The Leaf House by SJK Architects

Concrete canopies shaped like leaves shelter the rooms of this house in the coastal town of Alibaug, India, by SJK Architects (+ slideshow).

The Leaf House by SJK Architects

Mumbai studio SJK Architects designed the home for a family, dividing the living spaces into five rooms that fan out around a central courtyard and large tree.

Supported by angled steel columns, the concrete roof canopies shelter all five rooms, which include four spaces surrounded by glazing and an open-air living room bordered by a lily pond and pool.

The Leaf House by SJK Architects

“The client enjoyed the idea of pods [that were] overlapping but distinct to house each part of the home,” the architects said. “They [wanted] the journey between pods to be a sculpted open space encompassing native trees.”

One of the pods accommodates a second living room, while the others house a kitchen, a childrens’ room and master bedroom. The two sleeping pods also have their own private courtyards.

The Leaf House by SJK Architects

Wooden doors fold back to open rooms out to the garden, plus glazed walls could be removed to create more open spaces.

“The lack of symmetry allows for walls to move as needed, open as needed and break into skylights or movable walls when required,” said the architects. “This allows sun and wind to enter the pods in the right amount, so that the quality of indoor light and air is dramatic and comfortable.”

The Leaf House by SJK Architects

Polished concrete floors feature throughout the house. The architects also tried to retain most of the existing plants on the site, including a number of coconut, neem and mango trees.

The Leaf House by SJK Architects

Other tree-like architecture on Dezeen includes a pavilion in Australia with roof sections that resemble fallen leaves and a house in London covered with hand-crafted bronze leaves.

See more architecture in India »

The Leaf House by SJK Architects

Photography is by Rajesh Vora.

Here’s a project description from the architects:


The Leaf House

Across the harbour from the chaos of Mumbai lies the coastal area of Alibaug – a 45 minute boat ride away from crowds, 22 million people and the lowest open space ratio in the world.

Our project – to create a family home of 650sqm on a 1.3 acre plot of land at the base of the hills, but far removed from the sea. Land lush with the native coconut, mango and neem trees, and peers up at the sunrise on the eastern hills above it. It was a beautiful property – we wanted to include the hills and trees and the gentle winds – the leaves strewn over the earth were the perfect cue.

The Leaf House by SJK Architects

The form of the leaf – gentle but sloping was perfect and our very first sight of the plot yielded a site plan made of dried leaves. The Client enjoyed the idea of pods – overlapping but distinct, to house each part of the home, and the journey between pods, to be sculpted open space encompassing native trees. The clump of neem, bhend and coconut became the centre – an unstructured but designed courtyard, and each pod was created with an eye to the sun and the winds.

The Leaf House by SJK Architects

The “leaf” roofs open and rise to the north and the east and protect lower and deeper on the south and the west – the southwest monsoon is a formidable factor as is the sun on these faces. The critical design of the leaf – structurally, climatically and then ergonomically entailed innovation at every step.

The Leaf House by SJK Architects

The first-structural, involved the use of dense concrete and a steel web, to generate beamless, leaf-shells, supported over steel columns filled with concrete. Retaining the natural colour and texture of every material- concrete, steel, to endure the tropical rain and sun required research into clear chemical coatings that would endure and embellish.

The Leaf House by SJK Architects

The roofs were 3D modelled extensively to ensure that sun & rain and overlapping heights worked seamlessly. And then the ergonomics to allow doors, windows and cupboards that still adhered to orthogonal principles to sit cozily in the unorthodox leaf.

The Leaf House by SJK Architects

The pallet of materials – concrete, steel, linseed oil polished wood and natural limestone was kept subdued to focus on the light, the form and the enthralling nature around encompassing the structure. The simplicity of every other element to ensure the pure experience of space, form light and nature was a deliberate pursuit. However, there was a constant dialectic between creating rules and breaking them. We enjoyed the form but never allowed it to play dictator.

The Leaf House by SJK Architects

Each pod has played with different rules depending on need and circumstance. The lack of symmetry allows for walls to move as needed, open as needed and break into skylights or movable walls when required. This allowed for sun and wind to enter the pod in the right amount, so that quality of indoor light and air is dramatic and comfortable. The landscape for the house was carefully designed to augment the existing natural flora and fauna.

The Leaf House by SJK Architects
Site plan – click for larger image

Local plant varieties were used – and nothing exotic was even considered lest it compete for attention or resources with the existing mango, coconut and neem. We used lemon grass extensively to counter mosquitos, and retain the simplicity of language. Rain water harvesting was important on this land where the bore wells ran dry most of the year. We have gathered all rain water run off into underground trenches and canals, and fed the bore wells to very good results.

The Leaf House by SJK Architects
Floor plan – click for larger image

The house began as an exploration of natural forms, built and designed to sit in nature. It encountered the manmade constructs of doors, windows and domestic gizmos – the orthogonal products of an industrial economy. Navigating and refining this encounter, into a serene and natural environment for a family to live in complete comfort, embedded in nature, was the challenge of this project.

The Leaf House by SJK Architects
Section – click for larger image

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House in Hyogo by Shogo Aratani Architect & Associates

This house in Hyogo, Japan, by local architect Shogo Aratani is made up of overlapping concrete slabs that accommodate an interior of staggered floors and ramped corridors (+ slideshow).

House in Hyogo by Shogo Aratani Architect & Associates

The three-storey house is located at the junction of two roads, one inclining gently upwards and another sloping down, and Shogo Aratani wanted to use these existing levels to generate the floors inside the building.

House in Hyogo by Shogo Aratani Architect & Associates

“We thought that a new development of another level was pointless,” he said. “It was more natural to follow the context.”

House in Hyogo by Shogo Aratani Architect & Associates

The architect designed a split-level floorplate that corresponds with the highest and lowest parts of the road, then incorporated a mediating floor between that matches the level of a neighbouring plot.

House in Hyogo by Shogo Aratani Architect & Associates

“The activities brought out from the characteristics of this site constitute this building, rather than the building determining people’s movements,” added Aratani.

House in Hyogo by Shogo Aratani Architect & Associates

A network of staircases and slopes connects the three ground-floor levels, and also lead up to a pair of bedrooms on the first floor.

House in Hyogo by Shogo Aratani Architect & Associates

Angular concrete forms emphasise the non-linear arrangement, creating sliced window openings through both the walls and rooftops.

House in Hyogo by Shogo Aratani Architect & Associates

Other concrete houses we’ve featured from Japan include one designed for a resident in a wheelchair and one designed to be deliberately alien to its neighbours.

House in Hyogo by Shogo Aratani Architect & Associates

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House in Hyogo by Shogo Aratani Architect & Associates

Photography is by Shigeo Ogawa.

Here’s a project description from the architects:


House in Hyogo

The site is located on a corner lot of a fancy residential area on a hill, and faces toward sloped roads on the west and north sides. This residential area was developed about a half century ago. As time has passed, small-scale developments have been undertaken due to dividing and uniting lots.

House in Hyogo by Shogo Aratani Architect & Associates

Just like the other sites, due to an arbitrary assumption of the developer, this site also has a recently built high wall on the west side, as if rejecting an approach to the site. However, construction of an in-ground garage may have been assumed, and there is level land and a slope to connect the 3m height difference on the southwest side. There is also a slope from the road on the north side, and the flat ground is about 1m high. The flat ground was probably set based on the neighbouring lot.

House in Hyogo by Shogo Aratani Architect & Associates

Therefore, this lot has 3 levels due to the relationship between the roads on the west and north sides, and the neighbouring lot. We thought that a new development of another level was pointless. No matter what the situation was, the context of this location included the current situation and it was more natural to follow the context. Three floor levels, adjusted to each height, were individually made. By connecting these, the entire space was constituted.

House in Hyogo by Shogo Aratani Architect & Associates

Based on the required volume, the three areas were partly layered and connected with stairs and slopes from the entrance to the roof. Volume studies were conducted in order to create a form to materialise such activities. The activities brought out from the characteristics of this site constitute this building, rather than the building determining people’s movements. As a result, the building was constituted with three crisscrossed monolithic forms, as if they were responding to the road on the west side that slopes up from south to north.

House in Hyogo by Shogo Aratani Architect & Associates

The west-side volume in the lowest part of the site has an entrance and a guestroom, and the southeast volume in the highest part has private spaces such as a bedroom. The third volume connects them and also has a garage that is accessible from the north side, and a living space that is the centre of living.

House in Hyogo by Shogo Aratani Architect & Associates

Location: Hyogo, Japan
Date of Completion: July, 2013
Principal Use: House
Structure: Reinforced Concrete
Site Area: 359.64m2
Building Area: 166.23m2
Total Floor Area: 202.80m2 (47.61m2/BF, 119.33m2/1F, 35.86m2/2F)
Structural Engineer: S3 Associates Inc.
Construction: Atelier Eight Co., Ltd.

House in Hyogo by Shogo Aratani Architect & Associates

Exterior Finish: Exposed Concrete / Repellents
Floor: Medium Density Fiberboard t6 / Oil Paint
Wall: Plasterboard t12.5 / Emulsion Paint
Ceiling: Wooden Fibre Cement Board t15 / Heat Insulation t50

House in Hyogo by Shogo Aratani Architect & Associates
Level one plan – click for larger image
House in Hyogo by Shogo Aratani Architect & Associates
Level two plan – click for larger image
House in Hyogo by Shogo Aratani Architect & Associates
Level three and four plan – click for larger image
House in Hyogo by Shogo Aratani Architect & Associates
Sections – click for larger image
House in Hyogo by Shogo Aratani Architect & Associates
Sections – click for larger image
House in Hyogo by Shogo Aratani Architect & Associates
South and west elevations – click for larger image
House in Hyogo by Shogo Aratani Architect & Associates
North and east elevations – click for larger image

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Art Warehouse in Boeotia by A31 Architecture

A smooth, curved concrete shell forms the exterior of this art studio in Boeotia, central Greece by Athens studio A31 Architecture (+ slideshow).

Art Warehouse in Boeotia by A31 Architecture

A31 Architecture designed the space as a combined studio and gallery for an artist, creating a place adjacent to his home where he can hang paintings and simultaneously construct large sculptures.

Art Warehouse in Boeotia by A31 Architecture

A wooden door is set into the double-height glass-fronted entrance, accessed by an open concrete patio area.

Art Warehouse in Boeotia by A31 Architecture

Inside, floating steps protrude out from the side of one wall in the large downstairs workspace, leading to a mezzanine attic level that is used for storage.

Art Warehouse in Boeotia by A31 Architecture

The concrete steps also double as exhibition space for small sculptures.

Art Warehouse in Boeotia by A31 Architecture

Thin sections of concrete have been cut from the exterior to form windows and the blocks that were removed are now in use as benches and plinths.

Art Warehouse in Boeotia by A31 Architecture

“The space created is open, friendly, solemn, and simple,” said architect Praxitelis Kondylis. “It forms part of the nature as if it has been standing there for ages.”

Art Warehouse in Boeotia by A31 Architecture

Other warehouses we’ve featured include one with an orthogonal exterior made from clay bricks infused with metal shavings, a former slaughterhouse with reclaimed roof tiles and a textile warehouse clad in white stone.

Art Warehouse in Boeotia by A31 Architecture

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See more architecture and design in Greece »

Art Warehouse in Boeotia by A31 Architecture

Photography is by Yiannis Hadjiaslanis.

Art Warehouse in Boeotia by A31 Architecture

Here’s a project description from the architects:


Art Warehouse in Boeotia, Greece

The Artist’s warehouse is a monolithic Modern structure. Its orthogonal plan is divided into three zones: firstly, the cantilever with the balcony in the south, where the entrance is situated. Secondly, the artist’s workspace and finally the attic in the north which serves as a storage space.

Art Warehouse in Boeotia by A31 Architecture
Site plan – click for larger image

A straight staircase connects the two levels, while the cantilevered concrete steps can serve as exhibition stands for the artist’s work.

Art Warehouse in Boeotia by A31 Architecture
Ground floor and mezzanine plans

The most important demand was an open space structure of a significant height suitable to the needs of the artist in order for him to hang paintings and construct huge sculptures.

Art Warehouse in Boeotia by A31 Architecture
Section

Another wish has been the integration of the new structure with the surrounding nature. A part of the landscape was incorporated in the open-space sculpture gallery, hosting the artist’s creations.

Art Warehouse in Boeotia by A31 Architecture
Detailed end section

The space created is open, friendly, solemn, and simple. It forms part of the nature as if it has been standing there for ages. It’s dome, a timeless and interregional architectural coronation element spanning from antiquity to Modernism, interacts with the intimate space of the artists house, the “cell”.

Art Warehouse in Boeotia by A31 Architecture
East facade

The wall openings, which relate to the Sun’s trajectory, the interior lighting and the ventilation, stem from transverse horizontal sections in the building shell. The sliced concrete blocks that are removed now function as benches for people and pedestals for sculptures.

Art Warehouse in Boeotia by A31 Architecture
West facade

Architect: A31 Architecture (Architect and project author – Praxitelis Kondylis)
Structural Design: A31 Construction (Engineer – Panagiotis Karras)
Construction: A31 Architecture and Construction Ltd
Plan Area: 4.000 m2
Building Area: 75 m2
Budget: 70.000 Euros
Client: Alexander Liappis, Painter
Spot: Dilesi, Boeotia, Greece

Art Warehouse in Boeotia by A31 Architecture
End facade

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Concrete Purity

We usually imagine exposed concrete as being dull, grey and stark…beautiful qualities in their own right. But Crisp concrete tiles break the stereotype with a visual effect not usually associated with the material. Their glassy, reflective character is made possible with micro-refractions in waveform induced by small triangles that compose the surface. The result is a modern, delicate-looking finish with the same structural integrity as classic concrete.

Designer: Levi Fignar


Yanko Design
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(Concrete Purity was originally posted on Yanko Design)

Related posts:

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  2. Concrete Pod by Kazuya Morita
  3. The Wonders of Concrete


    



Khopoli House by SPASM Design Architects

Local basalt stone mixed into the concrete used to construct this holiday home in India helps to connect it with its mountainous site (+ slideshow).

Khopoli House by Spasm Design Architects

Mumbai firm SPASM Design Architects took its cue from the dark tones of the basalt which surrounds the site on a rocky hillside in the Maharashtra region.

Khopoli House by Spasm Design Architects

“We chose to build the house as an accretion on this rocky basalt outcrop with the same inherent material transformed,” the architects said, explaining how they mixed water, sand, cement and granular basalt to cast the thick raw walls.

Khopoli House by Spasm Design Architects

The use of robust concrete for the Khopoli House was dictated by the drastic climatic changes that the region experiences, which include high temperatures in the summer and heavy rainfall during the monsoon season, while natural stone was used for key details like flooring.

Khopoli House by Spasm Design Architects

“Stone has been used in many forms, based on use, wear, grip, texture,” said the architects. “The dark, saturated black matt-ness conjures a cool sense of refuge and calm.”

Khopoli House by Spasm Design Architects

The house perches on the edge of a cliff with views of the distant hills, which are framed by the walls on either side of a vertiginous projecting swimming pool.

Khopoli House by Spasm Design Architects

A cantilevered concrete overhang marks the entrance to the house and creates a sheltered outdoor space with a suspended sofa.

Khopoli House by Spasm Design Architects

The living and dining area is located in a void between the building’s two wings, with blinds enabling this space to be closed off when required.

Khopoli House by Spasm Design Architects

The entrance hall and dark passages give the interior an intimate feel, while a stone-lined staircase leads to a guest bedroom and bathroom buried in the rocky hillside.

Khopoli House by Spasm Design Architects

Other architectural projects that celebrate stone include an apartment block in Iran made from offcuts from a local stonecutting business and a house in England with a sliding stone wall.

Khopoli House by Spasm Design Architects

Mumbai practice WE Design Studio has designed a coastal holiday home built on top of a basalt stone retaining wall with views of the Arabian Sea, while another Mumbai practice, Rajiv Saini + Associates, has created a single-storey house with a scooping cantilevered concrete roof.

Khopoli House by Spasm Design Architects

See more stories about stone »
See more stories about India »

Khopoli House by Spasm Design Architects

Here’s some more information from the architects:


The house cast in liquid stone

A second home on a rocky outcrop at the start of the western ghats (highlands), Khopoli, in Maharashtra, India. An area of high precipitation in the monsoons, and equal heat during the summers, the site changes remarkably from March to July, with the onset of the south westerly monsoons.

Khopoli House by Spasm Design Architects

Basalt the local black rock of the region is what this site was about. We chose to build the house as an accretion on this rocky basalt outcrop with the same inherent material transformed. An outgrowth which was made of a mix of water, sand, cement and the granular basalt. Concrete finely honed to serve as refuge, to face the climatic changes that the site offered.

Khopoli House by Spasm Design Architects

The house was conceived as a cast for human occupation, a refuge which trapped the views, the sun, the rain, the air, and became one with the cliff edge it stood on. Akin to the growth of a coral, the substance of the walls and roof dictate the experience of inhabiting the site.

Khopoli House by Spasm Design Architects

Stone has been used in many forms, based on use, wear, grip, texture. The dark, saturated black matt-ness conjures a cool sense of refuge and calm.

Khopoli House by Spasm Design Architects

Photographs cannot express the sense of weight when one approaches, or the sense of release at the edge of the pool at the far end of the open terrace, the feeling of burrowing deeper enroute, past the stacked stones, to the lower bedroom.

Khopoli House by Spasm Design Architects

The house, a cast, an object for living, whatever you may call it, has transformed into a belvedere to minutely observe and sense the spectacle of nature, of shade as a retreat against the sharp tropical sun, the resurgence of life, a sudden BURST of green, when the hard pounding monsoon arrives, the waft of breezes filling the air with the fragrance of moist earth, the movement of stars across the very dark night skies.

Khopoli House by Spasm Design Architects

To heighten the drama of the the site through what we build, without building a dramatic building!

Lead Architects: SPASM Design Architects
Design Team: Sangeeta Merchant, Mansoor Kudalkar, Gauri Satam, Lekha Gupta, Sanjeev Panjabi
Location: Khopoli, Maharashtra, India.
Contractors: IMPEX Engineers, Mumbai
Engineers: Rajeev Shah & Associates (structural)
Site Area: 19,950 sq.mts.
Total Built Area: 638 sq.mts.
Design Period: November 2009 – Oct 2010
Construction Period: May 2011 – May 2013
Photographs: Sebastian Zachariah, Denver, Tanmay, Gauri

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Kairos Pavilion by João Quintela and Tim Simon

An austere concrete pavilion in Lisbon with a staggered corridor and a hidden courtyard will host events and exhibitions during the Lisbon Architecture Triennale, which kicks off next month (+ slideshow).

Kairos Pavilion by João Quintela and Tim Simon

Designed by Portuguese architect João Quintela and German architect Tim Simon, the Kairos Pavilion is a permanent structure built from prefabricated concrete blocks that slot together without any adhesives or fixings.

Kairos Pavilion by João Quintela and Tim Simon

A single large window punctures every elevation of the rectilinear structure, each leading into a corridor that lines the perimeter. This walkway steps both up and down, transforming from a sunken shelter into a raised viewpoint.

Kairos Pavilion by João Quintela and Tim Simon

The highest points of the walkway offer views down into the centre of the pavilion, where a square courtyard functions as a stage for exhibitions, speakers or musical performances.

Kairos Pavilion by João Quintela and Tim Simon

The floor of this space is also set down by 20 centimetres to accommodate a shallow pool of water, forming a mirror that reflects an image of the sky above.

Kairos Pavilion by João Quintela and Tim Simon

The architects describe the project as an experiment with scale, light and time. “It’s an investigation about proportions and the relationship between the small scale of the isolated module and the large scale of the whole building itself in relation with the context,” they said.

Kairos Pavilion by João Quintela and Tim Simon

Named Kairos, the building first opened in 2012 and has been used to host projects and talks by architects such as Alberto Campo Baeza, Aires Mateus and Pezo von Ellrichshausen. It will also feature in the Lisbon Architecture Triennale 2013, which runs from 12 September to 15 December – more details in our earlier story.

Kairos Pavilion by João Quintela and Tim Simon

Other concrete pavilions featured on Dezeen include a ribbed structure at the University of Porto and a playground pavilion in Dallas, Texas.

Kairos Pavilion by João Quintela and Tim Simon

See more pavilions on Dezeen »
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Kairos Pavilion by João Quintela and Tim Simon

Photography is by Diana Quintela.

Read on for more information from the design team:


KAIROS Pavilion, Lisbon, Portugal

Synopsis

KAIROS is a project created in 2012 by the architects João Quintela and Tim Simon in partnership with the company’s prefab concrete Gracifer and with the Lisbon Architecture Triennale’s support as an answer to an inhibitor and unsustainable social and economic context, with the aim of encouraging, generating and presenting exhibitions in which Space appears as the central theme.

Kairos Pavilion by João Quintela and Tim Simon

It’s a pavilion – non-profit project – that intends to receive site-specific installations proposed by architects and artists. These projects should be created as an original work developed for this space exploiting its characteristics and dialoguing with the ambiences through their own and personal research.

Kairos Pavilion by João Quintela and Tim Simon
Axonometric diagram

Following this concept, and moving away from the institutional circuit of museums and galleries, the space is intended to be public, free and open to all the participants and proposals that want to integrate the exhibition’s calendar and by this generate the meeting and interaction between different and multidisciplinary projects.

The invitation to participate and submit proposals in KAIROS Pavilion is open to architecture, fine arts, performance, theatre, music and other artistic languages in which the participants feel that fits inside this concept contributing to approach creators and public.

Kairos Pavilion by João Quintela and Tim Simon
Floor plan

Project

To the linear and chronological time ‘CHRONOS’ opposes ‘KAIROS’, an undefined and symbolic time which cannot be measured except by its quality.

The building wants to put two apparently irreconcilable times in dialogue. Since the very ancient periods buildings aspire to the idea of the ‘eternal’ through a spatiality and materiality able to resist time. The great temples and cathedrals, completely made out of natural stone, continue to coexist with the contemporaneity. Concrete constructions represent undoubtedly the legacy of modernity and they recover as well this symbolic idea of eternity.

Kairos Pavilion by João Quintela and Tim Simon
Cross section through courtyard

This confront between the temporary and the eternal is something worth researching through a general view to the possibilities that our time can offer us. This prefab solution is capable to deal simultaneously with these two aspects as it allows us working with a durable and resistant material dialoguing with continuous Time, through a modular construction and an easy assembly or disassembly.

KAIROS, created by João Quintela and Tim Simon, appears as a result of a spatial research referenced in history through the use of Matter, Light and Time. The Matter of the Concrete, the Light of the Sun and the Time built from both. It’s an investigation about proportions and the relationship between the small scale of the isolated module and the large scale of the whole building itself in relation with the context.

Kairos Pavilion by João Quintela and Tim Simon
Cross section through stairs

The space is built by a very easy and primitive constructive system of overlapping and joining pieces, taking advantage of their own weight without using any glue or screws. It’s a square plan building with an inside square patio. Thus, there exists a perimeter all around that consists in a path developed both on the lower and upper level, generating two similar spaces with completely antagonistic ambiences. One is covered and black while the other is exterior and bright.

Kairos Pavilion by João Quintela and Tim Simon
Elevation

The inner patio is defined by the mirror created through the water inside which reflects the sky and duplicates the space. This becomes the central element, inaccessible and contemplative, able to freeze time and build an intimate moment, a dialogue with the past. Becomes the most significant space and acquires symbolism due to his impossible conquer.

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PINC Pavilion by Clínica de Arquitectura

Portuguese studio Clínica de Arquitectura has installed a pavilion with 12 concrete ribs in a garden at the University of Porto (+ slideshow).

PINC Pavilion by Clínica de Arquitectura

The PINC Pavilion was designed by Clínica de Arquitectura for use as a meeting place and events venue for everyone at the University of Porto’s Park of Science and Technology (UPTEC), which functions as both an innovation centre and an incubator for start-up businesses.

PINC Pavilion by Clínica de Arquitectura

Located amongst the trees of a previously neglected garden, the pavilion is encased by a row of regular concrete frames that are intended to reference architectural ruins.

PINC Pavilion by Clínica de Arquitectura

“The pavilion is drawn with an open and permeable structure, framed by existing trees,” said the architects. “A structure without any coating, inspired by the images of the timeless ruins, it should merge with the garden over the time.”

PINC Pavilion by Clínica de Arquitectura

Clear glass panels infill the gaps between the ribs, while the rear interior wall is lined with chunky chipboard panels.

PINC Pavilion by Clínica de Arquitectura

Red-painted doors lead into the building at both ends, while a small concrete block extends from a square window on the rear facade, creating a small outdoor seating area.

PINC Pavilion by Clínica de Arquitectura

The pavilion is also set to be used as a dining room, a training centre or just as a quiet retreat for individuals.

PINC Pavilion by Clínica de Arquitectura

Other university pavilions of interest include a stone-clad events building at Tilburg University in the Netherlands and a cardboard pavilion at the IE School of Architecture and Design in Madrid by Shigeru Ban.

PINC Pavilion by Clínica de Arquitectura

See more pavilions on Dezeen »
See more architecture and design from Porto »

PINC Pavilion by Clínica de Arquitectura

Photography is by Alexandre Delmar.

Here’s a project description from Clínica de Arquitectura:


PINC – Pole for the Creative Industries of Park of Science and Technology, University of Porto – quickly became a space of great dynamism of Porto. A recognised centre for the creation and production of events and contacts.

PINC Pavilion by Clínica de Arquitectura

It became necessary to create a meeting point, aggregating all who work there, its customers, partners and friends. A space that should be open and flexible, able to serve as pantry for the everyday meals, but also for the moments of relaxation or discussion, meeting and training, this new building should serve all sorts of events and training.

PINC Pavilion by Clínica de Arquitectura

This leads to the new PINC Pavilion, built in a forgotten centennial garden, a romantic memory of the old Quinta do Mirante.

PINC Pavilion by Clínica de Arquitectura
Site plan

The pavilion is drawn with an open and permeable structure, framed by existing trees. A structure without any coating, inspired by the images of the timeless ruins, such like these, it should merge with the garden over the time. Inside of the pavilion, by contrast, warm colours of wood based panels and the red doors fit a welcoming environment. At night, this environment expands to the garden by the hand of warm light, which overflows to the outside through glass surfaces.

PINC Pavilion by Clínica de Arquitectura
Floor plan – click for larger image

Name: PINC Pavilion
Function: Pantry and formation room
Area: 70 sqm
Work conclusion: December of 2012
Client: UPTEC
Architecture: Clínica de Arquitectura (architects Pedro Geraldes, Nuno Travasso and João Silva)
Landscaping: Maria Luís Gonçalves
Coordination: SWark
Contractor: SHIFT Empreitadas

PINC Pavilion by Clínica de Arquitectura
Cross section – click for larger image
PINC Pavilion by Clínica de Arquitectura
Long section – click for larger image
PINC Pavilion by Clínica de Arquitectura
Elevation – click for larger image

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Bullet Collection by Studio Itai Bar-On

Israeli designers Studio Itai Bar-On formed this collection of conical lights from pigmented concrete.

Bullet Collection by Studio Itai Bar-On

Studio Itai Bar-On‘s Bullet Collection includes a series of concrete lamps in different sizes, tones and finishes.

Bullet Collection by Studio Itai Bar-On

Conical shades are topped with a rounded cap and a translucent perspex disk is fixed over the base to soften the light.

Bullet Collection by Studio Itai Bar-On

The lamps can be suspended from the ceiling or laid on the floor.

Bullet Collection by Studio Itai Bar-On

The lamps come in white, grey, dark grey, orange, blue and yellow.

Bullet Collection by Studio Itai Bar-On

Bubbles that formed in the mixture are visible as holes on the surfaces, which can be polished or left raw.

Bullet Collection by Studio Itai Bar-On

Some unusual uses of concrete we’ve featured include a collection of furniture and a stationery set.

Bullet Collection by Studio Itai Bar-On

In our most recent stories about lamps, one resembles a dining cloche lifted into the air and another is soft enough to be used as a cushion.

Bullet Collection by Studio Itai Bar-On

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Summerhouse Lagnö by Tham & Videgård Arkitekter

A row of raw concrete gables give a zig-zagging profile to this summer house by Swedish studio Tham & Videgård Arkitekter on an island in the Stockholm archipelago (+ slideshow).

Summerhouse Lagnö by Tham & Videgård Arkitekter

Oriented towards the bay, the wide and shallow house was designed by Tham & Videgård Arkitekter to stretch across its site like a line of boathouses, creating five pitched rooftops with varying proportions.

Summerhouse Lagnö by Tham & Videgård Arkitekter

One of the middle gables comprises a glass canopy, sheltering a terrace that splits the building into two separate volumes. This space functions as the houses’s entrance and offers an aperture from the edge of the forest towards the seafront.

Summerhouse Lagnö by Tham & Videgård Arkitekter

Rather than following the timber-clad aesthetic shared by many of the archipelago’s houses, architects Bolle Tham and Martin Videgård chose a plain concrete construction with seamless eaves and minimal detailing.

Summerhouse Lagnö by Tham & Videgård Arkitekter

“The client’s desire for a maintenance-free house inspired us to search for a way to design the house as an integral part of nature, where the material’s weight and colour scale connects to the archipelago granite bedrock, rather than a light wooden cottage,” they explained.

Summerhouse Lagnö by Tham & Videgård Arkitekter

The concrete was cast against plywood boards, giving a subtle grain texture to the surface. This is complemented by ash window frames and wooden furniture.

Summerhouse Lagnö by Tham & Videgård Arkitekter

The largest of the two volumes accommodates a living and dining room that spans three of the gables.

Summerhouse Lagnö by Tham & Videgård Arkitekter

Wooden doors slide open to reveal additional rooms behind, including three bedrooms, a bathroom and a kitchen. Ceilings inside some of the rooms are shaped into gables, extended from the main roofline, and many feature opening skylights.

Summerhouse Lagnö by Tham & Videgård Arkitekter

The smaller second volumes contains a guest bedroom and bathroom, with an outdoor swimming pool just beyond. There’s also a concrete sauna located closer to the coastline.

Summerhouse Lagnö by Tham & Videgård Arkitekter

Tham & Videgård Arkitekter is based in Stockholm. Other residences completed by the studio include an apartment with a colour scheme based on changing seasons and a hotel suite inside a mirror-clad treehouse.

Summerhouse Lagnö by Tham & Videgård Arkitekter

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Summerhouse Lagnö by Tham & Videgård Arkitekter

Photography is by Åke E:son Lindman.

Summerhouse Lagnö by Tham & Videgård Arkitekter

Here’s a project description from Tham & Videgård Arkitekter:


Summerhouse Lagnö

The setting is the Stockholm archipelago, natural ground sloping gently down to the sea in the south, mostly open with a few trees and bushes. Unlike other projects we worked on located on more isolated islands in the archipelago without car access from the mainland, this site was relatively easy to reach also with heavy transports. This, together with the client’s desire for a maintenance-free house inspired us to search for a way to design the house as an integral part of nature, where the material’s weight and colour scale connects to the archipelago granite bedrock, rather than a light wooden cottage. The two building volumes are placed side by side and form a line that clarifies their position in the landscape, just at the border where the forest opens up out onto the bay. When approached from the north, the entrance presents itself as an opening between the buildings giving direction towards the light and water. It is a first outdoor space protected from rain by a pitched canopy of glass.

Summerhouse Lagnö by Tham & Videgård Arkitekter

The exterior character of the house is derived from a number of transverse gable roofs, which connect to each other, and like boathouses in a line form a pleated long facade. This provides a sequence of varied room heights for the interior and create places in the otherwise completely open living room that stretches through the entire length of the main building. With a relatively shallow room depth and a continuous sliding glass partition out to the terrace, the space can be described as a niche in relation to the archipelago landscape outside. The small rooms are located along the north façade with access through a wall of sliding doors. They are lit by openable skylights and form smaller pitched ceiling spaces within the main roof volume.

Summerhouse Lagnö by Tham & Videgård Arkitekter

Terrace, interior floors and facades are made of exposed natural coloured in situ cast concrete with plywood formwork. The interior is painted white with woodworks in ash. A sauna, a detached block of in situ cast concrete with a wooden interior, offers a secluded place near the beach and pier.

Summerhouse Lagnö by Tham & Videgård Arkitekter
Site plan – click for larger image

Architects: Tham & Videgård Arkitekter
Team: Bolle Tham and Martin Videgård, (chief architects), Anna Jacobson (project architect)
Interior: Tham & Videgård Arkitekter
Landscape design: Tham & Videgård Arkitekter
Structural engineer: Sweco, Mathias Karlsson
Built area: 140 sqm
Project: 2010
Completion: 2012

Summerhouse Lagnö by Tham & Videgård Arkitekter
Floor plan – click for larger image
Summerhouse Lagnö by Tham & Videgård Arkitekter
Long sections – click for larger image
Summerhouse Lagnö by Tham & Videgård Arkitekter
South elevation – click for larger image
Summerhouse Lagnö by Tham & Videgård Arkitekter
North elevation – click for larger image

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Biokilab Laboratories by Taller Básico de Arquitectura

Spanish architects Taller Básico de Arquitectura hoisted this pair of concrete laboratories in northern Spain onto red metal stilts (+ slideshow).

Biokilab Laboratories by Taller Basico de Arquitectura

Taller Básico de Arquitectura used the red structures to create flat levels for the box-shaped labs, which sit on a gently sloping site at a technology park in Vitoria, close to Bilbao.

Biokilab Laboratories by Taller Basico de Arquitectura

Two beams cross beneath each block so the columns sit under the middle of each external wall. Each wall features a single square window or doorway.

Biokilab Laboratories by Taller Basico de Arquitectura

The square boxes sit at a slight angle to one another, almost touching but connected by a short bridge that’s glazed on the sides and above.

Biokilab Laboratories by Taller Basico de Arquitectura

The first block contains two small rooms and places to sit, while the second is a single open research space filled with work benches.

Biokilab Laboratories by Taller Basico de Arquitectura

Black window frames stand out against the clinical white interior.

Biokilab Laboratories by Taller Basico de Arquitectura

Taller Básico de Arquitectura have also designed a university complex in Zaragoza with a facade of overlapping white scales.

Biokilab Laboratories by Taller Basico de Arquitectura

We’ve also featured an earthquake-proof research laboratory in Tokyo and the world’s first mobile research facility in Antarctica.

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Here’s some additional information from the architects:


Biokilab Laboratories

Two boxes in the air and a structure as architecture

The technologic Park of Vitoria colonises a little bit of nature. The quality of the site and its steepness make us question where to build. Two boxes made from air rise above the slope. The structure become architecture carries on its shoulders these boxes, showing a new plane.

Biokilab Laboratories by Taller Basico de Arquitectura

We investigate new ways of entering new places. Our place appears on a new level, determined by a four-legged and colourful structure. Two hollow boxes of concrete inhabit this new place on the structure. The whole complex in a permanent flight reveals a new gravity.

Biokilab Laboratories by Taller Basico de Arquitectura

Quadruped anatomies

The metallic structure that raises the boxes in the air is a quadruped structure. Its two horizontal elements form a cross inscribed in the square floor of the boxes. The sides of these floors measure twelve and thirteen meters respectively. The horizontal beams where the boxes rest avoid any interlocking.

Biokilab Laboratories by Taller Basico de Arquitectura

Consequently, the structure is visible in its entirety. The ends of the beams join vertical elements, which become the legs of this quadruped anatomy. Legs are as wide as beams, managing a continuity that makes all the pieces be understood as a unique element. Different lengths of the legs let the slope remain unaltered.

Biokilab Laboratories by Taller Basico de Arquitectura
Floor plan – click for larger image

The structure of the box

The box is thought as a second structure that replaces walls with beams and roofs with double slabs. The vertical faces of the box are beams as high as the box. These wall-beams have only one hole, defined by the maximum dimensions that let the beams work properly. Outside, the concrete structure is visible on all faces of the box.

Biokilab Laboratories by Taller Basico de Arquitectura
Long section – click for larger image

Inside, plasterboards cover the structure. The window frame, drawn as a single line, stays hidden between both sheets. The gap between sheets, both in walls and slabs, contains all building systems, as plumbing, electricity, voice and data. This net of systems solves the flexibility needed by the laboratory for its continuous transformation.

Biokilab Laboratories by Taller Basico de Arquitectura
Cross section – click for larger image

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