Singapore’s design push

I love the titling of the sub-sectors of Singapore’s rigidly-defined design sectors: “Placemaking” (environments design, architecture), “Objectmaking” (industrial, product, and fashion design), “Imagemaking” (graphics, visual communications and advertising design). Singapore takes design seriously, as evidenced not only by its forthcoming Singapore Design Festival, but by the fact that

The government here is supporting the design sector. For example, the Design For Enterprises initiative is a $12 million collaboration to help Singapore enterprises tap the creativity and design expertise of top designers and assist them in coming up with successful products and services.

Another initiative is the Design Capability Development Programme by the DesignSingapore Council which has earmarked $10 million to provide grants and co-funding for mentorship, overseas promotion, participation in competitions, scholarship and other capability development schemes.

This from an article in The Business Times about both the Festival and the city-state’s efforts to “bring design to the forefront, emphasising the key role that it plays in contributing to the triple bottom line – where the interests of business, society and the environment come together,” as Robert Tomlin, chairman of the DesignSingapore Council put it. Read all about it here.

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A Portuguese success story: could “i” be the future of newspapers?

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Portugal’s newest daily newspaper, i, was launched in early May and has attracted a significant amount of attention due to its rising circulation figures and innovative approach. It recently won a design award from the Society of News Design.

The Editors Weblog spoke to editor-in-chief Martim Avillez Figueiredo, managing editor for online Mónica Bello and art director Nick Mrozowski, to find out more about i‘s approach and the reasons behind its success.

“I is not structured like a traditional paper. The paper’s team worked with media consultancy Innovation to come up with a new way to organise the product. “Our feeling was,” said Figueiredo, who came on board at an early stage, moving from Diário Económico, “that people were not concerned about traditional sections any more. Traditionally, journalists have to fill a politics section even if there is nothing relevant going on in politics. We wanted to come up with something different.” So the team came up with five key needs that they wanted the paper to address, with five key words.”

>> Read article

(via Haddock blogs)

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The Shelter: A campus for the creative industries in Dubai

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The Shelter is an “innovation campus” that opened earlier this year in Dubai with the support of the Dubai Culture and Arts Authority. The center aims to support small businesses in the creative industries by minimizing operational headaches. The campus also aims to foster the development of dialogue among creative types by providing a space for ideas to coexist.

These guys have thought of almost everything. In addition to ergonomic, flexible workspaces (with provided secretarial services), the facilities include a cinema/auditorium for lectures and screenings, a library housing over a thousand books on cultural and creative topics (including up to date reference texts), a small shop offering tools of the trade as well as design objects, a brasserie offering affordable and healthful fare, and a garden, for much needed breaks from work.

Amazingly, this will only set you back around 80 dollars a month. If only we were in Dubai….

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Integrating design into regional innovation policy

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SEE is a network of eleven European partners sharing knowledge and experience on how design can be integrated into regional and national policies to boost innovation, entrepreneurship, sustainability and social and economic development.

In a new policy document, they highlight six priorities for European innovation policy:

Stimulating demand for innovation can be achieved through ‘public procurement‘ and public services as catalysts for ‘innovation in services‘.
Fostering an innovative environment requires policy intervention in order to provide protection through ‘intellectual property rights‘ and forging closer links between academia and industry by promoting ‘collaborative clusters and networks‘.
Removing market barriers to innovation refers to creating favourable conditions for ‘lead markets‘ to emerge, for example ‘eco-innovation’ and sustainability, as well as ‘broadening the scope of innovation‘ in order to address societal challenges and champion a user-centred approach to innovation.

SEE is operating from September 2008 to June 2011, co-financed by the European Regional Development Fund (ERDF) through the INTERREG IVC programme.

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Rob Walker’s Sweetest Newest Idea

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Above: Proposed, and actual buildings

Rob Walker pitches a great concept for some collective street art action: Signs advertising fanciful future-use development plans

There’s a little building around the corner from me with this sign posted on it–a rendering of its supposed future. It’s been there for years, and it’s pretty obvious that it’s at best a hypothetical future, and arguably a fictitious one. The actual building remains vacant, and in fact is for sale. Any development that may take place some day depends on someone buying it, and what they might want to do. Till then, it’s just another empty building.

Read the rest of the post here.

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Ellerbe Becket Gets Bought Out by AECOM Technology Corp.

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Some big architecture business news this week. It’s been announced that the Kansas City-based firm Ellerbe Becket, has been acquired by the massive California company AECOM Technology Corp. Becket, you might recall, has come to more prominence recently for seemingly being Populous‘ only rival in the stadium building game, most recently getting handed the high-profile commission to design the New Jersey Nets Arena at Atlantic Yards after Frank Gehry got booted. The sale will apparently be good for both sides, with Becket, who will be keeping its name, having a much larger financial backing behind it, and AECOM buying a presence in the Midwest. Here’s a bit:

“One of the big-picture issues now is the global marketplace,” [managing principal Steve Duethman] said. “We have to figure out the best way to serve that marketplace and be a player in it. Joining AECOM allows us to do that.”

For instance, Duethman said, in the sports and health care design fields, which are among the Kansas City office’s strengths, the merger will allow Ellerbe Becket to expand into geographic markets that it previously didn’t have the financial resources to enter.

New Career Opportunities Daily: The best jobs in media.

Indian design body promotes idea of “design mark”

Indian bureaucracy can be a huge, lumbering machine. Question is, can it churn its wheels in the service of design? The India Design Council (set up under the National Design Policy by the Ministry of Commerce and Industry, but separate from the National Design Council and the National Institute of Design–here’s our justification for that first sentence) hopes so.

The IDC is pushing forth the idea of an Indian Design Mark, a sort of quality assurance stamp that would be placed on manufactured goods in order to “certify the minimum design intervention for a product.”

The mark will assure a certain process that the product’s design would have gone through to ensure that not only the quality but also the ingredients and the way of production is design-sensitive,” said the director of National Institute of Design (NID), Ahmedabad, Pradyuman Vyas, who is also the member secretary of the National Design Council.

To introduce the I’ mark, the design council is studying the different design standardisation marks that exist in other countries like Red Dot Award of Germany, The Good Design Award of Japan and Index Award of Denmark.

“This mark also signifies the social relevance of the product where levels of pollution and carbon emission are also taken into consideration,” said Vyas, who had recently visited Japan for a function organised by Design Office, Ministry of Economy, Trade and Industry in Japan.

Next step in making it happen? An upcoming December meeting where “the matter will be discussed further.”

via times of india

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Results of the European Commission’s consultation on design and innovation

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The results of the European Commission’s public consultation on its working document “Design as a driver of user-centred innovation,” which provides an analysis of the rationale for making design an integral part of European innovation policy, are now online.

The response was very good. In total, the Commission received 535 online replies – 309 from organisations, 226 from individuals.

91 percent of responding organisations consider that design is very important for the future competitiveness of the EU economy. 96 percent consider that initiatives in support of design should be an integral part of innovation policy in general, 91 percent that initiatives in support of design should be taken at EU level in addition to Member State and regional level.

On this basis, the Commission is now considering its next steps in better integrating design into European innovation policy and support.

For those of you interested in contributing further to EU policy development, the Commission recently launched a similar consultation on the broader question of future innovation policy.

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Tourism 2023 – creating a sustainable tourism industry

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It’s 2023. Climate change, oil shortages, and population growth have become pressing issues. What will the tourism industry look–and more importantly, will there even be a tourism industry?

That’s the question that Tourism 2023, an initiative from Forum of the Future, is aiming to find out, reports Fast Company.

Tourism 2023 partnered with companies like British Airways, Carnival UK, and Advantage Travel Centres to analyze the impact our ever-growing ecological footprint will have on travel in the UK. The results, presented in four scenarios (Boom and Burst; Divided Disquiet; Price and Privilege; and Carbon Clampdown), are somewhat surprising.

>> Read article

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Peter Merholz on Design Thinking – designers, what do you think?

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Among the slew of “Design Thinking Is Magic” hoopla we hear these days, Peter Merholz offers a refreshingly honest little piece in the Harvard Business Review entitled: “Why Design Thinking Won’t Save You.”

In it he warns business folk about throwing the baby out with the bath water. He proposes that right-brained tactics should be brought in to an organization to enhance left-brained thinking, not replace it.

Design thinking is trotted out as a salve for businesses who need help with innovation. The idea is that the left-brained, MBA-trained, spreadsheet-driven crowd has squeezed all the value they can out of their methods. To fix things, all you need to do is apply some right-brained turtleneck-wearing “creatives,” “ideating” tons of concepts and creating new opportunities for value out of whole cloth.

Merholz also claims that Design Thinking is not new but that it is, simply, a new name for sociology and anthropology.

A not-so-secret truth about “design thinking” is that a big chunk of it is actually “social science thinking.” Design thinkers talk about being “human-centered” and “empathic,” and the tools they use to achieve that are methods borrowed from anthropology and sociology. Believe me, until very recently, they didn’t teach customer research at design schools.

He makes many interesting points – each of them surrounded by many interesting counter-arguments. So let us ask you: What distinguishes Design Thinking from other types of social science thinking?

Read the entire piece here

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