The Culture Yard by AART Architects

Culture Yard in Elsinore by AART Architects

A faceted glass shroud cloaks these former shipbuilding warehouses in Elsinore, Denmark, which architects AART have converted into a cultural centre.

Culture Yard in Elsinore by AART Architects

The seafront shipyard buildings of The Culture Yard now contain concert halls, a public library, exhibition rooms, conference rooms and a dockyard museum.

Culture Yard in Elsinore by AART Architects

The concrete structure and bricks walls of the existing buildings are left exposed inside the centre, whilst original wrought-iron staircases and balconies are retained behind the glass.

Culture Yard in Elsinore by AART Architects

After dark, the lights behind the transparent facade brightly illuminate the sea-facing side of the building.

Culture Yard in Elsinore by AART Architects

Some other popular Danish projects we’ve published include an artist’s studio inside a stable and a metro station with a spotty circular roof – see all our stories about Denmark here.

Culture Yard in Elsinore by AART Architects

Photography is by Adam Mørk.

Culture Yard in Elsinore by AART Architects

The following text is from AART:


The Culture Yard

1st prize in open international architecture competition // 17.000m2 cultural centre in Elsinore in Denmark

In many years the attention has been aimed at the site adjacent, where the UNESCO World Heritage site, Kronborg Castle, which is famous for its role in Shakespeare’s Hamlet, exerts its magnetic pull on both tourists and local citizens of Elsinore – but now Elsinore’s old shipbuilding yard has been transformed into a 17.000m2 cultural and knowledge centre, including concert halls, showrooms, conference rooms, a dockyard museum and a public library.

Culture Yard in Elsinore by AART Architects

The Culture Yard symbolizes Elsinore’s transformation from an old industrial town to a modern cultural hub. In this way, the yard is designed as a hinge between the past and present, reinforcing the identity of the local community, but at the same time expressing an international attitude, reinforcing the relation between the local and global community.

Culture Yard in Elsinore by AART Architects

The contrast between past and present permeates the Culture Yard. For instance, the original concrete skeleton with armoured steel has been reinforced, but left exposed as a reference to the area’s industrial past.

Culture Yard in Elsinore by AART Architects

The historic context has thus been the main structural idea in the design process, ensuring the keen observer will discover a chapter of history in every corner of the yard and every peeling of the wall.

Culture Yard in Elsinore by AART Architects

In other words, if you want to understand what Elsinore really is, what the intangible blur between past and present feels like, this is the place to visit.

Culture Yard in Elsinore by AART Architects

Thanks to architectural features such as wrought iron stairs and concrete elements, interacting with modern glass structures and interior designs, the contrast between the days of yore and the present becomes evident.

Culture Yard in Elsinore by AART Architects

It is the Culture Yard’s way of playing with the field of tension between old and new, making the notion of past versus present, the industrial society versus the information society, constantly present.

Culture Yard in Elsinore by AART Architects

Particularly striking, when viewed from the seafront and Kronborg Castle, is the multifaceted façade.

Culture Yard in Elsinore by AART Architects

Like a fragmented, yet strongly coherent structure, the enormous glass and steel façade challenges the historic site and stares unflinchingly across the Sound – the strait that separates Denmark and Sweden.

Culture Yard in Elsinore by AART Architects

The transparent façade also reinforces the relation between inside and outside, as you can peak in from street level and enjoy the magnificent sea view and view of Kronborg Castle from every floor of the building, especially from the glass cave which in a dramatic gesture protrudes out of the building above the main entrance.

Culture Yard in Elsinore by AART Architects

In this way, the façade encloses the yard in a distinctive atmosphere, as the dazzling and dramatic play of lines generates a sense of spaciousness.

Culture Yard in Elsinore by AART Architects

Although the façade is made of hundreds of lines and triangles it appears as one big volume, generating a sense of place and time.

Culture Yard in Elsinore by AART Architects

The volume also takes the environment into account, since the façade not only functions as an aesthetic and spatial architectural feature, but also as a climate shield, reducing the energy demand for cooling and heating of the building.

Culture Yard in Elsinore by AART Architects

Project: 1st prize in open international architecture competition 17.000m2 cultural centre in Elsinore in Denmark
Client: Elsinore municipality
Architect: AART architects A/S
Landscape architect: AART architects A/S
Engineer: Søren Jensen Consulting Engineer
Address: Allégade 2, 3000 Elsinore, Denmark
Year: 2006 – 2010
Size: Approx. 17.000m2
Construction costs: DKR 315 million

Culture Yard in Elsinore by AART Architects

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Culture Yard in Elsinore by AART Architects

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Culture Yard in Elsinore by AART Architects

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Culture Yard in Elsinore by AART Architects

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Culture Yard in Elsinore by AART Architects

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Culture Yard in Elsinore by AART Architects

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Culture Yard in Elsinore by AART Architects

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Culture Yard in Elsinore by AART Architects

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Kevin Bauman’s 100 Abandoned Houses

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Years ago, after delivering a lecture at Michigan my return flight was snowed in. I was forced to crash at an acquaintance’s place in Detroit. As a New Yorker who had never seen an abandoned block, let alone an entire abandoned neighborhood, I was shocked at the zombie-movie level of desolation in that city. Underscoring the lack of a human presence were, get this, packs of wild dogs running around on the streets.

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Perhaps no other U.S. city has had such a Roman rise and fall as Detroit. The once-bustling auto manufacturing center had been America’s fourth-largest city, boasting a population of nearly two million residents in 1950; today that number has dwindled to just over 700,000. While the city has taken measures to revive the local economy, thousands of houses have been abandoned in the region, from modest one-family homes to stately manses.

(more…)


University of Nottingham Gateway Building by Make

University of Nottingham Gateway Building by Make

Small windows offer glimpses of the straw used to construct this university building in Nottingham, England, by architects Make.

University of Nottingham Gateway Building by Make

Straw bales from the University of Nottingham‘s farm just 200 metres from the agriculture campus are sandwiched inside the four-storey-high panels of the building’s exterior wall.

University of Nottingham Gateway Building by Make

Straw is compacted inside these panels, which are covered with a breathable render that allows moisture to escape.

University of Nottingham Gateway Building by Make

The straw bales are visible from inside the full-height glazed atrium, which provides social areas for staff and students.

University of Nottingham Gateway Building by Make

Teaching facilities, staff research laboratories and offices are contained elsewhere in the building, which is part of a masterplan of campus buildings by Make  that will also be constructed from rural materials.

University of Nottingham Gateway Building by Make

Another straw building we’ve featured on Dezeen is a spray-painted straw theatre and you can also see all of our stories about buildings for eduction here.

Photography is by Zander Olsen.

Here is some more information from Make:


The UK’s largest strawbale building

Make Architects has completed work on the largest single strawbale building in the UK.

The completed 3,100 sq m Gateway Building for the University of Nottingham’s agriculture campus at Sutton Bonington has taken one of the most traditional building materials and elevated it into cutting edge sustainable building technology. In an era threatened by global warming, straw is undergoing resurgence on the strength of its superb insulation qualities, its source as a natural, renewable and often local material and its minimal production costs.

At the Gateway Building, it has been applied for the first time as an external cladding system known as a ‘curtain wall’. Here each panel covers all four floors of the building in one prefabricated piece. This quick and cost-effective system is a third of the cost of a typical high end unitised curtain walling system and combined with its environmentally friendly properties holds the potential to place straw in the mainstream of construction practice.

University of Nottingham Gateway Building by Make

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Bob Leung, Architect and Partner at Make said: “The straw was grown on the University’s farm just 200m down the road and our sub-contractor, Eurban, set up a ‘flying factory’ on site in order to create the panels there and then. This natural, simple solution provides a fabulous juxtaposition with the high-tech research that actually goes on within the building itself.

Tim Brooksbank, Development Director at the University of Nottingham said: “We had an exacting brief for this new building in terms of its cost and specification and are delighted with the finished building which has provided a state-of-the-art home for the School of Biosciences and the School of Veterinary and Medical Sciences (SVMS).”

University of Nottingham Gateway Building by Make

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The Gateway Building houses a combination of laboratories and offices, but despite this has a remarkably low-carbon, low-energy footprint and boasts an ‘Excellent’ BREEAM rating for energy efficiency. The deep straw-filled panels have a low U-value of just 0.135 W/m2, which is 60% better than required under current Part L regulations. A CHP plant generates electricity consumed in the building and feeds excess power back into the national grid. In this way, it accounts for a 13% saving in the building’s carbon emissions.

The new building sets the scene for a visionary new campus masterplan, also designed by Make, the primary aim of which was to consolidate and enhance existing facilities on the campus and, in doing so, create an environment conducive to innovation, research and learning.

The building’s crisp form frames the beginning of a future central avenue and serves as a gateway to the Campus. The facades of the building are made up of repetitive narrow vertical elements that echo rows of trees nearby. These are finished in render and separated by exposed timber fins. A modern glazing system is arranged in between the timber elements, creating a rhythm from the contrasting qualities of the facade system.

Maritime Museum and Science Centre by COBE and Transform

Maritime Museum and Science Centre by Cobe and Transform

Construction has begun on an aluminium-clad museum in Norway by Danish architecture studios COBE and Transform.

Maritime Museum and Science Centre by Cobe and Transform

The Maritime Museum and Science Centre will be situated beside the river in the harbour town of Porsgrunn.

Maritime Museum and Science Centre by Cobe and Transform

The roof of the two-storey building will be divided into square portions, all pitching in different directions.

Maritime Museum and Science Centre by Cobe and Transform

A staircase at the centre of the museum will lead visitors up to a flexible first-floor exhibition hall, where the visible profile of the roof will suggest the location of possible partitions.

Maritime Museum and Science Centre by Cobe and Transform

A central entrance hall leading to all other rooms will be located on the ground floor.

Maritime Museum and Science Centre by Cobe and Transform

This isn’t the first time the two Danish firms have collaborated – see our earlier story about a competition-winning design for a cultural centre and library in Copenhagen.

Maritime Museum and Science Centre by Cobe and Transform

Here’s some more information from COBE:


The Danish architecture offices COBE and TRANSFORM start construction of Porsgrunn’s new Maritime Museum and Science Center

Today the construction of the new Maritime Museum and Science Center starts in Porsgrunn in Norway. The building is designed by the Danish architecture offices COBE and TRANSFORM and conveys Norway’s trans- formation from a seafaring nation to a modern society based on knowledge industry. The new Maritime Museum and Science Center is expected to be completed already in autumn 2012.

A new landmark in Porsgrunn

The iconic character of the new Maritime Museum and its attractive location at the river close to the city center makes this new building a natural landmark for the city of Porsgrunn. Furthermore, the new museum building is the first step towards a big new master plan development for Porsgrunn City Center – also designed by COBE and TRANSFORM. The city of Porsgrunn has a long maritime history of shipping and the unique development of the region is clearly visible in the existing remarkable building structure of the area. The concept of the museum shows a high level of sensitivity towards the existing small buildings yet simultaneously stands out as a contemporary public building.

Lars Bendrup, director at TRANSFORM, says: ”The new Maritime Museum and Science Center starts up an important process to turn the back of the city to the front. In the future, the city of Porsgrunn will be oriented towards the river. The signaling effect will therefore be crucial to the city’s new situation”.

9 building volumes with pitched roofs

Taking into account the surrounding building structure, the new building is composed of 9 smaller building volumes with tilted and pitched roofs that are assembled into a larger building unit. A characteristic aluminum façade outlines the shape of the building and provides a vivid impression by reflecting the lights and colors of the surrounding landscape.

All public functions of the building are situated on the ground floor and have direct access to the outdoor areas including the new promenade towards the river. The central entrance area is the building’s main room from where all other rooms are distributed. This multifunctional space is defined by a central characteristic staircase that folds down from above and invites visitors upstairs to the large, enclosed exhibition area. Here various room heights and a distinct ceiling line emphasizes an airy and continuous space. The exhibition space is composed as an open flexible space, gently subdi- vided by the roof into 9 different spatial experiences. The 9 spatialities can be separated or combined thereby providing a sound functional setting for small and large exhibitions.
Dan Stubbergaard, owner of COBE, says: “The new Maritime Museum and Science Center balances between contextual adaptation and modernity.The interpretation of the context’s pitched roofs and small building volumes create the frames for a unique intenior with varying, vivid spatialities.”

The project is done in collaboration with the engineering firm Sweco and is expected to be completed in autumn 2012.

Flowerbed Hotel by MVRDV

Flowerbed Hotel by MVRDV

Architects MVRDV have unveiled proposals for a giant greenhouse on the outskirts of Amsterdam with a flower-covered hotel inside.

Flowerbed Hotel by MVRDV

The Flowerbed Hotel will be located beside a theme park devoted to flowers in the town of Aalsmeer.

Flowerbed Hotel by MVRDV

The building comprise several stacked volumes housing 280 hotel rooms, a fitness suite and a business conference centre.

Flowerbed Hotel by MVRDV

Flowerbeds will fill the hotel lobby to create a large indoor garden, while more plants will grow over walls behind the glass.

Flowerbed Hotel by MVRDV

Sun collectors, windmills and underground thermal stores will provide energy and heating for the building.

Some other recent proposals from MVRDV include a museum shaped like balloons and offices with letters of the alphabet cut out of the facadesee more projects by MVRDV here.

Here’s a little more text from MVRDV:


MVRDV design Flowerbed Hotel, Aalsmeer, Netherlands

Project developer Kloos2 presents today the MVRDV design of the Flowerbed Hotel in Aalsmeer, Netherlands. The 19.500m2 Hotel and conference centre devoted entirely to flowers will be located next to the future Bloomin’ Holland theme park and business centre. The Hotel with 280 rooms will include 2.100m2 flowerbeds and host tourists and business travellers.

Flowerbed Hotel Aalsmeer: a series of flower crates stacked inside a green house

Flowerbed Hotel will be located next to the main entrance of the future Bloomin’ Holland theme park and business centre in Aalsmeer. The building is composed of a series of stacked volumes inside a greenhouse. The volumes hold the program of 280 rooms with a floral theme, 1.600m2 conference centre, 550m2 fitness centre and spa, 2.100m2 flower beds, 1.100m2 services and 140 parking spaces. The stacking of volumes underneath the greenhouse shell results in a diverse and spacious lobby with a public flower garden.

Inside the lobby 2100m2 of flowerbeds will be realised

The lobby is divided into three zones: a public zone for day visitors, a more private zone for hotel guests and a mixed zone. All areas are connected through a semi-public route. The hotel aims for business travellers as well as tourists and offers services from conference centre to souvenir shops and a spa and fitness centre.

Kloos2 presented the design to the director of the regional development corporation Green Park Aalsmeer, Mr. Gregor Heemskerk, who said “The Flowerbed Hotel is a special development which we support warmly. The hotel is in line with the ambitions of Bloomin’ Holland and will give a valuable impulse to the entire regional development. We are extremely happy with the result.”

Flowerbed Hotel, main entrance

The building will feature sun collectors, windmills and underground warm and cool storage resulting in an excellent energy performance despite the glass hood. MVRDV is currently realising the Spijkenisse Public Library with a similar energy concept. Kloos2 will use the design to find investors and tenants.

Angkasa Raya by Buro Ole Scheeren

Angkasa Raya by Buro Ole Scheeren

Architect Ole Scheeren has designed a skyscraper for Kuala Lumpur that will have a four-storey-high tropical garden slicing through its middle.

Angkasa Raya by Buro Ole Scheeren

The Angkasa Raya tower will be 268 metres high and is to be situated alongside the Petronas Twin Towers, which were the tallest buildings in the world between 1998 and 2004.

Angkasa Raya by Buro Ole Scheeren

A restaurant, bar and infinity swimming pool will be nestled amongst the garden floors, while 280 apartments will occupy the storeys above.

Angkasa Raya by Buro Ole Scheeren

The lower levels of the building will house shops, cafes, car parks and prayer rooms.

Angkasa Raya by Buro Ole Scheeren

A luxury hotel will be located inside a smaller adjoining block.

Angkasa Raya by Buro Ole Scheeren

Construction is due to begin at the start of 2012.

Angkasa Raya by Buro Ole Scheeren

Ole Scheeren was formerly a partner at OMA, where he led the design of the China Central Television Station in Beijing, but left in 2010 to start his own firm – see our earlier Dezeen Wire.

Here’s a description of the project from Buro Ole Scheeren:


Ole Scheeren to build landmark tower in Kuala Lumpur

Ole Scheeren, the architect behind one of the most iconic buildings of the 21st century, the CCTV headquarters in Beijing, today revealed his design for a new landmark tower in the heart of Kuala Lumpur. The 268 meter tall tower, Angkasa Raya, was unveiled today at an official ceremony in the capital, and will stand as a symbol of Malaysia’s diverse and multi-cultural society.

In 1998, Kuala Lumpur made world news for constructing the tallest skyscrapers in the world – the Petronas Twin Towers. Today, Malaysia will once again appear on the world stage with a stunning new piece of architecture that alters the perception of what a skyscraper can be and how it connects to the city by inviting life into its balancing heights and visually projecting it back into the urban landscape.

Commissioned by leading Malaysian property developer Sunrise Berhad (a member of UEM Land Holdings Berhad), the new tower will stand directly across the Petronas, offering new architectural qualities to the vibrancy of the city’s inner core. Rather than a single mass, Angkasa Raya is made up of three cubic volumes which appear to float above open, horizontal layers. The “ground levels” form an interconnected spiral of both pedestrian and vehicular circulation and draw the diversity of the streetscape into the building. A multitude of public spaces and activities including shops, a food court, car parks, terraces and prayer rooms bring urban life into the transparent stacks, while tropical nature invades and enlivens its multiple levels.

A second stack of horizontal slabs is lifted up in the air and hovers above the city. These “sky levels” contain a restaurant, bar, and multi-function spaces amid lush vegetation, giving the public access to one of the city’s most breathtaking views across its skyline and the neighboring Twin Towers. The three floating blocks accommodate the high-end Service Residences, a Luxury Hotel and Premium Offices.

Angkasa Raya demonstrates possibilities for the amplification of life and activities within the heart of one of Asia’s great capitals. Lush green gardens and terraces offer intimacies within the extreme urban density of the surrounding metropolis, while carefully shaded facades and a naturally ventilated atrium underline the environmental responsibility of the design.

With demolition of the existing building on the site completed in August 2011, construction is set to begin in the first quarter of 2012.

Angkasa Raya Project Description

Angkasa Raya, situated in Malaysia’s capital at the intersection of Jalan Ampang and Jalan P. Ramlee, directly across the well-known Petronas Twin Towers in the heart of Kuala Lumpur City Centre (KLCC), presents a new typology in high-rise skyscraper design that overtly expresses the inhabitation of diverse urban activities in a tropical environment and captures the vibrancy of the city’s multifaceted culture.

Angkasa Raya is comprised of five distinct elements – three floating elevated tower blocks and two multi-level zones of open horizontal slabs – that are autonomous yet connected to one another in a uniquely stacked and shifting configuration of varied functional and urban typologies. Rather than competing with the Twin Towers in the form of another “twin” or blending into the surrounding context of singular towers on a podium, Angkasa Raya offers a new contemporary reading of the capital city and stands as an icon of the harmonious and dynamic balance of Malaysia’s cultural multiplicity and diversity.

At a height of 268 meters over 65 floors, and 165,000 square meters of construction area, Angkasa Raya accommodates Premium Offices, a Luxury Hotel and Service Residences. Each function occupies one of the three rectangular volumes which, through their mutual support and delicate balance, generate a unity that is both multiple and symbiotic.

The “Ground Levels”, a series of open horizontal slabs, bring urban life into the building and unfold two interconnected spirals of vehicular and pedestrian circulation, mixing signature retail, restaurants/cafes, a food court, and prayer rooms with abundant outdoor greenery and urban streetscape.The plural trajectories weave through the open levels and offer multiple street-like experiences of interconnected activities. A grand staircase welcomes the public to the second floor of the Ground Levels and provides an amphitheatre-like seating area with views towards the Petronas Twin Towers and Suria KLCC.

Moving beyond the typical model of inert multi-level parking podiums, the open framework of the Ground Levels introduces and extends the coexistence of urban activities and injects exciting public spaces into the heart of the building. While multi-story parking podiums are typically seen as an urban blight, this integrated model of multi-use indoor-outdoor activity fuses multicultural programs into a system of civic inclusivity and public accessibility.

At the virtual intersection between the three tower blocks, 120 meters above the city, are four levels of tropical greenery and metropolitan activity: the Sky Levels. Catapulting the public energy of the Ground Levels skywards, a signature bar and restaurant with outdoor dining terraces, an infinity edge pool, as well as a multi-function banquet hall, business lounges and meeting rooms offer premium work and leisure space in a lush environment with spectacular elevated views of the dramatic skyline.

The Service Residences, a family of high-end condominiums, are located in the upper tower block from floor 37 to 64and grouped around a naturally ventilated atrium. Over 280 units of studios, one to three bedroom apartments and duplexes, as well as penthouses benefit from the stunning views of the surrounding cityscape.

The luxury Hotel occupies the smaller tower volume facing Jalan Ampang. With more than 200 suites of varying sizes, a distinct type of short-term city dwelling complements Angkasa Raya’s offerings.

The Premium Offices in the lowest and largest tower block provide flexible floor space facing the Petronas Twin Towers at one of the city’s most prestigious addresses.

The carefully calibrated offsetting of the tower volumes with the Ground and Sky Levels creates a series of outdoor landscape and activity terraces that provide numerous moments of tropicality that punctuate Angkasa Raya in the form of lush vegetation, thereby maximizing the amount of green areas within the dense site. Hotel guests will enjoy dedicated amenities including a business center, club lounge and café, fitness center, and outdoor lap pool. The Service Residences are likewise equipped with its own set of dedicated facilities on top of the Sky Levels – lap pool, Jacuzzi, Children’s pool, gym, and an expansive landscaped garden.

The tower façades are clad with modular aluminum sun-shading, geometrically optimized and carefully oriented to reduce solar heat gain under the intense tropical sun, and contribute to substantial energy savings through passive means. Other environmental features include a naturally ventilated atrium within the Residences Tower, eliminating the need for air conditioning and recirculation. By connecting the atrium through a series of large- scale voids to the building envelope, natural daylight is provided throughout the vertical space while communal seating areas and tropical lounges are created within the atrium. Rainwater harvesting, landscape re-irrigation, insulated green roofs, and the natural shading effects of the horizontal slabs of the Ground and Sky Levels effectively reduce the energy and water consumption and optimize the carbon footprint of the building.

An Inside Look at the Ongoing Redesign of Madison Square Garden

Before this writer left on vacation for those past couple of weeks, we’d wanted to post this great special report on our sister blog FishbowlNY by Jerry Barmash, concerning the massive redesign and general overhaul of Madison Square Garden. Jerry was invited into one of the world’s most famous venues to get a look from the top down at the both the work current finished, as well as what the overhaul will entail over the next three years (or perhaps a bit more quickly since there aren’t so many basketball games interrupting the construction effort). Contrary to the standard practice of just shutting something down while you rebuild and then reopen once it’s all done, it’s a great look at a fairly unusual process of having to reconstruct and redesign around a structure that has to remain in tremendously regular use year round.

New Career Opportunities Daily: The best jobs in media.

Spa Atrapa Árbol by LAND Arquitectos

Spa Atrapa Árbol by LAND Arquitectos

A herb garden surrounds this glass-fronted spa in Santiago by Chilean studio LAND Arquitectos.

Spa Atrapa Árbol by LAND Arquitectos

The single-storey building is named Spa Atrapa Árbol, which translates as Catch Tree Spa, because it wraps around a courtyard and tree.

Spa Atrapa Árbol by LAND Arquitectos

A narrow skylight runs along the ceiling of a corridor connecting the sauna and hot tub rooms with a furnished living room.

Spa Atrapa Árbol by LAND Arquitectos

The sauna is located on the glazed north side of the building and overlooks an outdoor terrace.

Spa Atrapa Árbol by LAND Arquitectos

An exposed brick wall lines the rear of the building.

Spa Atrapa Árbol by LAND Arquitectos

This isn’t the first building we’ve published that wraps around an existing tree – see our recent story about a house cranked around an oak tree.

Spa Atrapa Árbol by LAND Arquitectos

Photography is by Sergio Pirrone.

Here’s some text in Spanish from LAND Arquitectos:


Spa Atrapa Árbol

Trabajamos el modelamiento del lugar en conjunto con el diseño del objeto arquitectónico, de manera de poder llevar el espacio exterior natural hacia el interior de la obra.

Spa Atrapa Árbol by LAND Arquitectos

Este proyecto se genera desde el paisajismo, como un jardín aterrazado, se pliega desde el comienzo hacia el final del terreno, a través de jardineras escalonadas, escaleras y macetas, rematando en una maceta central, espacio donde existía un antiguo Damasco en el terreno, contenido entre los dos espacios principales del interior del proyecto.

Spa Atrapa Árbol by LAND Arquitectos

El trabajo de la luz pretende lograr un espacio permeable entre exterior e interior que constate el paso del día, a través de lucarnas y piel vidriada a lo largo de casi la mitad del perímetro del proyecto.

Spa Atrapa Árbol by LAND Arquitectos

El color del interior Blanco, y muebles en obra de espejo, aportan también reflejos y constatan sombras de la vegetación que rodea al proyecto.

Spa Atrapa Árbol by LAND Arquitectos

Uno de los muros perimetrales de ladrillo, entra hacia el interior, a modo de conectarse visualmente con el exterior.

Spa Atrapa Árbol by LAND Arquitectos

Espacialmente también se logra esto, en el espacio de estar, al poder abrirlo en dos de sus caras completamente.

Spa Atrapa Árbol by LAND Arquitectos

Desde el programa, los dos espacios principales están separados físicamente, pero conectados visual y espacialmente, a través del patio central del Damasco. La lucarna principal atraviesa el proyecto aumentando la percepción del espacio exterior en el interior del proyecto.

Spa Atrapa Árbol by LAND Arquitectos
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Estrategias sustentables pasivas aplicadas:

  • El sauna orientado al norte para subir su temperatura interior.
  • El jardín proyectado es para la recolección de especies y alimentos, con especies como la Alcaparra, Lavanda, Romero rastrero, Laurel de comer, hierbas, y un espacio para chacra. De esta manera, el paisaje es un “paisaje activo”, es decir que es un paisaje que cumple más funciones que existir solo para ser observado.

Spa Atrapa Árbol by LAND Arquitectos
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Autores: LAND arquitectos (Cristóbal Valenzuela Haeussler + Angela Delorenzo Arancibia) Colaboradores: Juan Carlos Muños y Gonzalo Arteche
Ingeniero: Sanitario Hernán Morales
Paisajismo: LAND arquitectos
Calculo: Cargaz Ingeniería

Spa Atrapa Árbol by LAND Arquitectos
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Arquitectura de Iluminación: LAND Arquitectos
Ingeniería Electricidad: TecHome
Construcción: Cúbica 3
Audio: Luis López

Spa Atrapa Árbol by LAND Arquitectos

Click above for larger image

Localización: Las Condes, Santiago,Chile
Superficie: 166 m²
Año del proyecto: 2010 Año

Rollercoaster by Interval Architects

Rollercoaster by Interval Architects

Chinese studio Interval Architects have completed a pavilion that snakes around a school square in Beijing like the tracks of a roller coaster.

Rollercoaster by Interval Architects

The continuous timber belt folds up and down from the ground to create louvred walls and a roof, which are supported by a series of metal columns.

Rollercoaster by Interval Architects

Where the chunky edges of the structure meet the ground they create benches and surround new patches of grass.

Rollercoaster by Interval Architects

As well as providing a seating area for students, the pavilion can also be used as an outdoor exhibition area.

Rollercoaster by Interval Architects

Some other timber pavilions we’ve published recently include one with a swimming pool inside and another for observing reindeer – see more stories about pavilions here.

Rollercoaster by Interval Architects

Photography is by GU Yunduan.

Rollercoaster by Interval Architects

The following text is from Interval Architects:


Rollercoaster

Situated in a tranquil environment of one of the best vocational schools in Beijing, the project aims at providing an iconic image to the institution as well as redefining the use of an existing public space on the central square of the campus.

Rollercoaster by Interval Architects

Initially, the client wanted to put on the square a themed sculpture with a monumental effect and scale. A huge pedestal was even already built for the sculpture to put on. However the obvious problem of the square is actually a severe lack of effective public space that would allow students to gather and communicate. What the school really needs is not a monument in the center of the campus, but a humanistic and functional gathering space for students and an event space for school activities.

Rollercoaster by Interval Architects

Therefore, with the intention to create an efficient public space, we proposed a continuous self-folding belt structure that resembles the image of a “roller coaster”. The structure folds three-dimensionally to create a series of spaces such as open gardens, shaded pavilions and exhibition corridors. The entire belt bends around and in-between the existing trees on the site so they are well-preserved and maximally utilized for shading.

Rollercoaster by Interval Architects

The rollercoaster-like structure presents a highly recognizable identity to the school as well as a fun image that was widely welcomed by the students.

Rollercoaster by Interval Architects

Credits:
Project Title: Rollercoaster

Rollercoaster by Interval Architects

Location: Beijing Huangzhuang Vocational School

Rollercoaster by Interval Architects

Architect: Interval Architects
Project Architect: Oscar KO, GU Yunduan

Rollercoaster by Interval Architects

Lighting Consultant: MIAO Hailin

Rollercoaster by Interval Architects


See also:

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Reindeer Pavilion
by Snøhetta
Artist Retreat
by 0 to 1
Gazebo for TV show
by Za Bor Architects

Firma Casa by the Campana brothers and SuperLimão Studio

Firma Casa by the Campana brothers and SuperLimão Studio

Brazilian designers Fernando and Humberto Campana and architects SuperLimão Studio have covered the facade of a São Paulo furniture showroom with thousands of plant-filled vases.

Firma Casa by the Campana brothers and SuperLimão Studio

The faceted aluminium containers hang from a mounted wire grid on the exterior of the two-storey Firma Casa store.

Firma Casa by the Campana brothers and SuperLimão Studio

Folding metal doors leading into the ground floor showroom open wide enough for large furniture to fit through.

Firma Casa by SuperLimao Studio and Campana Brothers

Concrete covers the floor of this gallery and store, while air conditioning ducts and lighting rails remain exposed on the ceiling.

Firma Casa by SuperLimao Studio and Campana Brothers

Staff offices are located upstairs on the first floor.

Firma Casa by SuperLimao Studio and Campana Brothers

The Campana brothers also recently completed their first hotel interior – see that story here and see more of their projects here.

Firma Casa by SuperLimao Studio and Campana Brothers

Photography is by Maira Acayaba.

Firma Casa by SuperLimao Studio and Campana Brothers

Here’s a little more text from SuperLimão Studio:


Firma Casa – Between Design and Art

The Firma Casa project started to be developed in November 2008, when Sonia Diniz Bernardini, owner of Firma Casa, decided to renew her store, established in 1994. She invited the Studio Campana to make the project and they decided together to invite SuperLimão Studio, a young architecture and design studio, to make the project and develop a lot of ideas.

The project consists in a two floor building with 500 square meters divided in a gallery, a retail store and, in the second floor, the offices. All of the steel structure, air conditioning ducts, and a grid of electric rails are showed in the ceiling. The beams can be used with industrial magnets to hang pieces, and pallets shelving can support different pieces with different dimensions. SuperLimão Studio looked to flexibility to develop the project with could be used for a lot of different exhibitions.

A three pieces front door allows entering pieces of big dimension into the gallery and the whole concrete floor can support heavy weight objects, sculptures, etc. In the outdoor area the Elastopave® was used to give the floor the capacity to drain rainwater.

To cover the whole façade, Fernando and Humberto Campana suggested a green wall with Espada-de-São-Jorge (Sansevieria Trifasciata), a plant with African origin and very diffused in Brazilian popular culture because of it’s protective superstition power. In front of this challenge SuperLimão Studio developed a bent aluminum vase, with an origami form to support the plants. There are 3500 vases with 9000 seedlings of Espada-de-São-Jorge.

Project: SuperLimão Studio + Studio Campana
Location: Al. Gabriel Monteiro da Silva, 1487, São Paulo, SP Architect: SuperLimão Studio
Landscape: Fernando e Humberto Campana
Landscape Execution: Maria Helena Cruz
Structural Engineers: Statura General Contractor: Sigla Engenharia Design: 2008 – 2011
Construction: 2011 – 2011
Site Area: 952 square meters Building Area: 505,47 square meters Use: Art Gallery -­‐ Retail Store Photography: Maira Acayaba