Architectural Record Editor-in-Chief Leaves to Become CEO of American Institute of Architects

While the American Institute of Architects gains a new leader, Architectural Record is losing one. It’s been announced that the magazine’s long-time editor-in-chief, Robert Ivy, has accepted the position of CEO and Executive Vice President of the AIA effective February 1st. Ivy had been with the magazine since 1996, as well as serving as an executive within publisher McGraw-Hill‘s Construction Media department, “overseeing the editorial quality of numerous print and online publications.” The move comes just seven months after the AIA announced that it would be leaving Architectural Record as their official magazine in favor of Architect, both of which in combination, have commenters voicing concerns about AR‘s longevity. Ivy will be taking over at the AIA and stepping into the role formerly occupied by Christine McEntee, who left this past summer for a position outside of the industry. As for the magazine now replacing Ivy, the Chicago Tribune‘s Blair Kamin reports that they will be on the hunt shortly.

New Career Opportunities Daily: The best jobs in media.

Casa Puglia by Peter Pichler

Casa Puglia by Peter Pichler

Architect Peter Pichler has converted an existing 14th century farmhouse into a family home in Puglia, Italy, adding these perforated shutters over its facade.

Casa Puglia by Peter Pichler

Called Casa Puglia, the building is situated on a hill and features a series of arches on the interior, covered by the new shutters.

Casa Puglia by Peter Pichler

The shutters are made of water-cut aluminium panels and feature a graduated pattern derived from Arabic designs.

Casa Puglia by Peter Pichler

The arched doorways connect each room to the outside.

Casa Puglia by Peter Pichler

Photographs are by Domingo Milella and Victoria Ebner.

Casa Puglia by Peter Pichler

More residential architecture on Dezeen »

Casa Puglia by Peter Pichler

The following information is from the architect:


Santa Maria Al Bagno is a small fishermen village, district of Nardò in the province of Lecce, and it is located on the coastline of the Gulf of Taranto, Ionian west coast between Gallipoli and porto Cesareo.

Casa Puglia by Peter Pichler

The project embraces a conversion of an existing old house from the 14th century in Puglia, south Italy. The house was part of a so called “masseria”, a traditional farmhouse to be found in the countryside of Puglia and usually built in “tufo”, a local sandstone.

Casa Puglia by Peter Pichler

In the past 500 years the masseria has been the center of production of apulian agricultural economy where most people lived and worked in the countryside producing wheat, almonds, wine, olive oil, milk and cheese.

Casa Puglia by Peter Pichler

After world war II most people moved to towns leaving most masserias abandoned. In the past 5 or 6 years masserias have found new life as country hotels, museums and private residences.

Casa Puglia by Peter Pichler

The house is located on the top of a small hill and is oriented towards the sea. It consists of a small kitchen connected to the living room, 3 bedrooms and 2 bathrooms. The house is surrounded by a handsome garden with classic mediterranenan plants which expands towards east.

Casa Puglia by Peter Pichler

The most dominant feature of the old existing house were interior arches, that span the width of the rooms and are cut into the exterior walls as a kind of interior relief (old walls with a depth of almost 80cm at some points).

Casa Puglia by Peter Pichler

The idea was to expand those “decor” arches in the exterior facade to provide light and direct access from each room towards the exterior space.

Casa Puglia by Peter Pichler

The characteristic Apulian architecture of the 11th–13th centuries reflects Greek, Arab and Norman influences.

Casa Puglia by Peter Pichler

Those influences were taken as inspiration for generating a pattern which was applied to 36 water-cutted aluminium panels in the facade, used as sunshading elements and furthermore preventing against incursion.

Casa Puglia by Peter Pichler

The pattern was developed with parametric techniques in order to test the density of the structure, which filters the amount of light in the interior space.

Casa Puglia by Peter Pichler

It gradually changes and goes from an open thin structure to an almost closed surface, evoking a new interpretation of the classic arabic “linear” pattern.

Casa Puglia by Peter Pichler

The constant play of light and shadow through the structure changes during the daytime and is inverted by night, ending up with the effect of a glowing facade.

Casa Puglia by Peter Pichler

Project: casa in Puglia
Type: leisure residence

Casa Puglia by Peter Pichler

Location: Santa Maria al Bagno, Puglia, Italy
Status: built

Casa Puglia by Peter Pichler


See also:

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House for a photographer by Peter PichlerLadderstile House by ThreefoldArchitectsRestello by
Piercy Conner Architects

Kaohsiung Port Terminal by Reiser + Umemoto

Kaohsiung Port Terminal by Reiser Umemoto

New York practice Reiser + Umemoto have won the first prize in a competition to design a new port terminal for the city of  Kaohsiung, Taiwan.

Kaohsiung Port Terminal by Reiser Umemoto

The Kaohsiung Port Terminal will feature a series of undulating horizontal structures, each with glazed facades at the ends, merging together towards the centre and shooting up to form a tower at the opposite end.

Kaohsiung Port Terminal by Reiser Umemoto

The building’s facade will feature an array of slim glazed slits, following the curves of the structure.

Kaohsiung Port Terminal by Reiser Umemoto

An elevated boardwalk at street level will provide pedestrian access in and around the building.

Kaohsiung Port Terminal by Reiser Umemoto

This will be separated from the  arrival and departure areas for the ships and ferries, which will be located below.

Kaohsiung Port Terminal by Reiser Umemoto

Construction is due to start in 2012.

Kaohsiung Port Terminal by Reiser Umemoto

Click for larger image

The following information is from the architects:


Reiser + Umemoto Awarded First Prize in the Kaohsiung Port Terminal Competition

NEW YORK, NY — Reiser + Umemoto (RUR) has been awarded First Prize in the international competition for a new Port and Cruise Service Center in the city of Kaohsiung in southern Taiwan, ROC.

For this project, RUR will partner with local architects Fei and Cheng and Associates (Taipei), with whom they are also working on their first-place winning Taipei Pop Music Center project. Also on the project team is Structural Engineer Ysrael A. Seinuk, PC (New York); Reiser + Umemoto and Ysrael A. Seinuk also collaborated on their O-14 office tower, which is currently nearing completion in Dubai, UAE. Rounding out the team in other engineering disciplines is ARUP Hong Kong.

The project is scheduled for construction in 2012 and expected to be in operation by 2014, with a construction budget of approximately $85,000,000 USD. The competition was sponsored by the Kaohsiung Harbor Bureau, Ministry of Transportation and Communications, Taiwan, ROC.

About the Project

For the Kaohsiung Port Terminal, RUR proposes a dynamic 3-dimensional urbanism that takes advantage of the site’s unique lateral positioning with respect to the city grid. Existing public pedestrian flows along the proposed elevated boardwalk can be amplified, rather than interrupted by creating a continuous elevated public esplanade along the waterfront. Cruise and ferry functions, meanwhile, are located just below the public level and are kept distinct to maintain secure areas for departing/arriving passengers.

The Main Hall splits up into three different partitions, each related to a different itinerary for travelling by ship, while the concourses are oriented parallel to the waterfront to maximize the interface between water and land. By vertically separating the functions of the general public, port business, and travelers along this waterfront edge we are able to keep the various operational uses highly efficient while at the same time allowing for the synergy of mixed functions for the general public.

Vertical circulation is organized around thickened zones in the building’s skin which also house structure, utilities, and ventilation. The structure is a system of nested, long-span shells, which are composed of an underlying steel pipe space frame which is sandwiched by cladding panels to create a useable cavity space. Overall an experience of directed yet functionally separated flows will lend an aura of energy to the point terminal space.

An essential component to the vitality of the Port Terminal Project is the connection to a proposed elevated public space along the waters’ edge. The importance of this waterfront space which is distinct yet connected to the city of Kaohsiung is inestimable. The boardwalk links the new Pop Music Center, the arts and shopping districts within a green necklace along the waterfront. The boardwalk will be a 24 hour space that fosters shopping, dining, and recreation. Moreover, connection to this vital public conduit will ensure the continuous economic viability of the port terminal, sustaining and amplifying the periodic maritime uses of the cruise terminal and ferries.


See also:

.

Ferry Terminal by
C. F. Møller
Airport by Massimiliano
& Doriana Fuksas
More architecture
on Dezeen

Dr Chau Chak Wing Building by Frank Gehry

Dr Chau Chak Wing Building by Frank Gehry

Architect Frank Gehry has unveiled his designs for a new business school at the University of Technology Sydney, Australia.

Dr Chau Chak Wing Building by Frank Gehry

The 11-storey Dr Chau Chak Wing Building will have an undulating brick facade on one side and slices of glass over the other.

Dr Chau Chak Wing Building by Frank Gehry

Construction is due to commence in 2012.

Dr Chau Chak Wing Building by Frank Gehry

See all our stories about Frank Gehry »

Dr Chau Chak Wing Building by Frank Gehry

Click above for larger image

Here’s some more information from the university:


Climbing the Gehry tree house to a new kind of business school

Sydney’s Frank Gehry designed Dr Chau Chak Wing building will open a new page in business education in Australia.

The world-renowned architect’s plans for the $150 million building, his only in Australia, were unveiled this morning at a media conference at the University of Technology, Sydney. UTS has been working with Gehry Partners to design a world-class business school based on the idea of a tree-house structure. As Frank Gehry has put it, “a trunk and core of activity and… branches for people to connect and do their private work.”

The building will have two distinct external facades, one composed of undulating brick, referencing the sandstone and the dignity of Sydney’s urban brick heritage, and the other of large, angled sheets of glass to fracture and mirror the image of surrounding buildings.

The project inspired the Australian-Chinese business leader Dr Chau Chak Wing to donate a total of $25 million to UTS; $20 million to support the new building and an additional $5 million to create an endowment fund for Australia-China student scholarships. It is the equal largest ever philanthropic gift by an individual for a university in Australia.

UTS Vice-Chancellor Professor Ross Milbourne said that while the building would undoubtedly become a Sydney landmark, the key element for the University was that it was conceived from the inside out with the needs of the UTS Business School and the University at heart.

“The UTS Business School is transforming itself with an emphasis on integrative thinking – producing students with boundary crossing skills as well as specialised knowledge,” Professor Milbourne said.

“From the start Gehry Partners has worked closely with the School’s leadership, its academics and students to develop an environment that fosters and encourages this openness and collaboration in teaching and research, and engagement with business and the community.

“This is a building for all of Sydney. There will be extensive public spaces with an external design that complements and acknowledges its place within the immediate area and within the city.

“The project is already providing benefits for students outside the Business School, with four UTS architecture students selected for internships at Gehry Partners’ studios in Los Angeles.”

The 11-storey Dr Chau Chak Wing building will stand at the corner of Ultimo Road and Omnibus Lane on a site that once housed the Dairy Farmers Cooperative and is currently being used as a car park.

Professor Milbourne said some elements of the schematic design were still fluid and will be subject to some modification, pending community consultation and authority approval. Community and stakeholder consultation will take place from 17 December to 14 January.

Construction is due to start in early 2012 and be complete in time for the 2014 academic year.

The Dr Chau Chak Wing Building is part of the ten-year $1 billion UTS City Campus Masterplan, which is helping transform the southern CBD and will deliver a cutting-edge and connected campus for staff, students and the broader community.

Planning

A key component of UTS’s City Campus Master Plan, the Dr Chau Chak Wing Building will provide teaching, learning, research and office accommodation for the UTS Business School. There will be extensive public spaces in the new building, including student lounges, cafes and outdoor roof terraces.

Total project value, $150 million Total floor area 16,030 sqm, spread over 11 floors

Construction will start in early 2012 and be complete in time for the 2014 Academic year.

UTS is unveiling the schematic design of the new Dr Chau Chak Wing Building. This design will be subject to some modification, pending community consultation and authority approval.

In January 2011, UTS will undertake community and stakeholder consultation on the new design. This consultation forms part of the “Part 3A” submission that UTS will make to the NSW Depart- ment of Planning for approval of the design.

PROJECT SHEET & ARCHITECT DESIGN STATEMENT (CONT.)

City Campus Master Plan

The UTS City Campus Master Plan is a vision to deliver an iconic and connected campus that supports the university’s vision to be- come a world-leading university of technology. The Master Plan is also a ten-year $1 billion redevelopment that will help transform the southern Sydney CBD. The Master Plan will create a series of new buildings, major upgrades and improved pedestrian connections, right in the heart of Ultimo and Haymarket.

The Dr Chau Chak Wing building is the centrepiece of the $1 bil- lion City Campus Master Plan which is expected to generate an estimated $3.2 billion in NSW economic activity. 1700 jobs are ex- pected to be generated each year over the 10 year construction period. The Chau building is estimated to attract 24,000 interstate visitors and 2,000 international visitors each year, adding $36 mil- lion to the tourism industry through spending by business event visitors annually. Source: Independent modelling by Urbis.
Australian-Chinese business leader Dr Chau Chak Wing has do- nated a total of $25 million to UTS; $20 million to support the new Business School designed by Frank Gehry, and an additional $5 million to create an endowment fund for Australia-China student scholarships. The gift makes Dr Chau one of the leading philanthro- pists in the Asia-Pacific region. In recognition of the gift – the largest ever made to an Australian university – UTS Council determined to name the new Gehry-designed Business School building the Dr Chau Chak Wing Building.

The project is located on the former Dairy Farmers Cooperative site at the corner of Ultimo Road and Omnibus Lane. The site will operate as a public car park until demolition and excavation com- mences.

UTS commissioned Gehry Partners to undertake concept design of the Dr Chau Chak Wing Building in late 2009. The concept design by Gehry Partners was approved by UTS Council in June 2010.

Gehry Partners, LLP is a full service firm with broad inter- national experience in academic, commercial, museum, performance, and residential projects. Frank Gehry es- tablished his practice in Los Angeles, California in 1962. The Gehry partnership, Gehry Partners, LLP, was formed in 2001 and currently supports a staff of over 120 people.

Frank Gehry is among the world’s best known architects. His milestone projects include the Bilbao Guggenheim Museum and the Los Angeles Walt Disney Concert Hall. Every project under- taken by Gehry Partners is designed personally and directly by Frank Gehry.

Local team Builder

A local consultant team – comprising Australian architects Daryl Jackson Robin Dyke, engineers and other specialist disciplines – has been appointed to work alongside Gehry Partners.

UTS will engage a building contractor early on in the design pro- cess to work collaboratively with Gehry Partners and the consult- ant team. This collaboration will ensure the buildability and timely delivery of the new building. UTS is currently shortlisting builders to tender for the construction of this project.

Ultimo Pedestrian Network (UPN)

Sustainability

The Sydney Harbour Foreshore Authority is currently developing options for a revitalisation of the UPN that will create pedestrian linkages from Central Station through to Darling Harbour. Pedes- trians will be able to access the building from both Ultimo Road and a revitalised UPN

The Master Plan is integral to UTS achieving its greenhouse gas emission reduction targets and a variety of holistic sustainability goals. As one of the new buildings proposed by the Master Plan, UTS and Gehry Partners intend to seek a 5-Star Green Star Edu- cational Building Rating for the Dr Chau Chak Wing Building.

Key sustainability measures currently being investigated by UTS and the project team include: low carbon emissions, achieved through low-energy air conditioning and lighting, and tri-gener- ation power supply; smart air conditioning, designed to switch off when offices are empty for an extended period of time; monitoring of CO2 levels within the building; intelligent lighting that adjusts according to natural light levels; optimising natural light, includ- ing window positions, floor plate design and window glazing; and, rainwater capture and storage for use in cooling towers and toilet flush applications.

Site context

The University of Technology, Sydney (UTS) Dr Chau Chak Wing Building will be a 16,030 square metre academic building that will replace the current home of the Business School in the Hay- market Building. It will contain teaching and learning spaces, re- search spaces, and faculty offices, as well as support facilities including a publicly accessible café. Parking for 28 cars will be in a basement level along with bicycle parking and shower rooms for students and staff who choose to cycle to the school. It will be located on the Dairy Farmers building site at the corner of Ultimo Road and Omnibus Lane. The 2,816 square meter site is bounded on the north by Mary Ann Street and on the east by the Ultimo Pedestrian Network (UPN).

UTS is an urban campus with buildings integrated into Sydney’s Ultimo neighborhood. It is not a traditional campus with clearly defined boundaries. This integration suits the goals of the Busi- ness School to reach out to the surrounding community and to connect with local businesses. The site for the new building is not a part of the main UTS campus, but rather is to be one of the outlying buildings that are a part of the campus expansion toward Darling Harbor to the north. It is surrounded by buildings that are not a part of the University: the Australian Broadcasting Corpora- tion (ABC) headquarters to the south, an apartment building and a Sydney TAFE building to the west, and the Powerhouse Museum to the north. This very tight urban site offers an exciting architec- tural context and the opportunity to respond to the diverse colors, scales, and textures of the neighborhood buildings.

The site will be accessed from the main campus by two primary routes: one on the street level via Harris Street to an entry on Ultimo Road, and a second via a bridge across Harris Street con- necting to the UPN and then north to a second level entry directly off the UPN. The UPN will also be the primary route for visitors coming from Central Station. The below grade parking will be ac- cessed by ramp from a mid block driveway on Ultimo Road. Ser- vice access will be from the basement garage level, which will accommodate van deliveries.

A portion of the teaching space for the Faculty of Business will be located in renovated space in the Haymarket Building to the east. A pedestrian bridge is proposed from the new building across the UPN, over Darling Drive, and connecting to an upper level of the Haymarket Building. This bridge is not a part of the scope of this project.

There has been discussion of creating a plaza to the north of the building on the portion of Mary Ann Street that terminates at the UPN. The Powerhouse Museum would also front on this plaza. An informal amphitheater could host outdoor performances on the east end of the plaza and act as a grand scale stairway up onto the UPN.

The concept design stays within a 10% exception to the 42 meter height limit for the Dairy Farmers parcel. The form of the design steps back from the north and south site boundaries as suggest- ed in the design guidelines, giving solar access and views to the sky for the adjacent streets and buildings. The height of the build- ing will give it presence in the neighborhood and visibility from the UTS Tower.

Accommodations and functional relationships

The schedule of accommodation calls for 10,206 net square me- ters of space with 18 teaching spaces and classrooms, and 526 positions for research and faculty work divided between enclosed offices, open office workstations, and unassigned workstations called “hot desks.”

The ground floor of the building will have a café with seated din- ing that opens to additional outdoor tables on the sidewalk and proposed plaza to the north. A coffee bar with outdoor seating will animate the upper level entry off the UPN, conveniently adjacent to the student center and the large student lounge. Connected via a staircase to the student lounge will be a more secluded gradu- ate student lounge one level above. An event and gallery space will be located on the ground floor facing Omnibus Lane to be used for the school’s outreach functions, lectures, and exhibits related to the work of the school. Situated in this event and gallery space will be two stacking oval-shaped classrooms with tiered seating. The lower classroom will be able to open to the social space for large events that require additional seating.

A 240 seat auditorium is located adjacent to the northern ground floor entry. This will be a venue for public lectures, panel discus- sions and debates. It will have an extensive audio/visual system and video conferencing. Event check-in and informal receptions will take place in the lobby space outside this room.

The teaching and learning spaces, which are accessibly located on the lower four levels of the building, are comprised of various classroom types primarily serving postgraduate students. There are 10 graduate seminar rooms of 40 seats with flat floors to al- low for flexibility in seating arrangement, a 120 seat bowl class- room with desk seating and loose chairs on the first floor, 4 flat floor graduate computer labs for 40 students each, and 2 oval classrooms for 60. The 120 seat bowl classroom is stepped 2 rows at a time to allow students in the front row of each step to turn around and join the students behind them in casual group discussions. In addition to these larger spaces there are 10 group study rooms, 4 of which will accommodate 8 and 6 of which will accommodate 4.

The 6th floor of the building is configured for short course execu- tive education seminars. Management professionals from out- side the university will participate in these courses as a part of the school’s goal to engage with local industry. On this floor there are 2 seminar rooms that will accommodate up to 60 participants with a breakout space where coffee and lunches will be served. A catering space will support this use. Also on the 6th floor is a re- search seminar room for 40. Each of these rooms opens directly onto a roof terrace anticipating breakout sessions and group dis- cussions outdoors in pleasant weather. The faculty room is also located on the 6th floor to take advantage of another roof terrace.

The upper levels of the building, which are primarily devoted to research and academic spaces, are configured to promote cross- disciplinary exchange. Open floor areas connect clusters of re- search and faculty offices. Lounge furniture and informal meet- ing spaces are integrated into each of these floors. The top floor accommodates a boardroom serviced by a pantry, adjacent to a large function area with a bar, both with views to Sydney Harbour, designed for hosting private University events.

Building organisation

The conceptual organization of the design follows a conversa- tion between Frank Gehry and Roy Green as the project began. Frank imagined a building that was a cluster of “tree houses,” or vertical stacks of office floors with spatial “cracks” in between. He made a sketch of this idea on a napkin and gave it to Roy. Working groups would feel an intimacy with others working within their own tree house while looking across the cracks to other tree houses. Groups would be curious to know what was going on in an adjacent tree house and would go across to find out. This would be a way to create focused space for research while at the same time encouraging cross-disciplinary exchange. This interrelation- ship is one of the main goals of the school and is promoted by the configuration of the building.

The current design incorporates this idea. Each of the larger low- er floors is divided into six floor segments. The building façade folds in between these elements bringing natural daylight deep into the center of the floors. This divides what would otherwise be a very large, corporate-type office floor of 1,800 square meters into smaller areas in which each individual would have an impor- tant identity. The upper floors have been divided into four sections with the same intent. The Gehry team has worked with the Business School to test the design to determine if the size and scale of the plan units fit with the size of research groups and fac- ulty clusters. Many iterations of the plan organization have been laid out, and the latest version is contained in this document. In parallel, the Business School is going through a reorganization of its research and teaching structure as the design proceeds. It is a rare collaborative opportunity to be able to design a building and an organizational structure simultaneously.

Architectural design

In the Concept Design phase the design team focused on a care- ful analysis of the Schedule of Accommodation and has spent time with the Business School getting to know the goals and ob- jectives of the teaching, research, and industry engagement that are at the heart of the school’s mission. This knowledge has in- formed many iterations of the design, studying the building from the inside out. The urban issues of building siting, access, mass- ing, and height have shaped the building design within its context. The Gehry Partners process values the resolution of these most important functional and social aspects of any project, and the architectural expression evolves very slowly from a deep under- standing of these issues.

The building façade has been explored through several design it- erations. A variety of materials were studied. Each of the designs was evaluated in relation to the project budget; the current design fits within the budget. Window locations have been considered to bring light into all of the teaching spaces and to bring the maxi- mum amount of daylight into work spaces throughout the build- ing. Gehry Partners has run computer sun studies to understand the light and shadow relationships to the adjacent sites and to spaces within the building. The current design places large areas of glass at the street level to promote transparency and to create a welcoming body language for the building. The work spaces themselves have large windows punched through areas of solid façade. The proportion and spacing of these windows has been studied in relation to office modules in order to provide as much flexibility as possible for the future evolution of uses.

The façade of the building will have 2 aspects and 2 different personalities. The east facing façade that contains an entry from the UPN is made of a buff colored brick similar in color to the Sydney Sandstone. The form of this façade curves and folds like soft fabric. The brick will be set in horizontal courses and will step or corbel to create the shape. The texture of the surface will be rough and will emphasize the mass of the material. The shape flattens as it wraps around the north and south corners. Large windows punch this façade. The west facing façade that contains the ground level entry off Ultimo Road is composed of large shards of glass façade. This glass will be slightly reflec- tive to fracture and mirror the image of the surrounding buildings of the neighborhood. Sculptural brick towers will stand at the northwest and southwest corners of this facade.

Dr Chau Chak Wing Building by Frank Gehry

Click above for larger image

Click above for larger image

Dr Chau Chak Wing Building by Frank Gehry

Click above for larger image


See also:

.

Lou Ruvo Center for Brain Health by Frank GehryDuplex by Frank Gehry
for Make it Right
More stories
about education

Frank Gehry’s First Foray Into Australia

Frank Gehry is making a big splash in Australia this week with the unveiling of his first planned project in the country, a new building for the business school at the University of Technology, Sydney. Though not a gigantic tower, and Gehry himself has told the Australian press that it’s “a small building,” it’s multi-storied and is in his familiar (see: expensive) style of something akin to a crumpled ball of paper in the front (yes, we saw Sketches of Frank Gehry, too) and all slick and modern in the front (he’s quoted as calling it “wrinkly”). Building in Sydney for the first time, a city known the world over largely for a single piece of its architecture, Joern Utzon‘s famous opera house, Gehry told the Sydney Morning Herald what it felt like to come to finally come to Australia and specifically, who he is competing against at age 81: “ghosts.”

New Career Opportunities Daily: The best jobs in media.

Oscar Niemeyer Celebrates 103rd Birthday with the Opening of His Latest Foundation

1002oscsurg.jpg

Fresh off his turn as a songwriter, legendary architect Oscar Niemeyer celebrated his 103rd birthday this week and received perhaps his best present yet: the opening of the Oscar Niemeyer Foundation just outside his home city of Rio de Janeiro. As reported by the BBC, the new institution will feature a large collection of the architect’s drawings and models from his incredibly lengthy 70+ years in the business. Though certainly the most recent, this isn’t the first location dedicated to honoring the architect. The first, the Oscar Niemeyer Museum, opened in 2002 in Curitiba, Brazil, and just this year the Centro Cultural Internacional Oscar Niemeyer started wrapping up construction in Aviles, Spain. In celebration of his birthday, the latter also used the day for an opening of their own: allowing public access to its newly finished main dome (which, of course, Niemeyer designed). Here’s a bit about the new Foundation:

“My friends have come to see me, how nice,” Mr Niemeyer told reporters at the inauguration of his foundation in the city of Niteroi, outside Rio de Janeiro.

Designed by Mr Niemeyer himself, the museum building boasts the sensuous concrete curves that define his distinctive modernist style and have made him one of the world’s most famous architects.

New Career Opportunities Daily: The best jobs in media.

Port Fairy House 2 by Farnan Findlay Architects

Port Fairy House 2 by Farnan Findlay Architects

This wood-clad house perched on rocky terrain in Victoria, Australia, was designed by Australian practice Farnan Findlay Architects and features two separate volumes joined by a central walkway.

Port Fairy House 2 by Farnan Findlay Architects

Called Port Fairy House 2, the building has bedrooms and bathrooms hidden behind wooden screens on the ground floor, with the more public areas featuring large windows and terraces.

Port Fairy House 2 by Farnan Findlay Architects

Curculation inside is by elevator, while an external staircase wraps round the building connecting all levels.

Port Fairy House 2 by Farnan Findlay Architects

The wood panelling of the exterior extends to the internal corridor.

Port Fairy House 2 by Farnan Findlay Architects

Photographs are by Brett Boardman.

More residential architecture on Dezeen »

The following information is from the architects:


Port Fairy House 2
Battery Lane, Port Fairy, Victoria
Completed 2010

“Nestled among the tea-trees with commanding views over the Moyne River mouth and Bass Strait, Farnan Findlay have created this highly crafted and sustainable family house split into two architecturally expressed zones – the AM ‘daylight’ and PM ‘after-dark’ zone.”.

Port Fairy House 2 by Farnan Findlay Architects

The idea of a ‘public and private’ division of spaces drives the form of this project, manifested in a 2-part form when read externally. Less than 50m from the water, a plinth emerges from its stone setting to create a platform for the structure above that bustles with cantilevers and twisting that evokes an escaping form.

Port Fairy House 2 by Farnan Findlay Architects

The house is oriented around the competing interests of solar access on one side and the ocean views on the other. Framing desirable views and excluding awareness of neighbouring dwellings has been an important aim in the design and influenced the positioning of external openings to create the client’s sanctuary. Internally, the reading of the two external forms continues as the external materials seemingly flow into the internal ’street’, making you aware when moving from one form to another.

Port Fairy House 2 by Farnan Findlay Architects

Built with durable materials that will fade into a soft grey when aged, the house will gradually become one with its rocky outcrop and the natural tea-tree backdrop, whilst its glazing reflects and multiplies the ever changing moods of the ocean and sky.

Port Fairy House 2 by Farnan Findlay Architects

Architectural Programme:

Designed 4 years ago the evolution of ideas from our previous work is evident. Taking our cue from the unpredictable weather which is temperate but prone to chilly winds despite sunshine, we further explore the idea of ‘external rooms’. We use this term for spaces positioned within the main volume of the building.

Port Fairy House 2 by Farnan Findlay Architects

Spaces with peeled back layers of walls and roof to reveal views & sunlight, whilst delivering needed shading, shelter from the winds as well as privacy screening from cross-viewing.

Port Fairy House 2 by Farnan Findlay Architects

To be able to create the sharply expressed volumes, we minimised disturbances of the building’s continuous ’surfaces’. Reducing the glazing and introducing clearly defined openings allowed us to achieve a balanced homogeneous façade which assist us in moderating the climate at the same time as framing the desirable views.

Port Fairy House 2 by Farnan Findlay Architects

From the outset, we were interested in how our work intersects with the sky and whilst the rectilinear forms belie such an approach, the combination of height and extent of those forms against the skyline create a constantly changing interaction.

Port Fairy House 2 by Farnan Findlay Architects

The external form was developed from the idea of 2 living quarters. One is a reclusive and private refuge with hidden bedrooms protected by movable external screening or securely located on the upper level. The other is a far more outgoing and expressive volume punctuated by openings and external spaces.

Port Fairy House 2 by Farnan Findlay Architects

Its building axis shifts and curves towards the sea to create internally a telescopic effect that funnels the ocean views straight into the living quarters. This external readability of the form is our response to an otherwise potential bulky floor plan as well as a response to the site’s available views and orientation. A subtle change in texture in the cladding as well as a recessive link reinforces this architectural language.

Port Fairy House 2 by Farnan Findlay Architects

Circulation

We initially grappled to understand the client’s desire to rely completely on a lift for circulation between the floors but the addition of an external stair put everyone’s mind at rest.

Port Fairy House 2 by Farnan Findlay Architects

In situations where the living area is located above ground it seems critical to us to allow for direct access tp and from the site around the house.

Port Fairy House 2 by Farnan Findlay Architects

Removal of the internal staircase liberated the floor plan and allowed us to better achieve the client’s intensive brief. The main circulation in the floor plane is a central hallway between the two built forms. From this point the axis of the building is clear and the external finishes are read internally to reinforce the programme.

Port Fairy House 2 by Farnan Findlay Architects

Materials

Generally, we believe in materials with texture and natural beauty which stand the test of time and bear out the craftsmanship of the construction.

Port Fairy House 2 by Farnan Findlay Architects

The building is clad in Spotted Gum which is oiled and allowed to grey off so it takes on some of the colour and texture of the natural Tea-Tree setting. Double glazed windows are commercial aluminium.

Port Fairy House 2 by Farnan Findlay Architects

The haggard foliage is in stark contrast with the rectilinear outline of the house and brings the natural beauty of the site into a sharper focus. Evidence of volcanic action in the area are seen everywhere.

Port Fairy House 2 by Farnan Findlay Architects

Basalt us the language of the historic structures in the nearby main township and is used in the base course walls and landscape elements that reach up out of the site to meet the structure. Volcanic boulders are used throughout the landscaping.

Port Fairy House 2 by Farnan Findlay Architects

As the site’s landscaping grows up and around the building it will restore the natural site around the new construction, thus further isolating the building from its neighbours and embracing it in belt of greenery.

Port Fairy House 2 by Farnan Findlay Architects

Click for larger image

Brief

The client approached us after seeing a previous project of ours on the adjacent plot (Port Fairy House 1). We were asked to create a structure that took advantage of the exceptional ocean views towards the south and east of the site.

Port Fairy House 2 by Farnan Findlay Architects

Click for larger image

The new home had to allow for ample amenities for visiting family whilst maintaining the client’s privacy as well as to cater for possible future needs in regards to accessibility.

Port Fairy House 2 by Farnan Findlay Architects

Click for larger image

In the meantime, the architectural context was further enhanced as Clinton Murray/Shelley Penn had completed a house on a neighbouring plot. Our intimate knowledge of the site from the previous project enabled a considered response to the brief.

Port Fairy House 2 by Farnan Findlay Architects

Click for larger image


See also:

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Ormond Esplanade by Judd Lysenko Marshall ArchitectsV21K07 by
Pasel Kuenzel Architects
More architecture
on Dezeen

Le Monolith by MVRDV

Le Monolith by MVRDV

Here are some photos of the recently-completed mixed-use urban block Le Monolith in Lyon, France, masterplanned by Dutch studio MVRDV and designed by five different architects.

Le Monolith by MVRDV

The building incorporates social housing, rental property, offices, retail and accommodation for disabled people.

Le Monolith by MVRDV

Five distinct sections were each designed by a different architect; the collaborating firms are French architects ECDM, Manuelle Gautrand and Pierre Gautier, and Dutch studios MVRDV and Erick van Egeraat.

Le Monolith by MVRDV

MVRDV were responsible for the south-facing waterfront section, where aluminium shutters shield the interiors from sunlight.

When these shutters are closed, letters on the facade spell out the first article of the European Constitution.

See Erick van Egeraat’s portion in our earlier story.

See all our stories about MVRDV »

Photographs are by Philippe Ruault.

Here are some more details from MVRDV:


MVRDV completes ‘Le Monolithe’, Lyon

‘Le Monolithe’, an energy efficient mixed-use urban block located in the development area Confluence at the southern tip of Lyon’s Presqu’île, has reached completion. The structure with a total surface of 32.500 m2 combines social housing, rental property, a residence for disabled people, offices and retail. The block is composed of five sections, each one designed by a different architect, following the MVRDV masterplan: Pierre Gautier, Manuelle Gautrand, ECDM and Erik van Egeraat. Landscape architects West 8 designed the public plaza. MVRDV designed the head section which advertises over the full façade the European integration by quoting the EU constitution. ‘Le Monolithe’ has been realized by ING Real Estate Development and Atemi.

Le Monolithe:

In 2004, ING Real Estate Developers had invited a group of international architects to design the masterplan, for which MVRDV was chosen as winner. Based on this masterplan, each architect was asked to design a section which together form ‘Le Monolithe’. The urban superblock is a mixed-use development comprising a mix of social and rental housing, offices and underground parking. The block is characterised by a large interior court with a raised public space overlooking the city, the new marina and a park, in this way resembling the French classical ‘Grand Gallérie’. The block is divided into five sections, each one designed by a different architect in order to achieve diversity and architectural variety. MVRDV is responsible for the head section in the south at the waterfront. Each part is unique in material, composition and architectural expression. The project forms part of the urban regeneration project ‘Lyon Confluence’, a 150 hectare site located at the southern tip of Lyon’s Presqu’île, where the rivers Rhône and Saône merge.

South building:

The interiors of MVRDV’s south facing building are protected from the sun by means of aluminium shutters as a reference to traditional local architecture. Apartments inside Le Monolithe offer a great diversity in order to attract different groups of inhabitants making the block a reflection of Lyon’s population. Offices are divided into separate units of min. 500 m² which are accessed by three vertical circulation cores, providing individual access. Each unit allows for a flexible fit out, depending on the tenants’ needs and requirements. All spaces are naturally lit and ventilated.

In June 2005, when France and The Netherlands voted against the European Constitution, MVRDV decided to redesign the façade and integrate a reminder of the values, ideals and needs of the European Union. When all shutters are closed, the first article of the European Constitution can be read: “The Union is founded on the values of respect for human dignity, liberty, democracy, equality, the rule of law and respect for human rights, including the rights of persons belonging to minorities. These values are common to the Member States in a society in which pluralism, non-discrimination, tolerance, justice, solidarity and equality between women and men prevail.”

It aims to advocate a possible ‘Yes’ for Europe in days of protectionism, accompanying the collective EU spirit of the gathered architects. The adjacent sections were designed by French and Dutch architects Pierre Gautier, Manuelle Gautrand, ECDM and Erik van Egeraat. Dutch landscape architects West 8 designed the public space.

‘Le Monolithe’ is one of the projects within the greater scheme for Lyon Confluence which has been developed as part of Grand Lyon’s European Concerto-Renaissance programme, a project supported by the European Commission. The building not only complies with High Environmental Quality (HQE) criteria, such as reinforced insulation, careful selection of materials and rainwater management; further, 80% of the total energy consumed is provided by renewable energy sources. The combination of efficient spatial composition, passive energy (sunscreens, high thermal inertia), thermal and acoustic comfort and an energy strategy that includes heat storage, PV-cells, low-e double glazing, compactness to minimise heat loss, natural ventilation and an environmentally responsive façade system make ‘Le Monolithe’ a highly efficient low energy construction, e.g. heating accounts for <40 kWh/m²/year and hot water <5 kWh/m²/year.

The ambitious greater urban project Lyon Confluence extends the city centre to the very tip of the peninsula by creating diverse neighbourhoods involving retail and leisure zones, parks, cultural institutions, housing, schools and offices, and local public amenities.


See also:

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Monolith by
Erick van Egeraat
Rotterdam Market Hall
by MVRDV
More architecture
stories

Yoshichika and Sekkei-Sha

housek4

Beautiful house design by Japanese architectural firm, Yoshichika and Sekkei-Sha.

They’ve done a really interesting job at dividing space in this award-winning house, named ‘House K’. It was built this year in Hokkaido, Japan. See more photos on their site.

Via: Spoon + Tamago

House in Tróia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

Doors in this Portuguese house by Jorge Mealha Arquitecto are rendered in the same material as the walls to give the impression of closed blocks around a terrace. 

House in Troia by Jorge Mealha Arquitecto

Located on the Tróia peninsular, the residence features a series of interlocking volumes creating a series of recessed, shaded patios.

House in Troia by Jorge Mealha Arquitecto

The following details are from Jorge Mealha Arquitecto:


House in Tróia

For the surrounding ground, a Set of virtually blank solids perform a dialectically tensioned play, searching, through scale and accentuation on the surfaces edges outlines, the emphasis on the light/shadow interplay, proposing an ever changing reading throughout the day.

House in Troia by Jorge Mealha Arquitecto

The outline and voiding of the mass proposes an articulation of solids and wall surrounded patios, succeeding each other in the organization of a rhythmic sequence of a fluid program.

House in Troia by Jorge Mealha Arquitecto

The openings either of limited dimensions or placed in the interstitial spaces, in between the various solids, allow, in a quite controlled way, the fruition of chosen frames.

House in Troia by Jorge Mealha Arquitecto

The scale, the openings and the skylights, become instruments for light capture and redirection, either diffused or of a direct nature, drawing and sprinkling with light the interior planes throughout the daylight cycle.

House in Troia by Jorge Mealha Arquitecto

Within the inner perimeter, a sequence of horizontal and vertical interplays between the various solids, voids and outlines, create the spatial identity structure of the house.

House in Troia by Jorge Mealha Arquitecto
With plastered blank shutters, in the same finishing as the coating of the outside walls, when shut, lead to virtually blank solids, in the pursuit of a clear reading of the format.

House in Troia by Jorge Mealha Arquitecto
Some ambiguities in the reading and definition of the containing and the contained elements inter-relations plays with the observer’s capacity and interest in the decoding of space and shape design.

House in Troia by Jorge Mealha Arquitecto

Architect: Jorge Mealha
Location: Clube Soltróia, plot 82, Tróia, Portugal
Project Team: Arch. João Sítima, Arch. Luís Banazol, Arch. Pedro Pereira, Arch. Marcelo Dantas
Client: Private
Project Area: 388,50 m2
Photographs: Jorge Mealha

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto

House in Troia by Jorge Mealha Arquitecto


See also:

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Black & White House
by AGi architects
Mountains and Opening House
by EASTERN Design Office
House by Studio
Architecture Gestalten