Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

A sharply pointed gable rises above the walls of this stone funeral chapel in a small German town by Bayer & Strobel Architekten (+ slideshow).

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

The triangular profile frames the interior of a double-height funeral hall, which is lit from above by a long narrow skylight.

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

“To do justice to its significance within the cemetery complex, the funeral is clearly marked with a gabled roof,” said architect Peter Strobel. “This creates an interior that feels dignified and solemn as well as simple and appropriate to its purpose.”

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Glass walls allow guests to look out from the hall to two private courtyards, which are enclosed behind the stone facade of the building.

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Strobel explained how the walls “block off the cemetery from the street, enclosing it as a place of peace and contemplation.”

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Other rooms in the building are arranged in a single block that runs alongside the chapel, providing a series of smaller meeting rooms and waiting areas.

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Other memorial buildings we’ve featured include a boulder-shaped mausoleum in Mexico and a chapel with a copper roof in Finland.

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

See more chapels on Dezeen »

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Photography is by the architects.

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Project Details:

Competition: 10/2008 – Bayer & Strobel Architekten with jbbug Landschaftsarchitekten
Project start: 06/2009

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Start of construction: 01/2011
Completion: 05/2012

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Client: Stadt Ingelheim am Rhein
Architect: Bayer & Strobel Architekten

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Co-worker: Christian Köhler
Landscape architect: jbbug Johannes Böttger Büro Urbane Gestalt

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Structural engineer: Ingenieur-Gesellschaft Tragwerk Angnes + Rohde mbH
Mechanical services: Planungsbüro Stoffel

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Ground floor plan – click above for larger image

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Cross section one – click above for larger image

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Cross section two  – click above for larger image

Funeral Chapel in Ingelheim Frei-Weinheim by Bayer & Strobel Architekten

Long section – click above for larger image

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by Bayer & Strobel Architekten
appeared first on Dezeen.

Self-Sustained Smart Structure

Villa Sera is a self-sustained structure that harnesses power from solar panels, collects rainwater and uses gray water for plants, creating a microcosm that not only reduces the carbon footprint but contributes to the ecological system. The architecture is structured with steel and glass elements to form a strong, modern and spacious building. Greenhouse sections with innovative heat and air circulation for organic farming and plant growing support biodiversity further extending its self sufficiency.

Designer: Hakan Gürsu of Designnobis


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(Self-Sustained Smart Structure was originally posted on Yanko Design)

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The Library by COBE and Transform

This golden library in Copenhagen by architects COBE and Transform is meant to resemble a pile of books (+ slideshow).

The Library by COBE and Transform

Libraries for children, teenagers and adults are split between three of the differently shaped floors, while a concert hall sits on the top.

The Library by COBE and Transform

Perforated aluminium gives the building its bumpy, golden facade and also lines the walls of a triple-height atrium that cuts through the interior.

The Library by COBE and Transform

Entrances lead into this atrium from both sides of the building, while balconies branch across it on the upper floors.

The Library by COBE and Transform

Windows for some of the rooms are concealed behind the metal cladding and are only visible after dark.

The Library by COBE and Transform

Above: photograph is by Stamers Kontor

The architects won a competition to design the building back in 2009 – see our earlier story for the original proposals.

The Library by COBE and Transform

Above: photograph is by Stamers Kontor

We’ve featured a few golden buildings in recent months, including the new wing at the Musée du Louvre in Paris. See more stories about golden architecture and interiors here, and see more stories about libraries here.

The Library by COBE and Transform

Photographs above are by Adam Mørk, apart from where otherwise stated.

The Library by COBE and Transform

Above: photograph is by Kåre Viemose

Here’s a project description from COBE:


The Library is an extension of an existing culture house in Copenhagen’s north-west. The extension fulfills four main functions: a children’s library, a youth library, a library for adults and a concert hall.

The Library by COBE and Transform

Above: photograph is by Stamers Kontor

The building’s unique design is comprised of four golden boxes stacked on top of one another, each containing one of the building’s four main functions. Deliberately designed to resemble a stack of books, the building’s floors each contain a world of their own, including individually staged scenography.

The Library by COBE and Transform

Above: photograph is by Stamers Kontor

The spaces between the boxes are used as flexible spaces. Moving through the building, you experience an interplay between the different staged spatialities in each box versus an open, flexible space outside and between the boxes.

The Library by COBE and Transform

An important element in the architecture is the golden brown siding inside and out of extruded, gold anodized aluminium, which offers the possibility of varying the transparency of the fenestration and creates a uniform facade expression.

The Library by COBE and Transform

Above: photograph is by Jens Lindhe

Seen from the outside, the facade changes over day depending on how the daylight falls. Some windows are placed behind the expanded metal, which is barely visible in daylight, but clearly appears in the evening when the house is illuminated from the inside.

The Library by COBE and Transform

Above: photograph is by Jens Lindhe

North-west is an area in Copenhagen located between the lively, dense and diverse urban neighbourhood of Nørrebro and the villa neighborhood at the edge of the city.

The Library by COBE and Transform

Above: photograph is by Kåre Viemose

Many people live and work in this multiethnic area.

The Library by COBE and Transform

Yet, since the area is located in the vicinity to numerous entry roads, most Copenhagener’s only use the north-west as passage when going in and out of the city by car. Located here, The Library appears as a golden gem, beautifying an often disregarded part of town – a much needed institution for arts and culture in the area.

The Library by COBE and Transform

Above: photograph is by Stamers Kontor

Place: Copenhagen, Denmark
Client: Copenhagen Municipality
Program: Transformation of existing culture house and extension containing library and concert hall
Size: Existing 1.150 m2, new build 2.000 m2
Status: 1st prize in competition 2009, completed 2011
Architects: COBE and TRANSFORM

The Library by COBE and Transform

Above: photograph is by Stamers Kontor

Landscape Architects: Schönherr
Engineers: Wessberg
Contractor: Bdr. A&B Andersen
Budget: DKK 42 m.

The Library by COBE and Transform

Concept sketch one

The Library by COBE and Transform

Concept sketch two

The Library by COBE and Transform

Concept sketch three

The Library by COBE and Transform

Ground floor plan – click above for larger image

The Library by COBE and Transform

First floor plan – click above for larger image

The Library by COBE and Transform

Second floor plan – click above for larger image

The Library by COBE and Transform

Third floor plan – click above for larger image

The Library by COBE and Transform

Section – click above for larger image

The Library by COBE and Transform

Section – click above for larger image

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and Transform
appeared first on Dezeen.

The River Sauna

Situé à Gudbrandsjuvet en Norvège, ce sauna est idéalement placé près d’une belle rivière avec vue panoramique sur les montagnes. Construit à proximité de l’Hôtel Juvet Landscape et proposé aux clients de l’hôtel, cet endroit conçu par Jensen & Skodvin Architects est un lieu idéal pour se détendre.

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Ben Ami House by Shilo Benaroya

Ben Ami House by Shilo Benaroya

Rooms are shared between two matching concrete blocks at this house in Israel by architects Shilo Benaroya.

Ben Ami House by Shilo Benaroya

A corridor and stairwell joins the two halves of the Ben Ami House together and a small patio slots into the space between.

Ben Ami House by Shilo Benaroya

The architects explain how this division satisfies the “simple need for privacy” in the two-storey family house and have separated bedrooms between the two blocks.

Ben Ami House by Shilo Benaroya

The kitchen is located at the back of the house and opens out onto a second terrace.

Ben Ami House by Shilo Benaroya

The facade of the house displays two tones of grey, where some parts of the concrete have been coated in plaster and others are left exposed.

Ben Ami House by Shilo Benaroya

Other Israeli houses we’ve featured include one that is entirely white and one that is concealed behind a house-shaped brick wall.

Ben Ami House by Shilo Benaroya

See more projects in Israel »

Ben Ami House by Shilo Benaroya

Photography is by Friederike Von Rauch.

Ben Ami House by Shilo Benaroya

Here’s some text from the architects:


Ben Ami House

We started the project with the simple need of the family for privacy, hence the architectural model composed of two boxes that responds to the organization of the program; one box contains kitchen and living areas on the ground floor, private bedroom with an open terrace on the first floor, while second box contains private bedrooms and service areas on both floors.

Ben Ami House by Shilo Benaroya

A patio on the ground floor, situated between the two boxes, constitutes the main entrance volume to move through the courtyard, staircase and corridor into the house and also between the boxes.

Ben Ami House by Shilo Benaroya

The house feels large due to its clear circulation and continuous spaces.

Ben Ami House by Shilo Benaroya

With the aim of providing complete flexibility of arrangement in the interior, two parallel structural exposed concrete walls have been created at the north/south walls, while the other east/west walls are composed as infield of plaster finish and the window strips.

Ben Ami House by Shilo Benaroya

The two-boxes-house is as rational in arrangement as in construction, a reflection of the compactness of the lot and of the key desire for clarity in program, structure and materiality of the house.

Ben Ami House by Shilo Benaroya

Ground floor plan

Construction Engineer: Vera Neustein
Interior Design: Shilo Benaroya architecture office

Ben Ami House by Shilo Benaroya

First floor plan

Concrete floor: Ran Abengan
Steel work: Yarden Nachmias
Air conditioning: Avi Zerah
Kitchen and Furniture wood work: Yossi Belishevski
Kitchen and Wood: Yossi Belishevski
Stainless steel: Nirosta Yussin

Ben Ami House by Shilo Benaroya

Long section – click above for larger image

Ben Ami House by Shilo Benaroya

Cross section – click above for larger image

Ben Ami House by Shilo Benaroya

Side elevation

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by Shilo Benaroya
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MVRDV to create Almere peninsula for World Horticultural Expo

News: the Dutch city of Almere has won a bid to host the World Horticultural Expo in 2022 with proposals by MVRDV for a square-shaped peninsula covered in gardens.

As well as hosting the six-month festival, the 45 hectare development will create a new city quarter over a lake and will accommodate a university, offices, homes and leisure facilities.

MVRDV are also the urban planners for Almere and will develop these plans as part of a wider strategy to expand the city with 60,000 new houses and 100,000 new work places.

“We will build a city that is literally green as well as ecological,” said MVRDV’s Winy Maas. ”A city that produces food and energy, cleans its own water, recycles waste and holds a great biodiversity.”

Maas also suggests that the merging of city and coutryside could “offer essential argumentation to the global concerns regarding of urbanisation and consumption.”

Read more about the proposals in our earlier story.

See all our stories about MVRDV »

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for World Horticultural Expo
appeared first on Dezeen.

Department of Islamic Arts at Musée du Louvre by Mario Bellini and Rudy Ricciotti

An undulating golden plane blankets the new Islamic art galleries at the Musée du Louvre in Paris, which opened to the public this weekend (+ slideshow).

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

Designed by Italian architect Mario Bellini and his French colleague Rudy Ricciotti, the new gallery wing is surrounded by the neoclassical facades of the museum’s Cour Visconti courtyard and has two of its three floors submerged beneath the ground.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

Tessellated glass triangles create the self-supporting curves of the roof and are sandwiched between two sheets of anodized aluminium mesh to create a golden surface both inside and out.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

Above: photograph is by Philippe Ruault

“It’s more like an enormous veil that undulates as if suspended in the wind, almost touching the ground of the courtyard at one point, but without totally encumbering it or contaminating the historic facades” said Bellini.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

Beneath the roof, two exhibition floors accommodate over 2500 works by Islamic artists from the seventh to the nineteenth century.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

Glass facades surround the galleries at ground floor level, so visitors can look out at the surrounding architecture, while the underground galleries are filled with artworks that are sensitive to light.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

The layout of the galleries is designed as a loop, which connects with the existing routes of the museum and encourages visitors to enter the new wing.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

A third floor is located beneath the galleries to house technical facilities and storage areas.

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

We’ve noticed a trend in golden buildings recently. See more of them here »

Department of Department of Islamic Arts at Louvre by Mario Bellini and Rudy Ricciotti

Section – click above for larger image

Photography is by Antoine Mongodin, apart from where otherwise stated.

See more stories about art galleries on Dezeen »

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by Mario Bellini and Rudy Ricciotti
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Silent Halls of European Palaces

Depuis 30 ans, cet artiste italien Massimo Listri immortalise des intérieurs avec un talent indéniable, permettant ainsi de magnifier des lieux souvent chargés d’Histoire. Cherchant dans ses clichés à exprimer la tranquillité et le silence dans une société chaotique, chaque photographie est un trésor révélé.

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Welcome to the Bathtub: Amsterdam’s Stedelijk Museum Reopens with Addition by Benthem Crouwel

Queen Beatrix herself was on hand this weekend (in a festive red ensemble, no less) to reopen the Stedelijk Museum, which has undergone an extensive renovation and gained a new wing designed by Mels Crouwel of Benthem Crouwel Architects. The Amsterdam institution’s original building dates to 1895, and virtually all of its program spaces have now been converted to galleries for the first comprehensive display of the Stedelijk’s permanent collection of modern and contemporary art and design (think Aalto to Zwart). The 98,400-square-foot new wing, which some locals have dubbed “the bathtub,” not only provides a sleek home for temporary exhibitions (first up: a group show of young artists working in the Netherlands) but also reorients the entire museum to face Amsterdam’s Museumplein, where its floating white facade rub-a-dubs with the neighboring Rijksmuseum, Van Gogh Museum, and Concertgebouw.

“The Stedelijk Museum of Willem Sandberg, the director who put the museum on the international map, was our starting point,” explains Crouwel. “He stripped the interior of decoration and had it painted white, creating a neutral background for art.” Crouwel’s formula for the exterior was simple: keep the 19th-century architecture, add 21st-century technology, and paint everything Sandberg white. The new building’s milky exterior, made of 271 panels of Twaron aramid fibers and Tenax carbon fibers attached to a steel structure, makes the Stedelijk the largest composite building in the world. “With the completion of Mels Crouwel’s bold yet brilliantly functional building, we are effectively adding a major new work to our exceptional collection of Dutch modern design,” said director Ann Goldstein in a statement issued by the museum.
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BTV Branch Innsbruck by Rainer Köberl

A chequerboard of solid and void cloaks the tapered glass walls of this bank in Innsbruck by Austrian architect Rainer Köberl (+ slideshow).

BTV Branch Innsbruck by Rainer Koberl

The four-storey building, for European bank BTV, has a steeply gabled profile that creates enough height for two more storeys than are usually permitted in the area by local planning authorities.

BTV Branch Innsbruck by Rainer Koberl

The fibre-reinforced concrete panels function like louvres to moderate the daylight passing into the building.

BTV Branch Innsbruck by Rainer Koberl

Below the chequered screen, a wall of concrete surrounds the ground floor, with windows in the shape of overlapping circles.

BTV Branch Innsbruck by Rainer Koberl

The bank occupies the ground and first floors of the building, while the two upstairs floors are rented by a doctor and a shipping company.

BTV Branch Innsbruck by Rainer Koberl

We’ve featured a few interesting banks on Dezeen, including one with cardboard meeting rooms.

BTV Branch Innsbruck by Rainer Koberl

See all our stories about banks »

BTV Branch Innsbruck by Rainer Koberl

Photography is by Lukas Schaller.

BTV Branch Innsbruck by Rainer Koberl

Here’s a project description from the photographer:


Black and white squares cover the building in a regular pattern. It suggests a chessboard, but also has something of the white snow-covered mountains that surround Innsbruck. What really inspired Rainer Köberl for this new building on the edge of town he did not divulge to me.

BTV Branch Innsbruck by Rainer Koberl

But one thing is for sure: he succeeded in making a strong statement. He created a building that can hold its own in an urban architectural jumble without having to resort to great formal contortions.

BTV Branch Innsbruck by Rainer Koberl

We are standing on Mitterweg, a street extremely busy with both car traffic and pedestrians. A building supply store, even several large supermarkets, schools, residential buildings and commercial enterprises extend along its right and left sides.

BTV Branch Innsbruck by Rainer Koberl

The Vier Länder Bank, known as BTV for short, wanted to have a new building for a branch built here on Mitterweg and held a competition by invitation for its design.

BTV Branch Innsbruck by Rainer Koberl

The jury was chaired by the Viennese architect Heinz Tesar, who had built the head office for BTV, the so-called Stadtforum (completed in 2006), in Innsbruck’s historic centre.

BTV Branch Innsbruck by Rainer Koberl

In the course of the competition, the bank realised the property was actually too small for its needs and it did not award a prize. After being able to purchase an additional small lot adjoining the property, it invited the same participants to a second round.

BTV Branch Innsbruck by Rainer Koberl

That provided the Innsbruck architect Rainer Köberl a good opportunity to give his design an edge. He kept the pointy cap-like shape rising up to a peak, but proposed a different material for the facade and was able to win the competition.

BTV Branch Innsbruck by Rainer Koberl

The striking feature of this bank building is its steeply rising roof – Köberl wanted to make the building as tall as possible so it is not swamped by the surrounding urban architectural jumble. Actually, only two storeys are allowed in this location.

BTV Branch Innsbruck by Rainer Koberl

Site plan – click above for larger image

That is why the body of the building bends sharply towards the roof ridge from the second storey upward. Underscoring the shape is the striking pattern of the facade.

BTV Branch Innsbruck by Rainer Koberl

Ground floor plan – click above for larger image

Like a chessboard, the outer skin consists of square, concrete-coloured panels made of fibre-reinforced concrete alternating with black air holes of the same size. In order to be better able to gauge the size of the individual panels, Köberl recounts, he went to Vaduz. There, Hans Jörg Göritz had realised a similarly steeply rising form of roof ending in a point for the Landesforum and Landesparlament (parliament) of the principality of Liechtenstein, though in this case of small-sized bricks.

BTV Branch Innsbruck by Rainer Koberl

First floor plan – click above for larger image

Using the measurements of the bricks, Köberl was then able to count up and calculate what seemed to him the right size of panel for his own building. Behind the facade’s outer skin, the reinforced concrete structure with glazing all around tapers towards the top like a stepped pyramid. A 60-centimetre-wide steel maintenance balcony is positioned between the glass skin and outer skin of the facade.

BTV Branch Innsbruck by Rainer Koberl

Second floor plan – click above for larger image

Attached to it are steel struts which, in turn, hold the fibre-reinforced concrete panels. From the outside this net house allows hardly any views of the interior. From indoors, on the other hand, the dark squares scarcely obstruct the view out – better still, they help shut out the ugly neighbouring buildings and allow the focus on beautiful sights such as the silhouette of the mountains.

BTV Branch Innsbruck by Rainer Koberl

Third floor plan – click above for larger image

A concrete wall beginning its gradual ascent parallel to the garage entrance wraps once around the whole building at a certain distance from it, but then comes into contact with it on the east side after all.

BTV Branch Innsbruck by Rainer Koberl

Section – click above for larger image

Round windows are cut into the wall here; they provide views into and out of the more public part of the bank. Everywhere else the wall protects the offices from direct view but, because it is at a distance, it lets enough daylight indoors and creates a small inner court planted with greenery.

BTV Branch Innsbruck by Rainer Koberl

Section – click above for larger image

The bank occupies the ground floor and the first upper storey. Downstairs are the staff offices, reception counter and self-service area. Upstairs are meeting rooms and a small terrace, popular for private telephone calls or short breaks for smoking. The bank rents out the top two storeys to a doctor and a shipping company respectively.

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by Rainer Köberl
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