“We wanted to make a building that is embedded in New Zealand culture”

Movie: in this exclusive interview Australian architect Richard Francis-Jones explains the importance of local materials at Auckland Art Gallery, which was crowned World Building of the Year at World Architecture Festival in Singapore earlier this month.

"We wanted to make a building that is embedded in New Zealand culture"

Auckland Art Gallery Toi o Tamaki in New Zealand, which was designed by Australian architecture studio Frances-Jones Morehen Thorp together with New Zealand studio Archimedia, is an extension and refurbishment of an existing gallery.

"We wanted to make a building that is embedded in New Zealand culture"

“It’s a turn-of-the-century building, it kind of embodies a colonial attitude to a European settlement,” says Francis-Jones of the original gallery.

“This new project gave us an opportunity to rethink that, to recast it in current values, to create a bi-cultural gallery that can have a much more holistic relationship to New Zealand society.”

"We wanted to make a building that is embedded in New Zealand culture"

The extension provides the gallery with a new entrance, atrium and gallery space, areas that are covered by large wooden canopies made from the indigenous kauri tree.

Francis-Jones says that it was very important for the design team to create a building that related to its local surroundings.

“One of the great challenges we face as architects in this age is that our materials and our systems are sourced from all over the world,” he says. “But we were seeking to make a building that was really embedded in this place, in this culture.”

"We wanted to make a building that is embedded in New Zealand culture"
Photograph by Luke Hayes

He continues: “To create these canopies we wanted to use a material that was very precious and meaningful to New Zealand, so we used natural kauri. It’s got to be one of the most beautiful timbers you’ve ever seen in your life and it’s a timber of great significance and meaning to Maori culture.”

“But, of course, it’s a protected species, so we had to source it from fallen kauri or recycled kauri. We had to use it very sparingly.”

"We wanted to make a building that is embedded in New Zealand culture"
Photograph by Luke Hayes

The large glass walls of the building are designed to allow clear views outside to the surrounding landscape.

“The building, in a sense, creates a connection between the natural landscape and the city,” says Francis-Jones.

“Our effort was to strive to make a building that was transparent in a way, to create a building that was more open, inclusive and connected with the landscape. It is a more open interpretation of New Zealand’s future.”

"We wanted to make a building that is embedded in New Zealand culture"
Photograph by Luke Hayes

World Architecture Festival 2013 took place at Marina Bay Sands in Singapore from 2-4 October. Next year’s World Architecture Festival will take place at the same venue from 1-3 October 2014. Award entries are open from February to June 2014.

See our earlier story about Auckland Art Gallery »
See all our coverage of World Architecture 2013 »

"We wanted to make a building that is embedded in New Zealand culture"
Richard Francis-Jones of Australian architecture studio Frances-Jones Morehen Thorp

The post “We wanted to make a building that is
embedded in New Zealand culture”
appeared first on Dezeen.

Auckland Art Gallery wins World Building of the Year 2013

World Architecture Festival 2013: the Auckland Art Gallery by Australian studio Frances-Jones Morehen Thorp has been awarded World Building of the Year at the World Architecture Festival in Singapore.

Auckland Art Gallery wins World Building of the Year 2013

Frances-Jones Morehen Thorp‘s Auckland Art Gallery Toi o Tamaki in New Zealand was designed in association with New Zealand studio Archimedia as an extension and refurbishment of the existing gallery, creating a new entrance and doubling the amount of flexible exhibition space.

Auckland Art Gallery wins World Building of the Year 2013

Roofs over the forecourt, atrium and gallery spaces appear to float at different heights, patterned with wood panels on their undersides.

Auckland Art Gallery wins World Building of the Year 2013

These canopies are designed to mirror the trees at nearby Albert Park, which can be seen through the large transparent walls of the exhibition spaces.

Auckland Art Gallery wins World Building of the Year 2013

“Our inspiration was the beautiful natural landscape,” FJMT design director Richard Francis-Jones said after the announcement. “We saw the building as embedded in place. We wanted to use natural local materials, especially the beautiful kauri trees. But because these are protected, we could only use fallen trees or recycled wood.

‘The building is all about New Zealand, and it has the work of great Maori artists embedded in it.”

Auckland Art Gallery wins World Building of the Year 2013

When the project won the Culture category at the awards yesterday, the WAF judges said: “This is a highly sensitive addition to Auckland Art Gallery which reanimates and reinvigorates the existing building. It responds brilliantly to context and site and gives the gallery a new architectural identity.”

The project beat 16 other category winners announced on day one and day two of the festival, including a whirlpool-shaped aquarium in Copenhagen by 3XN and two projects by last year’s winners Wilkinson Eyre.

Auckland Art Gallery wins World Building of the Year 2013

Last year the World Building of the Year award went to Wilkinson Eyre Architects’ Gardens by the Bay project in Singapore. Watch our interview with the firm’s Paul Baker filmed moments after the announcement.

Auckland Art Gallery wins World Building of the Year 2013

Dezeen is media partner for the World Architecture Festival, which concludes today at the Marina Bay Sands hotel and conference centre – see all our coverage of WAF 2013 here.

Auckland Art Gallery wins World Building of the Year 2013

The event is held in conjunction with the biennial Inside Festival. This year’s World Interior of the Year was won by a tiled Barcelona apartment by David Kohn Architects. See all our coverage on Inside Festival 2013 »

The post Auckland Art Gallery wins
World Building of the Year 2013
appeared first on Dezeen.

Boil Up 3D Simulation

Boil Up est un projet que Robert Hodgin a monté dans le cadre de l’exposition Moana, My Ocean à Auckland. L’artiste a recréé pour l’occasion une simulation 3D de l’effet « boil up », un agrégat de poissons devenant presque une structure vivante à part entière. Un travail incroyable et complexe à découvrir.

 width=

 width=

 width=

 width=

 width=

 width=

 width=

 width=

 width=

fish3
fish2
fish1
fish9
fish8
fish6
fish5
fish
fish4

Cocoro by Gascoigne Associates

Cocoro Restaurant by Gascoigne Associates

New Zealand architects Gascoigne Associates have completed this Japanese restaurant lined with wooden slats in Auckland, New Zealand.

Cocoro by Gascoigne Associates

Called Cocoro (meaning ‘heart and soul’ in Japanese), the restaurant is located in a former warehouse.

Wooden slats hang over the exposed concrete walls and ceiling, with LED lighting and sound insulation concealed between them.

Cocoro by Gascoigne Associates

More restaurants and bars on Dezeen »

Photographs are by Patrick Reynolds.

The information below is from Gascoigne Associates:


Cocoro Restaurant

Cocoro is located in an old industrial warehouse in Brown Street, Ponsonby, Auckland, New Zealand

Cocoro means ‘heart and soul’ in Japanese. The restaurant can be classed as modern Japanese and offers a degustation style menu including Japanese style tapas.

Cocoro by Gascoigne Associates

The intimate décor includes large squares of woven charcoal and chocolate carpet, reminiscent of subtle tatami-style matting. This subtle checkerboard pattern is also found back in Cocoro’s menus.Clark Pritchard had the pleasure of working with the owners on the interior of the restaurant to create an environment that is natural, modern and comfortable. All of the selected materials are recyclable and the contemporary space is suitable for both lunch and dinner and compliments the tapas style menu with its simplicity.

Cocoro by Gascoigne Associates

Circular graphics, found back in the restaurant’s logo, have been printed on the up-lit black walls and the large six metre long Macrocarpa dining table in the middle of the room has been cut from a single tree and invites guests to dine side by side. The ceilings are sandblasted exposed concrete, lined with Macrocarpa batons integrating LED downlights and sound studio foam for acoustics.

Cocoro by Gascoigne Associates

Battens hang against the raw exposed concrete ceiling and above the lines of banquet seating on each sidewall and the communal table in the centre, subtly hiding LED downlights which place the focus on the food.

Cocoro by Gascoigne Associates

The rectangular slot window in the back wall allows diners to see into the quiet and efficient kitchen.


See also:

.

Suzukake Honten by
Case-Real
Rosa’s by Gundry &
Ducker
Viet Hoa Cafe by
Vonsung

Night Lights

Voici une installation nocturne conçue pour la ville d’Auckland, par YesYesNo. Intitulée “Night Lights”, il s’agit d’une projection qui n’est pas uniquement diffusée sur le bâtiment : elle permet aux spectateurs de devenir actifs en prenant en compte leurs mouvements.



night1

Previously on Fubiz