Terrace Step House by HUG

The floors of this house by Tokyo studio HUG are connected by the steps of a courtyard that climbs over a roof (+ slideshow).

Terrace Step House by HUG

Starting just above ground level, the staggered terrace steps up on top of a metal-clad garage to connect the double-height living room of the residence with a first floor bedroom.

Terrace Step House by HUG

Parapet walls surround the courtyard on two sides to screen it from the street that runs along the front of the house.

Terrace Step House by HUG

More Japanese houses on Dezeen »

Terrace Step House by HUG

Photography is by Satoshi Asakawa.

Terrace Step House by HUG

The text below is from HUG:


Terrace Step House

The site is surrounded by fields and located within the comfortableness of light and wind.

Terrace Step House by HUG

Therefore, the main idea was to focus on the exterior space, and create a house holding an atmosphere of “outside” more than “inside”.

Terrace Step House by HUG

Main feature of the house is the large 50 sq m terrace steps.

Terrace Step House by HUG

The terrace steps connect the first and the second floor, and links to the living room, bedroom flatly.

Terrace Step House by HUG

The inner spaces unite with the terrace, and blends in with the outer space.

Terrace Step House by HUG

Second floor section of the terrace steps is located on top of the parking lot of the front road.

Terrace Step House by HUG

This location able to cut views from the road, but let in the light and wind into the linked living room, and create a flow throughout the outer space.

Terrace Step House by HUG

The pathway of the inner and outer spaces unite by looping dimensionally, and connecting the skip-floors organically.

Terrace Step House by HUG

The terrace steps are an extension of the interior, a large pathway, a stage, an open square, and a main feature of the house.

Terrace Step House by HUG

This house holding the vagueness of both inner and the outer space is filled with light, wind, and the comfortable life of “outside”.

Partisans

Young architects seek to shake up design norms from Mecca to your living room
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Alex Josephson, Pooya Baktash and their fellow architects at Toronto-based Partisans are engaging in architectural guerrilla warfare. They want your attention and, most likely, they’ll get it as they poke, prod, shock and awe you into changing the way you see the world, or at least its buildings.

“Everyone at Partisans is young. The average age is 26,” says Josephson. “The idea was to graduate and immediately start working, to be free and experiment and research and try to figure out a way to make that viable as a business.” Part of that experimentation involves seeing how far they can push their industry, with proposed projects like their New Mecca Masterplan, for which they were recently awarded the 2012 People’s Choice Award for unrealized projects by Azure magazine.

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They came up with their vision for a new Mecca in response to the actual commission to redesign the holy city’s center, which was awarded to Zaha Hadid and Norman Foster (and 18 other architects) by the Saudi royal family.

Partisan’s plan replaces the Kaaba—a building at the center of the Masjid al Haram (the Grand Mosque) in Mecca and the holiest site in Islam; it is towards the Kabaa that Muslims face when they pray and a tenet of the religion that a pilgrimage to the site must be undertaken at least once in a lifetime—with a void, an absence of architecture. “As a counterpoint, we realized the most interesting place to imagine redesigning is the mosque itself. All these other projects stop there and build these grotesque buildings around the mosque,” says Josephson.

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Partisans sees the parameters of the official competition as misguided, and critiques the winning plan that puts such emphasis on “huge buildings, luxury hotels and giant entrances—the things architects like to build,” says Josephson. Partisan’s proposal questions why the Saudis couldn’t do better to honor the creativity of their ancestors. “This is just bling,” he says, pointing to the Abraj-al-Bait Towers, a clocktower, giant 5-star hotel and shopping center that was completed in 2012 as the first part of Mecca’s redesign.

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Projects like the Mecca redesign are indicative of the challenges Josephson and Baktash would like to present to the industry—as conceptualized by the rag-tag, energetic and diverse band of architects they’ve assembled under Partisan’s roof. “I imagined creating a practice with people of different backgrounds, of different disciplines,” says Josephson. “In-house we have a writer, musician, innovation and business strategist; we’re Hindu, Jews, Christians, Muslims and Atheists. We’re Iranian, Canadian, Slovakian, Indian, American. The idea was to bring these people together with disparate interests and professions to establish a new language of design.”

“The point is that it’s not perfect,” he goes on to say. “And the point is to challenge, the consumer first, and then the establishment. We’re interested in politics. We’re interested in the masses.”

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That isn’t to say that every Partisans project has to take on issues as significant or controversial as the center of the universe for the world’s 1.5 billion Muslims. They’re also bringing the fight to places like Pottery Barn with items like Tufftit, their take on the tufted leather bench where the soft leather is replaced with sculpted wood.

“Ninety percent of the world doesn’t buy into the idea of modern design, or contemporary design. People are conservative. Tufftit feeds off of that,” says Josephson. “We wanted to design furniture. People want tufted leather. We can we explore that language in a way that reinvents it, that is contemporary, that is perhaps futurist.” Also, it doesn’t look half bad.

Partisans currently has several projects in process that can be previewed on the firm’s website.


Administration Curricular Building Liceo María Auxiliadora by Surco Studio

Chilean architects Surco Studio have completed a rusted steel and concrete entrance and administration block for a school in Chile that was severely damaged by an earthquake.

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

Sheets of weathered steel overhang the concrete exterior walls to frame the entrance to the building, which leads in towards the school’s reception, as well as to new classrooms.

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

Located at a crossroads in the city of Linares, the school is named Liceo María Auxiliadora and the new building displays a statue of the Virgin Mary in the window above its wooden entrance.

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

Exposed concrete walls also feature inside the two-storey building, while large areas of glazing separate rooms from the double-height foyer.

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

Other projects we’ve featured in Chile this year include a house made from prefabricated modules and a library filled with daylight.

See all our stories about Chile »

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

Photography is by the architects.

Here’s some more explanation from Surco Studio:


Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

Administration Curricular Building Liceo María Auxiliadora de Linares

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

The project is part of the reconstruction of a building belonging to “María Auxiliadora High School” who was seriously damaged by the earthquake of 27 / F. It was located on the corner facing the main square of Linares, Seventh Region,Chile, in an important position within the city.

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

The opportunity to rebuild on the same site enabled with the sort proposed building a facility that grew without apparent order program according to the years; In this way was concentrated in the new building all the administrative and curricular program, before dispersed in school, as well as wards of agents and the main entrance to the school, thus replacing poor access and a few classrooms, for a more public one condition under its own logic to where it belongs.

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

Moreover, the building seeks, through architecture, a reading of the next emblematic elements that may influence your decision, where a rusty steel pediment stands up to the patina of brick Cathedral of the city and, on the opposite axis, a deciduous plant wall accompanies the green of the Plaza de Armas. The intersection of the two fronts forms a double height access that holds a picture of the virgin becoming a kind of urban cave.

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

Thus, the corner has been dematerialized in access with double eaves height, welcoming to pedestrians and mediating between the scale of the city and the gymnasium. On the other hand is looking to continue with the axes of existing buildings hiding, somehow, the trapezoidal layout of the city of Linares, which prevents the pursuit of orthogonality at the apex.

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

The double-height access to and qualified in turn penetrates inside the building, creating multiple views among the various levels and venues, also becoming the gateway to the former chapel.

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

The solution also had to fit a limited budget for government funds allocated to reconstruction work, for which completion tasks eliminated, making the expression of each raw material, concrete, steel and wood, along with the design structural building, equip themselves with the work atmosphere and thus the final image.

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

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Name of the work: Administration Curricular Building Liceo María Auxiliadora de Linares.
Authors: Surco. Juan Paulo and Felipe Alarcon Carreno
Location: Linares, Maule Region, Chile.

Promoter: Hosted by the Ministry of Education Reconstruction Plan. “Breakdown Plan 1″
Land: 367.7 m2
Constructed area: 735.4 m2

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

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Year of project: 2011
Year of construction: 2011
Predominant materials: Reinforced concrete in sight, Steel, Glass DVH, Corten steel and radiata pine wood.
Photographer: SURco.

Administration Curricular Building Liceo María Auxiliadora de Linares by Surco Studio

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Casa Vale Do Lobo

La Case Vale Do Lobo est une villa située dans la région d’Algarve dans le sud du Portugal qui nous propose un design incroyable. Pensée par l’architect Vasco Vieira à la tête d’Arqui+ Arquitectura, il s’agit une maison contemporaine jouant sur le bois et le verre. Plus d’images de ce lieu et de sa piscine dans la suite.

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The Tower Studio

The Tower Studio est un projet architectural étonnant. Construite sur l’île Fogo au large du Canada, cette structure noir offre un design peu commun et une vue incroyable sur le lac. Le contraste avec la nature de ce bâtiment pensé par l’architecte norvégien Todd Saunders, est à découvrir dans la suite en images.

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Turned Treehouse

Turned Treehouse c’est le projet génial que l’artiste Benjain Verdonck a développé pour le festival d’art Track. Ce dernier a pensé à Ghent en Belgique cette imitation de maison dans un arbre. Proche des autres maisons dans l’architecture, ce projet intrigue et crée une illustion très réussie à découvrir en images et vidéo.

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Architect John Portman Gets His Close-Up in New Documentary

Back in the 1980s, architect and developer John Portman’s firm was slammed by the mushrooming S&L crisis. “I said to hell with this, I’m getting out of here,” he explains in Ben Loeterman’s new documentary John Portman: A Life of Building. Best known for revolutionizing modern hotel architecture (and the Hyatt brand) with soaring atria, Portman decided to head east—way east—and lined up some projects in Shanghai, only to watch as China suddenly coped with its own dose of chaos in the form of the Tiananmen Square protests of 1989. Luckily, Portman is patient (his Marriott Marquis in Times Square opened in 1985—after a dozen years, three mayors, and countless delays), and his Shanghai Centre was the first of an ongoing series of ambitious projects in Asia. Today, at age 87, he’s something of a celebrity in China, where his name is far better known than it is in the United States. Loeterman’s documentary, now rolling out to public television stations across the country, helps American audiences catch up.

The film offers a glimpse into Portman’s life and work that is made mesmerizing by dramatic time-lapse footage that captures daylight washing over the facades and spaces of Portman-designed buildings from Atlanta to Beijing. Viewers learn about his formative trip to Brasila in 1961 and undergraduate encounter with Frank Lloyd Wright (his advice to a young Portman: “Go seek Emerson”) and how he rattled the American Institute of Architects by acting as both architect and developer, an idea that came to him at the age of 29, when he had opened an office but was struggling to get work. “I came to the conclusion that if I got the land and I was able to design the concept and able to get the financing, there was no damn question about who was going to be the architect,” he explains to students at Harvard’s Graduate School of Design.
continued…

New Career Opportunities Daily: The best jobs in media.

Metropole Aluminum House

Jean Prouvé’s 1949 design steals the show at Design Miami/Basel
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As Design Miami/Basel continues to establish itself as the dominant satellite fair of Switzerland’s Art Basel, Galerie Patrick Seguin upped the ante this year by installing a 1,000 square-foot aluminum structure designed by Jean Prouvé. The Metropole Aluminum House was originally created as a school for rural communities that could be pre-fabricated and erected on-site. While the structure was never implemented on a mass scale, Prouvé’s aluminum school won the 1949 competition hosted by the Ministry of Education, which called for a “mass-producible rural school with classroom and teacher accommodation.”

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The open floor-plan is made possible by a duo of load bearing portal frames, which drop like giant tuning forks into the main space. Beyond the living quarters and classroom, the structure can also accommodate a winter garden protected by glass. On the interior, the combination of wood and aluminum does the double duty of offering advanced heat control and a forward-thinking aesthetic. Prouvé designed the easily erected house with the post-war community of Lorraine in mind, who would require temporary structures during the reconstruction effort.

At the fair, the nostalgic appearance seemed to strike a chord with design lovers who continue to think about readily assembled structures for remote and disaster areas, Prouvé’s house representing a premonition for this increasingly important architectural niche.

See more images of the Metropole Aluminum House in our slideshow.

All images by Josh Rubin


Zaha Hadid Made a Dame; Emma Hill, Sarah Burton, Lara Bohinc Also on ‘Queen’s Birthday Honors’ List

When you’re the Queen, every day is like your birthday, so when your big day (or at least the cross-your-fingers-that-it’s-sunny June Saturday on which your subjects celebrate it) is imminent, you don’t jot down a wish list and hope that someone has the good sense to order a sheet cake adorned with a frosted corgi or two. Instead, you summon your most trusted advisors (and/or corgis) and hash out your annual list of “birthday honors”—orders of chilvalry such as Knight Grand Cross or Dame Grand Cross of the Most Excellent Order of the British Empire. All the more pressure if it’s a Jubilee year.

Near the top of this year’s list, released Saturday, is Zaha Hadid, who has been awarded the title Dame Commander of the Order of the British Empire (DBE) for services to architecture. “It is a tremendous honor for me to receive this award. I would like to thank all my colleagues and clients for their hard work and support,” said Hadid in a statement issued today by her London-based firm. “I am delighted that architecture has been recognized in this way. My father went to the London School of Economics in the 1930s, and everything he learned at the time is why I have always leaned towards the UK.” Her projects in the UK include Evelyn Grace Academy in London, the Riverside Museum in Glasgow, and, most recently, the London Aquatics Centre for the 2012 Olympics. Also making this year’s Queen’s Birthday Honors list were Mulberry creative director Emma Hill (named a Commander of the Order of the British Empire, or CBE), Sarah Burton, creative director of Alexander McQueen, who was selected as an Officer (OBE), and jewelry designer Lara Bohinc, who earned a Member (MBE) distinction.

New Career Opportunities Daily: The best jobs in media.

Centro Multiusos de Lamego by Barbosa & Guimarães

Slideshow: granite bleachers climb the exterior of this sports centre in Portugal by architects Barbosa & Guimarães, while a cantilevered, rusted-steel cafe looms over its entrance (photographs by José Campos).

Centro Multiusos de Lamego by Barbosa & Guimaraes

This sunken entrance leads visitors down into the lowest floor of the three-storey Lamego Multipurpose Centre, towards a sports hall and separate auditorium.

Centro Multiusos de Lamego by Barbosa & Guimaraes

Either side of this entrance, the tiered platforms stagger all the way up to the roof, in line with the sloping levels of the surrounding hillside.

Centro Multiusos de Lamego by Barbosa & Guimaraes

A series of Corten steel follies are also scattered across the rooftop to accomodate large skylights punching through to the interior.

Centro Multiusos de Lamego by Barbosa & Guimaraes

This time last year Barbosa & Guimarães had just completed some concrete law courts – take a look here.

Centro Multiusos de Lamego by Barbosa & Guimarães

Here’s some more information from Barbosa & Guimarães:


LAMEGO MULTIPURPOSE PAVILLION 2006 – 2012

Overlooking the entire city, the leafy park of mount Santo Estêvão is directly related to the centre of the city of Lamego through the imposing Escadório do Santuário de Nossa Senhora dos Remédios, which threads its way along the Avenida das Tílias.

Centro Multiusos de Lamego by Barbosa & Guimarães

Located at the foot of the park, together with the monumental 18th century complex, the Multi-purpose Pavilion mellows the hillside of mount Santo Estêvão, taking advantage of the natural gradient to nullify its volume, through a plaza and an amphitheatre installed on its roof.

Centro Multiusos de Lamego by Barbosa & Guimarães

The current fair space, which now acts as an anteroom for the new Pavilion, was out of character.

Centro Multiusos de Lamego by Barbosa & Guimarães

Its limits were redesigned, transforming it into a more controlled space, establishing a new relationship with the surrounding streets.

Centro Multiusos de Lamego by Barbosa & Guimarães

On the south elevation, where the main accesses to the building are located, the great amphitheatre allows a connection to be made between the two plazas, the new one at a high level above ground and the other at a low level.

Centro Multiusos de Lamego by Barbosa & Guimarães

The urban park gains a new orientation, the new Plaza over the Pavilion merging at its northern end.

Centro Multiusos de Lamego by Barbosa & Guimarães

These three new spaces, Park, Fair and Plaza, in direct conjunction with the urban axis defined by the Alameda and Escadório de Nossa Senhora dos Remédios, significantly reinforce and upgrade the public space of the city of Lamego.

Centro Multiusos de Lamego by Barbosa & Guimarães

The Pavilion, the anchoring facility in the intervention, allows various uses, the fruit of the multi-purpose nature of the arena and of the foyer, which their 50-metre span and ceiling height of 10 make possible.

Centro Multiusos de Lamego by Barbosa & Guimarães

The Pavilion also offers shower facilities and changing rooms, a multipurpose room and auditorium for 120 people, which complements its versatility.

Centro Multiusos de Lamego by Barbosa & Guimarães

With the Pavilion there will be a car park, with four underground floors, allowing streets with high and low levels to be connected.

Centro Multiusos de Lamego by Barbosa & Guimarães

Granite, present in the subsoil and in the architecture of Lamego, coats the new public spaces, strengthening the character of continuity and integration that the project seeks.

Centro Multiusos de Lamego by Barbosa & Guimarães

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Centro Multiusos de Lamego by Barbosa & Guimarães

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Centro Multiusos de Lamego by Barbosa & Guimarães

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Centro Multiusos de Lamego by Barbosa & Guimarães

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Centro Multiusos de Lamego by Barbosa & Guimarães

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Centro Multiusos de Lamego by Barbosa & Guimarães

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