Braille Alphabet Bracelet Wins People’s Design Award

The votes have been tallied and the people have spoken: the Braille Alphabet Bracelet is the winner of the 2010 People’s Design Award. The Cooper-Hewitt’s annual crowd-sourced honor was presented to designer Leslie Ligon by White House Deputy Social Secretary Ebs Burnough and fashion designer Cynthia Rowley at last week’s National Design Awards gala in New York City. The bracelet, which retails for $47.50, features the entire alphabet in Braille on one side and the corresponding print on the reverse. “I’m delighted that the public has chosen to honor the Braille Alphabet Bracelet, which looks good, communicates without a glance, and feels great too!” said Cooper-Hewitt director Bill Moggridge.

Ligon, whose oldest son is blind, is the founder of At First Sight Braille Jewelry. In 2001, as her son began to learn Braille, she set out to apply her jewelry-making skills to create “something that seamlessly combined the aesthetics of design and the functionality of Braille, so that people would be as interested in and attracted to it as they are to jewelry or fabrics with Asian characters or 18th-century French script,” writes Ligon on her website. “I wanted to offer pieces anyone would want to wear.” A percentage of the company’s profits are donated to Braille literacy organizations, including National Braille Press and BrailleInk.

“Daunted initially by learning Braille, we were equally daunted by the aspect that nearly ninety percent of the [visually impaired] population was functionally illiterate,” said Ligon in her acceptance speech. According to the American Foundation for the Blind, as few as 10 percent of people who are legally blind learn to read and write Braille, and several studies indicate that at least 90 percent of the blind that hold jobs are Braille literate. “Braille and white canes are huge visual stigma, if you choose to look at them that way, but they’re also representative of independence and what it means to really fly.” In closing, Ligon left the crowd with some design advice. “I think this is really just about the top dog in statues for awards,” she said, clutching her Winterhouse-designed swirly asterisk trophy. “But I think it needs a little Braille.” She proceeded to roll an elasticated Braille alphabet bracelet over the top. “No offense,” added Ligon.

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David Chipperfield Awarded the Royal Gold Medal

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On a more positive note about an architect, just days after Zaha Hadid finally won herself a Stirling Prize, the Royal Institute of British Architects, along with the Queen of England, handed out an award that gets much less fanfare but is equally as respected, the Royal Gold Medal. This year’s winner is David Chipperfield, who won the Stirling last year and had met with the Queen back in January when he was knighted. The Guardian‘s Jonathan Glancey brings up the fact that this latest award comes packaged in some irony, given that the architect has had a somewhat contentious relationship over the years with building on his native soil, seemingly preferring to work elsewhere in Europe or the States (he also doesn’t like people taking photos of his buildings, but we already talked about that last year). Here’s a bit from Glancey:

“The big difference between working in Britain and Europe,” he once told me, “is that here you are not really expected to debate ideas. Money and marketing are what matter most. We live in an events culture in the UK. Architecture, arts and media are all increasingly driven by events agendas. Ideas are only valid if they fit into media schedules. Original debate has been overwhelmed.”

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Aussie Designer’s Long-Distance Life Preserver Wins James Dyson Award

Ready, aim, lifesaver! Longreach, which shoots an emergency buoyancy aid up to 500 feet out to sea, has bested 14 other problem-solving shortlisted designs to win this year’s James Dyson Award. Australian designer Sam Adeloju (at right) and his alma mater, the University of New South Wales, will each receive $15,000. U.S. student Kimberley Hoffman earned second place honors for her Sea Kettle, which uses natural sunlight to desalinate water in an emergency life raft, while Swiss design grads Lars Imhof and Marc Binder took third place for their Reax resuscitation device. All four top finishers will receive a visit to the Dyson research and development centers in either the United Kingdom or Malaysia.

“Longreach is a smart solution to a very real problem,” said James Dyson in a statement announcing the winner. “A product’s functionality couldn’t be more important when it’s used to save someone’s life.” Longreach is a handheld launcher powered by oxygen and butane, capable of firing a self-inflating flotation device over long distances to people at risk of drowning. It is made of hydrophobic foam that rapidly expands upon hitting the water to protect the buoyancy aid from puncture. “After learning about propulsion technology in grenade launchers, I had to find a chemical that would expand to forty times its size in just fifteen seconds upon hitting water,” said Adeloju, who lives in Sydney. “After four months of testing, I found that hydrophobic foam worked and soon after the concept for Longreach was developed.” Adeljou plans to use his winnings to develop prototype and continue testing. He is already in talks with the Surf Life Saving Australia and Westpac Rescue—an aeromedical search and rescue service—to mass produce his invention.

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Tate Britain in Altercation with Press Photographers Over Turner Prize

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Speaking of museum-based controversies, the Tate Britain has suffered through some particularly bad press this week relating to the Turner Prize. In what already seemed like an annual event where the press bashes the prize itself and what gets nominated (with the exception of the joy over Richard Wright‘s win, they’ve done it this year, did it last year, and for as far back as we can remember), the Tate added fuel to the fire with the opening of an exhibition of the Turner finalists by demanding that press photographers only publish images that wouldn’t “result in any adverse publicity” reports the Telegraph (before you get concerned, knowing that the Guardian is the Turner Prize’s media sponsor, know that integrity won out and they also covered the story, on two occasions even, wherein they bashed the exhibition’s offerings). The demands were met with a standoff by the photographers who refused to go along with it (the museum even tried to make them sign a form with the detailed demands). After two hours, the Tate finally broke down and allowed the photographers unrestricted access. Since then, the Tate has responded to uproar over the matter by saying it was concerned only with usage rights and perhaps the “adverse publicity” line needs to be revised in some way. For those with or without cameras who want to see the exhibition, it opened yesterday and will run until January 3rd. The winner of the Turner Prize will be announced on December 6th.

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Suzanne and Christopher Sharp, Gil Schafer Among Veranda Art and Design Award Winners

Veranda, now under the inspired editorial lead of Dara Caponigro (who tomorrow morning will moderate a panel discussion on “the value of quality” at New York’s D&D Building), last week celebrated the winners of its 2010 Art of Design Awards with an Antony Todd-designed gala at the Hearst Tower. And kudos to Veranda for donating a portion of the evening’s proceeds to our boundlessly creative friends at The Alpha Workshops. Now in their second year, the magazine’s Art of Design Awards “honor trailblazers forging paths in the design industry with work that is both innovative and timeless.” The 2010 winners are Paul Wiseman (interior design), Bernie de Le Cuona (fabric design), Gil Schafer (architecture), The Rug Company founders Suzanne and Christopher Sharp (accessories and furniture), Nancy Goslee Power (garden design), and Alessio Boschi for Autore (jewelry design). All of them are featured in the October issue of Veranda. “The world is craving authenticity right now—things that are thoughtful and well executed,” said Caponigro. “By looking both backward and forward, the Art of Design Award winners prove that good classic design is anything but boring.” Nominated by leaders in the decor and design worlds, the winners were selected by a judging panel that included fashion designer Oscar de la Renta, architect Peter Pennoyer, designer Rose Tarlow, and David McFadden, chief curator of the Museum of Arts and Design.

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Zaha Hadid Wins the Stirling Prize

If you’re the betting type and you followed the bookie-backed tip we offered back in July that Zaha Hadid was the favored-to-win in the race for this year’s Sterling Prize, you’d now be collecting your winnings. This past Saturday, at a ceremony held in London and broadcast live on the BBC, the Royal Institute of British Architects awarded Hadid the prize for her much-discussed MAXXI, the National Museum of XXI Century Arts in Rome. The architect had been nominated for the prize three times over the past five years but had not yet won until now. Along with bragging rights, the award comes with £20,000. Here’s a portion of the judge’s statement:

This is a mature piece of architecture, the distillation of years of experimentation, only a fraction of which ever got built. It is the quintessence of Zaha’s constant attempt to create a landscape as a series of cavernous spaces drawn with a free, roving line. The resulting piece, rather than prescribing routes, gives the visitor a sense of exploration. It is perhaps her best work to date.

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Webcam-Shot Music Video Takes Top Honors at One Show Design

one show goldpencil.jpgTate Modern isn’t the only institution celebrating a decade’s worth of creative excellence. The One Club recently gathered at New York’s icy cool IAC Building to celebrate the winners of the tenth One Show Design, its international design competition. Presenters including the effervescent Brian Collins doled out the prized gold, silver, and bronze pencils in categories ranging from print design and corporate identity to environmental design and typography. The night’s top honor, Best of Show, went to the team of Masashi Kawamura, Hal Kirkland, Magico Nakamura, and Masayoshi Nakamura for their mesmerizing music video—posted below—for “Hibi No Neiro” (Tone of Everyday) by Sour, a Japanese pop group. Shot entirely on webcams, the video features Sour fans from all over the world performing synchronized moves. Betcha can’t watch it just once. Other winners include the HBO “Cube” by BBDO/New York, the “Clocks” billboard for Solidarité Sida by Paris-based BETC Euro RSCG, and “The Trillion Dollar Poster Campaign” for The Zimbabwean by TBWA\Hunt\Lascaris of Johannesburg. And kudos to the School of Visual Arts for taking home a silver pencil for its smashing catalog of undergraduate work. Marvel at the full list of winning One Show Design entries here.

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Greenpeace Kicks Off Redesign Contest for BPs Logo

If you had to guess what environmental activism group would be most interested/involved in the Gulf oil spill, you’d likely pick Greenpeace, and you’d be absolutely right (sorry, we’re not offering any prizes at this time). While they help in the clean up process, they’re rallying against the oil company responsible for the mess, British Petroleum, in a number of ways. Most relevant to our interests is their launching a contest to redesign BP’s logo. They’ve already made their own, changing the company’s “Beyond Petroleum” tag to “British Polluters,” with oil stains on their familiar starburst logo, which they snuck in and hung near the company’s offices in London (see the video below). Now they’re asking for an official rebranding, which they hope to receive from this contest. The winner’s new logo will be used for all of Greenpeace’s future efforts in fighting BP. All the entries they’ve received thus far are here.

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Simon Fujiwara Wins Cartier Art Award

S_Fujiwara.jpgWhat if an ancient lost city was discovered beneath Regent’s Park in London? Sure, it sounds like the premise of a special transatlantic episode of Scooby-Doo, but Simon Fujiwara will bring it to life this October at Frieze Art Fair. The multimedia artist (at right), who is based in Berlin and Mexico City, is the winner of the 2010 Cartier Award, which allows an emerging artist based outside the United Kingdom to realize a major project at Frieze. The award provides production costs of up to £10,000 (approximately $15,000, at current exchange), an artist’s fee of £1,000 ($1,500) and a three-month residency at Gasworks in South London. Past Cartier Award recipients include Mika Rottenberg, Mario Garcia Torres, and Jordan Wolfson. As part of the Frieze Projects program, this year curated by Sarah McCrory, Fujiwara will create “Frozen,” an installation that will aim to convince fairgoers that they’re standing upon the site of a historic civilization. Scattered throughout the fair will be archaeological digs, displays of found artifacts, and graphic panels depicting a hub of art and commerce that has been lost to the ages.

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Tony and Drama Desk Awards Strips Ragtime of Costume Design Nominations

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This weekend, if you can believe it, there was talk outside of the theater world about the Tony Awards. Just before last week let out, the organization behind the awards (the aptly named Tony Awards Productions) announced that they were dropping a nominee from their list in the costume design category, from the show Ragtime. After announcing that they’d made the short list, the organization backed up and decided that the design of the show’s wardrobe was far too similar to when the show was originally staged and that just wasn’t going to work for them. Unfortunately, this writer doesn’t seem to ever have the time to go to the theater, therefore not giving him a legtimate soap box to stand on, but we’d like to dream that this means a slight dent-due-to-repetition in the revival-after-revival trend (just take a look at all the same ol’ names from the nominees list). Here’s a bit from Playbill:

Yesterday, it was affirmed to Tony Award Productions that Santo Loquasto‘s designs for the revival of Ragtime are predominantly those from the original 1998 production, and therefore do not meet the Tony rule which states, work that ‘substantially duplicate(s)’ work from a prior production is ineligible. We learned this too late to remove the costumes from consideration by the nominators, but feel that we cannot allow the designs to remain in contention this year, and we must regretfully withdraw them from consideration as a nominee in the Best Costume Design of a Musical category.

Following the Tonys dropping Loquasto, the Drama Desk Awards also decided to take back their nomination as well. They also decided the orchestration in the Ragtime revival, so pulled that one as well.

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