Apartment in El Born by Arquitectura-G

Apartment in El Born by Arquitectura-G

Spanish studio Arquitectura-G have renovated this apartment in the El Born area of Barcelona by adding wooden storage and mezzanines.

Apartment in El Born by Arquitectura-G

Divided in two by a solid wall, the apartment comprises a kitchen and dining area on one side with a living room, study and bedroom on the other.

Apartment in El Born by Arquitectura-G

Thin white metal steps lead from this second part to a mezzanine that extends over half the floor area, with an even higher platform holding the bed.

Apartment in El Born by Arquitectura-G

Photographs are by José Hevia.

Apartment in El Born by Arquitectura-G

Here are some more details from the architects:


Accommodation of 34 m2 and 4.5 m in height, divided by a load bearing wall in two rooms of similar size, located in El Born in Barcelona.

Apartment in El Born by Arquitectura-G

Assuming this separation, the housing project divides into two areas:

The first consists of the kitchen and a mobile cabinet, which operates as a bar, kitchen side table and dining table. It is a social area linked to the driveway, which improves the electrical installation and use television to spread beyond the mere fact of cooking and eating.

Apartment in El Born by Arquitectura-G

The second stay, however, responds to needs of a greater degree of privacy. That is why the space is fragmented into different trays that house the program in height, providing a gradient of intimacy without losing the visual connection between them.

Apartment in El Born by Arquitectura-G

Thus, the first tray, which occupies half the area of ​​this room, is understood as an ambiguous space dressing room and study area. The second highest one-quarter of the plant surface, contains the space for a bed.

Apartment in El Born by Arquitectura-G

For the resolution of this scheme in height, are particularly important furniture, adapting to different places, meeting the urgent need for storage, and the connection and relationship between levels.

Apartment in El Born by Arquitectura-G

Neglecting current standards of habitability and construction, it gives each area the necessary scale for each item and use the appropriate features.

Apartment in El Born by Arquitectura-G

The spaces are formed depending on the size and privacy they require, and wealth is given by the relations generated between them. For this reason, rather than speaking of space “up” or “below”, we can talk of “spaces between”, “spaces next to” or “spaces.”

Apartment in El Born by Arquitectura-G

Work: Reform of Housing in the Born, Barcelona
Architects: ARCHITECTURE-G (Jonathan Arnabat, Jordi Ayala Bril, Aitor Fuentes, Igor Urdanpileta)
Contributor: David Fernandez Taboada
Sponsor: Ms. Santarelli
Location: Barcelona (Spain)
Reformed Surface: 34 m²
Project Year: 2010
Year built: 2011


See also:

.

PAC House by A+R
Arquitectos
House K by
Yoshichika Takagi
House in Fukawa by
Suppose Design Office

Understanding Contemporary European Architecture One Film and Country at a Time

Making the rounds late last week and over the weekend is the launch of the film project simply titled 27. A joint effort between two architects, a designer, and a filmmaker, the project will take the group to 27 countries to make profiles of 27 different architecture firms, trying to get to “the heart of contemporary European architecture, under a permanent state of mutation.” Judging from their first outing, traveling to Barcelona to talk with the duo who make up Estudio Barozzi Veiga, we’re expecting great things as the project continues. Here’s the trailer:

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House C by RTA-Office

House C by RTA-Office

This house in Barcelona by architect Santiago Parramón of RTA-Office is clad in slabs of basalt.

House C by RTA-Office

Called House C, the residence curls around the site through two storeys and a basement level.

House C by RTA-Office

The closed outer face of the building gives way to glazing round the inner courtyard, which contains a pool and lawn.

House C by RTA-Office

The information that follows is from the architects:


House C. Barcelona

Geometry, skin, cuts that let you discover the dermis.

House C by RTA-Office

Space, three-dimensional continuity. There are no elevations, no plans, or sections.

House C by RTA-Office

This is space within a solid object, a block of black basalt in which we make a number of penetrations as in a quarry, mine tunnels and corridors that communicate with the outside, with the light of the morning, of noon and the darkness of the night.

House C by RTA-Office

Santiago Parramón, founder and director of the atelier RTA-Office, designed House C as the indivisible cross-sectional view of the object, with an emotional design.

House C by RTA-Office

Dark skin, pale dermis. Contrast. Cuts and cracks, reinforcing the change of scale, working for the presence.

House C by RTA-Office

A unitary object that proposes its maximum dimension.

House C by RTA-Office

The complexity of the site works in our favour: the closed outer perimeter, walled, stony; inside the glass folds open. We traverse the wall. It’s the north face of the building and there we place the access: a spectacle of natural light, reflections, transparencies, an explosion of multiplying images.

House C by RTA-Office

A kaleidoscopic space, beauty, image, observation. Everything at the same time thanks to the effects produced by the transparent crystals of different sizes and angles. Everything impacts on the building. Nature enters the interior through these cuts and segments the different rooms of the house.

House C by RTA-Office

At dusk, transparency overrides limits: the light of day is now projected from inside the house to the outdoors.

House C by RTA-Office

House C by RTA-Office

House C by RTA-Office

House C by RTA-Office

Click above for larger image

House C by RTA-Office

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House C by RTA-Office

Click above for larger image

House C by RTA-Office

Click above for larger image


See also:

.

House K by
Yoshichika Takagi
House in Fukawa by
Suppose Design Office
Gable House by
FORM/Kouichi Kimura

Post-I.M. Pei Debacle, NYU Unveils New Expansion Plans

After being forced to scrap their expansion plans last November at the behest of I.M. Pei so as to not upset his 1966 Silver Towers complex, NYU has just unveiled their new plans for the central Washington Square area. While far less towering than the idea before it, the new plan still calls for a massive construction effort (labeled by NYU as a series of “superblocks”), building no fewer than 10 new structures, some as tall as 27 stories, with lots of landscape architecture and attractive through-ways in between. What’s more, the new layout seems like it’s trying hard to appease anyone and everyone, saying that all the building will both benefit the school and the community (with “the creation of playgrounds and a dog run”), everything “built without the use of eminent domain and without any residential tenant relocation,” no angering Pei anymore with careful height restrictions already in place, and they’re even planning to build a new public school for the city, and who wants to argue with or deny someone who wants to build you a school? The thing we’re most excited about, and we absolutely refuse to believe it’s just a test rendering, is the new “Lorem Ipsum Garden.” Please oh, please, NYU, make this a reality. It would make all of our stupid hopes and dreams come true.

New Career Opportunities Daily: The best jobs in media.

Dezeen archive: viewpoints

Dezeen archive: viewpoints

Dezeen archive: Sturgess Architecture’s glass viewing platform cantilevered over a Canadian glacier (above, top left) was our most popular story over the last week so we’ve grouped together all our stories from the Dezeen archives about viewing platforms and observatories. See all the stories »

All our archive stories »

Villa Geldrop by Hofman Dujardin Architects

Villa Geldrop by Hofman Dujardin Architects

Dutch firm Hofman Dujardin Architects have completed this glazed villa in the Dutch countryside near Geldrop.

Villa Geldrop by Hofman Dujardin Architects

Bedrooms and bathrooms are sheltered at basement level, arranged round a courtyard with a ramp sloping up to the garden on either side.

Villa Geldrop by Hofman Dujardin Architects

Living spaces on the ground floor overlook the garden through long panels of glazing while a study nestles into the eves of the pitched room.

Villa Geldrop by Hofman Dujardin Architects

Photographs are by Matthijs van Roon.

Villa Geldrop by Hofman Dujardin Architects

The information below from the architects:


Villa Geldrop designed by Hofman Dujardin Architects

Hofman Dujardin Architects designed a large villa set in the Dutch countryside. It is no ordinary house, however. What appears at first sight to be a simple block with an angled roof turns out to be a complex composition of space and light as well as a study of the modern home’s function.

Villa Geldrop by Hofman Dujardin Architects

The building is placed at the rear of a large, flat site with the horizontal lines of its façade reflected in the pathway from the road. The roof and the ground floor are both large, angular and dark blocks which are set off by large panes of glass that keep the geometry clean and the appearance uncluttered. Below grade, the story changes.

Villa Geldrop by Hofman Dujardin Architects

At the front of the house, running parallel to the pathway, concrete steps lead down towards a basement-level patio, opening to a glass hall-way/family room. On either sides, this subterranean space is lined by bedrooms. At the rear of the house, the gesture is continued in the shape of a long, sloping ramp up into the garden.

Villa Geldrop by Hofman Dujardin Architects

Villa Geldrop is a house for a businessman with a family. Seen as a home, it is easy to analyse. Bedrooms and bathrooms are sheltered below ground. Living room, dining room and kitchen are all walk-through areas on the ground floor. On the upper level, more intimate than the others due to its angled roof, a study area has been created. This space benefits from the indirect light that is generated by the composition of glass and the opening up of the area by considering it to be a kind of mezzanine.

Villa Geldrop by Hofman Dujardin Architects

Click above for larger image

This results in a house which, despite strong geometry, feels spacious rather than large, and cosy rather than crisp. The building is more than a home, however. Primarily as a result of the different but complementary wishes of the client and the architect, the project lends itself to a multi-layered analysis. There is line-of-sight connection through the house’s main axis which runs along the concrete trench that defines the spatiality of the project. This effect is increased by moving the two staircases to the side. Both stairs run up from the lower level to the ground floor, one of which continues to the attic level.

Villa Geldrop by Hofman Dujardin Architects

Click above for larger image

Using the floor plans as a guide, the project can be viewed as a modern interpretation of the classic box plan made famous by Italian renaissance architects such as Palladio. This allows the essence of the project to reveal itself. The channel cutting through the building and the orientation of the rooms towards the garden at the rear are an affirmation of the importance of light and the quality of the space created. In this sense, the orientation of the rooms becomes clear as a clever organisation of space and light, to powerful effect.


See also:

.

Warehouse by Shinichi
Ogawa & Associates
House in Paço de Arcos by
Jorge Mealha Arquitecto
Solbrinken Ordinary House by
In Praise of Shadows

Core77 Photo Gallery: What Happens When – A Temporary Restaurant Installation

WHW_Gallery.jpg

What Happens When is a temporary restaurant in SoHo New York that will be open for nine months. The creative team behind the project; John Fraser (chef), Emilie Baltz (branding & graphic design), and Elle Kunnos de Voss (interior design) will transform the space each month to create a new thematic dining experience.

Working with almost no budget, the team turned to Kickstarter to help realize the project and added another layer of community involvement by asking for theme suggestions from donators. Each theme is called a movement, and ‘Movement 1’ debuted in February with a stark Nordic wonderland interior.

The space was conceived to be flexible, a grid of hooks spans the entire ceiling, lamps are suspended with an extra 15ft of cord, and all the furnishings are inexpensive making them easy to modify and change. Transition time between the themes is tight, the team has from midnight when the restaurant closes to 3pm the next day to finish each movement—sounds like being back in design school!

This months theme (Movement 2) plays with scale, over-sized pine needles dance across the ceiling, little animal tracks can be found throughout the space and a moss-laden swing with miniature landscapes of plants and birds greet visitors when they enter. The project is an opportunity to experiment with ideas as much as it is an event.

We’ll be updating the gallery with photos from each movement as they emerge so be sure to check back. If you’re in New York make a reservation and let us know what you think.

What Happens When
25 Cleveland Place, NY NY
Tuesday – Sunday, 5:30pm – 11pm
212-925-8310

(more…)


Numbers House by Mitsutomo Matsunami Architect & Associates

Numbers House by Mitsutomo Matsunami

This row of prefabricated houses with facades that look like numbers are by Japanese studio Mitsutomo Matsunami Architect & Associates.

Numbers House by Mitsutomo Matsunami

Located in Osaka, the project involved taking ready-to build timber houses and reconfiguring the facades so the four units appear as one building.

Numbers House by Mitsutomo Matsunami

The project was completed in 2007.

Numbers House by Mitsutomo Matsunami

Click above for larger image

Photographs are by the architect.

Numbers House by Mitsutomo Matsunami

Click above for larger image

Here is more information from Mitsutomo Matsunami:


Numbers House

This is a mass-produced type ready-built house often developed on a large scale, and as such, has the advantage of producing entire rows of housing. In many cases, as the appearance is coordinated at the designation of the owner, rows of houses that do not necessarily match aesthetically are created.

In order to overcome this 4 units are created together at Hozumidai to appear as one building by design, carrying out a strong message to the town. Price competitiveness was maintained by cost effective production of the facade design.

Residence in Hozumidai

Who: Mitsutomo Matsunami
What: ready-built house
Where: Hozumidai, Ibaraki-shi, OSAKA
How: 3 storey timber house
Site area (one of four buildings): 75.91㎡
Construction area (one of four buildings): 40.79㎡
Total floor area: (one of four buildings): 12.04㎡
Number of houses: four buildings


See also:

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Playtype foundry and concept store by e-Types Dezeen loves…Type
the Sky
ABChairs by Roeland
Otten

Future Towers India by MVRDV

Future Towers India by MVRDV

Construction has begun on a large-scale housing development designed by Dutch firm MVRDV for Pune, India.

Future Towers India by MVRDV

Called Future Towers India, the building will comprise 1,068 apartments plus a school, swimming pool, shops, bars, cafes and a cinema.

Future Towers India by MVRDV

Nine wings will be arranged on a hexagonal grid around four cores, with raked roofs creating balconies and gardens.

Future Towers India by MVRDV

The facade will be concrete, with metal shutters, wooden balconies and stone-clad circulation spaces.

Future Towers India by MVRDV

The project is due for completion in 2014 and will form part of a larger scheme to create 3,500 apartments in the area.

Future Towers India by MVRDV

More about MVRDV on Dezeen »

Future Towers India by MVRDV

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Future Towers India by MVRDV

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The information below is from the architects:


CONSTRUCTION START FOR VERTICAL CITY PROJECT: FUTURE TOWERS, 3500 APARTMENTS AND SERVICES IN PUNE, INDIA

City Corporation Ltd, a leading real estate development corporation in the Indian state of Maharashtra has started construction on the first phase of Amanora Apartment City – Future Towers, designed by MVRDV. The project is located in Pune, India and comprises 1,068 apartments & public amenities, as a part of a large scale housing development with a total of 400.000m2 comprising 3,500 apartments. Completion is expected by summer 2014. The apartments and facilities are interwoven and create a vertical city which will due to its various apartment types offer housing to a diverse group of residents.

Future Towers phase one: The total surface of the first phase is about 210,000m2 comprising of 115,000m2 housing, 8,400m2 public amenities and 49,662m2 parking.

India is currently in a rapid development to provide housing for millions; as a result often monotonous large scale housing estates appear. MVRDV takes on the challenge to participate in this development which seems dominated by efficiency rather than quality. The Future Towers project introduces lost qualities to mass housing: increased density combined with amenities, public facilities, parks and a mix of inhabitants resulting in a vertical city. The 1,068 apartments of the first phase vary from 42m2 to 530m2 and are set to attract a diverse mix of population to the new neighbourhood with the ambition of creating a lively sub-centre for Pune. The studio to villa size apartments are designed according to an analysis of modern Indian housing standards. They are in general equipped with balconies, naturally ventilated service spaces and almost each bedroom has an individual bathroom. The hill shape structure with its peaks, valleys, canyons, bays, grottos and caves adds identity to the city and provides a large number of apartments with fine views and spacious balconies; its public space offers possibilities for interaction and communal activities.

The 400 acres site is located 10 kilometres from the city centre of Pune in the centre of the Amanora Park Town development; the plot will be built up with FAR5 but still maintain large gardens. The first phase building is raised by a basement and plinth which contain parking and various public facilities: A school, swimming pool, retail, bars, cafes and a cinema. At the tallest point of the structure a sky lounge will be established. The building follows a hexagonal grid to provide views and natural light to the apartments. This allows the 9 wings with double loaded corridors to be efficiently serviced by 4 cores. The interconnected courtyards are programmed to offer the inhabitants relaxing and social environments. There will be an herb garden, an event plaza, a flowerpot garden, a playground and a sculpture garden. In-between the volumes of each of the three phase’s gardens are planned.

The facade will be made of concrete and the large windows will have sun protection by ornamented metal shutters, allowing for natural ventilation between facade and the many ventilation shafts that cross the structure vertically. The circulation spaces and public spaces will be clad in natural stone; the balconies are all clad in wood.

City Corporation Ltd. has commissioned MVRDV to design in total 3 phases of Future Towers with in total approximately 3,500 apartments or 400,000m2 of housing and amenities. Besides MVRDV the team is based in Pune: Project Management by Northcroft India, co-architecture and MEP by Neilsoft, Structural Design by J+W. Future Towers was a competition won by MVRDV in November 2009 and it is the first MVRDV project in India presented to the public. MVRDV is currently also working on a range of projects in Mumbai and Bangalore.


See also:

.

Pushed Slab Building
by MVRDV
Westerdok Apartment Building
by MVRDV
Gwanggyo Power Centre
by MVRDV

NY Times Picks Up On University of Iowa vs. FEMA Battle

0627iowawaterarch.jpg

While the University of Iowa has had to continue its fight with FEMA over the rebuilding of their Museum of Art, which was heavily damaged by the floods of 2008 and is now essentially un-insurable due to its current building’s close proximity to the river, they may have just received a helping hand. To this point, after the flood water receded, by and large, their struggle has been reported in local outlets and by interested parties such as we here at UnBeige (U of I, after all, is this writer’s beloved alma mater). But now the NY Times has filed a long report on the battle, telling the university and museum’s story and how FEMA has created what appears to be a frustrating, pointless instance of mind-numbing bureaucracy. To catch you up: FEMA has agreed to give millions to help the museum repair their original building. But if it’s not insurable, how are they supposed to hang their valuable art collection inside (“valued at $500 million”)? FEMA, to this point, won’t budge and won’t agree to the university’s other option, using those funds to help construct a new building, one at a much safer distance from the river. And so that’s where we are now. Hopefully this national attention to their cause helps give a bit of a push in the right direction. Certainly couldn’t hurt.

New Career Opportunities Daily: The best jobs in media.