David Adjaye Wins Commission to Build National Museum of African American History and Culture

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We told you way back in July of last year that the Smithsonian was on the hunt to find an architect for their newest educational offering, the National Museum of African American History and Culture. We followed up on that recently by giving you the shortlist and some shots of the designs that were proposed. Now we have finally come to the end (or the beginning, depending on how you look at it), with the Smithsonian announcing that they have selected starchitect David Adjaye to create his building for them. While we were still pulling for Norman Foster up until the last minute, we always appreciate Adjaye’s work and admit that the images released with the announcement (lots of good ones over at Fast Company) look pretty great. Also, it’ll be nice to see some more Adjaye over here in the States. Here’s a bit about the building:

The bronze, layered corona atop a stone base would be the defining element of the structure, which could be the last major building added to the expanse between the U.S. Capitol and Washington Monument.

…The crown concept, which would allow natural light to flow into the structure through bronze screens, was inspired by images from African and American history, Adjaye said, “this idea of uplifted praise sort of imagery.”

It evokes traditional headdresses worn by African-American women, as well as the colonial crown from Africa and the idea “that a hat-wearing person is a free person…who doesn’t have to carry a load but could wear a hat,” he said.

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Venturis House Finally Safe and Designer Pays $15k to Keep Boston Bridges Lights On

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Two quick notes to end your time with this writer’s triumphant return on a positive and/or more fun note. First, following up on that big story we were covering there for a while about Robert Venturi‘s 1967 house being moved by boat, you’ll be pleased to hear that it finally reached its new resting place all safe and sound. This week saw it placed on the new foundation laid for it in Long Island, thus finally completing these months of process and anxiety. Second up, out of Boston, one of the designers behind the Leonard P. Zakim Bridge, Miguel Rosales, sent a check for $15,000 to the Massachusetts Turnpike Authority after hearing the agency was considering shutting off the ornamental lights on the bridge because it costs around $5,000 per month to leave them on. Following Rosales’ attempt to keep things lit for at least another three months, others have chipped in with donations, but thus far there doesn’t seem to be much change in the governing agency’s attitude. Whether or not they’ll return the checks if the lights stay off is another matter.

New Career Opportunities Daily: The best jobs in media

Venturis House Finally Safe; Designer Pays $15k to Keep Boston Bridges Lights On

0415bostonbridge.jpg

Two quick notes to end your time with this writer’s triumphant return on a positive and/or more fun note. First, following up on that big story we were covering there for a while about Robert Venturi‘s 1967 house being moved by boat, you’ll be pleased to hear that it finally reached its new resting place all safe and sound. This week saw it placed on the new foundation laid for it in Long Island, thus finally completing these months of process and anxiety. Second up, out of Boston, one of the designers behind the Leonard P. Zakim Bridge, Miguel Rosales, sent a check for $15,000 to the Massachusetts Turnpike Authority after hearing the agency was considering shutting off the ornamental lights on the bridge because it costs around $5,000 per month to leave them on. Following Rosales’ attempt to keep things lit for at least another three months, others have chipped in with donations, but thus far there doesn’t seem to be much change in the governing agency’s attitude. Whether or not they’ll return the checks if the lights stay off is another matter.

New Career Opportunities Daily: The best jobs in media

Earl Santee and the Birth of Populous Monopoly

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Speaking of playing fields, remember when we told you about the stadium firm that builds every stadium in the whole wide world was changing their name from HOK Sport to Populous? Well would you like to meet the man behind such a company that would build or redesign so many stadiums, including the new homes for the Yankees and the Mets? Of course you would (stop answering our rhetorical questions). Enter the Kansas City Star who has this great profile on Earl Santee, the senior principal at Populous and “the world’s most experienced ballpark architect.” It’s also an interesting look at how his firm got to where it is today, creating a virtual monopoly within this type of architecture. Here’s a bit:

The numbers are overwhelming: more than 1,000 projects totaling more than $20 billion to build 510 million square feet that have hosted 520 million people at events in the last decade.

It’s a company that started with seven people, hoped to grow someday to 24, and now employs 475 people across the world.

“[Camden Yards] put our name out there,” Santee says. “But the turning point is now. This is really the beginning. Camden established our first 25 years. The next 25 years is established starting now.”

New Career Opportunities Daily: The best jobs in media

AIA, Architects, Local Fans Join Fight to Save Portlands Memorial Coliseum

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If you’ve recently been on the hunt for some story to cling to while simultaneously making you anxious over the outcome (remember the Paul Rudolph-Sarasota story from the middle of last year, which sadly didn’t end very well?), perhaps this one will do. The mayor and city commissioner of Portland have announced that they want to demolish the city’s nearly half-century old, Skidmore, Owings & Merrill-designed coliseum and build something new. This has not cottoned well with local architects and fans of the building, including the AIA chapter there, who have banded together to fight the proposed destruction. So now it’s a battle, largely led by architect Peter Meijer at the helm, to save the building by getting it placed under landmark status. Whichever way it goes (and we have our fingers crossed, but due to journalistic integrity, we can’t tell you for which way — not that it’s hard to guess with us), we’ll be keeping an eye out and letting you know what happens.

New Career Opportunities Daily: The best jobs in media

Korean Pavilion at Expo 2010 by Mass Studies

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Architects Mass Studies have unveiled their design for the Korean pavilion at Expo 2010 in Shanghai, China. (more…)

National Museum of African American History and Culture by Freelon Adjaye Bond/SmithGroup

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Freelon Adjaye Bond/SmithGroup – a team consisting of architects Adjaye Associates, The Freelon Group and David Brody Bond Aedas – has won a competition to design the National Museum of African American History and Culture on National Mall in Washington DC, USA.

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whim! by Sounds of Silence

The Sounds of Silence Duo’s new work is a kind of whimsical parasitical system growing in the saasfee glass pavilion. It consists of geometric s..

Burnham Pavilion by UNStudio

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Dutch architects UNStudio last week unveiled designs for a temporary pavilion for Millennium Park in Chicago. (more…)

Peter Zumthor wins Pritzker Prize

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Swiss architect Peter Zumthor has been named 2009 Pritzker Architecture Prize Laureate. (more…)