Hasta La Ideas

British singer Tallulah Rendall collaborates with artists for each track of her playful new album

The whimsical British singer songwriter Tallulah Rendall‘s upcoming album celebrates creativity in all its dimensions. Alive follows her debut album Libellus, which was notable for Tallulah’s soaring voice and her clever idea of creating “viral vinyl” that worked both digitally and as a physical work of art.

Tallulah’s enterprising approach to music making is evident once again on Alive, which was independently funded through Pledge Music—the service that enables donators to follow the creative process of the album through regular updates from the artist.

Always one for creative collaboration, Tallulah has extended her multimedia approach by working with a different artist on each song of this new album, inviting them to interpret her music in their own visual fashion. The first single “Ghost on The Water” features the sensual modern ballet of Amy Richardson-Impey, while the second more upbeat single “Blind Like A Fool” finds Tallulah animated on the circus high-wire by Jelly Brain Productions.

The obvious pleasure Tallulah takes in sharing the creative process with others has us looking forward to the Alive album and its accompanying artworks when it’s released early 2011.

The folk rock sounds of over a hundred instruments on British band Stornoway’s first album

Five years in the making, Stornoway‘s recently-released debut album Beachcomber’s Windowsill like so many records before it, is the story of a homegrown musical enterprise. The band of Brits, named after a town on the Scottish isle of Lewis, met and honed their earnest, folk-rock style at the University of Oxford, where an eight-track recorder served as their primary means of laying down songs.

But for whatever they lacked in recording equipment, the quartet made up for in sound. Fast-forward to Beachcomber’s Windowsill, an album delivers over a hundred various instrumental notes—from the echoing chimes of a church bell and the signals of a Morse code message to the indecipherable sound of carrots being chopped.

Sensationally disorienting, the love song “Zorbing” kicks off the album, leading with a choir-like effect that builds to an excitedly robust crescendo. Frontman Brian Briggs explains the title, which takes its name from a slightly madcap activity involving a person rolling down hills inside a large, transparent ball, “I thought zorbing would make a good metaphor for how I was feeling at the time when I wrote the song.”

“If you listen closely, you can hear stuff like various band members muttering, lots of hiss and funny little details that you would normally clean up if you were in a studio,” Briggs says of the album’s audible quirks, which he and the band deliberately chose to preserve. While an amalgamation of sounds, the album is a thoroughly complete work, featuring 11 tracks of mostly-acoustic offerings ranging from fast-paced and riff-heavy (“Watching Birds” and “I Saw You Blink”) to gently wistful (“Long Distance Lullabye”).

Look out for the band on tour in the U.S. starting mid-November 2010. Beachcomber’s Windowsill sells online from Stornoway (where you can also get a hacky sack to go with it), Amazon and
iTunes.