Office in a former strip club featuring concrete cast against bubble wrap

Swedish designers Toki Drobnjakovic and Per Sundberg have renovated an underground strip club in Stockholm to create a workplace where walls are embellished with concrete set against bubble wrap (+ slideshow).

Subterranean Concrete Orgy by Studioverket

A staircase covered in hexagonal concrete leaves, a wall of plants and a torso-shaped sculpture are just some of the additions to the former Blue Star bar, which is now named Studioverket, and functions as both the designers’ studio and as a flexible co-working space for freelancers.

Subterranean Concrete Orgy by Studioverket

Using the working title Subterranean Concrete Orgy, Drobnjakovic and Sundberg teamed up with concrete manufacturer Butong to produce the new interior elements, and also enlisted the help of architecture student Noa Ericsson and movie producer Erik Liss.

Subterranean Concrete Orgy by Studioverket

Each concrete structure was cast inside a sandwich of bubble wrap, which could be folded during the setting process to create irregular shapes.

Subterranean Concrete Orgy by Studioverket

“We use high-strength EXM concrete,” explained Butong’s Lars Höglund. “After pressing, the panels can be shaped for approximately one hour. The leaf-thin layers of concrete where bubbles have connected can either be removed for transparency or kept for translucency.”

Subterranean Concrete Orgy by Studioverket

For the entrance lobby, the team added rectangular concrete panels across the walls, before wrapping the central staircase with overlapping layers of curving concrete hexagons.

Subterranean Concrete Orgy by Studioverket

Seeds were sown into the circular pockets of another concrete structure, creating a wall of plants and herbs that was hung inside one of the largest studios, while the opposite wall presents an undulating concrete surface named Sound Wave.

Subterranean Concrete Orgy by Studioverket

As a nod to the history of the building, Liss also cast concrete over a mannequin’s head to produce a sculpture designed to look like a girl trapped in a wall.

Subterranean Concrete Orgy by Studioverket

The final touches were a series of concrete pendant lamps that hang down from the ceiling of one of the rooms.

Subterranean Concrete Orgy by Studioverket

Photography is by Per Lundström.

Here’s some more information from Studioverket:


Studioverket – Subterranean concrete orgy when shady porn-shop goes office hub

Two young designers in architecture and sound, Per & Toki, nourished a long held dream for an office/studio environment to call their own & recently it came true when Studioverket took over the leasing contract from infamous “Blue Star”. Concrete producer, Butong, was contracted to realise Studioverket’s concept of “homogeneous diversity” using Sealed-Air bubble in a special casting process. New elements were produced and old projects were re-designed & tweaked for their new purpose at this basement location in bustling Stureplan area.

Subterranean Concrete Orgy by Studioverket

The sequencing of space & placement of elements was determined by the two freshly baked entrepreneurs – Butong was then to propose design solutions. Starting with the stairs, the space needed to make a distinct division between exterior & interior space. Architecture student Noa Ericsson was asked to design for the subjects to forget that they have gone underground.

Subterranean Concrete Orgy by Studioverket

Spatial formation and the relation to the cold light from the vertical garden aim at mirroring the cave typology. The entrance, with its dimmed light, is the darkest space and further in where people work regularly, a lighter environment is created.

Subterranean Concrete Orgy by Studioverket

The four nodes of the project are connected by intricate moiré lighting effects, caused by small & sharp light sources behind transparent parts of the material, which are turned on when suitable for the setting.

Subterranean Concrete Orgy by Studioverket

While the wall quickly found its form & expression, the ceiling had to take a few turns before finding its finished state. Noa, first influenced by traditional “kurbits”, gradually broke the elements down to hexagonal tiles. By manipulating the hexagons bend & axis parameters in production and by flipping & rotating the tiles while installing – freedom of organic design was achieved.

Subterranean Concrete Orgy by Studioverket

On the vertical surfaces, the translucent layers of concrete are removed for an organic pattern of transparency, made possible by the moiré distribution of holes. The wall is also an acoustic barrier as acoustic foam behind the panels absorb street sound, preventing it from spilling down into the lounge.

Subterranean Concrete Orgy by Studioverket

The graphic organic of the entrance space has its continuation in the truly organic green-wall. A mix of seeds & plant cuttings were used. The seedlings break their way through the ultra-thin layers of concrete in the hollows & are root spread in the underlying substrate, giving a dynamic vegetation. The 1.2m x 3.6m wall is a re-designed bench from a temporary project & it is an inversion of a stone hedge – letting vegetation root in the stones, rather than in between.

Concept diagram of Subterranean Concrete Orgy by Studioverket
Layout diagram – click for larger image

Lots of herbs, chillies & other edible plants are grown to be used for drinks or as spice at company events. Tenants and visitors are also invited to plant seeds, available beside the wall. Hopefully this will give create a sort of connection between people and place.

Concept diagram of Subterranean Concrete Orgy by Studioverket
Staircase concept diagram – click for larger image

Opposite from the vertical garden a sculptural element defines the space between the two pieces. As a reference to the adjacent music studio – the shape is an illustration of sound waves, placed frozen on the wall.

Subterranean Concrete Orgy by Studioverket
Material sample

As this used to be a shady porn shop/erotic bar, the more expressive “Girl in the wall” has found its fitting home close by the emergency exit. This one of a kind piece was created by movie producer Erik Liss, by simply casting Butong on a manikin as he stumbled through the workshop in search for a new style in fashion.

Planted wall concept of Subterranean Concrete Orgy by Studioverket
Planted wall before installation – click for larger image

Site: Studioverket, Stockholm, Stureplan
Concept: Studioverket
Studioverket Team: Toki Drobnjakovic, Per Sundberg
Design: Noa Ericsson, Erik Liss
Details, Design: Butong
Butong Team: J-C Violleau, Andreas Berkebo, Lars Höglund

The post Office in a former strip club featuring concrete
cast against bubble wrap
appeared first on Dezeen.

House in Yagi containing an indoor courtyard by Suppose Design Office

An indoor courtyard with an earth floor and central tree is concealed behind the concrete walls of this bulky house in Hiroshima by Japanese studio Suppose Design Office (+ slideshow).

House in Yagi by Suppose Design office

Located beside a canal, House in Yagi was designed by Suppose Design Office to deliberately look unfinished, so its concrete walls were left exposed both inside and outside.

House in Yagi by Suppose Design office

“Unlike other projects, the final stage of construction for this house was not aiming towards a finish stage, but to let the owner experience the sense of completion after living here,” said the architects.

House in Yagi by Suppose Design office

Living, dining and sleeping areas are all located in the uppermost section of the house, freeing up the ground floor to accommodate the double-height courtyard.

House in Yagi by Suppose Design office

Square windows of different sizes surround this space, but were left without glazing to allow wind and rain to enter the building.

House in Yagi by Suppose Design office

“All these elements are to enhance the experience of unlimited lifestyle that you may potentially have in this house, and minimise the boundary,” added the architects.

House in Yagi by Suppose Design office

A concrete staircase folds around one corner, leading up to top-floor living spaces that include a combined dining room and kitchen, a bedroom that can be screened behind a partition, a bathroom and a general storage closet.

House in Yagi by Suppose Design office

A narrow void in the floor plate creates a balcony looking down to the space below, but can be screened behind a folding glass door to prevent draughts.

House in Yagi by Suppose Design office

The house accommodates a growing family of four, so could be adapted in the future to add new rooms.

House in Yagi by Suppose Design office

Suppose Design Office is led by architect Makoto Tanijiri. Past projects by the firm include House in Minamimachi, a residence with offset floors, and House in Kamiosuga, which features walls that only reach halfway down from the ceiling.

Photography is by Toshiyuki Yano.

Here’s a project description from Suppose Design Office:


The House of Yagi

The House of Yagi is designed with the idea of an incomplete/complete form. Unlike other projects, the final stage of construction for this house was not aiming towards a finish stage, but to let the owner experience the sense of completion after living here.

Site plan and section of House in Yagi by Suppose Design office
Site plan and design concept – click for larger image

Interior space of the house is designed to maximise the interaction to its surrounding environment. Ground floor material remained the same as the original site, with a single tree standing in the centre to present a natural contrast with the surrounding area. Windows of the 1st storey are kept open without any window shield or glass and creates an interesting interaction with wind and rain.

Floor plan of House in Yagi by Suppose Design office
Floor plans – click for larger image

All these elements are to enhance the experience of unlimited lifestyle that you may potentially have in this house, and minimise the boundary. Through this different interpretation of connecting the exterior and interior space, new ways of living can be explored by the client.

Section of House in Yagi by Suppose Design office
Section – click for larger image

Location: Hiroshima city, Japan
Principal use: personal house
Site area: 155.60 sqm
Building area: 56.24 sqm
Total floor area: 112.48 sqm
(1F: 56.24 sqm 2F: 56.24 sqm)
Completion: June 2012
Design period: April 2011 – January 2011
Construction period: February 2011 – June 2012
Structure: RC structure
Client: a couple and children
Project architect: Makoto Tanijiri [Suppose Design Office] + Ohno Hirohumi [Ohno JAPAN] Lighting: Original
Products: dining table
Flooring: 1F – masa soil, 2F – elm flooring + WAX (mat)
Internal Wall: exposed concrete
Ceiling: exposed concrete
Construction: Shinkou Kensetsu

The post House in Yagi containing an indoor courtyard
by Suppose Design Office
appeared first on Dezeen.

Concrete Love

Le réalisateur Joseph Ghaleb nous propose le film « Concrete Love » : une superbe vidéo étrange illustrant le rêve d’une femme, à la recherche d’une romance perdue. Des souvenirs entre réel et imagination mis en images avec style. Le tout est à découvrir en images et en vidéo dans la suite de l’article.

Concrete Love5
Concrete Love4a
Concrete Love4
Concrete Love3
Concrete Love2
Concrete Love6

Casa La Cañada by Ricardo Torrejón

Chilean architect Ricardo Torrejón wanted to integrate the garden into this concrete house in Santiago, so he added huge windows at the back and glazed recesses along the front and sides (+ slideshow).

Casa La Canada by Ricardo Torrejon

Ricardo Torrejón had originally planned to renovate an existing house on the site, but instead decided to demolish it and start again so that he could direct more views towards a large garden at the rear.

Casa La Canada by Ricardo Torrejon

“Despite being uninhabited for almost 20 years, the backyard was luckily well preserved and felt like a forgotten park,” said the architect. “The relationship to the garden, particularly to the existing trees, should be in the foreground.”

Casa La Canada by Ricardo Torrejon

The front and sides of the two-storey house are made up of flat concrete surfaces, only interrupted by the slit-like openings that create tiny semi-enclosed courtyards around the edges of the interior.

Casa La Canada by Ricardo Torrejon

At the back, the concrete framework is infilled with large glazing panels that provide floor-to-ceiling windows overlooking the garden and swimming pool.

Casa La Canada by Ricardo Torrejon

“We thought that architecture should not compete with nature – on the contrary it should enhance its presence, colours and lights,” said Torrejón.

Casa La Canada by Ricardo Torrejon

“Architecturally we had to remain neutral and silent in both material and colour in order to let nature play its part,” he added.

Casa La Canada by Ricardo Torrejon

The house’s entrance is contained within one of the glazed openings and leads into an open-plan living space that occupies the entire floor.

Casa La Canada by Ricardo Torrejon

Two separate doors offer a route out to the garden, while a staircase ascending to the bedrooms is contained at the centre of the plan.

Casa La Canada by Ricardo Torrejon

Photography is by Cristobel Palma.

Here’s a project description from the architect:


Casa La Cañada, Santiago, Chile

This house is set on a 1,060 square metre site in the last flat urban area of eastern Santiago before the Andes begin. The plot is 15m wide by 67m length with an existing garden with mature 40 year old trees.

Casa La Canada by Ricardo Torrejon

The original house, built back in the 70’s, took no particular advantage of the garden. Despite being uninhabited for almost 20 years the backyard was luckily well preserved and felt like a forgotten park. Instead of remodelling, we decided to build a house from scratch. The relationship to the garden, particularly to the existing trees, should be in the foreground.

Casa La Canada by Ricardo Torrejon

We thought that architecture should not compete with nature; on the contrary, it should enhance its presence, colours and lights. Architecturally we had to remain neutral and silent in both material and colour in order to let nature play its part.

Casa La Canada by Ricardo Torrejon

The house is a solid monolithic concrete block opened up through carvings instead of windows and openings. Externally, each carving becomes a place itself, some fitting just a single person, others more.

Casa La Canada by Ricardo Torrejon

Internally, they are a sort of glazed prisms letting light in and natural ventilation and allowing frontal and diagonal views as well as an internal see-through between contiguous rooms.

Casa La Canada by Ricardo Torrejon

The most direct result of this carving operation is that the garden is present everywhere in the house. Even in rooms on the opposite side of the house it is possible to have a glimpse of it.

Ground floor plan for Casa La Canada by Ricardo Torrejon
Ground floor plan – click for larger image
First floor plan of Casa La Canada by Ricardo Torrejon
First floor plan – click for larger image
Section two of Casa La Canada by Ricardo Torrejon
Section one
Section three of Casa La Canada by Ricardo Torrejon
Section two
North elevation of Casa La Canada by Ricardo Torrejon
North elevation
East elevation of Casa La Canada by Ricardo Torrejon
East elevation
South elevation of Casa La Canada by Ricardo Torrejon
South elevation
West elevation of Casa La Canada by Ricardo Torrejon
West elevation

The post Casa La Cañada
by Ricardo Torrejón
appeared first on Dezeen.

Tianzhoushan Tea House by Archiplein

The folded concrete walls of this lakeside visitor centre in China‘s Anhui Province were designed by architects Archiplein to mimic the uneven surfaces of the surrounding mountains (+ slideshow).

Concrete Tianzhoushan Tea House by Archiplein

The two-storey building sits at the base of Jiǔhuá Shān, one of the five Sacred Mountains of China, and provides a restaurant and rest stop for the many pilgrims that visit the landmark each year.

Concrete Tianzhoushan Tea House by Archiplein

Architects Feng Yang, Leroux Marlène and Jacquier Francis of Archiplein wanted to design a building that merges with the landscape, like in traditional Chinese landscape paintings.

Concrete Tianzhoushan Tea House by Archiplein

“In this kind of painting, the building and the nature are not two separated systems stuck together; they are represented as an integrated whole where the architecture is not the main focusing point of the composition,” they explained.

Concrete Tianzhoushan Tea House by Archiplein

The building is constructed from concrete, which was formed against wooden boards to give a rough texture to the exterior surfaces.

Concrete Tianzhoushan Tea House by Archiplein

The walls zigzag in and out on both levels, creating a series of facets along the lakeside facade.

Concrete Tianzhoushan Tea House by Archiplein

“The strategy is to consider the building as the continuity of the existing topography so as to reduce its impact on the land,” said the architects. “The building is bended by following the natural movement and defines a set of different faces that minimises its size.”

Concrete Tianzhoushan Tea House by Archiplein

Dozens of square windows are scattered across the elevations and matching skylights dot the rooftops.

Concrete Tianzhoushan Tea House by Archiplein

An internal ramp connects the two floors inside the building, which both contain large dining areas filled with tables and chairs.

Concrete Tianzhoushan Tea House by Archiplein

The architects have also added a shallow pool of water with steps leading down to its surface.

Concrete Tianzhoushan Tea House by Archiplein

Photography is by Frédéric Henriques.

Concrete Tianzhoushan Tea House by Archiplein

Here’s a project description from Archiplein:


Tianzhoushan Tea House

The project is located in Anhui province, in one of the five sacred Taoist mountains of China.

Concrete Tianzhoushan Tea House by Archiplein

To define the new relation between this building and the surrounding nature, the project has been inspired by the typical Chinese painting.

Concrete Tianzhoushan Tea House by Archiplein

In this kind of painting, the building and the nature are not two separated systems stuck together, they are represented as an integrated whole where the architecture is not the main focusing point of the composition.

Concrete Tianzhoushan Tea House by Archiplein

It reproduces in a way the natural form and follows the general movement of the landscape.

Concrete Tianzhoushan Tea House by Archiplein

For this specific situation we develop this philosophy of vanishing. The strategy is to consider the building as the continuity of the existing topography so as to reduce its impact on the land.

Concrete Tianzhoushan Tea House by Archiplein

The building is bended by following the natural movement and defines as set of different faces that minimises its size.

Concrete Tianzhoushan Tea House by Archiplein

Status: realised
Type: architecture, touristic infrastructure
Data: 2009-2012, 1000 m², 3M €
Location: Anhui, China
Team: Feng, Jacquier, Leroux

Tianzhoushan Tea House by Archiplein
3D building model
Site plan of Tianzhoushan Tea House by Archiplein
Site plan – click for larger image
Tianzhoushan Tea House by Archiplein
Floor plan – click for larger image
Section of Tianzhoushan Tea House by Archiplein
Section – click for larger image
Elevation of Tianzhoushan Tea House by Archiplein
Elevation – click for larger image

The post Tianzhoushan Tea House
by Archiplein
appeared first on Dezeen.

House in Shinoharadai by Tai and Associates

Some of the concrete walls of this house in Yokohama, Japan, by Tai and Associates were formed against wooden planks, while some have been rendered white and others have been left plain (+ slideshow).

House in Shinoharadai by Tai and Associates

Japanese studio Tai and Associates designed the two-storey House in Shinoharadai for a hillside corner plot already owned by the family, creating separate floors for different generations and a small home office.

House in Shinoharadai by Tai and Associates

“A new program composed of a two-family residence and office is applied to the building, while paying attention to preserve the family’s history and memories attached to the land,” said the architects. Continue Reading…

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

A hotel under construction on a South Pacific island is depicted as a collection of architectural ruins in this series of images by Australian photographer Peter Bennetts (+ slideshow).

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Designed by Australian architect Kristin Green, la Plage du Pacifique Hotel is under construction along the beach of an island in Vanuatu – an archipelago over a thousand miles east of northern Australia.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Concrete has been used for the structures of each building in the complex, which includes 18 guest villas, a restaurant with a roof garden and sun lounge, and a swimming pool and spa facility.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Peter Bennetts joined Green on a site visit to capture the structures in pictures. Although almost complete, the buildings contain few traces of life, which the photographer says created the impression of “a ruin”.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

“Like pods of little whales, the off-form concrete villas swim together, entwining with native pandanus and rosewood trees in the face of trade winds and frequent cyclones,” he said.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Comparing one structure to both an ancient monument and an iconic Italian villa, he added: “As in an Aztec temple, or Casa Malaparte, a stair leads to a deck on top of a form I’d describe as the architect’s dance shoe. In the unflinchingly bright tropical sun the stair casts a shadow that Escher could’ve dreamed of.”

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Each structure is designed to be cyclone resistant, with cross-ventilation that will reduce the need for air-conditioning. The architect has also added a series of concrete walls that will offer shade from intense sunlight.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

The swimming pool is modelled on the ancient Roman baths at Hadrian’s villa in Tivoli, creating another reference to architectural monuments.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

“The Colosseum has invaded these new lands, not a new notion for Western man,” writes Green. “Here she protects from violent storms; patrons are offered a chance at romance, to dance, dream and escape.”

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Here are some more details from Kristin Green:


La Plage D’hôtel du Pacifique

Sounds of crashing waves and wind through the palm trees, the Hotel du Pacifique complex offers a protected paradise, set to take the world by cyclone. The buildings are designed to allow wind to pass through with little or no need for air-conditioning. Modern forms take on an ancient roman bath providing escape from the demands of the city. Areas are separated by dancing concrete limbs intertwined casting shadows to relieve one from the tropical sun.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

D’hôtel du Pacifique: Restaurant Building

With this building we explored cinematic experience, coupled with the ideas of leisure, romance & dreaming. The ambience of 1950’s movies where casual bathing attire is worn by day yet one likes to dress up in the evening for dinner. The building is organised around zones:
» À la carte restaurant and bar with reception for arrivals,
» Open air roof garden for dining, cocktails and sun bathing,
» Casual grill bar for patrons relaxing around the pool & outdoor facilities including; Pétanque, beach tennis, swimming, handball &/or board games.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

D’hôtel du Pacifique: Villas Stage 1

The first 18 beach front villas are near completion. All components of the villas are custom made; complete in-situ concrete board marked walls, floor & roof, concrete benches, day beds, cast-in-place basins and handmade light fittings, in-built furniture, sunken baths along with timber herringbone windows which are hand carved from local timbers by local craftsman and hand-cut stone floors. Kristin is regularly on site coordinating fabrication techniques and ensuring consistency of local construction methods.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Each villa is conceived as a robust, cyclone ready building, the result of a series of key relationship studies between man, building & the tropical landscape. The nature of the body disrobing, exposure, privacy & the personalised experience offers a certain romance and seclusion for its patrons.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

La Plage D’hôtel du Pacifique: Pool Area & Landscape

The pool/massage/spa component of the resort offers a place for the leisure, relaxation and sensual decadence that one would expect from a quality 5-star experience in the Pacifique. A concrete slide, colonnade and capital recall the Ancient Roman baths, a direct homage to Emperor Hadrian (the pool is literally measured from & at Hadrian’s villa in Tivoli, outside Rome); ‘only here can one truly dream of being lost in time’.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

The pool and sun lounge area wraps around the building, white sand, the ocean, a sensuous entanglement. Memories of roman villas bedecked with capitals, pediments and statues offer a delight to the pool area; a shady concrete capital creates a weighty ambience and shade relief.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Irregular clusters of Pandanus & palm trees, a simple landscape of grass and white sand ground surface make bare feet is a must. The tree roots emerge from the ground like something of a child’s dream, creating gentle barriers and shadows. Sandy walking paths wander through resort facilities, offering the odd secluded stopping point for new or renewed romance, a cocktail in hand, the soft floating fabric of colourful transparent sarongs and the opportunity to stroll into their villa.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Undulating mounds caress the landscape. Vines trace the board marked surface of the concrete walls, delighting patrons with their patterns. The birds sing amidst the trees and promises of the sea turtle sanctuary are desired to continue nature’s course in the region.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

Narrative

Bridget is perched behind Athena’s shield, a relief from the hallowing winds that are so frequent to the Pacifique region. The Coliseum has invaded these new lands; not a new notion for western man. Here she protects from violent storms…. patrons are offered a chance at romance, to dance, dream and escape; rekindling their love, offering hope for the future & their wellbeing.

La Plage du Pacifique Hotel by Kristin Green photographed by Peter Bennetts

The post La Plage du Pacifique Hotel by Kristin Green
photographed by Peter Bennetts
appeared first on Dezeen.

Car Park House by Anonymous Architects

A combined car park and terrace covers the roof of this hillside house in Los Angeles by Californian studio Anonymous Architects (+ slideshow).

Car Park House by Anonymous Architects

Anonymous Architects designed the single-storey home for an actor. It is situated on the edge of a steep slope, so the floors are arranged from top to bottom, with an entrance on the roof and rooms on the level below.

Car Park House by Anonymous Architects

“The added benefit of providing the parking and the house as the same structure is to eliminate the need for additional foundations and walls for a garage,” said architect Simon Storey.

Car Park House by Anonymous Architects

“The inversion moves the typical ground floor of the house up on the roof, and makes the simple act of arriving home and driving onto the roof of the house a surprise every time,” he added.

Car Park House by Anonymous Architects

Supported by chunky concrete columns, the house appears to be thrusting away from the edge of the slope. A recessed balcony offers views of the San Gabriel Mountains to the north east of the city.

Car Park House by Anonymous Architects

A kitchen sits at the centre of the plan and forms the corner of an open-plan living room, while three bedrooms and two bathrooms are positioned around the other side of the house.

Car Park House by Anonymous Architects

A bridge connects the roof with the street, providing an entrance for both cars and pedestrians.

Car Park House by Anonymous Architects

Other projects by Anonymous Architects include a tiny house with only three rooms lifted off the hillside by a set of concrete pilotis and a 4.5 metre-wide house inspired by narrow homes in Japan.

Car Park House by Anonymous Architects

See more projects by Anonymous Architects »
See more concrete architecture and design »

Car Park House by Anonymous Architects

Photography is by Steve King.

Here’s a project description from the architects:


Car Park House

Starting with a vacant lot with a very steep down-slope from the street, the design of the house places the carport on the roof with the residence below. In addition to being a dramatic shift of expectations, it is also a logical response to the building code which requires parking for two vehicles.

Car Park House by Anonymous Architects
Site plan – click for larger image

This inversion moves the typical ground floor of the house up on the roof and makes the simple act of arriving home – and driving onto the roof of the house – a surprise every time. The roof is also usable as deck space and has unobstructed views of the San Gabriel Mountains, which are to the Northeast of Los Angeles.

Car Park House by Anonymous Architects
Floor plan – click for larger image

Because of the steep terrain the house is designed to float over the hillside. This reduces the amount of foundation required and also means that the only way to access the house is over the bridge – so it is truly a floating structure.

Car Park House by Anonymous Architects
Roof plan – click for larger image

The added benefit of providing the parking and the house as the same structure is to eliminate the need for additional foundations and walls for a garage.

Car Park House by Anonymous Architects
Sections – click for larger image

Date of completion: August 2013
Location: Echo Park, Los Angeles, California
Clients: Hal Ozsan/ Judson Williams
Architect: Simon Storey/ Anonymous Architects, Los Angeles
Lot Area: 8,477 sq.ft
Building Area: 1,405 sq.ft
Building footprint: 1,405 sq.ft – single level dwelling with roof deck/ parking. 3 bedroom & 2 bathrooms.
Method of construction: Concrete pile foundation with concrete pilasters above grade; steel (primary floor structure – cantilevers); wood floor, walls and roof

The post Car Park House by
Anonymous Architects
appeared first on Dezeen.

Cap House by MMX Studio

This house near Mexico City by local office MMX Studio comprises an assortment of exposed concrete buildings arranged around small gardens and courtyards (+ slideshow).

Cap House by MMX

Located west of the city in an area known as La Herradura, Cap House was designed by MMX Studio as an ensemble of one-, two- and three-storey blocks, which open out to gardens on two different levels.

Cap House by MMX

“The dwelling should not be the result of fragmenting a larger envelope, on the contrary, it should be the outcome of adding multiple rooms, each one with its own scale, proportions and identity,” said architect Emmanuel Ramirez.

Cap House by MMX

An entrance punctures the perimeter wall of the front courtyard, leading through to spacious living and dining areas on the ground floor, as well as a single-car garage.

Cap House by MMX

The first floor contains additional living rooms, which open out to a plant-covered roof terrace, while the uppermost floor accommodates a bedroom and adjoining bathroom.

Cap House by MMX

The concrete walls remain exposed inside the house as well as outside, contrasting with wooden doors and window frames.

Cap House by MMX

Alongside the traditional architectural photography, photographer Yoshihiro Koitani composed one image showing the same woman in eight different positions.

Cap House by MMX

“We have always been interested in exploring all the ways in which the spaces can be used,” Ramirez told Dezeen. “We gave the photographer total freedom to decide how the space can be inhabited beyond the obvious, and it is through this image that we can understand a sense of scale and flexibility.”

Cap House by MMX

Other houses we’ve featured from Mexico City includes a house with a slate facade and a three-storey wall of plants, a black house with a high-walled courtyard and a house with overlapping rectilinear blocks of glass and concreteSee more architecture in Mexico City »

Here’s a project description from the architects:


CAP House

Located in a residential neighbourhood at the west of Mexico City, the house responds to a fragmented urban environment where the volumetric configuration of the buildings creates an uneven landscape of colours and volumes.

Cap House by MMX

The proposal adopts the logic of its context, and applies it within the plot by subdividing the program into its diverse parts.

Cap House by MMX

Each space takes shape as a response to the specific needs of the program and gets added onto a larger cluster of articulated volumes.

Cap House by MMX

Thus, the formal manifestation of the idea gets away from the more traditional operation of subdividing a larger envelope and instead, works with a logic of adding units of varying characteristics to create an ensemble rather than a standalone piece.

Cap House by MMX

This project explores the idea of the room as the basic unit of the house. The dwelling should not be the result of fragmenting a larger envelope, on the contrary, it should be the outcome of adding multiple rooms, each one with its own scale, proportions and identity.

Cap House by MMX

The scale of each room and the openings of the volumes are determined by the needs of the interior spaces, thus they manifest through the façade as a relaxed and non-committed gesture.

Cap House by MMX
3D design concept

Nodes of vertical movement, courtyards and gardens create a balance within the sequential progression of rooms across the site.

Cap House by MMX
Ground floor plan – click for larger image

The geometric outcome of this operation creates an articulated pattern of interlocked volumes and voids that complement one another within the scheme.

Cap House by MMX
First floor plan – click for larger image

Location: Mexico City, Mexico
Client: JAR & MCSV
Date: 2013

Cap House by MMX
Second floor plan – click for larger image

Status: Built
Type: Residental
Credits: Jorge Arvizu, Ignacio Del Rio, Emmanuel Ramirez, Diego Ricalde Team: Javier Moctezuma, Erendira Tranquilino

Cap House by MMX
Cross sections
Cap House by MMX
Long section one
Cap House by MMX
Long section two

The post Cap House by
MMX Studio
appeared first on Dezeen.

Vallvidrera House by YLAB Arquitectos

Spanish firm YLAB Arquitectos has completed a faceted house on the outskirts of Barcelona that appears to have been stretched down a hill.

Vallvidrera House by YLAB Arquitectos

Located beside the Collserola Natural Park, the three-storey family home is constructed on a small plot, so YLAB Arquitectos designed the building as a simple cube then distorted it to make better use of space and viewpoints.

Vallvidrera House by YLAB Arquitectos

“The objectives of the project were to get the maximum possible building area within a tight budget and an optimised orientation of all openings while protecting the privacy of the owners,” said the architects.

Vallvidrera House by YLAB Arquitectos

“The upper faces are extruded upwards to form the roof,” they continued. “The side faces rotate to frame significant scenic moments, mindful of the neighbours’ privacy.”

Vallvidrera House by YLAB Arquitectos

The house is constructed from concrete and features a white-rendered exterior with seamless edges.

Vallvidrera House by YLAB Arquitectos

Windows and doors can be concealed behind perforated aluminium shutters that sit flush with the walls.

Vallvidrera House by YLAB Arquitectos

A double-height kitchen and dining room is positioned on the upper-ground floor and includes drawers, cupboards and counters built from dark-tinted elm, while the lower-ground floor contains a living room and studio with access to the garden.

Vallvidrera House by YLAB Arquitectos

Stone provides flooring throughout the the house and lines the walls of a top-floor bathroom. The main bedroom is also on this floor.

Vallvidrera House by YLAB Arquitectos

A Corten steel fence encloses the site and features vertical slits that offer glimpsed views of the house from the street.

Vallvidrera House by YLAB Arquitectos

Other Spanish houses we’ve featured include a residence comprising a cluster of concrete cubes, a family home in a renovated stable and a house with a glazed living room that thrusts outwardsSee more houses in Spain »

Vallvidrera House by YLAB Arquitectos

Photography is by Marcela Grassi.

Here’s a project description from the architects:


Vallvidrera House

The project is situated in the Vallvidrera neighbourhood, a residential area with views overlooking the city of Barcelona, surrounded by the Collserola natural park, in a very sloped and small plot situated between a valley and a pine forest.

Vallvidrera House by YLAB Arquitectos

The objectives of the project were to get the maximum possible building area within a tight budget and an optimised orientation of all openings while protecting the privacy of the owners. To achieve this, a compact three level volume was created.

Vallvidrera House by YLAB Arquitectos

The geometry arises directly from the plot given geometry and slope, reinterpreting the aesthetic of the site’s vernacular architecture with its sloped roof, widening on the upper floors to gain some additional area. Formally the volume is a single cube in which every face has been divided into four quadrants. The upper faces are extruded upwards to form the roof. The side faces rotate to frame significant scenic moments, mindful of the neighbours’ privacy.

Vallvidrera House by YLAB Arquitectos

The façade consists of a continuous skin that provides the same matt white aspect to walls, roofs and openings. The fixed windows are made of glass panes totally flush with the façade, and the operating ones have a white perforated aluminium shutter also installed flush with the skin.

Vallvidrera House by YLAB Arquitectos

A perforated Corten steel front fence at the low end of the plot gives pedestrian and car access to the property. The exterior spaces are formed by two terraces and the sloped areas have been modelled forming triangulated ramps. Pavements are made in multi-coloured slat, typical of this area, using long narrow tiles for the plane zones, and smaller irregular pieces on sloping ones.

Vallvidrera House by YLAB Arquitectos

The entrance level is composed by the first dormitory, the bath and the kitchen with a dining room area. The kitchen is in a double height space with two large windows that offer the best views over the valley. In the upper level there is the master bedroom and its bath, both oriented to the pine forest at the back side of the plot.

Vallvidrera House by YLAB Arquitectos

The semi-buried lower floor is formed by the technical and storage rooms, a living room and a studio both with access to the garden. In the interior of the house the floors and bathroom walls are covered with Capri natural stone and the walls and doors are finished in ivory white colour paint. In the double height area, large built-in dark tinted elm furniture builds the kitchen and dining area wall furniture and the island, ascending to the upper floor to form the master dormitory cupboards. 

Vallvidrera House by YLAB Arquitectos
Front elevation – click for larger image

Architecture and interior design: YLAB Arquitectos, Barcelona
Authors: Tobias Laarmann and Yolanda Yuste
Project: One family house edification
Client: Private
Area: 286.91 square metres
Location: Vallvidrera, Barcelona

Vallvidrera House by YLAB Arquitectos
Side elevation – click for larger image

Craftsmen: Coter de Construcciones, Ebanistería Agüera
Structure and walls: prefabricated pieces of celullar concrete by Ytong
Facade outer skin: single layer coating Weber.Pral Terra Cemarksa, white painted
Roof covering: ceramic pieces Colortech, by Tau Cerámica
Outdoor paving: Dark rusty grey slate
Metallic fence: Corten steel sheets cut and folded, designed by YLAB
Interior flooring: polished Capri natural limestone
Walls and ceilings: ivory white matt plastic paint

The post Vallvidrera House by
YLAB Arquitectos
appeared first on Dezeen.