inheritance.

High Line Section 2 by Diller Scofidio and Renfro

It translates the biodiversity that took root after it fell into ruin in a string of site-specific urban microclimates along the stretch of railway that include sunny, shady, wet, dry, windy, and sheltered spaces.

High Line Section 2 by Diller Scofidio and Renfro

Through a strategy of agri-tecture—part agriculture, part architecture—the High Line surface is digitized into discrete units of paving and planting which are assembled along the 1.5 miles into a variety of gradients from 100% paving to 100% soft, richly vegetated biotopes.

High Line Section 2 by Diller Scofidio and Renfro

The paving system consists of individual pre-cast concrete planks with open joints to encourage emergent growth like wild grass through cracks in the sidewalk. The long paving units have tapered ends that comb into planting beds creating a textured, “pathless” landscape where the public can meander in unscripted ways.

High Line Section 2 by Diller Scofidio and Renfro

The park accommodates the wild, the cultivated, the intimate, and the social. Access points are durational experiences designed to prolong the transition from the frenetic pace of city streets to the slow otherworldly landscape above.

High Line Section 2 by Diller Scofidio and Renfro


See also:

.

The High Line
by Diller Scofidio + Renfro
Image and Sound Museum
by Diller Scofidio + Renfro
The Broad
by Diller Scofidio + Renfro

The Broad by Diller Scofidio + Renfro

The Broad by Diller Scofidio and Renfro

New York firm Diller Scofidio + Renfro have unveiled their design for a new Los Angeles museum for The Broad Art Foundation.

The Broad by Diller Scofidio and Renfro

Called The Broad, the three-storey museum will incorporate gallery space, a 200-seat lecture theatre multimedia gallery, public lobby and museum shop, plus archive, study and art storage space.

The Broad by Diller Scofidio and Renfro

The building will be wrapped in a honeycomb facade that will be visible from the sky-lit top floor gallery.

The Broad by Diller Scofidio and Renfro

See also: Eli & Edythe Broad Art Museum by Zaha Hadid

All images are copyright Diller Scofidio + Renfro.

The information that follows is from The Broad Art Foundation:


The Broad Art Foundation Unveils Museum Designs

Philanthropists Eli and Edythe Broad and architect Elizabeth Diller today unveiled the designs of The Broad Art Foundation, a contemporary art museum on Grand Avenue in downtown Los Angeles.

Designed by world-renowned architects Diller Scofidio + Renfro, the three-story museum features a unique porous honeycomb “veil” that wraps the building and is visible through an expansive, top floor sky-lit gallery that will be home to great works of contemporary art drawn from the 2,000-piece Broad Collections.

The Broads also announced a 12-member board of governors and the inaugural programming for the contemporary art museum, to be called “The Broad.”

“Today, we celebrate another important milestone – the creation of a new museum 40 years in the making,” said Eli Broad, who was flanked by more than 200 city and county officials and community leaders as he revealed the designs for The Broad at a press conference at Walt Disney Concert Hall. “Grand Avenue is the cultural district for this great region of 15 million people. No other city in the world has such a concentration of visual and performing arts institutions and iconic architecture in a three-block radius. Edye and I can think of no better home for the public art collections we have assembled over the past 40 years.”

The Broad by Diller Scofidio and Renfro

Located across the street from Walt Disney Concert Hall and the Museum of Contemporary Art, The Broad will also serve as the headquarters for the foundation’s worldwide art lending library. In addition to paying for the building, the Broads are funding the museum with a $200 million endowment – larger than the combined endowments of the Los Angeles County Museum of Art and MOCA. Joanne Heyler, the director/chief curator of The Broad Art Foundation, will also serve as director of the museum.

Featuring almost an acre of column-free gallery space, a lecture hall for up to 200 people, a ground floor multimedia gallery and a public lobby with display space and a museum shop, the 120,000-square-foot project will also include state-of-the-art archive, study and art storage space that will be available to scholars and curators who want to research works in the collection and borrow artworks for their institutions through The Broad Art Foundation.

The Broad by Diller Scofidio and Renfro

Dubbed “the veil and the vault,” the museum’s design merges the two key components of the building: public exhibition space and the archive/storage that will support The Broad Art Foundation’s lending activities. Rather than relegate the archive/storage to secondary status, the “vault,” plays a key role in shaping the museum experience from entry to exit. Its heavy opaque mass is always in view, hovering midway in the building. Its carved underside shapes the lobby below, while its top surface is the floor of the exhibition space.

The vault is enveloped on all sides by the “veil,” an airy, cellular exoskeleton structure that spans across the block-long gallery and provides filtered natural daylight. The public entry to the museum will be on Grand Avenue and will complement the landscaped plaza to the south that is part of the Grand Avenue Project’s master plan. The museum’s “veil” lifts at the corners, welcoming visitors into an active lobby with a bookshop and espresso bar. Visitors will then journey upwards via an escalator, tunneling through the archive, arriving onto 40,000 square feet of column-free exhibition space bathed in diffuse light.

The Broad by Diller Scofidio and Renfro

This 24-foot-high space is fully flexible to be shaped into galleries, according to the curatorial needs of each installation or exhibition. Visitors exit the exhibition space and descend back to the lobby through a winding stair through the vault that offers behind-the-scenes glimpses, through viewing windows, into the vast holdings of the Broad Collections and the foundation’s lending library operations.

“Our goal for the museum is to hold its ground next to Gehry’s much larger and very exuberant Walt Disney Concert Hall through contrast,” Diller said. “As opposed to Disney Hall’s smooth and shiny exterior that reflects light, The Broad will be porous and absorptive, channeling light into its public spaces and galleries. The veil will play a role in the urbanization of Grand Avenue by activating two-way views that connect the museum and the street”.


See also:

.

Eli & Edythe Broad Art Museum by Zaha HadidMuseum of Image and Sound
by Diller Scofidio + Renfro
Light Sock by Diller
Scofidio + Renfro

street.”

Museum of Image and Sound by Diller Scofidio + Renfro

museum-of-image-and-sound-by-diller-scofidio-renfro-9.jpg

New York architects Diller Scofidio + Renfro have won a competition to design the Museum of Image and Sound in Rio de Janeiro, Brazil. (more…)