Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucía Benítez

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

Uruguayan designers Mercedes Arocena and Lucía Benítez created this collection of garments entirely using wool sourced from their native country.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

Arocena and Benítez, who studied together at the Escuela Universitaria de Diseño in Montevideo, Uruguay, made their Dominga collection solely from local wool as a nod to the material’s historical use in the country.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

“Dominga comes as a result of an experimental investigation process that begins with the wool – a natural, sustainable and warm fibre that is part of our history and our culture,” said the designers.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

“We intended to intervene as far as we could, on the transformation process of the material, starting from the raw wool to the finished garment,” they added.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

Various craft techniques such as felting and embroidery were employed while making the pieces by hand. The duo reinterpreted traditional garments worn by gauchos – farmers that live and work in rural areas of South America.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

A ruana – a blanket worn over the shoulders – has been drawn in at the waist by a woven belt with a frayed skirt-like hem. A belt is also incorporated into a patterned poncho, fed through holes around the midriff to give the garment more shape.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

Vertical folds of fabric are layered into a shin-length skirt as a twist on a chiripá, traditionally a cross between a skirt and trousers. Squares of material are staggered on top of each other to form the large flared bottom of a dress, which also features oversized half-length sleeves.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

Details on the garments were created by platting strands of the material into lengths that were stitched onto the clothes or formed into lasso-like loops.

Fashion collection woven from Uruguayan wool by Mercedes Arocena and Lucia Benitez

The collection was awarded at the Mittelmoda fashion contest in Italy last November.

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by Mercedes Arocena and Lucía Benítez
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20 Square Meter Studio in Tel Aviv

Réalisé par Raanan Stern et Shany Tal, ce studio multifonctionnel à Tel-Aviv a subi une transformation à partir d’un appartement exigu en un espace de travail polyvalent et fonctionnel. L’espace est seulement de 20 mètres carrés mais parvient à s’adapter à une multitude d’options de stockage, ainsi que d’un lit caché.

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Incipit: The Milan-based lab helps talented young designers bring their ideas to life

Incipit


In Latin, the word “incipit” means “the beginning.” Reflecting the word’s meaning, Incipit is also a new Milan-based creative lab and business. The aim is simple yet brave: to help young designers produce their first objects…

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Wooden House by Minarc

Le studio californien Minarc a imaginé une maison familiale et rurale, appelée « Nice », près de Reykjavik, en Islande. Cela donne une maison faite de bois, confortable et chaleureuse au milieu de la nature. Des clichés de Torfi Agnarsson sont à découvrir dans la suite de l’article.

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Mechanical Mirrors by Daniel Rozin replicate images using everyday objects

These interactive installations by artist Daniel Rozin use sensors and motors to rearrange objects into a mirror-image of whoever stands in front of them (+ slideshow).

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Weave Mirror

In his Mechanical Mirrors, Rozin connects motors to items including wooden pegs, plastic spokes and pieces of rubbish, then assembles them on large picture frames.

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Weave Mirror

Behind each image is a hidden camera that feeds what it sees in real-time to a computer, which converts the image into an 830-byte video signal. Software designed by Rozin then instructs each motor to move the panel it controls accordingly to make up the image. The result is a mirror-image of the person or object in front of the panel.

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Weave Mirror

“The mechanical mirrors are made of various materials but share the same behaviour and interaction,” explained Rozin. “Any person standing in front of one of these pieces is instantly reflected on its surface.”

Mechanical Mirrors by Daniel Rozin replicate images using everyday objects
Angles Mirror

His most recent installation, the Angles Mirror, used 465 plastic spokes arranged in a triangle-shaped steel frame to achieve this effect.

Mechanical Mirrors by Daniel Rozin replicate images using everyday objects
Angles Mirror

With his Weave Mirror, Rozin used 768 motorised and laminated C-shaped prints to mimic the look and feel of a homespun basket.

Mechanical Mirrors by Daniel Rozin replicate images using everyday objects
Angles Mirror

For his Trash Mirror meanwhile, he assembled 500 pieces of variously coloured bits of rubbish collected from the streets of New York and the artist’s pockets.

Mechanical Mirrors by Daniel Rozin replicate images using everyday objects
Trash Mirror

“This piece suggests that we are reflected in what we discard,” said Rozin. “The piece celebrates the ability of computation to inflict order on even the messiest of substances – trash.”

Mechanical Mirrors by Daniel Rozin replicate images using everyday objects
Peg Mirror

Rozin’s first mirror used 830 square pieces of wood. He continued to experiment with the material, most notably in 2007, where he used 650 wooden pegs, cutting each one at an angle to create the illusion of pixels.

Mechanical Mirrors by Daniel Rozin replicate images using everyday objects
Peg Mirror

“The silently moving wood components in this piece flicker like jewels or coins in the spotlight, challenging our notions about what constitutes a ‘digital object’,” he said.

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Wooden Mirror

Rozin has been commissioned to build an installation using this technology at the Taiwan Taoyuan international airport later this year. Rozin’s work will also be on display at the Barbican in London this summer as part of the gallery’s Digital Revolution exhibition.

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images using everyday objects
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Thermochromic Table

Le designer anglais Jay Watson a créé une table en bois thermochromique qu’il a appelée « Linger a Little Longer ». En effet, la peinture noire réagit à la chaleur du corps et des objets en se décolorant. Un objet design très original Thermochromic Table qui est à découvrir en images dans la suite de l’article.

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Illuminated Waterfront Cabin

Au bord du Puget Sound, un bras de mer du Pacifique situé dans l’état de Washington, un vieux garage oublié a été rénové en cabane illuminée par l’agence Graypants, basée à Amsterdam et à Seattle. Avec ses baies vitrées, la cabane offre une magnifique vue sur l’eau qui est à découvrir dans la suite de l’article.

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Monica Förster designs leather bags for Palmgrens

Stockholm 2014: Swedish designer Monica Förster has created a range of leather bags for Stockholm boutique Palmgrens.

Monica Förster designs leather bags for Palmgrens

Monica Förster‘s Stitches and Buttons collection comprises three handbags, which she designed for Palmgrens after approaching the store with the idea of creating her first range of bags.

Monica Förster designs leather bags for Palmgrens

“I contacted Palmgrens because I wanted to take on the challenge of letting my knowledge of the furniture world meet the fashion world,” said Förster. “Palmgrens is an obvious partner because they merge traditional craftsmanship with contemporary features.”

Monica Förster designs leather bags for Palmgrens

Stiff panels of leather form the rigid front and back of the bags, with buttons attached around the edges.

Monica Förster designs leather bags for Palmgrens

The large and small designs have curved handles either side of their open tops, while the medium-sized variation features a flap to close it and wider-set handles.

Monica Förster designs leather bags for Palmgrens

Each vegetable-tanned bag comes in two colour combinations. Red-brown coloured leather is paired with black buttons and beige stitching, while all black and all beige models are also available.

Monica Förster designs leather bags for Palmgrens

The range was on show at the Palmgrens store and Monica Förster’s studio during Stockholm Design Week earlier this month.

Monica Förster designs leather bags for Palmgrens

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bags for Palmgrens
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The Crate by Fietsklik: A foldable, lockable cargo system on wheels that clicks into your bike with ease

The Crate by Fietsklik


No one knows how to live on two-wheels quite like the Dutch. The lowland nation is home to some of the most extensive cycling infrastructure as well as some of the highest rates of bike commuters in the world. And now thanks to…

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Nendo, Starck and more reinterpret Kartell’s Bourgie lamp

Designers including Philippe Starck, Patricia Urquiola and Nendo have reinterpreted the Bourgie table lamp produced by Italian plastic brand Kartell to mark the design’s tenth anniversary.

Designers reinterpret Kartell's Bourgie lamp
This image: Christophe Pillet. Main image: Nendo

Kartell invited fourteen designers to put their own spin on the plastic Bourgie lamp, originally designed by Italian designer Ferruccio Laviani in 1994.

Designers reinterpret Kartell's Bourgie lamp
Piero Lissoni

He first created the lamp as a transparent polycarbonate copy of the one that sat on his desk, which had a traditional antique candelabra stand and fabric shade.

Designers reinterpret Kartell's Bourgie lamp
Front

Ten years on, the group of designers have altered the shape, materials and function of the piece while keeping the essence of Laviani’s original.

Designers reinterpret Kartell's Bourgie lamp
Philippe Starck

“I have always supported and promoted the ‘remix’ concept, to explain that what I create is something that already exists but becomes something else through my revision of reality, my re-interpretation of things,” said Laviani.

Designers reinterpret Kartell's Bourgie lamp
Patrick Jouin

Nendo turned the Bourgie lamp upside-down and used the inverse of its shape to create the silhouette for a cylindrical design.

Designers reinterpret Kartell's Bourgie lamp
Ludovica+Roberto Palomba

A wireframe version with a CMYK LED lightsource was designed by Ludovica+Roberto Palomba.

Designers reinterpret Kartell's Bourgie lamp
Mario Bellini

Mario Bellini used two shades and three stems to turn it into a coat stand, while Patricia Urquiola took an element from the stand to form branches of a chandelier.

Designers reinterpret Kartell's Bourgie lamp
Alberto Meda

Philippe Starck wrapped the stand in bracelets and charms, Piero Lissoni created the lamp in paper and Christophe Pillet covered it in grey felt.

Designers reinterpret Kartell's Bourgie lamp
Rodolfo Dordoni

Other designers that participated included Tokujin YoshiokaRodolfo DordoniEugeni QuitlletAlberto MedaPatrick Jouin and Front.

Designers reinterpret Kartell's Bourgie lamp
Patricia Urquiola

The designs were showcased at Kartell’s flagship showroom in Paris to coincide with the Maison & Objet trade fair last month.

Designers reinterpret Kartell's Bourgie lamp
Tokujin Yoshioka

They will also be exhibited during the Salone Internazionale del Mobile in Milan and ICFF in New York later this year.

Designers reinterpret Kartell's Bourgie lamp
Eugeni Quitllet

The post Nendo, Starck and more reinterpret
Kartell’s Bourgie lamp
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