Black Slit House by Three.Ball.Cascade

Black Slit House by Three.Ball.Cascade

Long, narrow windows cut across the sides of a house in Okayama, Japan, to reveal the locations of internal walls and floors.

Black Slit House by Three.Ball.Cascade

The two-storey residence, named Black Slit House, was designed by Tokyo architects Three.Ball.Cascade.

Black Slit House by Three.Ball.Cascade

Each floor of the house contains a bedroom, kitchen, living room and bathroom, while a first floor balcony surrounds and overlooks a concealed central courtyard.

Black Slit House by Three.Ball.Cascade

The rear of the building adjoins an existing house on a neighbouring plot.

Black Slit House by Three.Ball.Cascade

Three.Ball.Cascade previously designed a hair salon filled with large wooden frames – see our earlier story here.

Black Slit House by Three.Ball.Cascade

Other recently featured Japanese houses include one where rooms of subtly different proportions surround an off-centre courtyard and another where a private balcony is concealed behind the facadeclick here to see all our stories about houses in Japan.

Black Slit House by Three.Ball.Cascade

Here are a few extra details from Three.Ball.Cascade:


A Duplex house in Okayama City.

The site is near an industrial area, with big highways and factories.

Black Slit House by Three.Ball.Cascade

Narrow shape was from south to north.

Black Slit House by Three.Ball.Cascade

On north has an existing house.

Black Slit House by Three.Ball.Cascade

Designed for line and light and motion.

Black Slit House by Three.Ball.Cascade

We started to design forms the basis of minute volume through the courtyard.

Black Slit House by Three.Ball.Cascade

Continuing to study the plan, evolved from the minute volume to minute rooms.

Black Slit House by Three.Ball.Cascade

Seen from outside, between the room and room has been on a slit-like windows.

Black Slit House by Three.Ball.Cascade

Name: Black slit house | H-house
Location: Okayama, Japan
Design: Three.Ball.Cascade Architecture Design Office.

Black Slit House by Three.Ball.Cascade

Site area: 250 sqm
Total area: 200 sqm
Max. height: 8m
Storeys: 2F

Black Slit House by Three.Ball.Cascade

Constructor: Kono Co.,Ltd.
Structure: Steel
Structure engineer: Shuji Tada

Black Slit House by Three.Ball.Cascade


See also:

.

Barcode House
by David Jameson
Stairs-House by
y+M Design Office
Long Island House
by Kanner Architects

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

Once filled with water, a pond at the centre of this museum in Madrid will be crossed via a meandering route of stepping-stones.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

Curiously, the interpretation centre by Spanish studio Rubio & Alvarez-Sala Architects was photographed while the pond lay empty.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

The museum houses exhibitions about the natural history of the Manzanares River, which runs through the centre of the city.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

Glazed walls separate the pond courtyard from the exhibition room.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

A pattern of geometric blocks covers the ceiling, punctured by circular holes for lighting.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

The exterior of the single-storey museum is clad in striped slabs of granite.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

The building is located beside the river, which is bridged by a conical steel footbridge – see our earlier story here.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

Other recently featured museums include the controversial Museum of Liverpool and a chocolate museum in the skyclick here to see all our stories about museums.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

Photography is by Javier Rubio Donzé.

Here are some more details from the architects:


Interpretation centre for the Manzanares River

Interpretation Centre of Nature and History of the Manzanares River has been designed from an organic point of view, arguing its development in the meanders and deltas that arise in the river.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

Thus, the building blends with the design of the Arganzuela Park.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

The gently sloping roof is limited in its perimeter by large blocks of granite rising out of the park forming a canopy of 150cm on the facade of the Center.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

Center Access is via a painted-steel hallway with wax treatment.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

The airy exhibition space with large spans, allows multiple actions.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

Click above for larger image

The interior is covered with a ceiling of winding patterns that hide all the facilities, and in turn respond in a versatile way to all the different exposed elements.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

The design of the center has been developed based on sustainable, leveraging its half buried position, betting on decreasing energy consumption with natural resources such as natural ventilation, improved insulation and a cover with a large marquee, acting as a sunscreen.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

Click above for larger image

The inteligent use of rainwater and solar energy helps increase the efficiency of the Center, with the consequent energy savings.

Interpretation centre for the Manzanares River by Rubio & Alvarez-Sala Architects

Click above for larger image

Principal use: Museum, Interpretation centre of nature and history of the Manzanares River
Location: Arganzuela
Project team: Rubio & Álvarez-Sala architects + MRIO architects
Rubio & Álvarez-Sala architects are: Carlos Rubio Carvajal, Enrique Álvarez-Sala
MRIO architects are: Burgos-Garrido, Porras-LaCasta, Rubio & Álvarez-Sala
Promoter: Madrid City Council
City Council architects: Guillermo de la Calzada, Enrique Montilla
Construction Company: CEINSA-OGENSA
Structural Engineer: ETESA
Facilities: INTEGRA
Completion: July 2011
Construction period: July 2010-July 2011


See also:

.

R-House by
Budi Pradono
Boolean interior by
Torafu architects
Shadow Surface
by Ateliermob

Villa Topoject by AND

Villa Topoject by AND

A cedar-clad house near Seoul by Korean architects AND spirals up from beneath the ground.

Villa Topoject by AND

The black-stained cedar panels encase the top floor of the two-storey Villa Topoject, projecting ahead of the glazed west face to provide a sheltered balcony.

Villa Topoject by AND

Below this balcony, a decked terrace at ground floor level overlooks a shallow pool of water in the garden.

Villa Topoject by AND

A grass lawn surrounding the house slopes onto the building to cover the roof, where a concealed, walled garden is located.

Villa Topoject by AND

A living room, bedroom, study and greenhouse occupy the first floor, while a guest suite and storage area are buried into the landscape below.

Villa Topoject by AND

Other submerged buildings we’ve featured in recent months include a dreamy holiday bunker in Portugal and a house in Spain with wedged concrete wings.

Villa Topoject by AND

Green roofs cover a handful of buildings on Dezeen – see our stories about a house with tiered gardens on the roof and a house in an earth and plant-covered hump.

Villa Topoject by AND

Photography is by Byun, Jong Seok.

Villa Topoject by AND

The following project description is from AND:


Villa Topoject

The house is located in a small valley in a mountainous area near Seoul, Korea. While the valley slopes up, series of houses intermittently continue facing a 3 meter wide road. Instead of making walls or fences towards the road, the house gently lifts up the topography to form private spaces inside. The house opens up toward the south view and a small creek on the side.

Villa Topoject by AND

It is a home for a couple who wants to enjoy rural life while still commuting to the city. It is a small house, but at the same time, it is a house that entails rich stories. The residents are in contact with land like farmers; also, they observe nature like tourists.

Villa Topoject by AND

Gradually lifted landscape of the mountainous topography becomes a floating mass over a little stream. Villa Topoject rejects the dichotomy of object building versus landscape building. It is a mutant born as a hybrid of the two kinds, and it focuses on the transformation process between the two typologies. The boundary of the site is pulled in as the topography becomes an object, creating semi private outdoor spaces. The private living spaces are formed inside. The continuous exterior spaces meet the interior spaces at all levels adding compact, yet rich spatial qualities. The boundary between exterior and interior, land and building, subject and object becomes ambiguous.

Villa Topoject by AND

Credits:
Architect:  AND – Architecture of Novel Differentiation
Eui Yeob Jeong (principal), Tae Kyoung Lee
General Contractor: AND
Structural consultant: THE Structural Engineering Co.

Villa Topoject by AND

Click above for larger image

Building Summary:
Project Name: Villa Topoject
Location: Gyeonggido, Korea
Completion: June, 2010

Villa Topoject by AND

Click above for larger image

Plot: 600m2
Living Area: 199m2
Structure: RC
Exterior Finish: stained red cedar panels + dryvit

Villa Topoject by AND


See also:

.

Barnacre Equilibrium Tanks
by Ian Simpson Architects
Sun Moon Lake visitor centre
by Norihiko Dan
8 House
by BIG

Phoenix International Media Center

Chinese architects Biad UFO build Beijing’s latest architectural feat
phoenixmedia3.jpg

Hand in hand with China’s overall rapid growth and explosive urbanization, recent years have seen a wave of high-design architecture. The
Office for Metropolitan Architecture’s
spectacular CCTV tower, opened in 2008 to house the nation’s central television headquarters, is a fantastic example of forward-thinking architecture exploring contemporary concepts of shape and form. Now another Chinese media mogul is taking a swing at making their mark on Beijing’s urban landscape, picking up where projects like the CCTV building left off after the boom spurred by the 2008 Olympics. The Phoenix International Media Center, scheduled to be completed in 2012, currently stands half complete adjacent to Chaoyang Park, signaling the ongoing development of radical architecture in the country as well as Chinese architects themselves, not to mention the strength of Chinese TV networks.

phoenixmedia1.jpg

Phoenix, a large satellite TV provider, will eventually move their programming operations there, in addition to housing other businesses, offices and restaurants. The shape of the building recalls yet another famously stunning example of what’s been happening to Beijing’s cityscape of late, the Herzog and De Meuron “Bird’s Nest” Olympic Stadium. Here, the architects have managed to give the basket-like shape a sense of movement, reminiscent of a sea sponge or jellyfish. Digital renderings have the feel of the command bridge on a futuristic space station. The ambitious project has already drummed up a lot of interest, putting it on the shortlist for the 2009 World Architecture Festival and in the Verso Est Chinese Cultural Landscape exhibit at MAXXI in Rome.

phoenixmedia2.jpg

Unlike the CCTV tower, the Media Center was designed by BIAD UFo, a firm based in China. An impressive example of the nation’s homegrown architectural talents in the country, it hints at the potential future of Chinese design as more and more buildings spring up.

Photos via Designboom

Story via 120Walker

Additional reporting by Meghan Killeen and Greg Stefano


The Shard: “a lunatic attack on London” – The Guardian


Dezeen Wire:
as Renzo Piano’s Shard takes shape in London, art critic Jonathan Jones decries it as “a flashing warning sign of disease” – The Guardian

See visualisations of how the building might be photographed once complete »

Kiss by Z-A Studio

Kiss by Z-A Studio

Pop-up shops might be commonplace in retail but would you consider getting married in a pop-up chapel made of cardboard?

Kiss by Z-A Studio

Top: photograph by Melissa Murphy
Above: photograph by Celine Willard

Twelve couples tied the knot beneath a temporary cardboard arch by Z-A Studio in New York’s Central Park at the end of last month.

Kiss by Z-A Studio

Above: photograph by Nadia Chaudhury

The architects won a competition to design the Kiss chapel, which was constructed from 130 wedges of honeycomb cardboard.

Kiss by Z-A Studio

The structure was designed and assembled in under a week to celebrate the recently passed Marriage Equality Act of New York, which legalises same-sex marriage in the state.

Kiss by Z-A Studio

Above: photograph by Melissa Murphy

A photograph of bright red poppies printed onto billboard vinyl provided the floor of the chapel.

Kiss by Z-A Studio

This is the second Dezeen story about convenient ways to wed this summer, following a coin-operated wedding machine.

Kiss by Z-A Studio

See also: all our stories about cardboard.

Photography is by Roman Francisco, apart from where otherwise stated.

The following information is from Z-A Studio:


Kiss

Kiss is the proud winner of the Architizer + Pop Up Chapel competition. 12 couples were married in Kiss on July 30th 2011 to celebrate Marriage Equality Act of New York. Kiss was designed in two days, fabricated in three and put together in two hours at the entrance to Central Park.

Kiss by Z-A Studio

Above: photograph by Unusually Fine

Kiss is literal: two separate parts, made of the same DNA but layered differently are essentially two unique individuals that when joined together create a stable entity that is more than the sum of its parts.

Kiss by Z-A Studio

Above: photograph by Unusually Fine

Kiss is abstract: 130 components, made of the same DNA but layered differently are essentially two unique wall sections that when joined together create a stable structure that is more than the sum of its parts.

Kiss by Z-A Studio

Kiss is a playful vaulted chapel.

Kiss gages contrasting identities, it’s made of rough materials which generate delicate forms, it is sturdy like an elephant and light like a flamingo.

Give Kiss a chance!

Kiss by Z-A Studio

Above: photograph by Chiara Tiberti

The stuff Kiss is made of:

  • The chapel walls are made of stacked 96”x18”x2” honeycomb cardboard
  • The base is made of plywood
  • Everything is put together by simply using wood glue
  • The floor pattern is printed on durable adhesive vinyl (billboard material)

_
Kiss has no footprint:

  • Kiss is made of recycled cardboard
  • Kiss can be re-recycled

_
Kiss was concocted by: Z-A studio / Guy Zucker
Team: Harriet Bramley, Travis Lydon, Chiara Tiberti
Fabrication Assistance: Tietz-Baccon
Dimensions: 130 pieces 96”x18”x2”


See also:

.

Cardboard Cloud by
Fantastic Norway
Hidden Lines
by Studio JVM
Back Side Flip 360°
by O-S Architectes

MGM Makes It Official: Files Demolition Request for Norman Foster’s Unopened Las Vegas Hotel

0209vegassmaller.jpg

MGM Resorts has finally made it official and have filed a demolition request for Norman Foster‘s unopened Harmon Hotel in Las Vegas, something they’d hinted at last month, and before then back in the fall of last year, and had likely started considering way back in 2009 when construction defects were discovered too late and the project had to be massively scaled down. The company is still viciously fighting in court with the general contractor, Perini Building, who they claim made a number of massive errors which caused unsafe, unstable conditions and resulted in an unfinished building that cost nearly $300 million but is still unusable. However, it’s that ongoing legal fight that may stall the demolition itself, for as long as the battle continues in court, the Las Vegas Sun reports that the county can’t authorize the building’s destruction, thus likely extending this whole story by at least another year or two. For their part, Perini Building, who will not sign on to exploding the Harmon, believes that MGM wants the demolition as soon as possible to help cover up evidence of the design errors that had plagued the project from the start. The company also believes that the building can not only be repaired, but that it is currently safe, disputing research funded by MGM that found much to the contrary. Should MGM be able to wrangle their way around the legal system and get the county to agree to bringing down Foster’s hotel, the Sun reports that the company expects the demolition to take roughly six months, with five more months following to remove all the rubble and return it to the vacant lot it once was.

New Career Opportunities Daily: The best jobs in media.

Details on Architect Will Alsop’s New Firm, ALL Design

0814Alsop.jpg

After saying the rumors were completely unfounded, architect Will Alsop recently once again pulled a 180 and did exactly what the rumors had foretold, specifically that he was leaving the massive Scottish firm RMJM to start his own new practice. Now Building Design has learned a few specifics of the new venture, which he’s launched with his longtime business partner, Scott Lawrie, who has been working with Alsop since their days toiling for Norman Foster. The new company will be called ALL Design and will call South London its home. Here’s a bit more about it from BD:

Up to 15 staff will be transferring across from previous practice Will Alsop at RMJM and will be based in the same Battersea studio which has been Alsop’s home through a number of incarnations. In all, the new firm will have 20 staff.

…“We are very happy to work on anything from a tea spoon to a city, sometimes in collaboration with designers from other fields,” Lawrie added.

The site also reports that Alsop will continue working with his now-former employer on several projects that were ongoing at the time of his exit.

New Career Opportunities Daily: The best jobs in media.

Pasarela del Arganzuela by Dominique Perrault

Pasarela del Arganzuela by Dominique Perrault

Ribbons of mesh spiral around two conical bridges by French architect Dominique Perrault that cross a river and park in Madrid.

Pasarela del Arganzuela by Dominique Perrault

One part of the 278-metre-long footbridge crosses the Manzaranes River, whilst the second bridges the Arganzuela Park, beneath which the city ring road is buried.

Pasarela del Arganzuela by Dominique Perrault

The two steel-framed cones meet at the peak of a hill inside the park but are separated by a snaking footpath.

Pasarela del Arganzuela by Dominique Perrault

The footbridge connects two residential neighbourhoods and provides a route for both pedestrians and cyclists.

Pasarela del Arganzuela by Dominique Perrault

Lights hanging from the branches of tree-like lamp posts illuminate the bridge after dark.

Pasarela del Arganzuela by Dominique Perrault

Above: photograph is © Ayuntamiento de Madrid

The Pasarela del Arganzuela opened to the public in April, as did the park designed by landscape architects West 8 and other architects.

Pasarela del Arganzuela by Dominique Perrault

Above: photograph is by Gaelle Lauriot Prevost

Other pedestrian footbridges in Spain recently published on Dezeen include a looping bridge over a busy road and a bridge connected to an outdoor elevatorsee all our stories about bridges here.

Pasarela del Arganzuela by Dominique Perrault

Above: photograph is © Ayuntamiento de Madrid

Photography is by Arteuno, apart from where otherwise stated.

Here are some more details from Perrault:


The Arganzuela footbridge, designed by Dominique Perrault in the very heart of Madrid.

Forming a major element in the new urban strategy for the city named “Madrid Rio”, the Arganzuela Footbridge, first civil engineering work by the architect, is already called “the jewel of the Rio” by the residents.

In the 1970’s, the M30 ring road, running along the both edges of the river Manzaranes, was an important boundary in the urban network of the city. In 2000, the City Council of Madrid launched a major project for the urban redevelopment of the Manzaranes banks: Madrid Rio.

To begin with, the city council hid the M30 highway, burying it 25 metres below the river the banks.

Pasarela del Arganzuela by Dominique Perrault

In 2005, the disappearance of the ring road allowed for an international urban planning competition for the redevelopment of the Manzaranes banks. This competition, won by the group of architects M-RIO, offered a new territory to the inhabitants:the Arganzuela Park. This future 23 hectare park, to be inaugurated in April, will become a substantial urban mesh of the city.

In parallel with its realisation, the city council appointed Dominique Perrault to construct a footbridge over the Manzaranes river, creating a link between the two banks.

Here, Dominique Perrault has created an original and technical architectural icon for this new territory.Over 250 meters long, the Arganzuela footbridge is located between the historic Toledo bridge and the Praga bridge which leads to the cultural centre of the capital. It links the Arganzuela and Carabanchel neighbourhoods.

Designed for pedestrians and cyclists, the footbridge consists of two metallic cones. It allows the passage of people from one side of the park to the other while also providing one of a the main entrances to the park below. The park, which hides some of the buried highway’s technical infrastructures, has an irregular topography. Playing with that topography, the two cones join above the curve of a hill, and are offset to create a new entrance point to the park.

Pasarela del Arganzuela by Dominique Perrault

The first cone – to the south – spans from the Avenida de Manzaranes, crosses over the river and then joins the top of the hill.

Placed offset to the first cone, the second cone – to the north–passes over the other side of the park to reach the Paseo de Yeserias. This positioning creates a platform over the park and the surrounding city, and an exceptional vantage point from which to admire the famous Toledo Bridge.

The footbridge is impressive in its dimensions. The south cone is 150 metres long and the north cone is 128 metres long,and their diameter varies from 5 to 12 metres from one end to the other.Each cone rests upon two pillars laid at each end, giving the impression that the footbridge is floating in the air.Made in steel, the self supporting main structure has two interlocking metal spirals that cross diagonally. A silver ribbon,made of metallic mesh, wraps this structure and protects the users from the sun and the bad weather. “Sewn” like a spiral,this ribbon creates a rhythmic and dynamic line to the Arganzuela Park.

The metallic mesh, favoured material of the architect, transforms and changes the footbridge depending on the time of the day: it alternates between filtering, reflective and opaque. Shaded during the day, the promenade becomes luminous at night, like a lantern. It’s impossible to capture all those visual possibilities in one single glimpse, as the metallic mesh turns the footbridge into a living object.

Pasarela del Arganzuela by Dominique Perrault

Above: photograph is by Gaelle Lauriot Prevost

Located in a strategic point of the city, the footbridge improves the urban connections between the northern and southern neighbourhoods of Madrid. By taking advantage of the site’s drawbacks, Dominique Perrault creates a new place for gathering,resting and admiring the city. For the city council, the Arganzuela footbridge is becoming an architectural event for the city and a powerful urban landmark.

Client: Madrid City Council, Madrid, Spain
Engineering: MC2 / Julio Martínez Calzón, Madrid (stucture); TYPSA, Madrid (mechanical engineering)
Stainless steel Escale mesh: GKD
Location: Parque de la Arganzuela, 28045, Madrid, Spain
Beginning of conceptual design for the urban competition for the redevelopment of the Manzaranes banks: 2005
Beginning of conceptual design for the footbridge: February 2008
Beginning of construction: February 2010
Length of the construction: 13 months

Pasarela del Arganzuela by Dominique Perrault

Above: photograph is by Gaelle Lauriot Prevost

Arganzuela park area 23 hectares
10 000 trees and 122 000 shrub planted

Arganzuela footbridge dimensions
south cone: 150 metres long
north cone: 128 metres long
diameter varies 5 à 12 metres from one end to the other

Total area of the decks 1 684 m²
south cone: 922 m²
north cone:762 m²

Tree species: ipe wood

Lampposts number 32
south cone: 17
north cone: 15

Luminary under the decks number 66
south cone: 35
north cone: 31


See also:

.

Pasarela del Postiguet
by bgstudio
Can Gili Footbridge
by Alfa Polaris
Trestles Beach footbridge
by Dan Brill Architects

Twins Houses

Un beau projet par l’architecte de Boston, William O’Brien Jr avec cette maison située dans l’État de New York. Ces 2 résidences sont disposées dans un plan hexagonal avec des structures géométriques. Les maisons partagent un domaine agricole, le tout situé en pleine forêt.



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