Youth Centre by Cornelius + Vöge

This bright red youth centre in Denmark by architects Cornelius + Vöge is coloured to match the fishing cabins of the surrounding village (+ slideshow).

Youth Centre Roskilde by Cornelius + Vöge

The architects renovated and extended an existing building, cladding the roof and every wall in red-painted panels of steel and timber.

Youth Centre Roskilde by Cornelius + Vöge

“The colour of the building is an important issue,” architect Dan Cornelius told Dezeen. “The traditional old fisherman’s cabins are one of the most characteristic elements of the village.”

Youth Centre Roskilde by Cornelius + Vöge

The walls of the two-storey building turn inward at the junction between the original structure and the extension, lining the edge of an outdoor play area.

Youth Centre Roskilde by Cornelius + Vöge

A external staircase climbs down from the first floor to meet this play area, creating a space that the architects describe as a “small stage”.

Youth Centre Roskilde by Cornelius + Vöge

A double-height sports hall occupies one end of the building and features a protruding corner window where children can work or play in small groups.

Youth Centre Roskilde by Cornelius + Vöge

We’ve featured a few all-red buildings on Dezeen, including a psychiatric centre in Spain and a chocolate museum in BrazilSee all our stories about red buildings »

Youth Centre Roskilde by Cornelius + Vöge

Photography is by Adam Mørk.

Here’s a project description from the architects:


Youth Centre, Roskilde, DK, 2012

The project is a conversion and extension of an existing building. The main approach is to make a new interpretation of the red barn buildings and fishermen cabins of the old part of the village where the building is located. The extension to the old building starts where the building takes a turn making a more intimate feeling surrounding the outdoor play areas.

Youth Centre Roskilde by Cornelius + Vöge

Ground floor plan – click above for larger image

The building is located between an old village and a seventies development, so in order to underline a regional identity to the building it was coloured all red. The red colour follows the tradition of the old fishermen cabins of the village. The roof has the same colour as the facades to make the shape of the building more precise and simple underlining the basic shape of the building.

Youth Centre Roskilde by Cornelius + Vöge

First floor plan – click above for larger image

The building is renovated into a low energy building, covered with new facade materials and reorganized into a more open, playful and modern building. New covered areas, balconies and stairs integrates more intimate corners and living areas both outside and inside.

Youth Centre Roskilde by Cornelius + Vöge

Section one – click for larger image

The surrounding green areas are more integrated and daylight optimised. The extension includes a flexible multi purpose hall for concerts, theatre, playing and sports activities including an integrated climbing wall.

Youth Centre Roskilde by Cornelius + Vöge

Section two – click above for larger image

Several façade elements breaks the basic shape of the building into a smaller scale: a stair functions as a small stage area, covered entrances and the corner window which cantilevers from the building and creates a more intimate living space for the children to sit in smaller groups – a private space being a part of the interior and exterior at the same time.

Youth Centre Roskilde by Cornelius + Vöge

End elevation one – click above for larger image

Type: Transformation, renovation
Team: E. Troelsgaard engineers
Area: 600 m2
Client: Roskilde Municipality

Youth Centre Roskilde by Cornelius + Vöge

End elevation two – click above for larger image

The post Youth Centre by
Cornelius + Vöge
appeared first on Dezeen.

The Library by COBE and Transform

This golden library in Copenhagen by architects COBE and Transform is meant to resemble a pile of books (+ slideshow).

The Library by COBE and Transform

Libraries for children, teenagers and adults are split between three of the differently shaped floors, while a concert hall sits on the top.

The Library by COBE and Transform

Perforated aluminium gives the building its bumpy, golden facade and also lines the walls of a triple-height atrium that cuts through the interior.

The Library by COBE and Transform

Entrances lead into this atrium from both sides of the building, while balconies branch across it on the upper floors.

The Library by COBE and Transform

Windows for some of the rooms are concealed behind the metal cladding and are only visible after dark.

The Library by COBE and Transform

Above: photograph is by Stamers Kontor

The architects won a competition to design the building back in 2009 – see our earlier story for the original proposals.

The Library by COBE and Transform

Above: photograph is by Stamers Kontor

We’ve featured a few golden buildings in recent months, including the new wing at the Musée du Louvre in Paris. See more stories about golden architecture and interiors here, and see more stories about libraries here.

The Library by COBE and Transform

Photographs above are by Adam Mørk, apart from where otherwise stated.

The Library by COBE and Transform

Above: photograph is by Kåre Viemose

Here’s a project description from COBE:


The Library is an extension of an existing culture house in Copenhagen’s north-west. The extension fulfills four main functions: a children’s library, a youth library, a library for adults and a concert hall.

The Library by COBE and Transform

Above: photograph is by Stamers Kontor

The building’s unique design is comprised of four golden boxes stacked on top of one another, each containing one of the building’s four main functions. Deliberately designed to resemble a stack of books, the building’s floors each contain a world of their own, including individually staged scenography.

The Library by COBE and Transform

Above: photograph is by Stamers Kontor

The spaces between the boxes are used as flexible spaces. Moving through the building, you experience an interplay between the different staged spatialities in each box versus an open, flexible space outside and between the boxes.

The Library by COBE and Transform

An important element in the architecture is the golden brown siding inside and out of extruded, gold anodized aluminium, which offers the possibility of varying the transparency of the fenestration and creates a uniform facade expression.

The Library by COBE and Transform

Above: photograph is by Jens Lindhe

Seen from the outside, the facade changes over day depending on how the daylight falls. Some windows are placed behind the expanded metal, which is barely visible in daylight, but clearly appears in the evening when the house is illuminated from the inside.

The Library by COBE and Transform

Above: photograph is by Jens Lindhe

North-west is an area in Copenhagen located between the lively, dense and diverse urban neighbourhood of Nørrebro and the villa neighborhood at the edge of the city.

The Library by COBE and Transform

Above: photograph is by Kåre Viemose

Many people live and work in this multiethnic area.

The Library by COBE and Transform

Yet, since the area is located in the vicinity to numerous entry roads, most Copenhagener’s only use the north-west as passage when going in and out of the city by car. Located here, The Library appears as a golden gem, beautifying an often disregarded part of town – a much needed institution for arts and culture in the area.

The Library by COBE and Transform

Above: photograph is by Stamers Kontor

Place: Copenhagen, Denmark
Client: Copenhagen Municipality
Program: Transformation of existing culture house and extension containing library and concert hall
Size: Existing 1.150 m2, new build 2.000 m2
Status: 1st prize in competition 2009, completed 2011
Architects: COBE and TRANSFORM

The Library by COBE and Transform

Above: photograph is by Stamers Kontor

Landscape Architects: Schönherr
Engineers: Wessberg
Contractor: Bdr. A&B Andersen
Budget: DKK 42 m.

The Library by COBE and Transform

Concept sketch one

The Library by COBE and Transform

Concept sketch two

The Library by COBE and Transform

Concept sketch three

The Library by COBE and Transform

Ground floor plan – click above for larger image

The Library by COBE and Transform

First floor plan – click above for larger image

The Library by COBE and Transform

Second floor plan – click above for larger image

The Library by COBE and Transform

Third floor plan – click above for larger image

The Library by COBE and Transform

Section – click above for larger image

The Library by COBE and Transform

Section – click above for larger image

The post The Library by COBE
and Transform
appeared first on Dezeen.

Piramida

Sampled sounds from an Arctic ghost town comprise the unlikely music on Efterklang’s new album

Piramida

Perpetually in search of new possibilities in the realm of music, the trio behind the Danish band Efterklang set out on a sound-seeking mission last August to the remote island of Spitsbergen to create their fourth album, Piramida. Over the course of their nine-day expedition on the Arctic isle—one…

Continue Reading…


Saint Kjeld’s Kvarter by Tredje Natur

Architecture studio Tredje Natur is redesigning a Copenhagen neighbourhood to better handle the floods expected as climate change leads to fewer but heavier rain storms.

Saint Kjeld’s Kvarter by Tredje Natur

When heavy rainfall strikes Saint Kjeld’s Kvarter, the water will be collected above ground in parks and squares to simultaneously relieve the sewer systems and create new recreational areas around the pools.

Saint Kjeld’s Kvarter by Tredje Natur

A giant ring in the main square will spray out a cooling mist on hot days, while excess water will be channelled along new cycle lanes that will double as storm drains, leading to canals and out to the harbour rather than into people’s basements.

Saint Kjeld’s Kvarter by Tredje Natur

The architects and local government hope the scheme will become a model for green urban planning and a showcase for climate adaptation technology.

Saint Kjeld’s Kvarter by Tredje Natur

“Only last year, three cloud bursts cost the society over 5 billion DKK in damage to the buildings and infrastructure,” says Flemming Rafn Thomsen, partner at Tredje Natur. “The climate adaptive plans in Copenhagen, and whole of Denmark really, are humongous and will probably have a time frame longer than 20 years, but the political will to get something done soon is pretty strong.”

Saint Kjeld’s Kvarter by Tredje Natur

Flemming Rafn Thomsen and Ole Schrøder won the competition to re-design the site as part of the Europan architecture competition in 2011, after which the city of Copenhagen signed them up to advise on the strategic development of the area.

Saint Kjeld’s Kvarter by Tredje Natur

The detailed plans will be unveiled to Copenhagen residents tonight and construction is due to begin in 2013, with completion scheduled for 2015/16.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

Here’s some more information from Tredje Natur:


Copenhagen based architecture firm TREDJE NATUR develops Denmark’s first climate adapted neighborhood.

On the 18th of August 2012 the plans for Copenhagen’s first climate adapted neighborhood is presented to the public. The project’s visions to transform Saint Kjeld’s Quarter into Copenhagen’s greenest neighborhood are presented at a grand opening by Danish Environmental Minister, Ida Auken,

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

The climate is changing behavior. The Copenhageners can look forward to fewer but heavier rain showers, as the city has already been experiencing over the last two summers. In Saint Kjeld’s Neighborhood a comprehensive urban development project seeks to demonstrate how the city can be arranged so rainwater can be managed in the streets in a more natural and effective way. The project was designed by the newly established architectural firm TREDJE NATUR, and promotes new solutions for how we adapt to the climate changes and develop our cities.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

“The increase in rainfall is a major challenge for our city. But by tackling the challenge the right way, we can secure the city from cloudbursts while also bringing the city new recreational values. The ideas in Saint Kjeld’s Neighborhood are a really good example of this,” says Technical and Environmental Mayor of Copenhagen, Ayfer Baykal (SF).

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

Pragmatic and Innovative Urban Development
TREDJE NATUR’s project offers a wide range of pragmatic strategies to meet the many expectations in the area. As a key principle the architects reclaim 20% of the street area by optimizing the infrastructure and parking lots according to current standard. The obtained area counts potentially 50,000 square meters and is to be used for new urban space development. It is also an important parameter not to compromise the city’s existing functions.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

In the large urban spaces, such as Saint Kjeld’s Square and Tåsinge Square the office has put a great effort into creating new kinds of urban experiences founded in the city’s and nature’s changeability. A gigantic floating ring sprays a cooling rain mist out on the hot summer days, hundreds of plant species secures an attractive nature all year round and a hilly terrain invites you to play and stay.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

“At Saint Kjeld’s Square and Tåsinge Square we optimize the terrain effectively doubling the urban space’s surface area. This provides new space for a comprehensive volume of natural value, a better micro-climate and hence more urban life and better rain water management. The large spaces will be both striking and natural hot spots in the district. It is also possible to integrate new cafes and playgrounds in the optimized terrain,” says Partner in TREDJE NATUR, Flemming Rafn Thomsen.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

Naturally the water plays a particularly important role in the project. A key concept is the idea that the urban spaces are flooded when it rains and that the water remains in the urban spaces a little longer than usual. This relieves the sewer systems, and also helps to transform the experience and the use of the urban spaces.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

Copenhagen’s Greenest Neighborhood

The project introduces bicycle paths that act as storm water channels, water towers, green roofs, urban gardens, green houses and canals that carry water out from the neighborhood to the harbor. And simultaneously give rise to greater biological diversity in the city. These are just some of the ideas for new ways to adapt to the climate change that will emerge over the coming years. The City of Copenhagen plans to transform the densely populated neighborhood into a showcase area for climate adaptation technology. It is hoped to become a place that exhibits how we at one hand ensure our cities to future climate challenges, and moreover upgrade our urban spaces and streets significantly.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

“By far the greatest challenges our society face lies in the existing city. The goal is to upgrade the city to residents’ expectations as to how the city must perform in terms of sustainable, social and health related issues. Our key concepts are driven by the notion that a coherent and natural design creates the most powerful strategy and solution for the neighborhood as a whole, but also comprise a sensitivity to individual spaces, places and the people in the area,” says partner in TREDJE NATUR, Ole Schrøder.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

Adaptation to the climate changes should not only deal with larger sewers or rising taxes. Therefore, the project will instead operate with the city’s visible surface and make the city greener, so that water is both delayed and the urban spaces are simultaneously transformed into wondrous places for the city’s residents to hang out or exercise.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

“In Copenhagen we must secure the city against the heavy rains we expect in the future,” says City Architect Tina Saaby. “The projects in this neighborhood show how we at once can create beautiful, green streets and spaces and at the same time establish an effective technical solution that leads the rainwater in our streets to the harbor – instead of into our basements. It is architecture that integrates art and aesthetics in a new and very exciting way, “says Tina Saaby, City Architect of Copenhagen.

About TREDJE NATUR

In the latest edition of A10, the prestigious international architecture magazine, TREDJE NATUR is singled out as Shooting Stars together with 10 other young leading architectural practices in Denmark. The newly established office, based in Copenhagen, has experienced an impressive debut on to the Danish architectural scene. With a three-year scholarship awarded by The Danish Arts Council in 2011 Ole Schrøder and Flemming Rafn Thomsen realized the vision of a new architectural practice where the distinction between nature and architecture are revoked. TREDJE NATUR recently entered successfully into the final stage of the largest Danish planning competition in the City of Aalborg and is also shortlisted for the international competition on new major campus buildings in Kongsberg, Norway.

About Saint Kjeld’s Neighborhood

The architectural office TREDJE NATUR got the assignment in December 2011 by winning the European competition coalition EUROPAN11. The competition proposal comprised a visionary plan for how the district’s streets and open spaces can become more diverse by letting the rain and natural phenomena merge with the urban life. In few years the neighborhood will be able to showcase the new solutions in real life and the ambition is to create a model area, which both nationally and internationally will inspire broadly and strengthen Denmark’s position in urban water management and urban design.

The Opening Party is held at Tåsingegade in Copenhagen on Saturday the 18th August at 11 a.m. to 3 p.m. See The City of Copenhagen’s own website for more info.

Responsible Partners: Flemming Rafn Thomsen and Ole Schrøder
Design Team: Monica Galiana, Anna Sissela Michalsdottir, Joan Melgaard Rasmussen, Lotte Randeris Kristensen, Louise Fiil Hansen and Hans H. Bærholm
Location: Saint Kjeld’s Kvarter, Copenhagen.
Client: The City of Copenhagen
Size: 105 Ha
Project period: 2011-16

The post Saint Kjeld’s Kvarter
by Tredje Natur
appeared first on Dezeen.

Mismo

Insight on the design process behind the enduring Danish bag brand
MISMO-1.jpg

Danish bag-maker Mismo was founded 10 years ago by husband-and-wife duo Alexander Bach and Rikke Overgaard, before the notion of the minimal everyday bag became so popular. “I think the reason you might say we develop great bags consistently is because we have this very steady platform from where the design and idiom originates,” explains Bach, pointing out that the inspiration for each new line builds on what they’ve done in the past.

MISMO-6.jpg

As many an experienced designer knows, there’s no such thing as a completely new shape or idea uninfluenced by what already exists. In this vein, Mismo’s design approach remains robust and contemporary and, at the heart of the pair’s creative process is the quest for detail and functionality. “Seriously, you could put us in a dark room for a few months, completely sheltered from what’s going on in fashion and we’d still crank out bags in line with what you see here,” says Bach with the straightforward and unapologetic frankness so typical of the Scandinavian sentiment toward design.

MISMO-3.jpg

The spirit of its designers infuses Mismo bags with a real depth of pure function and stripped-down essentials, bags which shrug off frills in favor of continually evolving material selection and intelligent use of color. For Spring 2013, Mismo brings its own unique mustard yellow back into the fray, first seen in 2009 in a collaboration with Storm.

MISMO-8.jpg

“It’s funny because brighter colors don’t sell well generally,” says Bach, revealing what’s perhaps a counterintuitive strategy for a modern designer. “The mustard color, for instance, we already know won’t sell well but it draws a lot of attention to what we’re doing and is authentic to who we are. Finding the right balance of colors is like creating your own painting. It’s a delicate process.”

MISMO-4.jpg MISMO-5.jpg

The new line features interesting new materials for Mismo, which have been developed over a prolonged period of time. There’s a floral nubuck leather, which has been embossed with a botanical print before being hand-dyed and brushed for a more broken-in feel. There’s also denim sourced from Limonta that shares a similar perfectly worn feel to the touch.

MISMO-2.jpg

Visit the Mismo website to find online and worldwide retailers.


Covering of the Runic Stones in Jelling by NOBEL Arkitekter

These bronze and glass chambers by Estonian studio NOBEL Arkitekter protect two ancient runestones in Jelling, Denmark, from the elements.

Covering of the Runic Stones in Jelling by NOBEL Arkitekter

Located on a World Heritage Site, the two Jelling stones are over a thousand years old and the largest one was carved to mark Denmark’s conversion to Christianity.

Covering of the Runic Stones in Jelling by NOBEL Arkitekter

The chambers create a controlled internal environment, with heating and ventilation systems concealed within the bronze walls that fold up and over each stone.

Covering of the Runic Stones in Jelling by NOBEL Arkitekter

“Our objective was to accentuate the runic stones curved forms with the straight lines of the coverings,” explains architect Erik Nobeland, “and, in a metaphorical sense, to hold our hand over the runic stones”.

Covering of the Runic Stones in Jelling by NOBEL Arkitekter

English stone circle Stonehenge has also been in the news this week, as construction began on a new visitor centre.

Covering of the Runic Stones in Jelling by NOBEL Arkitekter

Photography is by Jens Lindhe, apart from where otherwise stated.

Here’s some more information from Nobel:


Covering of the runic stones in Jelling ‐ Denmark

The project consists of two bronze structures which covers the unique runic stones and secure and preserve them for the future. The runic stones mark Denmark’ transition to Christianity in year 965, and the monument is also known as Denmark’s “birth certificate”. The monument is included on UNESCO’s list of World Heritage. The project was inaugurated in December 2011 and it is based on the winning competition project made by NOBEL arkitekter in March 2010.

Covering of the Runic Stones in Jelling by NOBEL Arkitekter

The architectural composition emphasizes the experience of the runic stones, and forms a stylized dialogue between the two stones, which represents the first two kings of Denmark – Gorm and Harald Bluetooth. The bronze angles form one gable and the roof for each runic stone, while the other sides are designed with large glass surfaces. The coverings provide an architectural composition and allow spectators to get very close to the runic stones.

Covering of the Runic Stones in Jelling by NOBEL Arkitekter

Our objective was to accentuate the runic stones curved forms with the straight lines of the coverings and, in a metaphorical sense, to “hold our hand over the runic stones”. The cast bronze emphasize the texture of runic stones and highlights the grey and reddish granite surfaces.

Covering of the Runic Stones in Jelling by NOBEL Arkitekter

Above: photograph is by the architects

The requirement related to creating a controlled climate around the two runic stones was an integral consideration in the development of the project. Our consulting engineers from Rambøll contribute with the technical details for the heating‐ and ventilation‐system, which ensures a frost‐free climate around the runic stones.

Covering of the Runic Stones in Jelling by NOBEL Arkitekter

The artificial lighting is made with special designed fiber light sources, which are integrated in the roof structure. The lights emphasize the runic scripture, visual motifs and highlight the shape of the runic stones. Together with the bronze angels the artificial light creates a completely new way of viewing the rune stones and staging the experience of one of Denmark’s most valuable monuments.

Address: Jelling Kirke, Thyrasvej 1, 7300 Jelling
Client: Danish Agency for Culture and Jelling Church

Architect: NOBEL arkitekter a/s
Engineer: Rambøll A/S
Year: December 2011

The post Covering of the Runic Stones in Jelling
by NOBEL Arkitekter
appeared first on Dezeen.

Healthcare Centre for Cancer Patients by NORD Architects

Slideshow: Danish studio NORD Architects have completed a cancer care centre in Copenhagen shaped like a cluster of houses.

Healthcare Centre for Cancer Patients by NORD Architects

The gables of each block are different, creating an irregularly faceted roof that the architects describe as being like origami.

Healthcare Centre for Cancer Patients by NORD Architects

The building has a hollow centre where a series of first floor balconies overlook a large courtyard.

Healthcare Centre for Cancer Patients by NORD Architects

Rooms inside are styled like domestic interiors to help recovering patients feel at home while they receive follow-up treatment.

Healthcare Centre for Cancer Patients by NORD Architects

We’ve also published a few Maggie’s cancer care centres from the UK – see them all here.

Healthcare Centre for Cancer Patients by NORD Architects

Here’s a project description from NORD Architects:


A Place for Recovery

Background

Getting cancer is like embarking on a journey, you don’t know where will end. It requires strength to cope with the disease and take on the new identity as a cancer patient. Research shows that architecture can have a positive effect on people’s recovery from sickness. A human scale and a welcoming atmosphere can help people to get better. Despite of this, most hospitals are hardly comfy. Just finding the way from the reception to the canteen can be difficult. If we want people to get better at our hospitals, we need to deinstitutionalize and create a welcoming healthcare. The Healthcare Centre for Cancer Patients designed by Nord Architects Copenhagen does just that.

Design concepts

The Healthcare Center for Cancer Patients in Copenhagen is conceived as an iconic building, which create awareness of cancer without stigmatizing the patients. Designed as a number of small houses combined into one, the center provides the space needed for a modern health facility, without losing the comforting scale of the individual. The houses are connected by raised roof shaped like a Japanese paper art origami, which gives the building a characteristic signature.

Entering the building you find yourself in a comfy lounge area manned by volunteers. From here you move onto the others parts of the house, which includes a courtyard for contemplation, spaces for exercises, a common kitchen where you can learn to cook healthy food, meeting rooms for patients groups etc.

Site conditions

The building is situated close to the city centre of Copenhagen in the same area as Copenhagen University Hospital (Rigshospitalet), so that patients can go to the healthcare center after their treatment at the hospital. On the other side of the road is the Panum Institute of Medicine.

Client: Municipality of Copenhagen Place: Copenhagen, Denmark
Year: 2009 – 2011
Size: 2500 m2
Budget: 56 mill kr
Architects: NORD Architects, Copenhagen
Engineer: Wessberg
Landscape Architect: NORD Architects, Copenhagen
Client advisor: Moe og Brødsgaard

Noma FoodLab by 3XN

Noma FoodLab by 3XN

Danish architects 3XN have transformed a warehouse at popular Copenhagen restaurant Noma into an experimental food laboratory filled with modular wooden furniture and star-shaped lighting.

Noma FoodLab by 3XN

Restrictions placed on the existing structure prevented the architects from affixing anything to the walls or floor of the building, so they instead designed four central storage cabinets to divide the room into a laboratory, a herb garden, a staff area and an office.

Noma FoodLab by 3XN

Each fabricated from over 500 stacked wooden cubes, the four digitally-designed cabinets take the form of circular towers with protruding arms and are illuminated from inside.

Noma FoodLab by 3XN

The herb garden-on-wheels was also constructed from a set of digitally-designed components, which all slot together like pieces of a jigsaw.

Noma FoodLab by 3XN

Architects 3XN received a great deal of press coverage last year, following the opening of their heavily criticised Museum of Liverpool – contribute to the debate here.

Noma FoodLab by 3XN

Photography is by Adam Mõrk.

Noma FoodLab by 3XN

Here are some more details from 3XN:


NOMA Lab: An Architectural Cookbook for the Nordic Cuisine

3XNs interior for NOMA Restaurant’s food lab unites the creative worlds of gastronomy and architecture in a modern expression of the Nordic aesthetic.

Noma FoodLab by 3XN

New Inspiration

As the number one ranked restaurant on theworlds50best.com for two years in a row, the expectations for creative innovation at NOMA are higher than ever before. Therein lay the need for an inspiring ‘experimentarium’ where chefs could continue to take their skills further in the evolution and development of Nordic cuisine. This commission was given to 3XN’s Innovation Unit, GXN, whose experimental design was an excellent match for NOMA’s innovative gastronomy.

Noma FoodLab by 3XN

We have been happy to work with GXN on the transformation of our former meeting rooms. The result is great and has contributed to not only the space, but also organizational life and inspiration,’ says Founder and Chef of NOMA, Rene Redzepi.

Noma FoodLab by 3XN

Head of GXN, Kasper Guldager Jørgensen refers to the project as an Architectural Cookbook and says of the collaboration, ‘We move in parallel worlds. NOMA’s dedicated and creative engagement in gastronomy is similar in many ways to GXN’s experimental take on new materials and ingredients in the architectural world.’

Noma FoodLab by 3XN

Nordic, Raw and Playful

The NOMA Lab is connected to NOMA situated in a former warehouse on the national registry of protected buildings. The tight restrictions meant that GXN was required to design the interior without using so much as one single nail in the walls or flooring. The approach was to design four central multi-functional storage units; each composed from over five hundred uniquely formed wooden cubes. Curving playfully throughout the space, these units divide the 200M2 room into smaller areas accommodating the Food Lab, the herb garden, staff areas and office. Raw and simple, through colours and forms, it captures a unique Nordic aesthetic. True to the restaurant’s philosophy, the NOMA Lab is developed exclusively using Nordic materials.

Noma FoodLab by 3XN

The organic forms of the furniture pieces stand out through use of integrated light features, which also give the interior a lighter feel. The additional lighting is provided by GXN’s specially developed STAR lamp, whose reflective light casts dramatic geometric shadows into the surroundings.

Noma FoodLab by 3XN

Three Dimensional Puzzle

The NOMA Lab has been an opportunity for GXN to experiment with digital design methods. ‘For the project, we developed a ‘living software’ which made it possible to send drawings direct to fabrication from the computer. It’s kind of similar to printing a text one has just typed – but instead we are printing furniture pieces,’ explains Kasper Guldager Jørgensen on the design method. In practice, it meant that the interior was delivered as a three dimensional puzzle of over 5000 pieces that were assembled without the help of any carpenters.

In addition to the ‘direct from computer to printer’ interior pieces, furniture manufacturers GUBI, CPH Square and Gaggenau have been major contributors to the NOMA Lab.

Noma FoodLab by 3XN

Management:
Architect: GXN (Innovation Unit of 3XN)
Project Director: Kasper Guldager Jørgensen, Head of GXN
Project team: Kim Herforth Nielsen, Kasper Guldager Jørgensen, André van Leth, Lila Held, Morten Norman Lund, Lars-Erik Eriksson, Pedram Seddighzadeh, Matthew Scarlett, Bjørk Christensen, Kyle Baumgardner, Elliot Mistur, Tore Banke, Simon McKenzie and Jacob HilmerProject:

Noma FoodLab by 3XN

Client: Restaurant NOMA
Project Type: Interior Design
Use: Experimental food laboratory, storage, office, personel lounge, meeting room, herb garden
Location: Strandgade 93, 1401 Copenhagen, Denmark
Completion: January 2012
Size: 200 m2
Materials: All done in Nordic wood, for example plywood
Price: Confidential

Noma FoodLab by 3XN

Click above for larger image

Suppliers and Production:
Kitchen: CPH Square. Contact person Thomas Seloy: Thomas@cphsquare.dk
Household appliances: Gaggenau. Contact person Anne Herskov: anne.herskov@bshg.com
Furniture: GUBI. Contact person Allan Torp: ato@gubi.com
Lighting: Normann Copenhagen (STAR Lamp by GXN). Contact person Johanne Toft: johanne@normann-copenhagen.com
Production: 1:1 Production. Contact person Frederik Agdrup: frederik@eentileen.dk

Lego PMD by Rosan Bosch and Rune Fjord

Lego PMD by Rosan Bosch & Rune Fjord

The best escape route from a meeting at the Denmark office of toy brand Lego is down a metal slide.

Lego PMD by Rosan Bosch & Rune Fjord

Completed by designers Rosan Bosch and Rune Fjord in 2010, the open-plan office in Billund incorporates block-like display stands, model-building tables and a library of Lego pieces.

Lego PMD by Rosan Bosch & Rune Fjord

The eight glass-fronted meeting rooms, each painted a different colour, are located on a first-floor mezzanine that wraps around the building’s perimeter.

Lego PMD by Rosan Bosch & Rune Fjord

On the ground floor, circular holes punched through a wooden table in the coffee area create both leg room and planting beds, while lounge areas are dotted between workstations and display cabinets.

Lego PMD by Rosan Bosch & Rune Fjord

If you like Lego, you should also check out our earlier story about a greenhouse made from the building blocks.

Lego PMD by Rosan Bosch & Rune Fjord

Photography is by Anders Sune Berg.

Lego PMD by Rosan Bosch & Rune Fjord

Here’s some more text from Rosan Bosch:


LEGO PMD

LEGO’s designers are the luckiest in the world – they get to play with LEGO all day long! Now, the designers of LEGO’s development department, LEGO PMD, has a physical working environment that corresponds to its playful content – a working environment where fun, play and creativity are paramount and where the physical design gives the adults a chance to be part of children’s play.

Lego PMD by Rosan Bosch & Rune Fjord

With the values ’fun’, ’unity’, ’creativity & innovation’, ’imagination’ and ’sustainability’ as basis for the design, LEGO PMD has become a unique de- velopment department where the designers can become part of the children’s fantasy world.

Lego PMD by Rosan Bosch & Rune Fjord

LEGO doesn’t just create fun for others – at LEGO PMD working is fun!

Lego PMD by Rosan Bosch & Rune Fjord

In order to create a design that corresponds to the focus on play, innovation and creativity, imagination has been given free rein.

Lego PMD by Rosan Bosch & Rune Fjord

Across the room, an existing walkway has been transformed into an oversized sitting environment, where a light-blue padding turns the walkway into a light and soft cloud.

Lego PMD by Rosan Bosch & Rune Fjord

The cloud unfolds and expands into sofas, sitting space and a slide that connects the two floors in a fun and playful way.

Lego PMD by Rosan Bosch & Rune Fjord

The idea of scale is challenged with design elements such as huge grass wall graphics and a giant LEGO man and tables with built-in bonsai gardens, thus playing with perception and scale – who is big and who is small? Where does work stop and imagination start?

Lego PMD by Rosan Bosch & Rune Fjord

Through the physical design, the children’s fantasy worlds become part of the everyday, creating the setting for the creation of new design for new games and play.

Lego PMD by Rosan Bosch & Rune Fjord

Furthermore, the design of LEGO PMD makes it possible for the designers to work closer together. At ground floor, the open space at the centre of the room creates a dynamic flow where informal meeting pla- ces create a setting for social interaction and exchange of information.

Lego PMD by Rosan Bosch & Rune Fjord

Towards the sides, there is room for concentrated work, and specially designed means of exhibition such as the show-off podiums and the model towers give the designers a chance to display their work to each other, facilitating the sharing of knowledge and ideas across the department.

Lego PMD by Rosan Bosch & Rune Fjord

On the first floor, an expansion of the balcony has made room for five small and three large meeting rooms in each their own colour with glass facades and a view of the large, open space.

Lego PMD by Rosan Bosch & Rune Fjord

A Fun Zone with a yellow table bar creates room for relaxation and social interaction, where a number of building tables for children make it possible for LEGO’s youngest employees to test the newest models and products.

Lego PMD by Rosan Bosch & Rune Fjord

Click above for larger image

The new LEGO PMD is the children’s universe where imagination reins free – for children and designer alike!

Lego PMD by Rosan Bosch & Rune Fjord

Click above for larger image

Project Title: LEGO PMD
Clients: Lego System A/S
Designers: Rosan Bosch & Rune Fjord

Location of project: Lego System A/S
Address: Systemvej 6
Postal code: DK- 7190
City: Billund
Country: Denmark

Year: 2010
Project: Design and interior decoration
Scope: 2000m2
Materials: Polyurethane floor, carpet, dry wall, acoustic bats w. graphic print, glass partition walls, acoustic ceiling, furniture

Henrik Vibskov’s Shrink Wrap Spectacular

Cavemen-like models set a tone of modernity at the Danish designer’s Paris show

Henrik_Vibskov1a.jpg Henrik_Vibskov1b.jpg

Against a backdrop lined with machine gears reminiscent of Charlie Chaplin’s Modern Times bleached white, a parade of slipper-clad, bearded cavemen sleepwalk to the sound of a percussion march. This is how we are introduced to the Henrik Vibskov Autumn/Winter 2012 collection.

Vibskov’s models appear in sharp contrast to typical menswear models’ standards, hunched over with heads down. They wear some kind of futurist, helmet-like nightcap and carry bright, girlish handbags, their clothing maintaining a comfortable fluidity, from fabrics to cut to color.

Henrik_Vibskov2a.jpg Henrik_Vibskov2b.jpg

Wool dominates the collection from top to bottom, perhaps a nod to the designer’s Nordic heritage. Knit sweaters and jackets have the look of garments home-made and hand-knotted by the fireplace, while Vibskov brings back the marled and heathered effects on other pieces. Pants comprise mostly leggings, plus trousers with a Turkish-style dropped inseam. Huge overcoats sport pocket-like hoods and draped backs with zipper accents.

We came away from the collection thinking about the colors of Fauvism painting—mustard yellow, a range of browns, rusty reds and greenish blue. Vibskov seems to channeling a man out of the 1950s, but in a futuristic way. His is a modern man, daring enough to blend vaguely feminine accents—leggings, shoulder pads, handbags—into his wardrobe, and take risks with bouffant cuts and cosmonaut ensembles.

Henrik_Vibskov3a.jpg Henrik_Vibskov3b.jpg

Titled “The Shrink Wrap Spectacular,” the free-spirited collection seems to focus on contrasts—the combination of skinny cuts with extra-large pieces, the range from dark solids to zebra prints, clothes that go from day to night—as Vibskov blends styles and silhouettes from a wild variety of worlds.

With his cavemen models trudging through a mechanized set, the designer seems to present more of a raw archetype than yet another stereotype of modernity.