Hewlett House by MPRDG

Australian architects MPRDG were inspired by the shapes of tree branches to add a privacy screen across the glass-fronted upper storey of this family house in the Sydney suburb of Bronte (+ slideshow).

Hewlett House by MPRDG

Named Hewlett House, the three-storey residence is sited on a hillside close to the seafront and was designed as the home for a builder who specialises in complicated concrete shapes, so the architects planned a twisted upper storey that faces out towards the water.

Hewlett House by MPRDG

“The underlying design intent was to explore the notion of ‘prospect and refuge’ within a contemporary family house,” says MPRDG, explaining the “prospect” to be “the beach and coast views”, while the “refuge” is the creation of a “sense of sanctuary, enclosure and comfort”.

Hewlett House by MPRDG

Living and dining rooms are located on the uppermost floor to benefit from the views. With an open-plan layout, the space has glazed elevations to the north and south that let daylight and sea breezes filter though.

Hewlett House by MPRDG

Four bedrooms occupy the ground floor, but are pushed to the back for privacy, while a spiralling staircase at the front leads down to a second living room that opens out to a garden and swimming pool at the lowest level of the site.

Hewlett House by MPRDG

A glass-reinforced concrete structure shapes the building into its three levels, which all feature chunky outlines and chamfered edges. More curved and angled forms are added inside the building, from the twisted concrete body of the staircase to the slanted columns and circular skylight.

Hewlett House by MPRDG

Floors are finished in either oak or concrete, but walls and ceilings are painted white throughout.

Hewlett House by MPRDG

Other houses completed recently in Australia include a blackened timber residence outside Melbourne and a cyclone-proof building in Queensland. See more Australian houses on Dezeen.

Hewlett House by MPRDG

Photography is by John Gollings.

Here’s a project description from MPRDG:


The long standing client is a builder whom we have successfully worked with on several projects previously. He was open to ideas and had an ability to build complex forms and intricate details. The brief was for a modern family home to accommodate a couple and their three children. The house is located on the northern flank of the Bronte gully with views towards Bronte beach and the coastline beyond.

Hewlett House by MPRDG

Our design response was to place the living spaces on the upper floor as better views and more light were available. The bedrooms were located on the middle floor as this was more private and enclosed. The lowest floor has a rumpus area linking the garden and swimming pool to the house.

Hewlett House by MPRDG

The underlying design intent was to explore the notion of “prospect and refuge” within a contemporary family house. The “prospect” was the beach and coast views to the south of the site which change constantly depending on the season, weather and time of day. The “refuge” was the other desirable character where we created a quality of space that provides a sense of sanctuary, enclosure and comfort.

Hewlett House by MPRDG

These two driving desires for the house were explored and accommodated through devising two sculpted concrete forms responding to their particular use. The forms are rounded at the edges similar to tubes which are independent of each other enabling the upper tube to twist towards the view.

Hewlett House by MPRDG

The upper tube is open-ended which allows the northern winter sun to penetrate deeply into the living spaces while allowing an unimpeded outlook to the southern view. The form also provides efficient passive ventilation drawing the prevailing north-east breeze through the house.

Hewlett House by MPRDG

On the two lower levels the character of the spaces changes to places of privacy and refuge. The middle tube houses the bedrooms, each with a different aspect and outlook. The lower level has a cave like atmosphere with the room formed by a cut bedrock wall and a dark stone floor connecting the internal and external spaces. The pool provides a water element spanning between the rock wall and the garden.

Hewlett House by MPRDG

The house boldly sits as a modern insertion into the typically poor building stock of its surrounding environment. The context is of varying building styles, scales and materials so the house creates a deliberate contrast in form and colour. The homogenous appearance of the house allows the forms to be emphasised by sun and shadow with the play of light continually shifting and moving with the path of the sun.

Hewlett House by MPRDG

Detail elements have drawn upon surrounding natural forms for inspiration. For example, the angled bands on the front façade reference the tree branches of the native eucalypts. They also serve as a privacy screen for the dining space behind the façade.

Hewlett House by MPRDG

Above: site plan – click for larger image

Hewlett House by MPRDG

Above: lower ground floor plan – click for larger image

Hewlett House by MPRDG

Above: ground floor plan – click for larger image

Hewlett House by MPRDG

Above: first floor plan – click for larger image

Hewlett House by MPRDG

Above: section A to A – click for larger image

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Cairns Botanic Gardens Visitors Centre by Charles Wright Architects

This mirror-clad visitor centre by Australian firm Charles Wright Architects was designed to be invisible amongst the surrounding trees of the Cairns Botanic Gardens in Queensland.

Cairns Botanic Gardens by Charles Wright Architects

Comprising two buildings and a dividing promenade, the visitor centre was designed as a gateway to the gardens, which contain a selection of tropical plants from northern Australian rainforests as well as from across Southeast Asia.

Cairns Botanic Gardens by Charles Wright Architects

Charles Wright Architects drew inspiration from the suit worn by the alien-hunter in the 1987 movie Predator to give both buildings a reflective outer coating that would play down their impact on the park landscape. “We proposed a design which literally reflects the gardens as camouflage for the building,” explain the architects.

Cairns Botanic Gardens by Charles Wright Architects

Rather than cover the surfaces with a single polished plane of metal, the architects added a series of flat panels that break the facade down into facets. Each one sits at an incrementally different angle and helps to muddle the reflected images.

Cairns Botanic Gardens by Charles Wright Architects

The pedestrian promenade runs across the site from east to west. To the north, one building contains a cafe and exhibition area for visitors, with a multi-purpose hall and a courtyard amphitheatre, while to the south a second block accommodates staff offices that open out to a long and narrow terrace.

Cairns Botanic Gardens by Charles Wright Architects

Both buildings have non-linear shapes, generated by the routes of predefined pathways and locations of mature trees. They also have to nestle against the landscape at one end where the ground starts to climb upwards around them.

Cairns Botanic Gardens by Charles Wright Architects

Charles Wright Architects have offices in Melbourne and Shanghai. The firm also recently completed a house that can withstand powerful cyclones. See more architecture in Australia.

Cairns Botanic Gardens by Charles Wright Architects

See more stories about mirrors on Dezeen, including a polished steel pavilion by Foster + Partners and a playground pavilion in Copenhagen.

Cairns Botanic Gardens by Charles Wright Architects

Photography is by Patrick Bingham Hall.

Here’s a project description from Charles Wright Architects:


Cairns Botanic Gardens Visitors Centre

Conceptual framework

We set-out to design a “green” building which represents a paradigm shift for Cairns, moving away from the conventional building vernaculars toward new and progressive solutions that can be applied anywhere on a tropical latitude. There was a collective desire to attract both national and international attention, which would also aid in creating new opportunities and connections to existing facilities, communities and groups.

Cairns Botanic Gardens by Charles Wright Architects

Public and cultural benefits

A new, iconic gateway into the botanic gardens and tanks arts centre precinct – “a democratic public space under-cover” – a challenging new architecture for the tropics which will act as an attractor to assist Cairns in its mission to be seen as a progressive city nationally and globally significant.

Cairns Botanic Gardens by Charles Wright Architects

Relationship of built form to context

Council called for the building to be long, low and blending seamlessly with the surrounding environment (ideally invisible). We proposed a design which literally reflects the gardens as camouflage for the building with visual effect similar to the suit as worn by the alien hunter in the original 1987 Predator film. We sited the new building to straddle and activate the pedestrian promenade linking the gardens with the Arts Centre, acting as an open and flexible conduit into the interpretive and performative spaces.

Cairns Botanic Gardens by Charles Wright Architects

Program resolution

The functional brief was very tight for the allotted site and constrained by existing paths, roads, easements, mature trees and a gradient that made the delivery of universal access particularly challenging.

The northern block contains the café terrace and opens to the major interpretation display and information space.

The southern block is an office building for council staff with a naturally ventilated corridor serving a linear sequence of cellular office spaces that all open out to the shared staff terrace on the south. This thin plan configuration encourages maximum use of passive cross-ventilation, augmented by efficient ceiling fans. Individual AC control when combined with an insulated internal thermal mass helps to minimise annual energy use through a mixed mode operation.

Cairns Botanic Gardens by Charles Wright Architects

Above: site plan – click for larger image

Integration of allied disciplines

The project team had a collective desire to develop a world-class ESD, flexible office and mixed use public facility which wasn’t reliant on complex technological solutions or costly maintenance. We collaborated closely with council’s public artist to incorporate art glass within the glazed promenade facades.

Cost/value outcome

The client engaged in the choice of costed design strategies for the planning and form. There were significant mutual benefits such as the non-briefed inclusion of the informal amphitheatre as an alternative to excessively high retaining systems. The project was delivered under budget.

Cairns Botanic Gardens by Charles Wright Architects

Above: sections – click for larger image

Sustainability

ESD initiatives include solar panels for feedback into the energy grid, stormwater harvesting tanks, mixed mode air-conditioning systems, low energy light fittings throughout, low water usage fittings, long life cycle efficiency materials and construction, solar treatment to all windows, naturally ventilated circulation corridors and shaded exposed thermal mass internally.

Response to client and user needs

Cairns Regional Council sought fresh and challenging ideas to create a memorable piece of tropical architecture, which has unquestionably been achieved. The Visitors Centre has already become a new landmark for the city.

Cairns Botanic Gardens by Charles Wright Architects

Above: elevations – click for larger image

Principal architect: Charles Wright Architects
Project team: Charles Wright, Richard Blight, Justine Wright, Katja Tsychkova
Project manager/s Charles Wright Architects / Cairns Regional Council / Aecom
Builder: Hansen Yuncken

Structural & Civil consultant: ARUP Pty Ltd
Hydraulics consultant: CMRP Pty Ltd
Electrical & Mechanical consultant: WSP Lincolne Scott Australia Pty Ltd
Quantity surveyor: Turner & Townsend
Landscape architect: JNP Pawsey & Prowse
ESD / Energy Efficiency consultant: Brad Pinches Consulting

Size: GFA 1415m2, cost $4.7 M
Time to complete: 4 months Design & Documentation, 10 months construction
Council: Cairns Regional Council
Client: Cairns Regional Council
Design software used: Autodesk AutoCad & Revit

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Stamp House by Charles Wright Architects

Australian firm Charles Wright Architects used a mixture of precast and in-situ concrete to construct a house that can withstand the most powerful cyclones in northern Queensland (+ slideshow).

Stamp House by Charles Wright

The two-storey residence hangs over the edge of a lake in a beachfront rainforest area that is prone to tropical cyclones at the top end of the meteorological scales. The chunky cantilevered volumes are not only strong enough to withstand these cyclones but also prevent water from getting in during any accompanying floods.

Stamp House by Charles Wright

Charles Wright Architects designed the building to be self-sufficient, so it functions entirely off-grid. Solar panels on the roof generate electricity, while a 250,000-litre water system lets residents take advantage of rainwater harvesting and grey-water recycling technologies.

Stamp House by Charles Wright

“The aim was not to simply produce an engineered outcome,” explain the architects, “but to produce a building which made the most of the site’s natural amenity and reintroduced the surrounding native wetland environment.”

Stamp House by Charles Wright

Named Stamp House, the building has an embellished exterior featuring a grid of circular indents that dot across the walls and roof.

Stamp House by Charles Wright

The entrance to the building is located on the uppermost floor and is accessed by crossing a long bridge over the water. Inside, a large central living room accommodates various seating areas, a kitchen, a dining room and a gym. Bedrooms are situated in the wings.

Stamp House by Charles Wright

Other houses designed to withstand intense weather conditions include a concrete bungalow on a Japanese island prone to typhoons and a conceptual tornado-proof house.

Stamp House by Charles Wright

See more houses in Australia, including a blackened-timber residence outside Melbourne.

Here’s some more information from Charles Wright Architects:


Stamp House

CWA were approached by the project client to deliver a carbon neutral (in operation) solution for an environmentally sensitive site off-grid on the edge of the FNQ beachfront rainforest. The aim was not to simply produce an engineered outcome but to produce a building which made the most of the site’s natural amenity and reintroduced the surrounding native wetland environment. The building is literally reflected by way of its siting over an engineered water ecosystem which was the result of lengthy liaison and collaboration with National Parks, Environmental Agencies, State and Local Government.

Stamp House by Charles Wright

The design is formed in an innovative combination of in-situ and precast concrete. The concrete has been engineered and insulated incorporating a total solar panelled roof to provide for a constant cooler and more comfortable ambient temperature year-round. The design utilises massive cantilevers to mitigate impact from potential flooding and king tide inundation associated with cyclonic activity. The project has been designed to be solid and to withstand intense cyclones.

Stamp House by Charles Wright

ESD initiatives include: total 250,000 ltr water harvesting, recycling and reticulation, renewable solar energy generation with solar backup non-reliant on fossil fuel backup generation, On-site Advanced Tertiary Sewerage treatment plant, grey water recycling and irrigation, Shaded and Insulated Thermal mass engineering, ‘green’ cooling and energy conservation controlled via building automation system (CBUS).

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Colorful Chukkas from Christian Kimber: Boots from Melbourne in styles named for Darjeeling, Oolong and Rooibos tea

Colorful Chukkas from Christian Kimber

by Stephen Pulvirent It’s not exactly breaking news that Melbourne is quickly becoming one of the world’s most stylish and exciting cities. Melbourne’s growing art and culture scene has been luring people from across the globe to start new ventures in Australia’s second city—nice weather and a killer coffee culture…

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By Josephine by Sasufi

French designer Sasufi used reclaimed wooden doors to recreate the decorative panelling of nineteenth century French interiors on the walls of this patisserie on the outskirts of Melbourne.

By Josephine by Sasufi

Bright white paint unifies the assortment of doors, which are arranged in a patchwork over two walls.

By Josephine by Sasufi

Shelving and display cupboards are slotted around the panels to present brightly-coloured packages containing herbal teas.

By Josephine by Sasufi

A low counter extends from one of the walls and is also lined with white-painted doors. Glass cabinets sit on top and are filled with a selection of macaroons and cakes.

By Josephine by Sasufi

The third wall of the patisserie is coloured with deep purple and decorated with antique porcelain plates.

By Josephine by Sasufi

“The interior design reflects two primary intentions: simplicity and contrast,” said Sasufi. “A clean white canvas has been created to form a backdrop to the colourful display of macarons and luxurious Kusmi Tea. A warm purple wall facing opposite provides a sense of contrast.”

By Josephine by Sasufi

White-painted chairs surround the rectangular tables and stand out against the dark tiles of the floor.

By Josephine by Sasufi

A small kitchen is located at the rear of the cafe and a leaded-glass window offers a glimpse inside.

By Josephine by Sasufi

Branding for the patisserie was completed by Melbourne creative agency Sense.

By Josephine by Sasufi

Sasufi, aka Anne-Sophie Poirier, is a French-born designer based in Melbourne. She launched her studio in 2010 and has also completed the Slowpoke cafe, which features a 12 metre-long wall covered in timber offcuts.

By Josephine by Sasufi

Other patisseries to open recently include a bakery designed as an oversized breadbasket and a Mexican shop dedicated to French macaroons.

By Josephine by Sasufi

Photography is by the designer.

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Ridge Road Residence by Studio Four

This rural residence outside Melbourne by architects Studio Four features a blackened timber exterior and terraces that step down a hill (+ slideshow).

Ridge Road Residence by Studio Four

Ridge Road Residence is located in the grounds of a golf course on Mornington Peninsula and sits beside a tea tree on a gently sloping site.

Ridge Road Residence by Studio Four

Studio Four rejected the raised podium approach adopted by other houses in the area and instead planned a building that staggers down on a series of split levels. The terraces sit at the lowest levels, surrounded by long grasses that protect them from the prevailing winds.

Ridge Road Residence by Studio Four

An open-plan living and dining room opens out to one of the terraces, which is framed by a cube of timber columns and joists.

Ridge Road Residence by Studio Four

Inside this room, a double-height window stretches across the end wall to frame a view of the nearby tea tree.

Ridge Road Residence by Studio Four

“We sought to create a quality of space that provides a sense of sanctuary, enclosure and comfort,” say the architects. “Emphasis was placed upon capturing the varying qualities of light, the scale and proportions of space, and providing a tangible connection with the building’s surrounds, both in topography and landscape.”

Ridge Road Residence by Studio Four

The kitchen runs along the rear of the living room, against a wall of matte black panels that conceal utility rooms. An ensuite bedroom is located just beyond and is raised up to become the uppermost level.

Ridge Road Residence by Studio Four

Blackened timber clads the entire exterior, while each window has dark-tinted glass intended to reflect the surrounding landscape. “By using pared-back forms and detailing and a restrained palette of materials the emphasis becomes not on the insular and what has been ‘designed in’, but what nature has provided,” add the architects.

Ridge Road Residence by Studio Four

All windows are full height to maximise daylight into the house, while concrete floors and thick block walls help to hold in the heat.

Ridge Road Residence by Studio Four

Other black houses we’ve featured recently include a weekend house in Chiba and a writer’s hideaway in upstate New York. See all our stories about black houses.

Ridge Road Residence by Studio Four

See more houses in Australia, including an isolated hilltop house with a dramatic cantilever.

Ridge Road Residence by Studio Four

Here’s a more detailed project description from Studio Four:


Site Context

It is difficult to gain more than a glimpse of the dwelling through the surrounding vegetation. Where the house is visible, it blends within the landscape, the black timber cladding and dark reflective glass selected to help dematerialise the building form from its natural surrounds.

The front elevation comprises solely of blackened timber walls, punctured only to signify the entry. From the street the scale of the house is deceptively modest, the second, lower level is non apparent. The building form sits low, within the existing native grasses, promoting opportunities to connect intimately with the landscape.

Ridge Road Residence by Studio Four

Conceptual Framework

The site for this new house is located within the Moonah Links golf course, on the Mornington Peninsula. A simple brief and program requirements, teamed with a dramatic site characterised by a steep slope and a single tea tree, enabled the design to become an exploration into enclosing the basic rituals of domestic life within restrained building forms, whilst at the same time exposing the building’s program to varying levels of interaction with the surrounding landscape, both immediate and beyond.

In stark contrast to the surrounding houses, which attempt to cancel out the sloping topography by creating a podium level at which the outdoor areas sit exposed high above ground level, the design for this house adopted a gentler strategy, with the building form spilling down the slope to terminate in a series of terraced decks. These low lying decks provide privacy from the golf course below, whilst the surrounding native landscape shelters the outdoor areas from harsh prevailing winds.

Varying levels of interaction and connection with the landscape, both real and perceived, drove all aspects of the design, from the channelled views of the horizon upon entry, through to the double height picture window that captures the full proportion of the tea tree, and the direct and intimate connection provided by the low level decks.

Ridge Road Residence by Studio Four

Program Resolution

We sought to create a quality of space that provides a sense of sanctuary, enclosure and comfort. Emphasis was placed upon capturing the varying qualities of light, the scale and proportions of space, and providing a tangible connection with the building’s surrounds, both in topography and landscape. Through the building’s design, the client is able to experience many aspects of the surrounding landscape, whether it be a direct or perceived experience, whilst at the same time maintaining a high level of privacy from the golf course below.

The form of the building was also driven by the desire to separate the public and private zones of the residence. The kitchen, dining and living spaces are combined to create a single, fluid area, delineated only by a gentle level change and a fireplace / storage element. These elements provide the level of intimacy required by the client whilst also allowing the advantages provided by open planning.

The panelised matte black wall to the kitchen conceals a powder room, laundry and butler’s pantry, providing the high level of functionality required, while maintaining the calm qualities of the open plan space.

Ridge Road Residence by Studio Four

Cost / Value Outcome

Our challenge was to demonstrate that a custom architectural solution could achieve our client’s budget whilst responding directly to the essence of the site and its location. The house demonstrates that we could not only capture the sense of place, but we could also deliver a competitive cost effective solution. By using pared back forms and detailing and a restrained palette of materials the emphasis becomes not on the insular and what has been ‘designed in’, but what nature has provided and drawing this readily available ‘genius loci’ inside for all to experience.

Ridge Road Residence by Studio Four

Sustainability Statement

The design for this house stems from an exploration into the absence of what is not necessary, in both building form and detail, which is at the core of sustainable design.

Renewable timber was selected as the primary building material. Used both internally and externally, its natural aesthetic properties are complemented by the low energy levels required in its production, which significantly reduce the environmental impact of the building.

The design located the eastern end of the lower level below the natural ground line, with concrete slab flooring and block work walls providing a high thermal mass, to balance the large expanses of glazing to the north and west. The upper level is cantilevered, with the timber construction incorporating high levels of insulation throughout.

With views to the golf course to the west, all windows and glazed doors were double glazed with high performance glass, enabling a strong connection to the landscape without compromising the integrity of the building fabric. The existing tea tree became a critical element to the locations of windows, providing sun shading to the internal living areas. Access to daylight was maximised, with all windows full height, and predominantly openable to maximise natural ventilation throughout.

These core sustainable design principles were teamed with underground water storage, water saving fixtures, low voc paints and materials, to complete the sustainable approach. Following completion of the house, the site is being re-vegetated with native species endemic to the local area.

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Filmme Fatales: An Australian editor launches a smart zine focused on women and film

Filmme Fatales

After moving back home to Australia last year and starting a career in social media marketing, Brodie Lancaster missed the writing and editing of her old job, as the managing editor of Portable.tv in New York. Armed with an address book of talented writers and filmmakers, Lancaster decided to…

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33 Mackenzie Tower

Voici le dernier projet d’Elemberg Fraser Architects. Appelée « 33 Mackenzie Tower », cette superbe structure a été érigée dans le Central Business District de Melbourne. Visuellement magnifique et inspirée du mythe de l’ange Metatron et de la boîte de Pandore, cette création est à découvrir dans la suite.

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Tower Melbourne1
Tower Melbourne5
Tower Melbourne9
Tower Melbourne8
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Tower Melbourne4
Tower Melbourne10

OMA, Hassell and Populous to redevelop Sydney’s Darling Harbour

News: a team made up of architecture firms OMA, Hassell and Populous has been selected to redevelop Sydney’s convention, exhibition and entertainment precinct at Darling Harbour (+ slideshow).

Darling Harbour, Sydney, by OMA, Populous and Hassell

Above: International Convention Centre

The Destination Sydney team, lead by developers Lend Lease, were today announced as the winning bidders with their plans to create a 40,000-square-metre exhibition centre, a red-carpet entertainment venue, a 900-room hotel and a new residential neighbourhood.

Dutch architects OMA will work alongside Hassell of Sydney and international firm Populous to deliver the 20-hectare masterplan, adding the new leisure complex to the north of Pier Street and new residential neighbourhood The Haymarket on the site of the existing Sydney Entertainment Centre and car park.

Darling Harbour, Sydney, by OMA, Populous and Hassell

Above: the theatre

“This project will redefine Sydney as a global city and create one of the world’s great meeting and entertainment destinations,” commented Destination Sydney’s chief executive Malcolm Macintyre. “Not only will it become a beacon for international visitors for conventions and events but will also build on the appeal of the Darling Harbour area for Sydney-siders creating an entertainment hub that promises to reconnect and re-energise the city.”

A phased redevelopment will see the existing Sydney Convention & Exhibition Centre close in December 2013, while the current Sydney Entertainment Centre will remain open until December 2015. Construction is set to complete in late 2016.

Darling Harbour, Sydney, by OMA, Populous and Hassell

Above: The Haymarket neighbourhood

Darling Harbour sit adjacent to Sydney’s city centre and has established itself as a centre for entertainment on the western edge of the central business district. Other recent developments in the area include an office complex that was awarded at the World Architecture Festival.

OMA have completed a number of projects over the last year, including the China Central Television Headquarters in Beijing and the headquarters of the Rothschild Bank in London.

See all our stories about OMA »

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Triumph & Disaster: Kiwi former pro cricket player Dion Nash launches a new men’s grooming line

Triumph & Disaster

During his 18 years on the New Zealand national cricket team, Dion Nash learned the importance of putting in work during the day and cleaning up for post-match public appearances. After he retired from the sport he went on to work in the spirits industry and now, has once…

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