Asterisk by SAKO Architects

This asterisk-shaped restaurant and winery at the centre of a lake near Beijing is our second story in the last week about Chinese studio SAKO Architects (+ slideshow).

Asterisk by SAKO Architects

The timber-clad building was designed by SAKO Architects with different functions in each of its five wings, while a wine cellar occupies the basement.

Asterisk by SAKO Architects

An entranceway cuts through the first of the five wings. A lobby is located beyond and leads into a central hall with a circular skylight overhead.

Asterisk by SAKO Architects

A wine showroom and bar are contained in the second wing, while the third contains the dining room of the restaurant. Both of these spaces open out to rectangular terraces, plus one of them projects out across the surface of the lake.

Asterisk by SAKO Architects

The fourth wing contains a series of private function rooms, divided by brick walls with gaps to let the light through, and the final wing contains the kitchen and staff facilities.

Asterisk by SAKO Architects

Our other recent story about SAKO Architects featured a doughnut-shaped kindergarten with brightly coloured details.

Asterisk by SAKO Architects

See more architecture in China, including a museum of wooden sculptures and an art gallery in Beijing with curvy courtyards.

Asterisk by SAKO Architects

Photography is by Ruijing Photo.

Asterisk by SAKO Architects

Here’s some more information from SAKO Architects:


Asterisk in Beijing

The project is a building which on a floating island in the lake, with an area of 2,000 sqm. Including ground floor and basement. Wine showroom, restaurant and underground winery are included.

Asterisk by SAKO Architects

The space separated by five different functional blocks, and setup as one integral building which is direction relative and continuity connected with the central multifunction space.

Asterisk by SAKO Architects

The respective functions are connected through a space, the large openings in the exterior wall, form the interior and outdoor overall sense. There are five different functional plazas between each block, wedding or wine exhibition and other activities can be held here.

Asterisk by SAKO Architects

Project Name: ASTERISK in Beijing
Project Location: Beijing, China
Project Type: Architecture

Asterisk by SAKO Architects

Architect/s: Keiichiro SAKO, Shuhei AOYAMA, Ariyo MOGAMI, Touru IWASA/ SAKO Architects
Lighting Design: Masahide Kakudate Lighting Architect & Associates
Client: Beijing Sheng Lu International Zhuang Park Hotel Management Ltd.

Asterisk by SAKO Architects

Element: Winery, Restaurant
Size: Site area: 4,800m2
Building area: 2,000m2
Design Period: 2010/05 – 2011/04
Construction Period: 2010/10 – 2012/11

Asterisk by SAKO Architects
Floor plan – click for larger image
Asterisk by SAKO Architects
Cross section – click for larger image

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SAKO Architects
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Nike Free 2013 installation by Studio-at-Large

Nike running shoes were suspended around an illuminated track as though on the feet of eight invisible athletes for this installation at Beijing’s 798 arts district by Shanghai design office Studio-at-Large (+ slideshow).

Nike Free 2013 installation by Studio-at-Large

As a one-day launch for the 2013 Nike Free collection, the installation presented the different colour combinations of the shoes around a five-lane running track, with some appearing frozen in motion while others lay flat.

Nike Free 2013 installation by Studio-at-Large

A dark-tinted mirror mimicking the shape of the track was positioned directly above and brightly coloured garments were suspended around the perimeter like a row of spectators.

Nike Free 2013 installation by Studio-at-Large

Entitled The Track, this installation was the second of three zones designed by Studio-at-Large for the Nike Free launch event.

Nike Free 2013 installation by Studio-at-Large

The first was an exhibition designed to explain the history of the collection using a system of triangular display stands.

Nike Free 2013 installation by Studio-at-Large

The Finish Line was the third zone in the space, where visitors were invited to sit on rows of benches and use headphones to listen to speeches from different athletes.

Nike Free 2013 installation by Studio-at-Large

First images of the Nike Free Trainer 5.0 were revealed on Dezeen a few weeks ago and the shoe features a criss-crossing body that reference a Chinese finger trap.

Nike Free 2013 installation by Studio-at-Large

Other installations by Nike include a colourful web in a rusting gas tower for the Flyknit collection and a set of motion-sensitive LED walls at the east London Boxpark store. Watch a movie we filmed at the NikeFuel Station at Boxpark or see more stories about Nike.

Nike Free 2013 installation by Studio-at-Large

Photography is by Jonathan Leijonhufvud.

Nike Free 2013 installation by Studio-at-Large

Here are some details from Studio-at-Large:


Nike Free 2013 (Greater China)

The latest generation of Nike Free was introduced in Beijing’s 798 art district in an environment designed to highlight the natural motion running franchise’s pedigree of athletic innovation and enhanced aesthetics.

Nike Free 2013 installation by Studio-at-Large

The installation was divided into three key spaces: The A-Z of Nike Free; The Track; The Finish Line. The first drew inspiration from the flexible shoe’s geometric outsole to present an interactive experience of imagery, video, and objects that reveal the story and design process behind the Free, whose development dates to 2001.

Nike Free 2013 installation by Studio-at-Large

With the impression of walking into a stadium, visitors entered The Track, where the LED circuit was mirrored from above, adding a depth of vision and light to the space. Complementing the dynamic collection, the illuminated track lines interacted and highlighted the vibrant colorways and sleek silhouette of the product.

Nike Free 2013 installation by Studio-at-Large

Reminiscent of crossing the final racing line, the presentation space in the third area used thin-layered walls to frame the spatial experience for the audience to engage with guest speakers including American Olympic gold medalist Allyson Felix and Chinese sprinter Wei Yongli.

Nike Free 2013 installation by Studio-at-Large

Event: Nike Free 2013 Media Showroom and Exhibition, Greater China
Location: Beijing, China
Date: March 2013

Nike Free 2013 installation by Studio-at-Large

Design Firm: Studio-at-Large
Design Director: Albert Tien
Architect: Ryan Newman (R&D Office)
Designers: Lawrence Wu, Vladimir Dubko

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by Studio-at-Large
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Highlights from Design in Common: Beijing Design Week’s Milan show innovates on carpentry

Highlights from Design in Common


Last week in Milan we were pleasantly surprised to find Beijing Design Week presenting Design in Common—a selection of pieces from the capital city’s fair. With a focus on communal furniture and tea-drinking pieces in particular, the exhibition was proof of China’s far-ranging…

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Tree Art Museum by Daipu Architects

Sloping exhibition rooms fold around curvy courtyards and a fish pond at this art gallery in Beijing – the first completed project by new studio Daipu Architects (+ slideshow).

Tree Art Museum by Daipu Architects

Tree Art Museum is located beside a main road in the Songzhuang arts district, so the architect wanted to create secluded spaces outside the gallery where artists and visitors can socialise. One large courtyard is inserted in front of the building, while a second is positioned at the back and a terrace ramps up over the roof.

Tree Art Museum by Daipu Architects

Architect Dai Pu explains: “This project hopes to create a place where local people and visitors would communicate with nature, light, trees, water and contemporary art.”

Tree Art Museum by Daipu Architects

A chunky concrete wall separates the entrance courtyard from the road. A sliced opening reveals it to be a corridor, offering an informal exhibition space on the way into the galleries.

Tree Art Museum by Daipu Architects

Glazed curtain walls surround the courtyard facades of the building, bringing natural light into the two gallery floors and revealing the sloping floors.

Tree Art Museum by Daipu Architects

“I hope people might be attracted into the museum by the view at the entrance,” said Dai Pu. “Their eyes would follow the curvy floorslab coming from the ground all the way up to the roof.”

Tree Art Museum by Daipu Architects

Zigzagging ramps at one end of the building lead up from the ground to the rooftop terrace, which also accommodates four smaller patios.

Tree Art Museum by Daipu Architects

Meeting rooms and offices are lined up along the rear of the building and face down onto the secondary courtyard.

Tree Art Museum by Daipu Architects

Dai Pu previously worked for Beijing studio MAD, where he was project architect for Hutong Bubble 32, a bubble-shaped extension to a traditional Chinese courtyard house. Tree Art Museum is his first project since launching Daipu Architects.

Tree Art Museum by Daipu Architects

Other new galleries in China include Jade Museum, located in a converted office block in Shanghai, and The Design Republic Commune, a design gallery, shop and event space in the same city. See more architecture in China.

Tree Art Museum by Daipu Architects

Photography is by Shu He.

Here’s some more information from Daipu Architects:


Located in Songzhuang, Beijing, China, Tree art museum lies beside the main road of the area. Original village has vanished, replaced by big scale blocks which better fit for cars. Even if renowned as artist village, it’s difficult to stay or enjoy art exploration without local artist friend’s introducing. So, the first idea was to create an ambient, a public space where people would like to stay, date and communicate.

Tree Art Museum by Daipu Architects

I hope people might be attracted into the museum by the view at the entrance. Their eyes would follow the curvy floorslab coming from the ground all the way up to the roof. People could choose getting into the space either through the ramp or the courtyard with a pool and tree on the first floor. Sky is reflected onto the ground, with reflecting pool together, helping people to filter their mind and forget the environment out there.

Tree Art Museum by Daipu Architects

The first courtyard was separated with the main road and dust outside by a bare-concrete wall. People would stay and chat under the tree in the courtyard, or, just feed fishes by the reflecting pool. Meanwhile, they could enjoy artworks and watch other people lingering inside the building through curtain wall. In the bare-concrete wall, there is a corridor which could be utilized to exhibit books and small sculptures. The curvature varies slightly along the path.

Tree Art Museum by Daipu Architects

The second courtyard introduces nature light to the back exhibition hall and meeting room on 2nd floor, while separating the public and privacy needed. The curvy wall implies people to the other side of the building, and introduces them to come to the public stairs-plaza on the roof, where people could sit and enjoy sunshine, or look down to the pool or even chat with people down in the courtyard.

Tree Art Museum by Daipu Architects

There are six and half courtyards on 2,695 square meters site. Besides the two bigger ones for exhibition, there are four more courtyards lying on the upper part. Two yards apply sunlight to the back space and introduce skylight to the exhibition hall below. The other two yards are on the top of the floor, which also open to sky.

Tree Art Museum by Daipu Architects

Above: axonometric diagram – click for larger image

By taking real and pure expression, this project hopes to create a place where local people and visitors would communicate with nature, light, trees, water and contemporary art. This simple and plain idea will spread out through their experience.

Tree Art Museum by Daipu Architects

Above: ground floor plan – click for larger image

Project title: Tree Art Museum
Location: Song zhuang, Beijing, China
Height: 18.78 meter
No. of floors: Exhibition part: 2 stories, Function part: 5 stories
Building Area: 3,200 square meters
Site area: 2,695 square meters

Tree Art Museum by Daipu Architects

Above: first and second floor plans – click for larger image

Client: Chinese Contemporary Art Development Foundation
Design Architect: Daipu Architects
Director: Dai Pu
Design Team: Dai Pu, Feng Jing, Liu Yi

Tree Art Museum by Daipu Architects

Above: third and fourth floor plans – click for larger image

Structural Engineer: Huang Shuangxi
Water Engineer: Lei Ming
Mechanical Engineer: Wang Gepeng
Electrical Engineer: Wang Xiang
Curtain Consultant: Beijing Doorwin Decoration Co, Ltd
Design: 2009.11
Construction: 2010.11 – 2012.09

Tree Art Museum by Daipu Architects

Above: cross section one – click for larger image

Tree Art Museum by Daipu Architects

Above: cross section two – click for larger image

Tree Art Museum by Daipu Architects

Above: street elevation – click for larger image

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Daipu Architects
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Hard Candy by Yan Rui: Jewelry inspired by Eastern reincarnation philosophy, Nine Inch Nails and more

Hard Candy by Yan Rui

by Alessandro De Toni In the last few years Beijing’s Central Academy of Fine Arts has become an epicenter of the capital’s creativity, producing an array of talented artists and designers each year. Included among the group of elite graduates is Yan Rui, who after finishing her studies at CAFA…

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A long Train Journey

Le studio Factoria a tourné avec un appareil Canon 7D cette vidéo magnifique « Trans-mongolian – A Long Train Journey », retraçant un voyage de 7500km en trains traversant ainsi la Mongolie et la Sibérie. Partant de Beijing et finissant à Moscou sur une musique de Sedaa, cette superbe création est à découvrir dans la suite.

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Trans-mongolian - A long train journey6
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Trans-mongolian - A long train journey4
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Trans-mongolian - A long train journey2
Trans-mongolian - A long train journey
transmongolian

G by Gloria Guo : Creative collars, pendants and patches from a Beijing-based designer

G by Gloria Guo

Designer Gloria Guo has been fascinated by colorful patterns and handmade crafts since childhood. “As one of my first little hobbies, I used to customize my shoes and pants with small patches,” she says. “When I came to study in Beijing and discovered the marvels of local textile wholesale…

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Word of Mouth: Beijing: From galleries to delis, a trio of spots to hit in the capital

Word of Mouth: Beijing

The never-ending urban highways, the pale and empty grandeur of Tian’anmen Square, the heavy traffic and the mantle of dust which is just occasionally swept away by the bitter winds from Mongolia—these don’t necessarily make China’s capital a place you fall in love with at first sight. On the…

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Interview: Nathan Zhang: We talk to the Beijing-based founder of Brandnü about his upcycled fashion operation

Interview: Nathan Zhang

Waste is one of the dark sides of development, especially in fast growing-country like China, and Beijing is no exception. With massive urbanization bringing crowds of mostly unskilled rural workers to the city and a literal ring of garbage dumps and unauthorized recycling centers besieging the capital, it’s often…

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Interview: Gwenaëlle Chassin de Kergommeaux: We talk to the GCDK De.Sign principal about eggshell maps of China, furniture re-purposing and more

Interview: Gwenaëlle Chassin de Kergommeaux

Created in 2004 by Gwenaëlle Chassin de Kergommeaux as an artistic outlet, GCDK De.Sign is an unconventional furniture design company started in Paris and is now based in Beijing. Chassin de Kergommeaux bases her work on careful research of aesthetics and materials, using eggshells, silk, gold leaf, sharkskin, mother…

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