Kesh Continues

Online reinvention, imagination and the art journey in our interview with Los Angeles’ newest creative transplant

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Owing as much to ’80s pop icons like Grace Jones and Madonna as she does to more contemporary influences (she counts M.I.A. and Jeremy Scott as friends), the eccentric style of 24-year-old British artist Kesh has the same “downtown” roots that has defined generations of young creative types. Having graced the pages of Vogue, WAD and i-D, dressed stars from Mariah Carey to Lupe Fiasco when she was a fashion designer, worked with Kanye and Interscope Records and held a stint as fashion editor at Super Super Magazine, the enterprising former DJ recently launched a new website Kesh Continues from her new home in Los Angeles.

These new moves come on the heels of her growing reputation for merging photography, digital manipulations and hand illustration to create artworks that layer geometric shapes, bold colors and portraiture—the first two of her printed offerings, Fetrinite and Velene, were bought by fans in 26 countries. To find out more about her projects, we caught up with Kesh in her L.A. “cave” for a quick chat about art, age and inspiration.

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What brought about the desire to launch a website now?

Before I used a blog, because I felt it was the right tool to document my journey as an artist and share the developments of my skills. The displayed pieces were created over a number of years and in several different countries, so the blog gave me the ability to share my experiences and adventures. I decided to create the website because I felt that the time was right. I was satisfied with my body of work and ready to display it all in one place.

What’s been the biggest obstacle in getting your art out there?

At times, I feel that age is an obstacle. Being a young artist in 2011 has practically become cliche. The association of age and competence is always there, but not always valid.

Do you see each artwork as its own separate piece or is it all linked?

Some are directly relative by being part of a collection or coming in sets, but all are relative to the journey. I date each piece to mark the history of my work and think that the timeline is what links them all together. Over the years it will become clearer for I will discover new tools to use and discover different influences.

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You have done so many things—fashion, music, art—how do you define yourself?

Artist is the best way to describe what I am, what I do. The mediums may vary, but at the end of the day it’s all art.

Finally, who or what inspires your art?

There are many things that inspire me from day to day but for me, imagination is my biggest influence. The world inside your head can be an amazing place if you want it to be.


Mahala Magazine

South Africa’s subversive new publication takes on the country’s contemporary creative culture
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Founded to “really assault the dominant narratives in our own unique way,” the South African magazine Mahala goes against the typically glossy grain with an “un-designed” style that allows its similarly raw content to shine. The publication launched in August 2010 and, now on its second issue, supplements a daily website—both the brainchild of Andy Davis.

Stories like “Surfing is Wanking,” “Racist Dogs” and “The Colonialism of Small Things”—to name just a few—shed light on topics that affect South Africans, but with its Vice magazine-style journalism, anyone interested in leading-edge culture will appreciate this unconventional upstart.

We recently probed Davis to find out more about Mahala’s beginnings, its future, and the overall state-of-mind in South Africa.

What do you most hope to accomplish with Mahala?

I want to create a platform for a racially-integrated South African youth culture that can interrogate our experience, our culture and really just provide an impetus for people to make good, relevant stuff. South Africa is still a radically segmented place. And we’ve got a whole backlog of shit that’s been swept under the carpet and kept out of view. I want Mahala to pick at those edges, to go where the art, music, literature, etc. intersects with politics, society and weird-ass South African dynamics like race relations and socio-economic disparities.

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The online site tries to crunch through what’s happening in South Africa on a daily basis. We aim to publish three to four stories a day. The debates we get going in the comments show that our audience really gives a shit about what we say, and they have a stake in the culture so they all pile in and make their voice heard, which is a good thing. But it can be quite rough on the comment boards. We have a non-intervention policy. We don’t delete anything. If people want to hang themselves kak vibes, so be it.

We hold the print magazine to a higher standard. We want people to read everything twice. It’s supposed to be a real collector’s item. But it also gives us the latitude to publish photo features, fashion, fiction and investigative journalism that isn’t always suited to online attention spans.

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What is the most challenging part of creating each Mahala edition?

Getting the right mix of words and images, without being too gratuitous or going too hardcore, but still being able to interrogate the culture and experience. I think with our first issue we were sitting on so much unreleased content that we didn’t temper it properly. So it was a bit relentless. With the second issue we got the mix a bit better varying between depth and levity. There were some almost academic style articles, hard-hitting investigative journalism, some great narrative non-fiction, fiction and some nice humor.

Another thing we really struggle to do is find good, black writers, photographers and illustrators. That’s not to say they don’t exist, it’s just that South Africa is so systemically fucked up thanks to apartheid that massive segments of the population were actively uneducated by the apartheid schooling system. So, generally speaking, anyone who is black, creative, talented and competent gets employed very quickly. And there just isn’t a plethora of young black talent beating down our doors, desperate to get published. And the last thing we want to be is a group of whiteys sitting around writing about black culture. We want to push this relationship into a “post-racial” space. Things are changing though, and it’s picking up pace. And we certainly don’t want to be those sad guys who do head counts based on skin color. But we’re still a long way off from the ideal of an equitable, meritocratic society.

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Does each edition have an underlying theme?

Not yet, but we may be heading that way. I think at the moment, we don’t need to introduce over-arching themes because the culture is happening all around us and having a theme would necessarily occlude some of the most relevant and exciting stuff. Besides, I quite like the way the magazine jump cuts from narrative to narrative. I want them to stand alone and not have too much editorial unity. We always said Mahala would support a plurality of views, so it’s cool for each piece to stand alone and not be perceived as coming from central editorial authority.

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What can we look forward to seeing in Mahala 3?

I think it’ll be bigger and better than Mahala 2. I thought there were some little failings in the last issue, that I’m glad to have the opportunity to rectify in the next issue. But those are mainly little publishing minutiae and insecurities. Generally the feedback has been overwhelmingly positive. At this stage a lot of the content is still in the air. We’re also working on a site redesign and, for our international readers, we’ll be making all the print mags available online as PDFs, from the next issue.

To subscribe to the print publication or receive their daily updates, visit the Mahala website.


Blog Love: Hilda Grahnat

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I just found this blog and shop and it sooooo beautiful! I absolutely LOVE what I see over at Hilda Grahnat her blog…. this incredible dollhouse from the '60s from her mom, the images from a simple milkshake, a post like 'thrifted recently' and so much more…I believe it is especially the photography and her eye for the basic thing that makes this blog so beautiful and a great inspiration for me!

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Hilda is a Freelance photographer, graphic design student & flea market addict based in Malmö, Sweden and in her online shop she sells posters, prints and also these beautiful coasters!

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Thank you again ladies from Darling Clemintine! All images are by Hilda Grahnat.

Bloesem is part of the ‘100 Voices That Matter’

Perhaps this video explains it best…

Tina Roth Eisenberg aka Swiss-Miss was one of the 10 experts invited by SAY Media to compile a list of 10 voices in the category 'design' that she considers have an influence these days…,  A list of voices that matter…and she says Bloesem is one of them … yes that makes me smile 🙂

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Why did SAY Media create this list: "The SAY 100 is a collection of authentic and knowledgeable online voices that create engaging content, drive conversation and shape opinion. At SAY Media we believe the power to shape opinion

is shifting from the faceless editorial voice of mainstream media to individuals, many of whom are taking advantage of simple technology to create their own properties and build their own media brands. And the best way to highlight that change is to show you who we're talking about." 

Thank you Michael Sippey!

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It was so nice to read what Tina said about Bloesem: "Every time I stop by her blog, I get lost in the beautiful imagery and am inspired to rearrange and declutter my home." and even more fun to see that she gave me an official Twitter hash-tag #iwanttogothere …

are you already on Twitter, i love it more and more, for me much better than facebook and so much faster than emails… hope to see you there.

 

The Tote Bag Book

An extended collection of brilliantly designed tote bags compiled by artist Jitesh Patel

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UK based designer Jitesh Patel started a blog based on his interest in tote bag artwork that has become a forum for the showcased artists. From there he turned the site into paperback form—his book “The Tote Bag” highlights striking and inventive designs including his own illustrations on the cover and the free canvas tote that accompanies the book.

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In recent years the tote bag has become more widely used by the environmentally conscious as a simple way to cut down on the use of disposable bags. The question always asked is, “paper or plastic” but since the birth of the canvas tote bag, people can say neither and opt for their own bag. Besides cutting down your carbon footprint it’s a fun way to express your style.

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Patel opened his Shoreditch, London studio in 2007 to be a base for his artistic talents. He is a brilliant illustrator and lends his talents in advertising, brand design and art direction. Patel’s interest in tote bags drew the attention of designers from all over who contributed their work to his book.

The Tote Bag book is available from various retailers for £19.


A corner of my bedroom over at Bodie and Fou*

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Perhaps you saw my bedroom appear over at the great Bodie&Fou blog yesterday… Karine invited me to be part of her 'A corner of my bedroom' series … and I enjoyed looking at my own bedroom like this!

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a short story I had written about our bedroom: "The Master bedroom! That is where my husband and I are currently sleeping…a little over a year ago we moved to a real house after living in apartments all our lives and while searching for this house we saw many 'huge' master-bedrooms, apparently very important here in Asia. For us it feels like having a second living-room and I must say we spend quite some time here…

Sunday mornings, evenings and when the family wants to watch a movie…the only real TV in our house is in our bedroom. I have tried to make it cozy by adding some nostalgia and sentimental accessories…like a patchwork blanket that I made myself from fabrics that my mom gave to me, my photo-album from when I was a baby, some vintage vases and the old telephone from the Netherlands. A picture of me and my sister is hanging above my bedside table and only recently I added the textile fabric wall decal (yes also made them myself). I love my new necklaces from Kristina Klarin and the yellow hanger is there to give some color to the wall. I wish was allowed to paint the floor black or white…."

Thank You Karine for the lovely invitation!

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All images made by myself, Irene 🙂

Wood & Faulk

A Portland DIY guru’s bags, aprons and more
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Like a younger Martha Stewart based in Portland, OR, Matt Pierce’s wide range of skills—from sewing to woodworking and furniture-making—keeps him busy tinkering in the house (that he renovated) and his garden workshop. “I used to worry that because I was so interested in so many different things, that I could never become an expert in any one thing,” he said. “Then I learned to embrace it. It’s just my style to do a lot of different things.”

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But Pierce hasn’t always been a chronic tinkerer; he also works as a graphic, interior and web designer (with clients like Adult Swim on his roster). It’s perhaps this background that gives his all his work—from bags to doors and aprons—a distinctly utilitarian feel that doesn’t detract from its handsomeness. “I like looking at Army-Navy stores, and using materials in ways that they weren’t intended to be used,” he said, sitting at the table that he made from metal, red Kevlar and wood given to him by his grandfather in Kansas (Pierce’s native state).

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Pierce’s beautifully photographed site Wood & Faulk does perfect justice to his sturdily made and affordable products, which he produces in small batches and rotate frequently. “I think my next project might be a DIY lamp kit,” he said. “I’d provide the die-cut pieces and tubing.” Some of his other items for sale include a handsome heavy cotton carpenter’s bag and pocket notebooks for when you have some inspirations of your own.

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Wood & Faulk products sell online. To learn about ongoing projects, check out the blog.


Decorate, 1,000 professional design ideas… by Holly Becker

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Let me start this week with a big congratulation post to Holly from Decor8… i'm super happy, delighted and excited for her becasue it won't be long now before her first book, Decorate,  hits the shelves… I can't wait to find out which houses she has visited for this book and I can only say: Holly, the publishing of this book  is so well-deserved! You have been the kindest blogger to me, to Bloesem and to many more people I believe and I hope this book is just the first of many more to come… perhaps next time you can include some Asian homes :)…  

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Decorate by Holly Becker and Joanna Copestick, photography by Debi Treloar. Pre-order possible here and fan/facebook page here.

 

Sponsor spotlight: Dutchhandmade blog

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Image: handmade jewelry by Martice

Dutchhandmade is a great source when looking for Dutch and Belgian Etsy sellers specifically but it also brings you good information about coming and past events, how to be an entrepreneur in the handmade world, meet other people who are creatively engaged and more. The editors of Dutchhandmade all have their own etsy shops, for example the items in this post, and are passionate about spreading the word for handmade products…click here to see the blog and use the drop-down menu's to easily navigate around the blog …. if you have a question or would like to joing, just end Dutchhandmade an email

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Image above: handmade accesoiries by MadeByMo 

Image below: handmade jewelry by TwoTreesBelgium 

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what i like for 2011

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Perhaps in 2011 I will open a shop like this too…

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all images are by Virginie Sannier and the pop-up shop was organised by Sandrine from Neëst, items sold were from: coconMaizeMadame MTitlee,Train FantômeCéline Saby.