Hasta La Ideas

A faceted roof made from a shimmering copper-bronze alloy covers this extension by British firm Emrys Architects to a pair of Georgian townhouses in London (+ slideshow).

Emrys Architects was asked by property management firm GMS Estates to modernise and extend its offices, which occupy two former residential properties on Great James Street in Bloomsbury.

The architects installed a new two-storey structure at the rear of the buildings to create additional rooms and improve connections between existing workspaces.

“The client wished to break out from the confined spaces of the Georgian terrace to allow easier communication between each other whilst retaining some delineation between departments,” explained the architects.

“Our solution was to retain and enhance the grandeur of the terrace and to introduce an entirely new structure in the tight land-locked space to the rear to create a dramatic transition from old to the new,” they added.

The triangular sections of the metal roof angle up and down to create varying ceiling heights inside the new structure, lining up with different parts of the old brick buildings.

“We took the existing heights of key points around the perimeter and used this for inspiration for an unusual triangulated roof form,” said the architects.

Inside, recessed lighting highlights the edges of each plane, while triangular skylights bring daylight into the space from the corners.

A cantilevered wooden staircase leads down to the lower level, where wooden ceiling joists have been left exposed.

A meeting room is contained at the centre of this floor and occupies an old barrel-vaulted brick structure that was formerly used as a vault.

Glass doors help to bring in extra daylight and lead out to small courtyards, plus both levels feature oak parquet flooring.

Photography is by Alan Williams.

Here’s a project description from Emrys Architects:

Great James Street

Two Grade II* listed Georgian properties that have been the head offices of GMS Estates for generations have been redeveloped for the 21st Century. A melee of unconnected post-war extensions and dank lower ground spaces has been replaced with two storeys of striking contemporary work space.

Background

32-33 Great James Street comprises two five storey terraced townhouses built between 1720 and 1724. The terrace is one of the few remaining intact Georgian streets in London, close to Grays Inn in Bloomsbury. The properties suffered bomb and fire damage during the Second World War and were patched-up shortly after with a series of rear extensions. This annex contained poor office accommodation and some areas were in such bad condition that they were only suitable for storage.

GMS Estates are landowners and landlords who own many properties in Central London and take pride in keeping them to a high standard. Having recently completed several refurbishments of residences and offices for the rental market, they realised that their own accommodation was hampering their productivity and staff well-being.

The boardroom at 32 Great James Street was spectacular with original oak panelling and portraits of previous company chairmen, accessed from an oak panelled staircase. However, other areas of the building were jammed with staff in various rooms on different levels. Internal communication involved moving up and down the stairs, opening fire doors and bumping into tired office furniture and trailing wires. The team felt disconnected from each other. Many rooms lacked adequate natural light and felt oppressive. Some of the post-war extensions were damp and warren-like. Furthermore, the organisation was growing and could not easily be contained within the existing structure.

The GMS brief to Emrys Architects was to identify ways of better utilising the property within the constraints of the existing listed buildings and their outbuildings. They required Great James Street to be a flagship headquarters and although steeped in tradition, GMS happily embrace contemporary architecture.

Interiors

The client wished to break out from the confined spaces of the Georgian terrace to allow easier communication between each other whilst retaining some delineation between departments.

Our solution was to retain and enhance the grandeur of the listed terrace and to introduce an entirely new structure in the tight land-locked space to the rear to create a dramatic transition from old to the new.

Following an audit of the existing outbuildings, it was agreed with the local authority to retain some elements. The most notable feature was the existing silver vault, a brick barrel-arched structure that included a heavy steel door. Whilst this was not ideally located, it was used as the starting point for the space plan of the lower floors and became an unconventional meeting room.

The new structure is on two levels and is accessible from the Georgian terrace at both lower ground and ground floors.

The work spaces have been configured to allow departments to occupy clearly demised areas, yet still allow full connectivity between groups. Departments are positioned in areas that have the best natural light and access to the external courtyards. There are no physical divisions between each place.

An asymmetric lofted ceiling sits under the new roof with recessed lighting accentuating the geometric planes. A double height void is cut out at the rear and a cantilevered timber staircase rises through to connect the floors. Use of roof lights and glazed access to courtyard areas has ensured that the building is flooded with light.

Chevron oak parquet floor runs throughout the new offices and timber joists on the lower floor have been left exposed and lime washed.

Roof Design

Faced with the restriction of the land-locked site, we took the existing heights of key points around the perimeter to the rear of the listed building and used this for inspiration for an unusual triangulated roof form.

In order to maximise the potential of the space and introduce drama, certain elements of the roof shape were pulled upward increasing the internal floor-to-ceiling heights. The contemporary folded roof form is complemented by the use of a copper bronze alloy in a flush rain screen arrangement, the patina selected to harmonise with the existing townhouse.

The walls adjacent to the light wells are fully glazed and additional windows and roof lights added to maximise light penetration into the plan.

Structural Design

The structure is made up of a series of folded triangular plates that are self-supporting when all panels are in place. These are retained by a continuous light-weight steel ring beam that ties all the panels together and prevents them from sliding away. Triangular roof lights are placed outside this ring beam and allow light to penetrate down to the lower ground floor.

Outcome

“Emrys Architects have taken unusable areas and created stunning new offices that have transformed our working day.” – Tom Gibbon, Managing Director, GMS Estates

Architects: Emrys Architects
Location: Bloomsbury, London WC1
Type Of Project: Refurbishment and Extension
Structural Engineers: Elliott Wood Partnership
Project Architect: Gwilym Jones
Design Team: Glyn Emrys, Matt Blackden, Nuno Meira, Gwilym Jones
Client: GMS Estates
Funding: Private
Tender date: December 2012
Start on site date: 4th March 2013
Contract duration: 36 Weeks
Gross internal floor area: 440sqm – 4,734sqft
Form of contract and/or procurement: Traditional /JCT Standard Form of Building Contract
Total cost: £1m

The post Office extension with a faceted copper roof
by Emrys Architects appeared first on Dezeen.

Copper walls will gradually change colour from dark grey to rich brown on the exterior of this church archive in Nuremberg, Germany, by Hamburg office GMP Architekten (+ slideshow).

The seven-storey structure houses the archive of the Evangelical Lutheran Church of Bavaria and is located close to the main church building on the site of a former factory.

GMP Architekten designed a pinkish sandstone plinth for the base of the building. This allows it to nestle against the side of a hill, as well as to fit in with its neighbours.

“Seen from across the garden, the new archive appears as a continuation and extension of the Theological Seminary,” said the architects.

A glazed ground floor is sandwiched between this plinth and the copper-clad upper floors, which comprise two overlapping box-like volumes.

The oxidising copper panels are arranged vertically and interspersed between narrow metal stripes. Alternate panels extend down over windows, creating the appearance of columns.

“The natural metal surface will undergo various oxidation stages and colour changes until it finally develops a velvety, brownish appearance,” added the architects.

With 21 miles of shelving, the new facility doubles the storage of the church’s previous archive and provides an additional restoration workshop.

A reading room for visitors is located on the entrance floor and leads out onto a large terrace with views of the nearby Wöhrder lake.

GMP Architekten is best known for designing a series of stadiums, including three for the 2010 FIFA World Cup and three for the 2011 World Aquatics Championships in Shanghai. See more architecture by GMP Architekten »

Other archive facilities featured on Dezeen include a concrete and steel bunker for the British Film Institute and a Corten steel-clad archive for the city of Essen, Germany. See more archives »

Photography is by Heiner Leiska.

Read on for a project description from GMP Architekten:

State archive of the Evangelical Lutheran Church of Bavaria

Today, the Evangelical Lutheran State Church of Bavaria is inaugurating its new archive in Nuremberg with a special ceremony. The new building, which was designed by architects von Gerkan, Marg and Partners (gmp), took three years to build and is located on a former factory site in the direct vicinity of the existing main building. With 34 kilometres of shelving, the State Church archive now has more than twice the storage space compared to previously and, in addition, accommodates a restoration workshop and enough space for visitor rooms. In the “Memory of Evangelical Bavaria”, the Church is archiving – amongst many other original documents – letters by Martin Luther and documents by popes and emperors, as well as numerous historically important books and paintings. The State Church archive has been designed to include passive air conditioning of the archives.

The new building consists of two intersecting solid cubes which seem to float above a transparent receding ground floor. The structure rises from a basement floor about one metre high along the road, which develops into full storey height along the downward slope towards the south, including a large terrace which offers views of the Wöhrder See lake. The ensemble consists of a solitary building sculpture with main facades on all sides. It thereby confines the adjacent Zeissstrasse on the one side, and the garden of the Theological Seminary to the east on the other side. Seen from across the garden, the new archive appears as a continuation and extension of the Theological Seminary. The plinth of the reinforced steel structure is clad with reddish sandstone which forms a continuation of the existing sandstone wall and anchors the building in the landscape context. The external walls of the archive are finished in a shiny copper facade with a subtle vertical structure. The natural metal surface will undergo various oxidation stages and colour changes until it finally develops a velvety, brownish appearance.

Visitors enter the public areas of the archive via Veilhofstrasse. From there they also reach the lecture hall, which can also be used for exhibitions. This hall faces the corner of Veilhof-/Zeissstrasse in a manner that welcomes the public. The reading room faces both east and west and is located on the quiet garden side. The offices are located above, on two levels surrounding the archive areas, and provide easy access for members of staff to the repository. The repository areas themselves occupy four floors above the ground floor, as well as the two lower ground floors. Since the first lower ground floor extends out on the slope towards the south, access is available from Zeissstrasse to the workshop and functional rooms.

Design: Meinhard von Gerkan and Nikolaus Goetze
Associated Partner: Dirk Heller
Project Leader: Karen Schroeder
Design Team: Christoph Berle, Katharina Traupe, Monika Braig
Implementation Team: Christoph Berle, Miriam Bamberg, Judith Saile, Alexander Schnieber, Sui Jinying
GFA: 9,327 square metres
Client: Evangelical Lutheran Church of Bavaria

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Church of Bavaria by GMP Architekten appeared first on Dezeen.

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