Ceramic Speaker by Nendo

Ceramic Speaker by Nendo

Tokyo studio Nendo have collaborated with a traditional Japanese potter to create a flat, square loudspeaker made of 1mm thick ceramic decorated with intricate patterns.

Ceramic Speaker by Nendo

The speaker combines high-tech industrial ceramics and traditional craftsmanship.

Ceramic Speaker by Nendo

The product was designed in collaboration with Kanazawa based potter Mitsuke Masagasu, for the Take Action Foundation, which seeks to rejuvenate traditional Japanese crafts.

Ceramic Speaker by Nendo

Photographs are by Masayuki Hayashi.

Ceramic Speaker by Nendo

See more ceramics in our Dezeen archive.

See all our stories on Nendo in our special category.

The following information is from the designers:


“ceramic-speaker” designed by nendo / Design concept

A contribution to the Revalue Nippon Project launched by former Japan footballer Nakata Hidetoshi to revitalize the traditional crafts in Japan. Nakata named five curators, each of whom selected one ceramicist and one designer (or contemporary artist) to collaborate on one piece. Curator Akimoto Yuji, director of the 21st Century Museum of Contemporary Art in Kanazawa, Japan, invited nendo to collaborate with Mitsuke Masagasu, a Kanazawa-based potter whose work springs from the traditions of the local Kutani ware.

We decided to complement the infinitely sophisticated, elaborate lines of Mitsuke’s red-glaze designs by fusing them with the infinite sophistication of digital manufacturing techniques to create a set of high-end audio speakers in 1mm thick ceramic substrate.

Ceramic substrate has a high heat resistance, so is often used for LED bulbs and other heat-emitting internal components and rarely exposed to human eyes. Its computer-controlled manufacture involves shaving thin slices from thicker ceramic slabs, fixing them with mercury vapour and mounting all components with a robot arm; human hands touch no part of the process. We hoped that adding Mitsuke’s red patterns to the process would disrupt it entirely, allowing a new form of expression to emerge.

As the substrate is exposed to sight, its function-optimized surface takes on a new decorative role. This reminds us both of the limits of the human hand, and of its infinite, unshakeable attraction, providing a glimpse into the future of craft.


See also:

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Music Cage by
Nendo
All our stories
on Nendo
More ceramics
on Dezeen

Sponsor Spotlight : Paige Russel

Paigerussell0

Made in Canada by Paige Russell…this new special Müzo collection for the Holiday Season and the collection is gorgeous with a capital 'G' … definitely something I consider to start collecting this year for our own Christmas decoration…the polar bear and caribou in maple are my favorites.  ! 

PaigerussellMost people recognize Paige Russell's work from the super fun 'anything' holders from her North American Wild Life series…the monster, camper, RVee and 4 by… these vehicles make such a fun and great present don't you think? I'm a big fan of Paige's ceramics and I always enjoy reading her blog

Use code 'Bloesem' when checking out and you will receive a 10% discount during the Holiday Season!

Sponsor Spotlight: Paloma’s Nest

Palomasnest

It's not the first time that I write about Caroline Colom Vasquez here on Bloesem and it certainly will not be the last time if this talented lady keeps on doing what she is doing…wow her beautiful business Paloma's Nest is growing so wonderfully with great new products but never letting go of the special and unique Paloma's Nest feel… I love her new Holiday Collection and am strongly considering ordering the custom stamped animal ornaments for my sons for our Christmas tree…

Caroline is celebrating big time these days, not only is her studio almost 4 years old, she also is now a member of the anthropologie family…her Emblem Ring Dish is now available online …a dream come true I believe…Congratulations!

Palomas

Ceramics by Jaime Hayón for Kutani Choemon

Ceramic tableware by Jaime Hayón

Tokyo 2010: Spanish designer Jaime Hayón has designed a range of objects for traditional Japanese ceramics company Choemon.

Ceramic tableware by Jaime Hayón

Each piece in the collection features unique artwork created by Hayón and inspired by Japanese culture, in particular that of the dinner table.

Ceramic tableware by Jaime Hayón

The pieces were created in collaboration with Japanese product design brand Maruwakaya.

Ceramic tableware by Jaime Hayón

The collection was presented at DesignTide Tokyo 2010 last week.

Ceramic tableware by Jaime Hayón

See all our stories on Jaime Hayón in our special cateogory.

Here is some more information about the collection:


The story begins when Maruwakaya, a neo-traditional Japanese product design brand and the world renowned Spanish designer, Jaime Hayon, met at DESIGNTIDE TOKYO 2009, one of the biggest autumn design festivals in Asia. Hirotoshi Maruwaka, the producer of Maruwakaya, asked Hayon a question with a strong intention in mind, that if he was interested in working with Kamide Choemon-gama, a pottery of one of Japan’s most acclaimed traditional porcelain crafts, Kutaniyaki.

Ceramic tableware by Jaime Hayón

Maruwaka told Hayon that he wanted to produce new ceramic crafts combining Hayon’s creativeness in design with Choemon-gama’s craftsman skills. Hayon, having been inspired with the worlds of Choemon-gama at previous Designtide, agreed at once. This was the start of this fateful cross-cultural relationship between one of the most outstanding designers of today, taking his first challenge to work with Japanese crafts and Japanese traditional craftsmen without any experience with other designers ever before.

Ceramic tableware by Jaime Hayón

Though their backgrounds differ in many ways, they felt confident that they could create something they would be proud of. One keyword that tied them together was ‘Tsunagari (meaning relationships)’, which also was the title of the exhibition by Keigo Kamide, the sixth Kamide Choemon-gama, in January 2010.

Ceramic tableware by Jaime Hayón

It is believed that they key ideas in traditional Japanese culture, especially ones at the dinner table, are based upon relations and links between the people at the table, food, seasons and table wares. Thus the goal was to create pieces that help people recognise these relationships.

Ceramic tableware by Jaime Hayón

In order to Hayon to understand this keyword from heart, they have decided to go on a journey finding ‘Tsunagari’ in Japanese culture.
This search took place in Asakusa town sceneries, traditional performing arts such as Kabuki, a fish market in Kanazawa, Kaiseki ceremonial meal, long established soba restaurants and many more.

Ceramic tableware by Jaime Hayón

One night at a traditional dinner in a ryokan, a Japanese style inn, Hayon was really fascinated with the wide varieties of Japanese tableware each serving for different purposes. This night, he felt and experienced the real ‘Tsunagari’ in Japanese culture.

Ceramic tableware by Jaime Hayón

What is most important is not the knowledge, but is what you feel in the heart. At the pottery, Hayon surprised the craftsmen by introducing very unique and original ideas but also keeping the traditional feel of Kutaniyaki. Kamide Choemon-gama was fully trusting Hayon to take this new challenge. There was an exchange in souls between the two to achieve their goal.

Ceramic tableware by Jaime Hayón

Their creative souls had bonded together as they spent time communicating, checking, making things work and sharing joys together.
Though Hayon came from a different part of the world, what they have created stands proudly as genuinely Japanese with Japanese spirit. Spending hours and days at the pottery, Hayon and Maruwakaya became a part of the family of the craftsmen of Kamide Choemon-gama.

Ceramic tableware by Jaime Hayón

This is the story of Tsunagari and the pieces we’ve created are the message of the story. We hope you could hold the pieces in your hands and feel the message from our heart. For us, it is never about simplubringing in what is “in” into traditional crafts. Of late, we hear people saying “Japanese traditional culture is great” but the fact is we find a lot more imported DC brands or “Japanese-ish” products without actual identitied or meaning.

Ceramic tableware by Jaime Hayón

This is the kind of Japan, we live in right now. Our aim is to make more appealing products with the traditional and authentic Japanese aesthetic sense. With this project, we felt as if Jaime was telling us Japanese to have more pride in our crafts and cultures.

Ceramic tableware by Jaime Hayón

“Over the next few years, we plan to present our achievement of this project, which we hope it would inspire lot of people including traditional craftsen allover Japan to challenge new things.” Hirotoshi Maruwaka, head of Maruwakaya

Ceramic tableware by Jaime Hayón

“We were able to sympathise very much to the fascinating ideas rom Jaime Hayon and his attitude towards creations. In the old days, Kutaniyaki establish its reputation by inviting numerous artists and potters. The creative process on this project with Jaime was no different from the way our proud predecessors worked. We are pleased to feel as if we were back in the days when Kutaniyaki originated 350 years ago.”

Ceramic tableware by Jaime Hayón

“To work with Choemon and the team has been a great experience. I’ve worked with porcelain with high scaled people and companies for a decade, but this felt like and tradition, it was a great challenge.” Jaime Hayon

Ceramic tableware by Jaime Hayón

Jaime Hayon

Born in Madrid, Spain in 1974. At age of 23 he was promoted to head of Design Department of Fabrica, the Benetton-funded design and communication academy. His works for global brands includes Lladro, Baccarat, SWAROVSKI, CAMPER, Established & Sons, and moo. Jaime is one of the most symbolic creators of this decade. He has won numerous awards. Most recently, he was guest of honour at the 2008 Interieur Biennial in Belgium, the youngest person ever to receive the accolade.

Ceramic tableware by Jaime Hayón

Kamide Choemon-gama

Established in 1879 at Terai Mura, Nomi-gun, Ishikawa Prefecture as a pottery of Kutaniyaki. For over 130 years, they make tableware to tea sets with hands using the original traditional technique which is passed on from generation to generation. Their pieces features very fine art work with deep colours and sturdy and beautiful porcelain.

Ceramic tableware by Jaime Hayón

Maruwakaya

A creative product producer team and a Japanese style product brand, headed by Hirotoshi Maruwaka, established in 2007.
“Where should Japanese crafts go?” as their fundamental question, Maruwakaya works and collaborates with many craftsmen and companies all over Japan to lead the direction of Japanese crafts. One of their popular products is “otsuriki” iPhone cover, which uses traditional craft “inden”, presented at DESIGNTIDE 2009.

Ceramic tableware by Jaime Hayón

Production: Kamide Choemon-gama
Design: Jaime Hayon (hayonstudio)
Produce: MARUWAKAYA co., Ltd.

Coordinate: Yoshizo Yoshimura (DEVILROBOTS Inc.)
Press: Miki Koike (HOW INCORPORATED)
Translation: Kotohiro Nishiyama (DEVILROBOTS Inc.)

Ceramic tableware by Jaime Hayón

Catalogue
Art direction: Jaime Hayon (hayonstudio)
Design: Atsushi Umezawa (Glam Beast Co., Ltd.)
Photo: Nienke Klunder, Koichiro Kutsuna
Text: Keita Fukasawa
Translation: Wataru Igarashi

Ceramic tableware by Jaime Hayón

Cooperation
DNP Fotolusio Co., Ltd.
Fukumitsuya Co., Ltd.
Miyamoto Unosuke Co., Ltd.
Daishouji
Kazuki Hasegawa (KOUJIN)
Hiroyuki Matsumoto (UNIT.DESIGN)
E.N.N Co., Ltd.

Ceramic tableware by Jaime Hayón


See also:

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See all our stories on
Jaime Hayón
Flying City Tableware by Carsten Höller More tableware
on Dezeen

Pipixar by Artem Zigert

Pipixar Lamp by Artem Zigert

This desk lamp standing on three little legs is by designer Artem Zigert of Mechanical Piano Design in Kazakhstan.

Pipixar Lamp by Artem Zigert

Called Pipixar, the lamp is made of glazed ceramic.

Pipixar Lamp by Artem Zigert

Here’s a tiny bit of text from Zigert:


My goal was to make a lamp based on the proportions of a small person. At the same time, I was trying to bring up the same sweet emotions as that when you watch kids. The lamp is made of glazed ceramics with energy-saving bulb.


See also:

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Lampada by Ronan and
Erwan Bouroullec
Carl Malmsten made me do it by David EricssonDezeen archive:
ceramics

Studio Glithero at VIVID Gallery

Studio Glithero at VIVID Gallery

London designers Studio Glithero present an installation of 1000 tiles decorated with photosensitive prints at VIVID Gallery in Rotterdam.

Studio Glithero at VIVID Gallery

Part of the designers’ ongoing Blueware project, the tiles are impregnated with a photo-sensitive substance that turns blue when exposed to light.

Studio Glithero at VIVID Gallery

Plants are used to mask areas while the transformation takes place, leaving a white print behind.

Studio Glithero at VIVID Gallery

Studio Glithero also present vases made with the same process and tables cast from plaster at the exhibition, which continues until 7 November.

Studio Glithero at VIVID Gallery

More about the designers’ Blueware project in our earlier story.

Studio Glithero at VIVID Gallery

The information below is from Studio Glithero:


Glithero (Sarah van Gameren and Tim Simpson) are happy to announce that the exhibition in VIVID is extended with 2 weeks and now runs until November 7th, 2010.

Glithero is the first design studio to exhibit work in Rotterdam’s new VIVID Gallery space. The highlight of this exhibition is a big Blueware wall piece, comprised of almost one thousand tiles with blue photosensitive-prints of plants, made specifically for the space.

Studio Glithero at VIVID Gallery
The studio perpetually tries to solve the riddle of how to capture the beauty they see in the moment of transformation. Experimentation with photographic formulas led to the union of the long forgotten photographic technique of cyanotype, and a medium often associated with the colour blue: ceramics. Flowers and humble weeds are arranged on vases and tiles with a cyanotype infused surface and then exposed to UV light. The visible area turns intensely blue and a ghostly white shadow remains hidden behind the flower. The tile patterns are created with pressed specimens composed between sheets of glass like a photographic negative, and are the first step in Glithero’s attempt to find their own dialogue between craft and design.

Studio Glithero at VIVID Gallery

As well as the Blueware collection Glithero also present the new ‘Running Mould’ tables based on the artisan craft of cornice making. It is exhibited as follow up of the performative design installation made for Z33 in Belgium.


See also:

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Blueware Collection
by Studio Glithero
Studio Glithero at
Craft Punk
UNMADE 07 by
Karen Ryan

Porcelain wall vases by otchipotchi


Otchipotchi.bigcartel.com

Otchipotchi.4 Otchipotchi.2 Otchipotchi.3 Otchipotchi.1

 

Looking at Paula Valentim's beautiful porcelain ceramics made me realize today that it is time to relax and pause a bit after these hectic weeks… I love the wall vases and added them to my wish list! Unfortunately the cute birds are not for sale yet. 

Paula Valentim is the creator behind otchipotchi. Can u believe that this lady only completed her ceramics course in autumn 2009! She believes in simplicity, slow pace of life and creating objects with care and dedication. All her items are handmade in a tiny studio, which she has set up in a room next to her kitchen…amazing! check out her website here and online shop here.

Otchipotchi.5

 

Knotted by Judith van den Boom and Sharon Geschiere

Knotted by Judith van den Boom and Sharon Geschiere

The shape of theses vases by designers Judith van den Boom and Sharon Geschiere was derived from knotted rubber tubing.

Knotted by Judith van den Boom and Sharon Geschiere

The porcelain pieces have a rough sandy texture glazed in white, black or grey.

Knotted by Judith van den Boom and Sharon Geschiere

The following details are from the designers:


Vases Knotted, Porcelain

During a series of material brainstorms and try outs between Judith van den Boom and Sharon Geschiere a series of playful designs appeared. Judith and Sharon were experimenting with the fluidity of rubber tubes, creating large and small forms.

Knotted by Judith van den Boom and Sharon Geschiere

This all happened in Jingdezhen, China where the moment of brainstorms could quickly be experienced in porcelain forms. The products in porcelain contain the rubber fluidity and became a serie of vases with the intriguing form flow. They are produced in try out selection but are currenly also produced through a designshop into a new series of 3 larger sizes and colors.

Knotted by Judith van den Boom and Sharon Geschiere

Fluid shape, form and glazes form with the soft and rough sand textures covering the skins of knotted vases. Ceramic knotted vases are grey black and white sand glazed, 15×15x10cm, waterproof with setup edition of 30 pieces.


See also:

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Qing Zuo! by Judith
van den Boom
Blasted Vase
by Kai Linke
Reversed Volumes
by Mischer’Traxler

Things in my own home…

Woodentable

sitting at my mom's garden table in the Netherlands enjoying some tea and cookies…

Noguchiandmobilexandl_2

Our moblie from XandL hanging in our bedroom…

Close_up_inkypots

my new ceramic pots from Inkypots I bought over at an art and craft fair here in KL…

question from a reader…

Happu
 

Andrea emailed me with the following question…."Hello Bloesem, I have a piece of pottery which looks Scandinavian –  it is an Ice Bucket with the words ‘happu’   printed underneath. I can not find any pottery by this name.  Does it mean anything to you?  It looks Finnish"….I'm sorry I couldn't find the answer either, perhaps you know?