Act Fast! This Year’s Hottest Dinosaur Auction is Happening Right Now!

Last year we claimed on more than a half dozen occasions that 2009 was “The Year of the Dinosaur Sales,” due to the amount of activity in the industry of selling off thunder lizard bones for millions of dollars (or not selling, as was sometimes the case). Though now, with recent developments, we’re forced to say that we’re not too proud to admit that sometimes we might be wrong. At the time of this posting, it is 3pm in Paris right now and Sotheby’s is having this year’s premiere dinosaur auction. A catalog listed as simply “Natural History,” it includes, well, a catalog’s worth of very old bones and fossils, with the highlight being a complete and gigantic allosaurus skeleton, posed in action in all its terrifying, sharp-toothed glory. According to ArtInfo, it’s expected to bring in a bid higher than $1 million, among the total collection said to be worth between five to just over six million dollars. If all of it sells, it will not only show that the old bones market has fully recovered and will make 2010 the official new “Year of the Dinosaur Sales.” For you dear reader, since the auction is currently running and you’re wasting valuable time, if the allosaurus is too expensive for you, or you already have one in your living room, might we recommend Lot 39, the rhinoceros skeleton? That’s complete too and should only set you back around $100,000.

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Design Within Reach Warehouse Sale Returns

dwr sale.jpgIn the town of Secaucus, New Jersey (which we like because it suggests a high-level meeting about oceans), there is a place where dreams are made—dreams of fully licensed, if slightly scuffed, design classics. We imagine this place to be at all times filled with directionally bespectacled people, many of whom as infants were soothed not by kitschy musical mobiles but by the comforting presence of a George Nelson Ball Clock. This place is the Design Within Reach Annex, which on Saturday, May 22, kicks off a two-day warehouse sale (restocked daily, they assure us). Grab a friend—preferably one with a car or better yet, a capacious private jet—and get there early, because DWR’s 12,000-square-foot discount design wonderland teems with “non-pristine” furnishings discounted up to 70% off retail price. As for carting that dinged Saarinen table home, you can arrange for delivery. DWR advises you to bring both a tape measure and an open mind.

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Majority of Wrights Eames Auction Canceled Due to Last Minute Lawsuit

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(Photo: Wright)

For months, we’ve been talking about the Wright‘s Charles and Ray Eames auction of the century, which would find the entire collection of the official Eames Office archivists, John and Marilyn Neuhart. Even just this week we were telling you to keep an eye out for the sale, which was such to fetch a few hundred thousand dollars at least and be all the talk of the modernism collectors. But at the last minute, a majority of the auction items were withdrawn, pulled due to a lawsuit filled by the Eames’ daughter Lucia, “asserting that the family owns the material.” According to her, the Neuharts had been trusted to maintain the collection and were never intended to have rights to sell off any of her parents’ pieces. In an interview with the Chicago Tribune, Marilyn Neuhart said she was disappointed by the move and added, “The family wants to make sure they control everything Eames. Anyone from the outside doing something with their work is subject to a lot of grief.” Wright pulled a large portion of the auction, but pieces not connected to the Neuharts still went on the block.

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Design Within Reach Holds Weekend Warehouse Sale

dwr sale.jpgIn the town of Secaucus, New Jersey (which we like because it suggests a high-level meeting about oceans), there is a place where dreams are made—dreams of fully licensed, if slightly scuffed, design classics. We imagine this place to be at all times filled with directionally bespectacled people, many of whom as infants were soothed not by kitschy musical mobiles but by the comforting presence of a George Nelson Ball Clock. This place is the Design Within Reach Annex, which on Saturday kicks off a two-day warehouse sale (restocked daily, they assure us). Grab a friend—preferably one with a car or better yet, a capacious private jet—and get there early, because DWR’s 12,000-square-foot discount design wonderland teems with “non-pristine” furnishings discounted up to 70% off retail price. As for carting that dinged Saarinen table home, you can arrange for delivery. DWR advises you to bring both a tape measure and an open mind.

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Wright Readies Eames Sale of the Century

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This set of ten DSRs—that’s Eames-speak for dining-height side chairs with a rod base—manufactured by Herman Miller in 1950 is among the lots in Wright’s upcoming Eames sale. (Photo: Wright)

Design fans, the time has come to liquidate your savings account, cash in what’s left of your 410(k), sell your old gold, ask Great Aunt Beatrix for an advance on your inheritance, and book a flight to Chicago, because Wright has assembled a Charles and Ray Eames bonanza, the likes of which will never be seen—or sold—again. Come April 8, the designtastic auction house will offer up fine specimens of signature Eames LCWs, DCWs, and DARs (check out this set of DCMs, custom-dyed in a fetching bluish green), but what really makes this sale special is the inclusion of a wealth of historical documents, photographs, models, and ephemera from the collection of John and Marilyn Neuhart, the official archivists of Eames Office output for more than 30 years.

The big-ticket lot is the Neuharts’ massive Eames archive. Estimated to sell for between $150,000 and $200,000, it includes more than 100 binders chock full of photos, copies, negatives, and clippings pertaining to everything Eames, from exhibition records and films to graphics and the Eames House. On a limited budget? How about a suitable-for-framing bunch of Eames Office ephemera, a Herman Miller stock certificate designed in 1970 by Deborah Sussman, or a black and white photo that captures Charles and Ray mid-chuckle with George Nelson, Alexander Girard, and the gang in 1975? Stop in to check out the merchandise beginning March 29. Make a beeline for the modular storage units Charles Eames designed with Eero Saarinen in 1940 for the Organic Design competition.

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Its Taschen Warehouse Sale Time!

reading time.jpgWe love a sale, and with the exception of a Chado Ralph Rucci sample sale (which exist only in our wildest dreams) and the annual Moss blow-out, our favorites take place at the handful of Philippe Starck-designed Taschen bookstores scattered around the globe. And Taschen warehouse sale time is again upon us, having started yesterday at most of the European outposts. The stateside sales (at the Taschen emporiums in Beverly Hills, Hollywood, and New York) begin today—which our trusty Pentagram calendar tells us is Friday—and run through Sunday, offering beautiful books of “art, anthropology, and aphrodesia” at 50% to 75% off their retail prices. Come early and wear your game face, because we may look sweet, but we will totally jump you for the last discounted display copy of Package Design Now!. Can’t get to a Taschen store? Check out the just-posted sale offerings online.

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Good KAWS: Kiehls Artist-Labeled Lotion Will Benefit RxArt

kaws+kiehls.jpgAs if you needed another good reason to purchase the fine formulations of Kiehl’s Since 1851, the L’Oreal-owned apothecary brand has launched a limited-edition holiday collection of its famed Creme de Corps that features label artwork by KAWS, the artist also known as Brian Donnelly. Better still, Kiehl’s is donating 100% of its net profits from the sale of the creatively labeled lotion to RxArt, which brings contemporary art to healthcare facilities. The label’s mix of color planes and cartoony gloved hands marked with an “X” is indicative of KAWS’s more recent paintings, which deconstruct his graphic signatures and trademark characters. The limited edition KAWS Creme de Corps is available in three sizes, and prices start at $26.50. “Continued use for 10 days will provide a skin texture heretofore unattainable,” promises Kiehl’s.

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Are You Cool Enough for Oakleys $4,000 Carbon Fiber Sunglasses?

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(Photos: Oakley)

CSix.jpgWe’re skeptical when clothing and accessories that aren’t designed for use in say, combat, come tucked inside large padded cases with glossy pamphlets and instructional CD-ROMs, but buying a pair of Oakley’s newest sunglasses will get you all that and more. The price tag? $4,000. But think of it as $2,000 per eye.

Crafted from pure carbon fiber, the C Six (named in a shout-out to carbon’s atomic number!) is “the most technically innovative sunglass ever created.” Oakley explains:

Specialists in building F1 racecars, the experts at Crosby Composites of London have been producing C Six frames with meticulous craftsmanship. To make just one, five-axis Computer Numeric Controlled machines spin diamond-tipped milling heads at 10,000 rpm, shaping a 40-layer billet of carbon fiber composite for more than 24 hours.

To deal with the rigid nature of finished components, Oakley engineered spinal structures of Beta Titanium memory metal to achieve precise zones of tuned flexibility. Radial cams augment the stem mechanics, and the lenses are a showcase of the best optical technologies ever invented.

Don’t even get them started on the hexalobular bolts! And if the sunglasses look familiar, it’s probably because you’ve seen them on Lance Armstrong (who sported one of the first pairs in July while competing in the Tour de France) or an armadillo. “We took examples from segmented creatures in the animal kingdom, said Peter Yee, senior design director at Oakley. “We looked at animals like the armadillo and studied how parts move and slide. It’s the same idea with armored suits—you have flexibility and function that remains protective.”

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What Time Is It, Eustace Tilley?: Time for a New Yorker Wristwatch

Eustace watch.jpgDon’t feel bad. It happens to the best of us: pesky professional and personal obligations prevent you from finishing that sweeping John McPhee piece. You miss Jeffrey Toobin‘s latest dispatch from the Annals of Law and lose all perspective on the Supreme Court. “If only I didn’t have to eat! To sleep!” you exclaim, shaking your fist at the sky. “Then I would be able to read every word of The New Yorker, every week, like architect Deborah Berke does.” The solution to your problem is simple: time management. Which is why the magazine of magazines has created the Eustace Watch, a Swatch-style timepiece that can be yours for $49.95. Presbyopic mascot Eustace Tilley keeps his monocled eye on things from the watch’s face, while the band—crafted from the finest vinyl—features a collage of classic covers from the magazine’s inaugural art director, Rea Irvin. “Vintage artwork and contemporary design go hand in hand (no pun intended) in our first-ever New Yorker wristwatch!” notes The New Yorker Store. No, we can’t picture anyone actually wearing one, either, but with a little luck, a Eustace Watch will make it into some sort of time capsule and really confuse the people of the future.

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Another Day, Another Graphic T-Shirt

ript.jpgIn a world of shrinking attention spans and contracting markets, a new breed of e-commerce company is banking on the one-shot deal: here today, gone tomorrow. One of our favorite newcomers to the fast-paced e-tail scene is RIPT Apparel, a Chicago-based online t-shirt shop that showcases one unique graphic t-shirt per day (yours for $10 plus $2.50 shipping in sizes ranging from small to 3XL) along with information about the artist behind the design. Since the site’s launch in June, we’ve been impressed by the diverse bunch of wearable graphics, which have included Romanian illustrator Liviu Matei‘s Frank Kline-y take on the Japanese flag, an aviating platypus, a killer popcorn popper, and robots, lots and lots of robots. After 24 hours, each shirt “rests in peace forever,” explains TJ Mapes, RIPT’s web director. Think of it as Threadless with ADD.

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