Announcing the Suitcase Series: Camilla Engman

The Suitcase Series Volume 1:
Camilla Engman

Artist Camilla Engman may live in Gothenburg, Sweden, but her appeal is international. A professional illustrator and exhibiting artist, her images are whimsical, poignant, humourous and insightful. With her keen eye for finding the extraordinary in the everyday, Camilla documents her inspirations and artwork on her popular blog. Nearly 2000 fans visit her site on a daily basis (with three quarters being from North America) to get a glimpse into Camilla’s creative life.

UPPERCASE is proud to have been the first gallery outside of Sweden to feature her work, in our 2005 exhibition “Best in Show”. We are excited to be collaborating on a book of Camilla’s art and life, the first volume in our “Suitcase Series”, to be released in the fall of 2009. I am looking forward to travelling to Sweden next month and meeting Camilla (and her cute dog, Morran) at long last.

The Suitcase Series presents in glorious detail the lives of select artists and designers. The books are image-based, full of artwork, sketchbook pages, beautiful photographs and artifacts from where the artists live and work. Interviews with the artist are included in both their native language and English. The books’ size will be small and intimate, like a diary/sketchbook and each book in the series would have a special treasure added: perhaps a small limited-edition art print, a vellum envelope filled with foreign paper scraps for collage, fabric swatches, etc. The book becomes a precious souvenir of a creative journey shared between the reader and the artist.

For our book and magazine subscribers, you will be receiving the Jen11 and Camilla books as part of your subscription. If you’d like to preorder Camilla’s book by itself, click here. All pre-orders will include a unique keepsake of the project.

{ PHOTO: Elisabeth Dunker }

2012 Olympics Committee Randomly Select Designers

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As this writer hails from Chicago, which is currently in the midst of an Olympic bid, we hope they’re paying attention right now with the planning for the 2012 Olympics in London, learning from the successes and mistakes they’ve had along the way. This week, we’re hoping for an education in the latter, as the London organizers currently have some egg on their collective faces, though whether they understand that or not is a bit confusing. Design Week reports that the organization received so many applications to work in various areas of design for the specific Commission for Sustainable London 2012, they decided to just go with luck and give jobs to the firms they’d randomly selected (though, to be fair, there were a few bits of criteria that had to be met for those names that went into the hat). Was this story uncovered due to some accidentally discovery? Or by some particularly keen investigative journalist? No. Instead, it was in the e-mail the organizers sent out to the firms and freelancers who didn’t land the job:

An e-mail sent by Olympics tender organisation Compete For to consultancies that had missed out on the tender says, ‘We had an overwhelming response from 245 organisations.’

‘Due to the number of high-scoring responses we have shortlisted a number of suppliers randomly from those who scored the highest mark in the questionnaire. This was done anonymously.’

Understandably, the designers and firms who weren’t hired are a little upset. After all, while honesty is nice, would it have killed them to at least pretended to look at their work first? Also, probably not the best piece of news for people to be reading the same week the committee has launched a competition for young people, ages 16 to 21, to design a logo for their official education logo. “Sorry kids, we were pretty busy, so we just picked one of your logos at random. Hope you understand. Bye!” is how we imagine the truly horrible e-mail would read.

New Career Opportunities Daily: The best jobs in media

60 Bags Biodegrade in 60 Days

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Winners of an honorable mention at this year’s Green Dot awards, 60 Bags is a line of biodegradable bags that can last as long as you like or decompose in approximately 2 months. So why not give a present to your garden after you are done buying something for yourself?

60BAGs are the perfect natural answer to the environment’s needs. They are biodegradable carrier bags made our of flax-viscose non-woven fabric. Its material was scientifically developed and manufactured in Poland. The flax-Viscose fabric is produced with flax fiber industrial waste, which means it doesn’t exploit any natural resources and requires minimal energy during its production. This highly innovative technology enables the bags to naturally decompose approximately 60 days after being discarded, which means they don’t require expensive recycling or disposal in landfills.

60BAGs a breakthrough advance over the so-called “green bags” produced with polypropylene material, as well as the thick plastic bags given away by most clothing retailers. 60BAG is a great commercial opportunity for the companies committed to supporting an eco-friendly lifestyle.

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Study Finds Compensation Ticks Upward for Designers and Architects

0310distudy.jpgWell, with the news of the big names letting employees go, massive country-wide layoffs, and lots about fewer and fewer available projects, we’ll gladly take any news that’s even slightly positive. So it is with the just-released DesignIntelligence Compensation and Benefits Survey, which found that designers and architects are still being compensated well and, most surprisingly, better paid than they were at this same point in 2008, with slight to average inflation depending on the position, experience, and education, as such:

The survey shows that the average compensation figures continue to march upward for recent architecture school grads. The mean salary for a graduate with a Bachelor of Architecture degree, for example, has risen from $39,333 in 2008 to $41,012 in 2009. The mean salary for a graduate with a Master of Architecture degree has risen from $42,985 to $47,263.

So good news for those who have jobs, but with fewer and fewer positions to go around, you just sorta have to take what you can get in the happy department.

New Career Opportunities Daily: The best jobs in media

The New York Green Business Competition

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This isn’t bailout money, this is sustenance for the sustainable:

The Green Business Competition is a groundbreaking platform to promote emerging green businesses in New York. The competition will reward investment funds to companies that have the ability to revolutionize their industry by working with our ecological resources while creating economic opportunities.

Through participation in the competition, companies will gain valuable exposure to financial institutions, venture capitalists, consumers, prominent business leaders, government officials, and the media to help ignite the green economy. The Green Business Competition will be the first competition of its kind to showcase small businesses across all industries as the foundation of New York’s emerging green economy.

Below are only some of the prizes. Check out the rest here:

Cash Prize:
1st Place: $8,000
2nd Place: $1,000

Office Space provided by Green Spaces:
1st Place: 1 year of desk rental ($6000)
2nd Place: 6 months of desk rental ($3000)
3rd Place: 3 months of lounge space ($675)

Website Development and Support provided by Squarespace:
1st Place: Design of your company’s website (up to $2000) + 1 year of web hosting ($360)
2nd Place: 6 months of web hosting ($180)
3rd Place: 6 months of web hosting ($180)

DEADLINE: March 22nd, 2009

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Zaha Hadid Latest to Lay Off Staffers

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Richard Rogers had to let go a quarter of his staff last week, Frank Gehry laid off dozens, and Norman Foster gave walking papers to over 300 employees. Now Zaha Hadid is the latest starchitect to be hit by the economy, as her firm has announced that they will be reducing their employee numbers in an effort to “rebalance the composition of its staff” which, if we may say so, is a little too heavy on the business speak and therefore a touch insensitive. But regardless of language, here we have yet another major architect who is having likely having fewer projects to pitch on and those they’ve won are being put on hold, despite what they say to the contrary:

Responding to rumours of wider redundancies at the practice, a spokesman said that the firm had never had more projects on site around the world, and had other projects due to begin in the near future, but would be reducing staff numbers by a “small amount.”

A spokesman from the practice said: “The office has always evaluated its resources in line with our clients’ requirements and based on current forecasts of work and assessment of skills within the practice, we believe that we are in a good position with some skills adjustment required.”

New Career Opportunities Daily: The best jobs in media

Metrics and aesthetics

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John Thackara was asked to write a text on sustainability for the exhibition Green Platform which opens at Palazzo Strozzi in Florence next month.

Curated by Valentina Gensini and Lorenzo Giusti, Green Platform takes a complex critical view of the “crisis in our thermo-industrial society”.

He posted a draft of his essay on the Doors of Perception blog, and is looking for input.

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Richard Rogers Lays Off a Quarter of His Staff

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First Frank Gehry laid off his entire Atlantic Yards staff and then Norman Foster announced that he was letting go more than three hundred of his employees due to the economic slump. Now the latest big name starchitect has issued walking papers: Richard Rogers, who has announced that his firm, Rogers Stirk Harbour + Partners, would be laying off a full quarter of their staff. Unlike Foster’s massive operation, this isn’t affecting nearly as many architects and other staffers, but 35 people no longer have jobs at the firm. Surely another blow to the morale of the industry. Here’s a bit:

Lord Rogers said: “Projects which seemed secure three months ago are now on hold or cancelled.”

Among them are the tower at 122 Leadenhall Street, London, nicknamed ‘the Cheesegrater’, and one of the towers at New York’s troubled Ground Zero site.

New Career Opportunities Daily: The best jobs in media

Not just for profit

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Emerging alternatives to the shareholder-centric model could help companies avoid ethical mishaps and contribute more to the world at large.

Around the world — largely beneath the radar of mainstream awareness — alternative [corporate] designs are being developed that seamlessly blend a central social mission with profitable operation. These include the burgeoning microfinance industry, emerging hybrids like nonprofit venture-capital firms, new architectures like Google.org that embody “for-profit philanthropy,” dual-class shareholding structures, employee-owned companies, the foundation-owned corporations of northern Europe, and a variety of cooperatives on every continent. These models vary enormously in size and mission, but they are significant for the same reason: Together, they represent an evolutionary step in the development of corporate structure.

>> Read article

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Kevin McCullagh: Design and the Depression

Kevin’s got a great piece in the April Blueprint, entitled Design and the Depression. Here’s the (bitter) sweet spot:

But the Bring-On-The-Slump crowd are equally self-indulgent. Recessions are marked by bankruptcies, mass unemployment, house repossessions and general misery, not by moral renewal. A mean-spirited Puritanism lies behind those beckoning recession.

Their outlook reveals a shocking detachment from economic and historical realities. The recessionistas just don’t get it, they have not grasped the depth of the economic crisis we face. This is no mere downturn, blip or ‘natural correction’; it’s a process that will last years. It could inflict a terrible toll on the profession. No doubt these commentators come from the kind of backgrounds that weren’t blighted by previous busts, but few practising designers and architects will be able to maintain such glorious indifference in the face of the coming havoc.

The prospect facing young designers is particularly bleak. Ian Cochrane, director of Tice group and former managing director of both Fitch and Landor Europe, recently gave a clue to what might happen. He recommended that design agencies should consider a three-day week, and advised design students to ‘get out of this business… [which] does not need you’.

Read the whole thing here.

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